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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C57C57 it is the complementary color #3A83A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C57C57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C57C57 shade: #CA7C52, #DB8E65, #ECA078, #FDB28B and #FFC49E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C57C57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C57C57 shade: #C57C57, #B46A44, #A35831, #92461E and #81340B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C57C57 shade: #C57C57, #C55F57 and #C55757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C57C57 shade: #C57C57, #C59A57, #C5B857, #B5C557 and #98C557

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C57C57 shade matches the following richer shades: #C57C57, #D77645, #EA7033 and #FC6A21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C57C57 shade: #C57C57, #B38269, #A1887C, #8F8E8E and #7D94A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C57C57 shade: #C5576D, #C55F57, #C57C57, #C59957 and #C5B757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C57C57 shade: #975533, #B6663E, #C57C57, #D09476 and #DAAC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C57C57 shade: #C57C57, #8BC557 and #575FC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C57C57 shade: #C57C57, #57C57C and #7C57C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C57C57 shade: #C57C57, #8BC557, #57A1C5 and #9257C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C57C57 shade: #C57C57, #6AC557, #57A1C5 and #B357C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

Complementary color

CMYK 65 / 22 / 0 / 34

HEX #3A83A8

RGB 58 131 168

HSL 200.18, 0.49%, 0.44%

LAB 51.79, -10.88, -26.37

 

CMYK 0 / 39 / 59 / 21

HEX #CA7C52

RGB 202 124 82

HSL 21, 0.53%, 0.56%

LAB 59.51, 26.27, 35.48

 

CMYK 0 / 35 / 54 / 14

HEX #DB8E65

RGB 219 142 101

HSL 20.85, 0.62%, 0.63%

LAB 66.02, 24.99, 33.8

 

CMYK 0 / 32 / 49 / 7

HEX #ECA078

RGB 236 160 120

HSL 20.69, 0.75%, 0.7%

LAB 72.45, 23.86, 32.26

 

CMYK 0 / 30 / 45 / 1

HEX #FDB28B

RGB 253 178 139

HSL 20.53, 0.97%, 0.77%

LAB 78.8, 22.86, 30.84

 

CMYK 0 / 23 / 38 / 0

HEX #FFC49E

RGB 255 196 158

HSL 23.51, 1%, 0.81%

LAB 83.55, 16.22, 27.21

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 41 / 62 / 29

HEX #B46A44

RGB 180 106 68

HSL 20.36, 0.45%, 0.49%

LAB 52.32, 25.97, 33.7

 

CMYK 0 / 46 / 70 / 36

HEX #A35831

RGB 163 88 49

HSL 20.53, 0.54%, 0.42%

LAB 45.62, 27.52, 35.64

 

CMYK 0 / 52 / 79 / 43

HEX #92461E

RGB 146 70 30

HSL 20.69, 0.66%, 0.35%

LAB 38.87, 29.28, 37.62

 

CMYK 0 / 60 / 91 / 49

HEX #81340B

RGB 129 52 11

HSL 20.85, 0.84%, 0.27%

LAB 32.14, 31.2, 39.1

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 52 / 56 / 23

HEX #C55F57

RGB 197 95 87

HSL 4.36, 0.49%, 0.56%

LAB 52.67, 40, 23.85

 

CMYK 0 / 56 / 56 / 23

HEX #C55757

RGB 197 87 87

HSL 0, 0.49%, 0.56%

LAB 51.12, 43.98, 21.82

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 22 / 56 / 23

HEX #C59A57

RGB 197 154 87

HSL 36.55, 0.49%, 0.56%

LAB 66.27, 8.17, 40.92

 

CMYK 0 / 7 / 56 / 23

HEX #C5B857

RGB 197 184 87

HSL 52.91, 0.49%, 0.56%

LAB 74.09, -7.81, 50.11

 

CMYK 8 / 0 / 56 / 23

HEX #B5C557

RGB 181 197 87

HSL 68.73, 0.49%, 0.56%

LAB 76.34, -21.02, 52.35

 

CMYK 23 / 0 / 56 / 23

HEX #98C557

RGB 152 197 87

HSL 84.55, 0.49%, 0.56%

LAB 74.38, -32.43, 49.59

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 45 / 68 / 16

HEX #D77645

RGB 215 118 69

HSL 20.14, 0.65%, 0.56%

LAB 59.74, 33.88, 43.05

 

CMYK 0 / 52 / 78 / 8

HEX #EA7033

RGB 234 112 51

HSL 20, 0.81%, 0.56%

LAB 61.06, 43.53, 54.04

 

