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Color name
RGB 82 170 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 170 172 it is the complementary color RGB 173 85 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 170 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 170 172 shade: RGB 87 170 167, RGB 104 188 186, RGB 121 206 205, RGB 138 224 224 and RGB 155 242 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 170 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 65 152 153, RGB 48 134 134, RGB 31 116 115 and RGB 14 98 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 82 146 172, RGB 82 122 172, RGB 82 97 172 and RGB 91 82 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 82 146 172, RGB 82 122 172, RGB 82 97 172 and RGB 82 82 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 170 172 shade matches the following richer shades: RGB 82 170 172, RGB 62 189 192, RGB 41 209 213, RGB 20 229 234 and RGB 0 249 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 103 150 151, RGB 124 130 130, RGB 144 111 110 and RGB 165 91 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 170 172 shade: RGB 82 172 126, RGB 82 172 149, RGB 82 170 172, RGB 82 146 172 and RGB 82 123 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 170 172 shade: RGB 56 115 116, RGB 69 142 144, RGB 82 170 172, RGB 110 183 185 and RGB 138 197 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 102 82 172 and RGB 172 137 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 172 82 170 and RGB 170 172 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 102 82 172, RGB 172 84 82 and RGB 152 172 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 170 172 shade: RGB 82 170 172, RGB 128 82 172, RGB 172 84 82 and RGB 126 172 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

Complementary color

CMYK 0 / 51 / 52 / 32

HEX #AD5553

RGB 173 85 83

HSL 1.33, 0.35%, 0.5%

LAB 46.98, 35.72, 18.02

 

CMYK 49 / 0 / 2 / 33

HEX #57AAA7

RGB 87 170 167

HSL 177.83, 0.33%, 0.5%

LAB 64.62, -25.93, -6.25

 

CMYK 45 / 0 / 1 / 26

HEX #68BCBA

RGB 104 188 186

HSL 178.57, 0.39%, 0.57%

LAB 71.18, -25.95, -6.94

 

CMYK 41 / 0 / 0 / 19

HEX #79CECD

RGB 121 206 205

HSL 179.29, 0.46%, 0.64%

LAB 77.65, -25.94, -7.59

 

CMYK 38 / 0 / 0 / 12

HEX #8AE0E0

RGB 138 224 224

HSL 180, 0.58%, 0.71%

LAB 84.02, -25.89, -8.2

 

CMYK 36 / 0 / 0 / 5

HEX #9BF2F3

RGB 155 242 243

HSL 180.68, 0.79%, 0.78%

LAB 90.3, -25.83, -8.78

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 64 / 0 / 0 / 47

HEX #308686

RGB 48 134 134

HSL 180, 0.47%, 0.36%

LAB 51.15, -25.09, -7.59

 

CMYK 73 / 0 / 1 / 55

HEX #1F7473

RGB 31 116 115

HSL 179.29, 0.58%, 0.29%

LAB 44.26, -24.45, -6.68

 

CMYK 86 / 0 / 2 / 62

HEX #0E6260

RGB 14 98 96

HSL 178.57, 0.75%, 0.22%

LAB 37.25, -23.39, -5.61

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 52 / 15 / 0 / 33

HEX #5292AC

RGB 82 146 172

HSL 197.33, 0.35%, 0.5%

LAB 57.4, -13.11, -19.96

 

CMYK 52 / 29 / 0 / 33

HEX #527AAC

RGB 82 122 172

HSL 213.33, 0.35%, 0.5%

LAB 50.32, 0.64, -30.88

 

CMYK 52 / 44 / 0 / 33

HEX #5261AC

RGB 82 97 172

HSL 230, 0.35%, 0.5%

LAB 43.24, 16.04, -42.04

 

CMYK 47 / 52 / 0 / 33

HEX #5B52AC

RGB 91 82 172

HSL 246, 0.35%, 0.5%

LAB 39.98, 27.58, -47.23

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 52 / 15 / 0 / 33

HEX #5292AC

RGB 82 146 172

HSL 197.33, 0.35%, 0.5%

LAB 57.4, -13.11, -19.96

 

CMYK 52 / 29 / 0 / 33

HEX #527AAC

RGB 82 122 172

HSL 213.33, 0.35%, 0.5%

LAB 50.32, 0.64, -30.88

 

CMYK 52 / 44 / 0 / 33

HEX #5261AC

RGB 82 97 172

HSL 230, 0.35%, 0.5%

LAB 43.24, 16.04, -42.04

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 68 / 2 / 0 / 25

HEX #3EBDC0

RGB 62 189 192

HSL 181.38, 0.51%, 0.5%

LAB 70.33, -32.84, -11.64

 

CMYK 81 / 2 / 0 / 16

HEX #29D1D5

RGB 41 209 213

HSL 181.4, 0.68%, 0.5%

LAB 76.6, -38.32, -13.68

 

