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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B8395 it is the complementary color #C47C6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B8395. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B8395 shade: #408390, #5195A3, #62A7B6, #73B9C9 and #84CBDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B8395. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B8395 shade: #3B8395, #2A7182, #195F6F, #084D5C and #003B49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B8395 shade: #3B8395, #3B6B95, #3B5395, #3C3B95 and #543B95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B8395 shade: #3B8395, #3B6B95, #3B5395 and #3B3B95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B8395 shade matches the following richer shades: #3B8395, #2A8DA6, #1997B7 and #08A1C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B8395 shade: #3B8395, #4C7984, #5D6F73, #6E6562 and #7F5A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B8395 shade: #3B9577, #3B958F, #3B8395, #3B6B95 and #3B5395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B8395 shade: #244F5A, #2F6978, #3B8395, #479DB3 and #62ADC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B8395 shade: #3B8395, #5F3B95 and #95833B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B8395 shade: #3B8395, #953B83 and #83953B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B8395 shade: #3B8395, #5F3B95, #954D3B and #71953B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B8395 shade: #3B8395, #7A3B95, #954D3B and #56953B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

Complementary color

CMYK 0 / 37 / 46 / 23

HEX #C47C6A

RGB 196 124 106

HSL 12, 0.43%, 0.59%

LAB 59.15, 25.98, 21.52

 

CMYK 56 / 9 / 0 / 44

HEX #408390

RGB 64 131 144

HSL 189.75, 0.38%, 0.41%

LAB 51.08, -17.35, -13.49

 

CMYK 50 / 9 / 0 / 36

HEX #5195A3

RGB 81 149 163

HSL 190.24, 0.34%, 0.48%

LAB 57.93, -17.59, -14.02

 

CMYK 46 / 8 / 0 / 29

HEX #62A7B6

RGB 98 167 182

HSL 190.71, 0.37%, 0.55%

LAB 64.65, -17.75, -14.52

 

CMYK 43 / 8 / 0 / 21

HEX #73B9C9

RGB 115 185 201

HSL 191.16, 0.44%, 0.62%

LAB 71.26, -17.85, -15

 

CMYK 40 / 8 / 0 / 14

HEX #84CBDC

RGB 132 203 220

HSL 191.59, 0.56%, 0.69%

LAB 77.75, -17.91, -15.46

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 68 / 13 / 0 / 49

HEX #2A7182

RGB 42 113 130

HSL 191.59, 0.51%, 0.34%

LAB 44.11, -16.25, -15.87

 

CMYK 77 / 14 / 0 / 56

HEX #195F6F

RGB 25 95 111

HSL 191.16, 0.63%, 0.27%

LAB 37, -15.32, -15.23

 

CMYK 91 / 16 / 0 / 64

HEX #084D5C

RGB 8 77 92

HSL 190.71, 0.84%, 0.2%

LAB 29.74, -13.83, -14.45

 

CMYK 100 / 19 / 0 / 71

HEX #003B49

RGB 0 59 73

HSL 191.51, 1%, 0.14%

LAB 22.33, -11.43, -13.47

HEX #003B49

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 60 / 28 / 0 / 42

HEX #3B6B95

RGB 59 107 149

HSL 208, 0.43%, 0.41%

LAB 43.68, -3.05, -27.83

 

CMYK 60 / 44 / 0 / 42

HEX #3B5395

RGB 59 83 149

HSL 224, 0.43%, 0.41%

LAB 36.53, 12.13, -39.11

 

CMYK 60 / 60 / 0 / 42

HEX #3C3B95

RGB 60 59 149

HSL 240.67, 0.43%, 0.41%

LAB 30.06, 28.13, -49.53

 

CMYK 44 / 60 / 0 / 42

HEX #543B95

RGB 84 59 149

HSL 256.67, 0.43%, 0.41%

LAB 32.22, 33.17, -45.93

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 60 / 28 / 0 / 42

HEX #3B6B95

RGB 59 107 149

HSL 208, 0.43%, 0.41%

LAB 43.68, -3.05, -27.83

 

CMYK 60 / 44 / 0 / 42

HEX #3B5395

RGB 59 83 149

HSL 224, 0.43%, 0.41%

LAB 36.53, 12.13, -39.11

 

CMYK 60 / 60 / 0 / 42

HEX #3B3B95

RGB 59 59 149

HSL 240, 0.43%, 0.41%

LAB 29.98, 27.94, -49.66

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 75 / 15 / 0 / 35

HEX #2A8DA6

RGB 42 141 166

HSL 192.1, 0.6%, 0.41%

LAB 54.34, -19.48, -21.32

 

CMYK 86 / 17 / 0 / 28

HEX #1997B7

RGB 25 151 183

HSL 192.15, 0.76%, 0.41%

LAB 57.81, -20.67, -25.71

 