CMYK 0 / 58 / 87 / 1

HEX #FC6A21

RGB 252 106 33

HSL 20, 0.97%, 0.56%

LAB 62.6, 52.54, 63.7

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 27 / 41 / 30

HEX #B38269

RGB 179 130 105

HSL 20.27, 0.33%, 0.56%

LAB 58.57, 15.65, 20.97

 

CMYK 0 / 16 / 23 / 37

HEX #A1887C

RGB 161 136 124

HSL 19.46, 0.16%, 0.56%

LAB 58.64, 7.53, 9.96

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 22 / 7 / 0 / 37

HEX #7D94A0

RGB 125 148 160

HSL 200.57, 0.16%, 0.56%

LAB 59.96, -5.38, -9.03

 

CMYK 0 / 56 / 45 / 23

HEX #C5576D

RGB 197 87 109

HSL 348, 0.49%, 0.56%

LAB 51.6, 45.98, 9.39

 

CMYK 0 / 52 / 56 / 23

HEX #C55F57

RGB 197 95 87

HSL 4.36, 0.49%, 0.56%

LAB 52.67, 40, 23.85

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 22 / 56 / 23

HEX #C59957

RGB 197 153 87

HSL 36, 0.49%, 0.56%

LAB 66.01, 8.72, 40.62

 

CMYK 0 / 7 / 56 / 23

HEX #C5B757

RGB 197 183 87

HSL 52.36, 0.49%, 0.56%

LAB 73.82, -7.29, 49.81

 

CMYK 0 / 44 / 66 / 41

HEX #975533

RGB 151 85 51

HSL 20.4, 0.5%, 0.4%

LAB 43.23, 24.21, 31.35

 

CMYK 0 / 44 / 66 / 29

HEX #B6663E

RGB 182 102 62

HSL 20, 0.49%, 0.48%

LAB 51.61, 28.58, 36.19

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 0 / 29 / 43 / 18

HEX #D09476

RGB 208 148 118

HSL 20, 0.49%, 0.64%

LAB 66.44, 18.94, 24.84

 

CMYK 0 / 21 / 32 / 15

HEX #DAAC95

RGB 218 172 149

HSL 20, 0.48%, 0.72%

LAB 73.92, 13.58, 18.24

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 29 / 0 / 56 / 23

HEX #8BC557

RGB 139 197 87

HSL 91.64, 0.49%, 0.56%

LAB 73.62, -37.24, 48.51

 

CMYK 56 / 52 / 0 / 23

HEX #575FC5

RGB 87 95 197

HSL 235.64, 0.49%, 0.56%

LAB 44.58, 26.56, -54.47

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 56 / 0 / 37 / 23

HEX #57C57C

RGB 87 197 124

HSL 140.18, 0.49%, 0.56%

LAB 71.84, -47.76, 27.36

 

CMYK 37 / 56 / 0 / 23

HEX #7C57C5

RGB 124 87 197

HSL 260.18, 0.49%, 0.56%

LAB 45.82, 39.61, -52.31

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 29 / 0 / 56 / 23

HEX #8BC557

RGB 139 197 87

HSL 91.64, 0.49%, 0.56%

LAB 73.62, -37.24, 48.51

 

CMYK 56 / 18 / 0 / 23

HEX #57A1C5

RGB 87 161 197

HSL 199.64, 0.49%, 0.56%

LAB 62.97, -12.69, -25.51

 

CMYK 26 / 56 / 0 / 23

HEX #9257C5

RGB 146 87 197

HSL 272.18, 0.49%, 0.56%

LAB 48.21, 45.05, -48.35

 

CMYK 0 / 37 / 56 / 23

HEX #C57C57

RGB 197 124 87

HSL 20.18, 0.49%, 0.56%

LAB 58.95, 24.61, 31.92

 

CMYK 46 / 0 / 56 / 23

HEX #6AC557

RGB 106 197 87

HSL 109.64, 0.49%, 0.56%

LAB 72.02, -48.16, 46.23

 

CMYK 56 / 18 / 0 / 23

HEX #57A1C5

RGB 87 161 197

HSL 199.64, 0.49%, 0.56%

LAB 62.97, -12.69, -25.51

 

CMYK 9 / 56 / 0 / 23

HEX #B357C5

RGB 179 87 197

HSL 290.18, 0.49%, 0.56%

LAB 52.32, 53.62, -41.56

 

Description

Color code: HEX #C57C57 | qconv.com Color code: HEX #C57C57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 124 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 124 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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