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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #946055 it is the complementary color #6B9FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #946055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #946055 shade: #996050, #AA7263, #BB8476, #CC9689 and #DDA89C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #946055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #946055 shade: #946055, #834E42, #723C2F, #612A1C and #501809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #946055 shade: #946055 and #945555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #946055 shade: #946055, #947155, #948255, #949355 and #849455

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #946055 shade matches the following richer shades: #946055, #A75442, #BA472F, #CD3B1C and #E02F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #946055 shade: #946055, #816D68, #6F797B, #5C858E and #4992A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #946055 shade: #94556C, #94555B, #946055, #947155 and #948155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #946055 shade: #603E37, #7A4F46, #946055, #A9756A and #B88D84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #946055 shade: #946055, #7D9455 and #556494

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #946055 shade: #946055, #559460 and #605594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #946055 shade: #946055, #7D9455, #558A94 and #6C5594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #946055 shade: #946055, #6A9455, #558A94 and #7F5594

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

Complementary color

CMYK 37 / 6 / 0 / 33

HEX #6B9FAA

RGB 107 159 170

HSL 190.48, 0.27%, 0.54%

LAB 62.36, -14.36, -11.2

 

CMYK 0 / 37 / 48 / 40

HEX #996050

RGB 153 96 80

HSL 13.15, 0.31%, 0.46%

LAB 46.6, 21.32, 18.81

 

CMYK 0 / 33 / 42 / 33

HEX #AA7263

RGB 170 114 99

HSL 12.68, 0.29%, 0.53%

LAB 53.47, 20.25, 17.32

 

CMYK 0 / 29 / 37 / 27

HEX #BB8476

RGB 187 132 118

HSL 12.17, 0.34%, 0.6%

LAB 60.23, 19.33, 16

 

CMYK 0 / 26 / 33 / 20

HEX #CC9689

RGB 204 150 137

HSL 11.64, 0.4%, 0.67%

LAB 66.87, 18.52, 14.82

 

CMYK 0 / 24 / 29 / 13

HEX #DDA89C

RGB 221 168 156

HSL 11.08, 0.49%, 0.74%

LAB 73.4, 17.8, 13.75

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 40 / 50 / 49

HEX #834E42

RGB 131 78 66

HSL 11.08, 0.33%, 0.39%

LAB 39.01, 20.93, 16.59

 

CMYK 0 / 47 / 59 / 55

HEX #723C2F

RGB 114 60 47

HSL 11.64, 0.42%, 0.32%

LAB 31.84, 22.27, 18.5

 

CMYK 0 / 57 / 71 / 62

HEX #612A1C

RGB 97 42 28

HSL 12.17, 0.55%, 0.25%

LAB 24.58, 23.81, 20.87

 

CMYK 0 / 70 / 89 / 69

HEX #501809

RGB 80 24 9

HSL 12.68, 0.8%, 0.17%

LAB 17.36, 25.42, 22.44

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 43 / 43 / 42

HEX #945555

RGB 148 85 85

HSL 0, 0.27%, 0.46%

LAB 43.43, 26.1, 11.37

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 24 / 43 / 42

HEX #947155

RGB 148 113 85

HSL 26.67, 0.27%, 0.46%

LAB 50.41, 9.95, 20.86

 

CMYK 0 / 12 / 43 / 42

HEX #948255

RGB 148 130 85

HSL 42.86, 0.27%, 0.46%

LAB 54.99, 0.25, 26.86

 

CMYK 0 / 1 / 43 / 42

HEX #949355

RGB 148 147 85

HSL 59.05, 0.27%, 0.46%

LAB 59.73, -9.12, 32.88

 

CMYK 11 / 0 / 43 / 42

HEX #849455

RGB 132 148 85

HSL 75.24, 0.27%, 0.46%

LAB 58.73, -16.32, 31.36

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 50 / 60 / 35

HEX #A75442

RGB 167 84 66

HSL 10.69, 0.43%, 0.46%

LAB 45.56, 32.47, 26.1

 

CMYK 0 / 62 / 75 / 27

HEX #BA472F

RGB 186 71 47

HSL 10.36, 0.6%, 0.46%

LAB 45.84, 45.1, 37.99

 

CMYK 0 / 71 / 86 / 20

HEX #CD3B1C

RGB 205 59 28

HSL 10.51, 0.76%, 0.46%

LAB 47.22, 55.97, 49.95

 