CMYK 96 / 20 / 0 / 22

HEX #08A1C8

RGB 8 161 200

HSL 192.19, 0.92%, 0.41%

LAB 61.4, -20.85, -29.74

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 42 / 8 / 0 / 48

HEX #4C7984

RGB 76 121 132

HSL 191.79, 0.27%, 0.41%

LAB 48.1, -12.36, -10.87

 

CMYK 19 / 3 / 0 / 55

HEX #5D6F73

RGB 93 111 115

HSL 190.91, 0.11%, 0.41%

LAB 45.54, -5.74, -4.47

 

CMYK 0 / 8 / 11 / 57

HEX #6E6562

RGB 110 101 98

HSL 15, 0.06%, 0.41%

LAB 43.51, 2.99, 2.98

 

CMYK 0 / 29 / 36 / 50

HEX #7F5A51

RGB 127 90 81

HSL 11.74, 0.22%, 0.41%

LAB 41.87, 13.93, 11.23

 

CMYK 60 / 0 / 20 / 42

HEX #3B9577

RGB 59 149 119

HSL 160, 0.43%, 0.41%

LAB 55.84, -34.28, 7.95

 

CMYK 60 / 0 / 4 / 42

HEX #3B958F

RGB 59 149 143

HSL 176, 0.43%, 0.41%

LAB 56.49, -27.98, -4.83

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 60 / 28 / 0 / 42

HEX #3B6B95

RGB 59 107 149

HSL 208, 0.43%, 0.41%

LAB 43.68, -3.05, -27.83

 

CMYK 60 / 44 / 0 / 42

HEX #3B5395

RGB 59 83 149

HSL 224, 0.43%, 0.41%

LAB 36.53, 12.13, -39.11

 

CMYK 60 / 12 / 0 / 65

HEX #244F5A

RGB 36 79 90

HSL 192.22, 0.43%, 0.25%

LAB 31.13, -11.28, -11

 

CMYK 61 / 13 / 0 / 53

HEX #2F6978

RGB 47 105 120

HSL 192.33, 0.44%, 0.33%

LAB 41.32, -14.09, -14.09

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 60 / 12 / 0 / 30

HEX #479DB3

RGB 71 157 179

HSL 192.22, 0.43%, 0.49%

LAB 60.52, -19.21, -19.2

 

CMYK 49 / 10 / 0 / 25

HEX #62ADC0

RGB 98 173 192

HSL 192.13, 0.43%, 0.57%

LAB 66.74, -18.13, -16.93

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 36 / 60 / 0 / 42

HEX #5F3B95

RGB 95 59 149

HSL 264, 0.43%, 0.41%

LAB 33.42, 35.78, -43.94

 

CMYK 0 / 12 / 60 / 42

HEX #95833B

RGB 149 131 59

HSL 48, 0.43%, 0.41%

LAB 55.01, -2.37, 40.65

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 0 / 60 / 12 / 42

HEX #953B83

RGB 149 59 131

HSL 312, 0.43%, 0.41%

LAB 39.84, 46.73, -22.27

 

CMYK 12 / 0 / 60 / 42

HEX #83953B

RGB 131 149 59

HSL 72, 0.43%, 0.41%

LAB 58.64, -19.93, 44.3

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 36 / 60 / 0 / 42

HEX #5F3B95

RGB 95 59 149

HSL 264, 0.43%, 0.41%

LAB 33.42, 35.78, -43.94

 

CMYK 0 / 48 / 60 / 42

HEX #954D3B

RGB 149 77 59

HSL 12, 0.43%, 0.41%

LAB 41.24, 28.43, 24.21

 

CMYK 24 / 0 / 60 / 42

HEX #71953B

RGB 113 149 59

HSL 84, 0.43%, 0.41%

LAB 57.39, -27.36, 42.56

 

CMYK 60 / 12 / 0 / 42

HEX #3B8395

RGB 59 131 149

HSL 192, 0.43%, 0.41%

LAB 51.07, -16.86, -16.43

 

CMYK 18 / 60 / 0 / 42

HEX #7A3B95

RGB 122 59 149

HSL 282, 0.43%, 0.41%

LAB 36.81, 42.66, -38.31

 

CMYK 0 / 48 / 60 / 42

HEX #954D3B

RGB 149 77 59

HSL 12, 0.43%, 0.41%

LAB 41.24, 28.43, 24.21

 

CMYK 42 / 0 / 60 / 42

HEX #56953B

RGB 86 149 59

HSL 102, 0.43%, 0.41%

LAB 55.88, -37.38, 40.44

 

Description

Color code: HEX #3B8395 | qconv.com Color code: HEX #3B8395 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 131 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 131 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 12 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 12% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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