CMYK 91 / 2 / 0 / 8

HEX #14E5EA

RGB 20 229 234

HSL 181.4, 0.84%, 0.5%

LAB 82.98, -42.33, -15.33

 

CMYK 100 / 2 / 0 / 0

HEX #00F9FE

RGB 0 249 254

HSL 181.18, 1%, 0.5%

LAB 89.35, -45.77, -16.27

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 32 / 1 / 0 / 41

HEX #679697

RGB 103 150 151

HSL 181.25, 0.19%, 0.5%

LAB 58.91, -15.49, -5.61

 

CMYK 5 / 0 / 0 / 49

HEX #7C8282

RGB 124 130 130

HSL 180, 0.02%, 0.5%

LAB 53.88, -2.22, -0.78

 

CMYK 0 / 23 / 24 / 44

HEX #906F6E

RGB 144 111 110

HSL 1.76, 0.13%, 0.5%

LAB 50.01, 12.89, 5.58

 

CMYK 0 / 45 / 46 / 35

HEX #A55B59

RGB 165 91 89

HSL 1.58, 0.3%, 0.5%

LAB 47.24, 29.98, 14.58

 

CMYK 52 / 0 / 27 / 33

HEX #52AC7E

RGB 82 172 126

HSL 149.33, 0.35%, 0.5%

LAB 64, -37.85, 15.61

 

CMYK 52 / 0 / 13 / 33

HEX #52AC95

RGB 82 172 149

HSL 164.67, 0.35%, 0.5%

LAB 64.54, -32.63, 3.64

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 52 / 15 / 0 / 33

HEX #5292AC

RGB 82 146 172

HSL 197.33, 0.35%, 0.5%

LAB 57.4, -13.11, -19.96

 

CMYK 52 / 28 / 0 / 33

HEX #527BAC

RGB 82 123 172

HSL 212.67, 0.35%, 0.5%

LAB 50.61, 0.05, -30.43

 

CMYK 52 / 1 / 0 / 55

HEX #387374

RGB 56 115 116

HSL 181, 0.35%, 0.34%

LAB 44.75, -18.82, -6.47

 

CMYK 52 / 1 / 0 / 44

HEX #458E90

RGB 69 142 144

HSL 181.6, 0.35%, 0.42%

LAB 54.68, -22.07, -8.05

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 41 / 1 / 0 / 27

HEX #6EB7B9

RGB 110 183 185

HSL 181.6, 0.35%, 0.58%

LAB 69.95, -22.22, -8.19

 

CMYK 30 / 1 / 0 / 22

HEX #8AC5C6

RGB 138 197 198

HSL 181, 0.34%, 0.66%

LAB 75.71, -18.61, -6.6

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 41 / 52 / 0 / 33

HEX #6652AC

RGB 102 82 172

HSL 253.33, 0.35%, 0.5%

LAB 40.96, 30.24, -45.6

 

CMYK 0 / 20 / 52 / 33

HEX #AC8952

RGB 172 137 82

HSL 36.67, 0.35%, 0.5%

LAB 59.22, 6.38, 34.35

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 0 / 52 / 1 / 33

HEX #AC52AA

RGB 172 82 170

HSL 301.33, 0.35%, 0.5%

LAB 49.14, 49.07, -30.94

 

CMYK 1 / 0 / 52 / 33

HEX #AAAC52

RGB 170 172 82

HSL 61.33, 0.35%, 0.5%

LAB 68.5, -13.34, 45.45

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 41 / 52 / 0 / 33

HEX #6652AC

RGB 102 82 172

HSL 253.33, 0.35%, 0.5%

LAB 40.96, 30.24, -45.6

 

CMYK 0 / 51 / 52 / 33

HEX #AC5452

RGB 172 84 82

HSL 1.33, 0.35%, 0.5%

LAB 46.61, 35.77, 18.09

 

CMYK 12 / 0 / 52 / 33

HEX #98AC52

RGB 152 172 82

HSL 73.33, 0.35%, 0.5%

LAB 67.12, -20.8, 43.47

 

CMYK 52 / 1 / 0 / 33

HEX #52AAAC

RGB 82 170 172

HSL 181.33, 0.35%, 0.5%

LAB 64.58, -25.69, -9.12

 

CMYK 26 / 52 / 0 / 33

HEX #8052AC

RGB 128 82 172

HSL 270.67, 0.35%, 0.5%

LAB 43.66, 37.07, -41.14

 

CMYK 0 / 51 / 52 / 33

HEX #AC5452

RGB 172 84 82

HSL 1.33, 0.35%, 0.5%

LAB 46.61, 35.77, 18.09

 

CMYK 27 / 0 / 52 / 33

HEX #7EAC52

RGB 126 172 82

HSL 90.67, 0.35%, 0.5%

LAB 65.4, -31, 41.01

 

Description

Color code: RGB 82 170 172 | qconv.com Color code: RGB 82 170 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 170 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 170 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 1 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 1% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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