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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 149 85 it is the complementary color RGB 168 106 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 149 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 149 85 shade: RGB 92 149 80, RGB 109 167 99, RGB 126 185 118, RGB 143 203 137 and RGB 160 221 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 149 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 149 85 shade: RGB 87 149 85, RGB 70 131 66, RGB 53 113 47, RGB 36 95 28 and RGB 19 77 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 149 85 shade: RGB 87 148 85, RGB 104 148 85, RGB 121 148 85, RGB 138 148 85 and RGB 148 142 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 149 85 shade: RGB 87 148 85, RGB 85 148 100, RGB 85 148 117, RGB 85 148 134 and RGB 85 145 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 149 85 shade matches the following richer shades: RGB 87 148 85, RGB 69 167 66, RGB 52 186 47, RGB 34 205 28 and RGB 16 224 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 149 85 shade: RGB 87 148 85, RGB 105 129 104, RGB 123 111 123, RGB 140 92 142 and RGB 158 73 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 149 85 shade: RGB 121 148 85, RGB 104 148 85, RGB 87 148 85, RGB 85 148 100 and RGB 85 148 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 149 85 shade: RGB 56 96 55, RGB 72 122 70, RGB 87 148 85, RGB 108 169 106 and RGB 134 184 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 149 85 shade: RGB 87 149 85, RGB 85 138 148 and RGB 148 85 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 149 85 shade: RGB 87 149 85, RGB 85 87 148 and RGB 148 85 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 149 85 shade: RGB 87 149 85, RGB 85 138 148, RGB 146 85 148 and RGB 148 96 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 149 85 shade: RGB 87 149 85, RGB 85 119 148, RGB 146 85 148 and RGB 148 115 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 43 / 42

HEX #579555

RGB 87 149 85

HSL 118.13, 0.27%, 0.46%

LAB 56.26, -33.59, 27.65

 

Complementary color

CMYK 1 / 38 / 0 / 33

HEX #A86AAA

RGB 168 106 170

HSL 298.13, 0.27%, 0.54%

LAB 53.53, 35.19, -24.17

 

CMYK 38 / 0 / 46 / 42

HEX #5C9550

RGB 92 149 80

HSL 109.57, 0.3%, 0.45%

LAB 56.44, -32.69, 30.59

 

CMYK 35 / 0 / 41 / 35

HEX #6DA763

RGB 109 167 99

HSL 111.18, 0.28%, 0.52%

LAB 63.17, -32.5, 29.31

 

CMYK 32 / 0 / 36 / 27

HEX #7EB976

RGB 126 185 118

HSL 112.84, 0.32%, 0.59%

LAB 69.78, -32.29, 28.09

 

CMYK 30 / 0 / 33 / 20

HEX #8FCB89

RGB 143 203 137

HSL 114.55, 0.39%, 0.67%

LAB 76.29, -32.06, 26.95

 

CMYK 28 / 0 / 29 / 13

HEX #A0DD9C

RGB 160 221 156

HSL 116.31, 0.49%, 0.74%

LAB 82.69, -31.83, 25.86

 

CMYK 42 / 0 / 43 / 42

HEX #579555

RGB 87 149 85

HSL 118.13, 0.27%, 0.46%

LAB 56.26, -33.59, 27.65

 

CMYK 47 / 0 / 50 / 49

HEX #468342

RGB 70 131 66

HSL 116.31, 0.33%, 0.39%

LAB 49.41, -33.74, 29

 

CMYK 53 / 0 / 58 / 56

HEX #35712F

RGB 53 113 47

HSL 114.55, 0.41%, 0.31%

LAB 42.42, -33.72, 30.37

 

CMYK 62 / 0 / 71 / 63

HEX #245F1C

RGB 36 95 28

HSL 112.84, 0.54%, 0.24%

LAB 35.29, -33.36, 31.57

 

CMYK 75 / 0 / 88 / 70

HEX #134D09

RGB 19 77 9

HSL 111.18, 0.79%, 0.17%

LAB 28.02, -32.24, 31.93

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 30 / 0 / 43 / 42

HEX #689455

RGB 104 148 85

HSL 101.9, 0.27%, 0.46%

LAB 56.86, -27.24, 28.59

 

CMYK 18 / 0 / 43 / 42

HEX #799455

RGB 121 148 85

HSL 85.71, 0.27%, 0.46%

LAB 57.94, -20.76, 30.2

 

CMYK 7 / 0 / 43 / 42

HEX #8A9455

RGB 138 148 85

HSL 69.52, 0.27%, 0.46%

LAB 59.19, -13.85, 32.04

 

CMYK 0 / 4 / 43 / 42

HEX #948E55

RGB 148 142 85

HSL 54.29, 0.27%, 0.46%

LAB 58.32, -6.41, 31.11

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 43 / 0 / 32 / 42

HEX #559464

RGB 85 148 100

HSL 134.29, 0.27%, 0.46%

LAB 56.12, -31.17, 19.2

 

CMYK 43 / 0 / 21 / 42

HEX #559475

RGB 85 148 117

HSL 150.48, 0.27%, 0.46%

LAB 56.48, -27.72, 10.13

 

CMYK 43 / 0 / 9 / 42

HEX #559486

RGB 85 148 134

HSL 166.67, 0.27%, 0.46%

LAB 56.91, -23.78, 1.05

 

CMYK 43 / 2 / 0 / 42

HEX #559194

RGB 85 145 148

HSL 182.86, 0.27%, 0.46%

LAB 56.41, -18.64, -7.71

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 59 / 0 / 60 / 35

HEX #45A742

RGB 69 167 66

HSL 118.22, 0.43%, 0.46%

LAB 61.04, -48.96, 42.9

 

