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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 197 169 it is the complementary color RGB 168 58 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 197 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 197 169 shade: RGB 92 197 164, RGB 109 215 183, RGB 126 233 202, RGB 143 251 221 and RGB 160 255 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 197 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 70 179 150, RGB 53 161 131, RGB 36 143 112 and RGB 19 125 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 87 197 140, RGB 87 197 110, RGB 94 197 87 and RGB 124 197 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 87 196 197, RGB 87 166 197, RGB 87 136 197 and RGB 87 107 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 197 169 shade matches the following richer shades: RGB 87 197 169, RGB 69 215 178, RGB 51 234 187 and RGB 33 252 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 105 179 160, RGB 124 161 151, RGB 142 143 143 and RGB 160 125 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 197 169 shade: RGB 87 197 109, RGB 87 197 139, RGB 87 197 168, RGB 87 197 197 and RGB 87 168 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 197 169 shade: RGB 51 151 125, RGB 62 182 151, RGB 87 197 169, RGB 118 208 185 and RGB 149 218 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 87 95 197 and RGB 197 124 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 168 87 197 and RGB 197 168 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 87 95 197, RGB 197 87 117 and RGB 197 190 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 197 169 shade: RGB 87 197 169, RGB 113 87 197, RGB 197 87 117 and RGB 172 197 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

Complementary color

CMYK 0 / 65 / 49 / 34

HEX #A83A56

RGB 168 58 86

HSL 344.73, 0.49%, 0.44%

LAB 41.25, 47.32, 8.16

 

CMYK 53 / 0 / 17 / 23

HEX #5CC5A4

RGB 92 197 164

HSL 161.14, 0.48%, 0.57%

LAB 72.82, -38.36, 7.38

 

CMYK 49 / 0 / 15 / 16

HEX #6DD7B7

RGB 109 215 183

HSL 161.89, 0.57%, 0.64%

LAB 79.2, -38.3, 6.41

 

CMYK 46 / 0 / 13 / 9

HEX #7EE9CA

RGB 126 233 202

HSL 162.62, 0.71%, 0.7%

LAB 85.49, -38.18, 5.51

 

CMYK 43 / 0 / 12 / 2

HEX #8FFBDD

RGB 143 251 221

HSL 163.33, 0.93%, 0.77%

LAB 91.71, -38.04, 4.67

 

CMYK 37 / 0 / 6 / 0

HEX #A0FFF0

RGB 160 255 240

HSL 170.53, 1%, 0.81%

LAB 94.01, -31.43, -1.73

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 61 / 0 / 16 / 30

HEX #46B396

RGB 70 179 150

HSL 164.04, 0.44%, 0.49%

LAB 66.32, -38.15, 5.62

 

CMYK 67 / 0 / 19 / 37

HEX #35A183

RGB 53 161 131

HSL 163.33, 0.5%, 0.42%

LAB 59.78, -37.89, 6.76

 

CMYK 75 / 0 / 22 / 44

HEX #248F70

RGB 36 143 112

HSL 162.62, 0.6%, 0.35%

LAB 53.16, -37.38, 8.05

 

CMYK 85 / 0 / 26 / 51

HEX #137D5D

RGB 19 125 93

HSL 161.89, 0.74%, 0.28%

LAB 46.44, -36.46, 9.52

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 56 / 0 / 29 / 23

HEX #57C58C

RGB 87 197 140

HSL 148.91, 0.49%, 0.56%

LAB 72.13, -44.7, 19.3

 

CMYK 56 / 0 / 44 / 23

HEX #57C56E

RGB 87 197 110

HSL 132.55, 0.49%, 0.56%

LAB 71.61, -50.13, 34.3

 

CMYK 52 / 0 / 56 / 23

HEX #5EC557

RGB 94 197 87

HSL 116.18, 0.49%, 0.56%

LAB 71.56, -51.56, 45.57

 

CMYK 37 / 0 / 56 / 23

HEX #7CC557

RGB 124 197 87

HSL 99.82, 0.49%, 0.56%

LAB 72.83, -42.46, 47.39

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 56 / 1 / 0 / 23

HEX #57C4C5

RGB 87 196 197

HSL 180.55, 0.49%, 0.56%

LAB 73.24, -30.62, -9.95

 

CMYK 56 / 16 / 0 / 23

HEX #57A6C5

RGB 87 166 197

HSL 196.91, 0.49%, 0.56%

LAB 64.43, -15.39, -23.27

 

CMYK 56 / 31 / 0 / 23

HEX #5788C5

RGB 87 136 197

HSL 213.27, 0.49%, 0.56%

LAB 55.75, 1.46, -36.71

 

CMYK 56 / 46 / 0 / 23

HEX #576BC5

RGB 87 107 197

HSL 229.09, 0.49%, 0.56%

LAB 47.72, 19.07, -49.43

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 68 / 0 / 17 / 16

HEX #45D7B2

RGB 69 215 178

HSL 164.79, 0.65%, 0.56%

LAB 77.92, -47.17, 7.09

 