CMYK 0 / 79 / 96 / 12

HEX #E02F09

RGB 224 47 9

HSL 10.6, 0.92%, 0.46%

LAB 49.37, 65.34, 59.62

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 16 / 19 / 49

HEX #816D68

RGB 129 109 104

HSL 12, 0.11%, 0.46%

LAB 47.76, 7.01, 5.71

 

CMYK 10 / 2 / 0 / 52

HEX #6F797B

RGB 111 121 123

HSL 190, 0.05%, 0.46%

LAB 50.08, -3.28, -2.38

 

CMYK 35 / 6 / 0 / 44

HEX #5C858E

RGB 92 133 142

HSL 190.8, 0.21%, 0.46%

LAB 52.95, -11.77, -9.37

 

CMYK 55 / 9 / 0 / 37

HEX #4992A1

RGB 73 146 161

HSL 190.23, 0.38%, 0.46%

LAB 56.63, -18.38, -14.88

 

CMYK 0 / 43 / 27 / 42

HEX #94556C

RGB 148 85 108

HSL 338.1, 0.27%, 0.46%

LAB 44.05, 29.17, -1.8

 

CMYK 0 / 43 / 39 / 42

HEX #94555B

RGB 148 85 91

HSL 354.29, 0.27%, 0.46%

LAB 43.58, 26.83, 7.91

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 24 / 43 / 42

HEX #947155

RGB 148 113 85

HSL 26.67, 0.27%, 0.46%

LAB 50.41, 9.95, 20.86

 

CMYK 0 / 13 / 43 / 42

HEX #948155

RGB 148 129 85

HSL 41.9, 0.27%, 0.46%

LAB 54.71, 0.81, 26.5

 

CMYK 0 / 35 / 43 / 62

HEX #603E37

RGB 96 62 55

HSL 10.24, 0.27%, 0.3%

LAB 29.93, 13.93, 10.4

 

CMYK 0 / 35 / 43 / 52

HEX #7A4F46

RGB 122 79 70

HSL 10.38, 0.27%, 0.38%

LAB 38.15, 16.93, 12.75

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 0 / 31 / 37 / 34

HEX #A9756A

RGB 169 117 106

HSL 10.48, 0.27%, 0.54%

LAB 54.24, 19, 14.29

 

CMYK 0 / 23 / 28 / 28

HEX #B88D84

RGB 184 141 132

HSL 10.38, 0.27%, 0.62%

LAB 62.43, 14.98, 11.09

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 16 / 0 / 43 / 42

HEX #7D9455

RGB 125 148 85

HSL 81.9, 0.27%, 0.46%

LAB 58.22, -19.16, 30.61

 

CMYK 43 / 32 / 0 / 42

HEX #556494

RGB 85 100 148

HSL 225.71, 0.27%, 0.46%

LAB 43.04, 7.35, -28.12

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 43 / 0 / 35 / 42

HEX #559460

RGB 85 148 96

HSL 130.48, 0.27%, 0.46%

LAB 56.04, -31.9, 21.33

 

CMYK 35 / 43 / 0 / 42

HEX #605594

RGB 96 85 148

HSL 250.48, 0.27%, 0.46%

LAB 39.79, 19.89, -33.17

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 16 / 0 / 43 / 42

HEX #7D9455

RGB 125 148 85

HSL 81.9, 0.27%, 0.46%

LAB 58.22, -19.16, 30.61

 

CMYK 43 / 7 / 0 / 42

HEX #558A94

RGB 85 138 148

HSL 189.52, 0.27%, 0.46%

LAB 54.29, -14.88, -10.88

 

CMYK 27 / 43 / 0 / 42

HEX #6C5594

RGB 108 85 148

HSL 261.9, 0.27%, 0.46%

LAB 40.93, 23.46, -31.28

 

CMYK 0 / 35 / 43 / 42

HEX #946055

RGB 148 96 85

HSL 10.48, 0.27%, 0.46%

LAB 46.07, 19.79, 15

 

CMYK 28 / 0 / 43 / 42

HEX #6A9455

RGB 106 148 85

HSL 100, 0.27%, 0.46%

LAB 56.98, -26.51, 28.77

 

CMYK 43 / 7 / 0 / 42

HEX #558A94

RGB 85 138 148

HSL 189.52, 0.27%, 0.46%

LAB 54.29, -14.88, -10.88

 

CMYK 14 / 43 / 0 / 42

HEX #7F5594

RGB 127 85 148

HSL 280, 0.27%, 0.46%

LAB 42.98, 29.37, -27.92

 

Description

Color code: HEX #946055 | qconv.com Color code: HEX #946055 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 96 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 96 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 43 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 43% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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