CMYK 72 / 0 / 75 / 27

HEX #34BA2F

RGB 52 186 47

HSL 117.84, 0.6%, 0.46%

LAB 66.56, -61.03, 56.46

 

CMYK 83 / 0 / 86 / 20

HEX #22CD1C

RGB 34 205 28

HSL 117.97, 0.76%, 0.46%

LAB 72.29, -70.32, 67.04

 

CMYK 93 / 0 / 96 / 12

HEX #10E009

RGB 16 224 9

HSL 118.05, 0.92%, 0.46%

LAB 78.13, -77.4, 74.68

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 19 / 0 / 19 / 49

HEX #698168

RGB 105 129 104

HSL 117.6, 0.11%, 0.46%

LAB 51.5, -13.87, 10.74

 

CMYK 0 / 10 / 0 / 52

HEX #7B6F7B

RGB 123 111 123

HSL 300, 0.05%, 0.46%

LAB 48.27, 7.02, -4.93

 

CMYK 1 / 35 / 0 / 44

HEX #8C5C8E

RGB 140 92 142

HSL 297.6, 0.21%, 0.46%

LAB 45.88, 28.28, -19.71

 

CMYK 2 / 55 / 0 / 37

HEX #9E49A1

RGB 158 73 161

HSL 297.95, 0.38%, 0.46%

LAB 45.09, 47.87, -32.1

 

CMYK 18 / 0 / 43 / 42

HEX #799455

RGB 121 148 85

HSL 85.71, 0.27%, 0.46%

LAB 57.94, -20.76, 30.2

 

CMYK 30 / 0 / 43 / 42

HEX #689455

RGB 104 148 85

HSL 101.9, 0.27%, 0.46%

LAB 56.86, -27.24, 28.59

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 43 / 0 / 32 / 42

HEX #559464

RGB 85 148 100

HSL 134.29, 0.27%, 0.46%

LAB 56.12, -31.17, 19.2

 

CMYK 43 / 0 / 21 / 42

HEX #559475

RGB 85 148 117

HSL 150.48, 0.27%, 0.46%

LAB 56.48, -27.72, 10.13

 

CMYK 42 / 0 / 43 / 62

HEX #386037

RGB 56 96 55

HSL 118.54, 0.27%, 0.3%

LAB 36.9, -23.5, 19.1

 

CMYK 41 / 0 / 43 / 52

HEX #487A46

RGB 72 122 70

HSL 117.69, 0.27%, 0.38%

LAB 46.63, -28.25, 23.3

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 36 / 0 / 37 / 34

HEX #6CA96A

RGB 108 169 106

HSL 118.1, 0.27%, 0.54%

LAB 63.84, -32.68, 26.45

 

CMYK 27 / 0 / 28 / 28

HEX #86B884

RGB 134 184 132

HSL 117.69, 0.27%, 0.62%

LAB 70.19, -26.81, 21.26

 

CMYK 42 / 0 / 43 / 42

HEX #579555

RGB 87 149 85

HSL 118.13, 0.27%, 0.46%

LAB 56.26, -33.59, 27.65

 

CMYK 43 / 7 / 0 / 42

HEX #558A94

RGB 85 138 148

HSL 189.52, 0.27%, 0.46%

LAB 54.29, -14.88, -10.88

 

CMYK 0 / 43 / 24 / 42

HEX #945571

RGB 148 85 113

HSL 333.33, 0.27%, 0.46%

LAB 44.21, 29.93, -4.62

 

CMYK 42 / 0 / 43 / 42

HEX #579555

RGB 87 149 85

HSL 118.13, 0.27%, 0.46%

LAB 56.26, -33.59, 27.65

 

CMYK 43 / 41 / 0 / 42

HEX #555794

RGB 85 87 148

HSL 238.1, 0.27%, 0.46%

LAB 39.39, 15.53, -33.86

 

CMYK 0 / 43 / 41 / 42

HEX #945557

RGB 148 85 87

HSL 358.1, 0.27%, 0.46%

LAB 43.48, 26.34, 10.22

 

CMYK 42 / 0 / 43 / 42

HEX #579555

RGB 87 149 85

HSL 118.13, 0.27%, 0.46%

LAB 56.26, -33.59, 27.65

 

CMYK 43 / 7 / 0 / 42

HEX #558A94

RGB 85 138 148

HSL 189.52, 0.27%, 0.46%

LAB 54.29, -14.88, -10.88

 

CMYK 1 / 43 / 0 / 42

HEX #925594

RGB 146 85 148

HSL 298.1, 0.27%, 0.46%

LAB 45.28, 35.44, -24.17

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 42 / 0 / 43 / 42

HEX #579555

RGB 87 149 85

HSL 118.13, 0.27%, 0.46%

LAB 56.26, -33.59, 27.65

 

CMYK 43 / 20 / 0 / 42

HEX #557794

RGB 85 119 148

HSL 207.62, 0.27%, 0.46%

LAB 48.59, -4.13, -19.53

 

CMYK 1 / 43 / 0 / 42

HEX #925594

RGB 146 85 148

HSL 298.1, 0.27%, 0.46%

LAB 45.28, 35.44, -24.17

 

CMYK 0 / 22 / 43 / 42

HEX #947355

RGB 148 115 85

HSL 28.57, 0.27%, 0.46%

LAB 50.94, 8.8, 21.56

 

Description

Color code: RGB 87 149 85 | qconv.com Color code: RGB 87 149 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 149 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 149 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 43 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 43% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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