CMYK 78 / 0 / 20 / 8

HEX #33EABB

RGB 51 234 187

HSL 164.59, 0.81%, 0.56%

LAB 83.51, -55.01, 10.29

 

CMYK 87 / 0 / 22 / 1

HEX #21FCC4

RGB 33 252 196

HSL 164.66, 0.97%, 0.56%

LAB 88.89, -61.26, 13.22

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 41 / 0 / 11 / 30

HEX #69B3A0

RGB 105 179 160

HSL 164.59, 0.33%, 0.56%

LAB 67.86, -27.62, 2.48

 

CMYK 23 / 0 / 6 / 37

HEX #7CA197

RGB 124 161 151

HSL 163.78, 0.16%, 0.56%

LAB 63.35, -14.8, 1.06

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 0 / 22 / 16 / 37

HEX #A07D86

RGB 160 125 134

HSL 344.57, 0.16%, 0.56%

LAB 55.95, 15, 0.32

 

CMYK 56 / 0 / 45 / 23

HEX #57C56D

RGB 87 197 109

HSL 132, 0.49%, 0.56%

LAB 71.6, -50.29, 34.79

 

CMYK 56 / 0 / 29 / 23

HEX #57C58B

RGB 87 197 139

HSL 148.36, 0.49%, 0.56%

LAB 72.11, -44.9, 19.81

 

CMYK 56 / 0 / 15 / 23

HEX #57C5A8

RGB 87 197 168

HSL 164.18, 0.49%, 0.56%

LAB 72.75, -38.5, 5.09

 

CMYK 56 / 0 / 0 / 23

HEX #57C5C5

RGB 87 197 197

HSL 180, 0.49%, 0.56%

LAB 73.54, -31.1, -9.51

 

CMYK 56 / 15 / 0 / 23

HEX #57A8C5

RGB 87 168 197

HSL 195.82, 0.49%, 0.56%

LAB 65.01, -16.45, -22.38

 

CMYK 66 / 0 / 17 / 41

HEX #33977D

RGB 51 151 125

HSL 164.4, 0.5%, 0.4%

LAB 56.4, -35.25, 5.3

 

CMYK 66 / 0 / 17 / 29

HEX #3EB697

RGB 62 182 151

HSL 164.5, 0.49%, 0.48%

LAB 67.06, -40.68, 6.1

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 43 / 0 / 11 / 18

HEX #76D0B9

RGB 118 208 185

HSL 164.67, 0.49%, 0.64%

LAB 77.56, -32.41, 3.02

 

CMYK 32 / 0 / 8 / 15

HEX #95DAC9

RGB 149 218 201

HSL 165.22, 0.48%, 0.72%

LAB 82.24, -25.27, 1.46

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 56 / 52 / 0 / 23

HEX #575FC5

RGB 87 95 197

HSL 235.64, 0.49%, 0.56%

LAB 44.58, 26.56, -54.47

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 15 / 56 / 0 / 23

HEX #A857C5

RGB 168 87 197

HSL 284.18, 0.49%, 0.56%

LAB 50.89, 50.73, -43.92

 

CMYK 0 / 15 / 56 / 23

HEX #C5A857

RGB 197 168 87

HSL 44.18, 0.49%, 0.56%

LAB 69.87, 0.62, 45.21

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 56 / 52 / 0 / 23

HEX #575FC5

RGB 87 95 197

HSL 235.64, 0.49%, 0.56%

LAB 44.58, 26.56, -54.47

 

CMYK 0 / 56 / 41 / 23

HEX #C55775

RGB 197 87 117

HSL 343.64, 0.49%, 0.56%

LAB 51.8, 46.82, 4.9

 

CMYK 0 / 4 / 56 / 23

HEX #C5BE57

RGB 197 190 87

HSL 56.18, 0.49%, 0.56%

LAB 75.69, -10.91, 51.95

 

CMYK 56 / 0 / 14 / 23

HEX #57C5A9

RGB 87 197 169

HSL 164.73, 0.49%, 0.56%

LAB 72.78, -38.26, 4.58

 

CMYK 43 / 56 / 0 / 23

HEX #7157C5

RGB 113 87 197

HSL 254.18, 0.49%, 0.56%

LAB 44.74, 37.04, -54.09

 

CMYK 0 / 56 / 41 / 23

HEX #C55775

RGB 197 87 117

HSL 343.64, 0.49%, 0.56%

LAB 51.8, 46.82, 4.9

 

CMYK 13 / 0 / 56 / 23

HEX #ACC557

RGB 172 197 87

HSL 73.64, 0.49%, 0.56%

LAB 75.69, -24.64, 51.44

 

Description

Color code: RGB 87 197 169 | qconv.com Color code: RGB 87 197 169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 197 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 197 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 14 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 14% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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