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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #419899 it is the complementary color #BE6766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #419899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #419899 shade: #469894, #57AAA7, #68BCBA, #79CECD and #8AE0E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #419899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #419899 shade: #419899, #308686, #1F7473, #0E6260 and #00504D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #419899 shade: #419899, #418099, #416999, #415199 and #494199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #419899 shade: #419899, #418099, #416999, #415199 and #414199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #419899 shade matches the following richer shades: #419899, #30A9AB, #1EBBBC and #0CCCCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #419899 shade: #419899, #538787, #657576, #776464 and #885352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #419899 shade: #41996A, #419982, #419999, #418299 and #416A99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #419899 shade: #295F5F, #357B7C, #419899, #50B3B4 and #6DBFC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #419899 shade: #419899, #534199 and #997641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #419899 shade: #419899, #994199 and #999941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #419899 shade: #419899, #534199, #994141 and #879941

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #419899 shade: #419899, #6D4199, #994141 and #6D9941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

Complementary color

CMYK 0 / 46 / 46 / 25

HEX #BE6766

RGB 190 103 102

HSL 0.68, 0.4%, 0.57%

LAB 53.61, 34.57, 16.17

 

CMYK 54 / 0 / 3 / 40

HEX #469894

RGB 70 152 148

HSL 177.07, 0.37%, 0.44%

LAB 57.94, -25.84, -5.5

 

CMYK 49 / 0 / 2 / 33

HEX #57AAA7

RGB 87 170 167

HSL 177.83, 0.33%, 0.5%

LAB 64.62, -25.93, -6.25

 

CMYK 45 / 0 / 1 / 26

HEX #68BCBA

RGB 104 188 186

HSL 178.57, 0.39%, 0.57%

LAB 71.18, -25.95, -6.94

 

CMYK 41 / 0 / 0 / 19

HEX #79CECD

RGB 121 206 205

HSL 179.29, 0.46%, 0.64%

LAB 77.65, -25.94, -7.59

 

CMYK 38 / 0 / 0 / 12

HEX #8AE0E0

RGB 138 224 224

HSL 180, 0.58%, 0.71%

LAB 84.02, -25.89, -8.2

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 64 / 0 / 0 / 47

HEX #308686

RGB 48 134 134

HSL 180, 0.47%, 0.36%

LAB 51.15, -25.09, -7.59

 

CMYK 73 / 0 / 1 / 55

HEX #1F7473

RGB 31 116 115

HSL 179.29, 0.58%, 0.29%

LAB 44.26, -24.45, -6.68

 

CMYK 86 / 0 / 2 / 62

HEX #0E6260

RGB 14 98 96

HSL 178.57, 0.75%, 0.22%

LAB 37.25, -23.39, -5.61

 

CMYK 100 / 0 / 4 / 69

HEX #00504D

RGB 0 80 77

HSL 177.75, 1%, 0.16%

LAB 30.09, -21.79, -4.33

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 58 / 31 / 0 / 40

HEX #416999

RGB 65 105 153

HSL 212.73, 0.4%, 0.43%

LAB 43.55, 0.83, -30.39

 

CMYK 58 / 47 / 0 / 40

HEX #415199

RGB 65 81 153

HSL 229.09, 0.4%, 0.43%

LAB 36.57, 16.11, -41.44

 

CMYK 52 / 58 / 0 / 40

HEX #494199

RGB 73 65 153

HSL 245.45, 0.4%, 0.43%

LAB 32.91, 28.22, -47.29

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 58 / 16 / 0 / 40

HEX #418099

RGB 65 128 153

HSL 197.05, 0.4%, 0.43%

LAB 50.53, -12.7, -19.58

 

CMYK 58 / 31 / 0 / 40

HEX #416999

RGB 65 105 153

HSL 212.73, 0.4%, 0.43%

LAB 43.55, 0.83, -30.39

 

CMYK 58 / 47 / 0 / 40

HEX #415199

RGB 65 81 153

HSL 229.09, 0.4%, 0.43%

LAB 36.57, 16.11, -41.44

 

CMYK 58 / 58 / 0 / 40

HEX #414199

RGB 65 65 153

HSL 240, 0.4%, 0.43%

LAB 32.27, 26.57, -48.37

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 72 / 1 / 0 / 33

HEX #30A9AB

RGB 48 169 171

HSL 180.98, 0.56%, 0.43%

LAB 63.3, -31.32, -10.58

 

CMYK 84 / 1 / 0 / 26

HEX #1EBBBC

RGB 30 187 188

HSL 180.38, 0.72%, 0.43%

LAB 69.07, -36.47, -11.38

 

CMYK 94 / 1 / 0 / 19

HEX #0CCCCE

RGB 12 204 206

HSL 180.62, 0.89%, 0.43%

LAB 74.65, -39.71, -12.86

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 39 / 0 / 0 / 47

HEX #538787

RGB 83 135 135

HSL 180, 0.24%, 0.43%

LAB 52.86, -17.29, -5.49

 

CMYK 14 / 1 / 0 / 54

HEX #657576

RGB 101 117 118

HSL 183.53, 0.08%, 0.43%

LAB 48, -5.69, -2.56

 

CMYK 0 / 16 / 16 / 53

HEX #776464

RGB 119 100 100

HSL 0, 0.09%, 0.43%

LAB 44.17, 7.6, 2.83

 

CMYK 0 / 39 / 40 / 47

HEX #885352

RGB 136 83 82

HSL 1.11, 0.25%, 0.43%

LAB 41.26, 21.98, 9.94

 

CMYK 58 / 0 / 31 / 40

HEX #41996A

RGB 65 153 106

HSL 147.95, 0.4%, 0.43%

LAB 57.02, -37.69, 16.96

 

CMYK 58 / 0 / 15 / 40

HEX #419982

RGB 65 153 130

HSL 164.32, 0.4%, 0.43%

LAB 57.58, -32.15, 4.2

 

CMYK 58 / 0 / 0 / 40

HEX #419999

RGB 65 153 153

HSL 180, 0.4%, 0.43%

LAB 58.23, -25.98, -7.93

 

CMYK 58 / 15 / 0 / 40

HEX #418299

RGB 65 130 153

HSL 195.68, 0.4%, 0.43%

LAB 51.14, -13.82, -18.64

 

CMYK 58 / 31 / 0 / 40

HEX #416A99

RGB 65 106 153

HSL 212.05, 0.4%, 0.43%

LAB 43.85, 0.21, -29.92

 

CMYK 57 / 0 / 0 / 63

HEX #295F5F

RGB 41 95 95

HSL 180, 0.4%, 0.27%

LAB 36.9, -17.7, -5.44

 

CMYK 57 / 1 / 0 / 51

HEX #357B7C

RGB 53 123 124

HSL 180.85, 0.4%, 0.35%

LAB 47.47, -21.42, -7.2

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 56 / 1 / 0 / 29

HEX #50B3B4

RGB 80 179 180

HSL 180.6, 0.4%, 0.51%

LAB 67.46, -28.36, -9.28

 

CMYK 43 / 1 / 0 / 25

HEX #6DBFC0

RGB 109 191 192

HSL 180.72, 0.4%, 0.59%

LAB 72.44, -24.71, -8.33

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 0 / 23 / 58 / 40

HEX #997641

RGB 153 118 65

HSL 36.14, 0.4%, 0.43%

LAB 51.96, 7.25, 34.12

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 0 / 58 / 0 / 40

HEX #994199

RGB 153 65 153

HSL 300, 0.4%, 0.43%

LAB 42.54, 48.87, -31.38

 

CMYK 0 / 0 / 58 / 40

HEX #999941

RGB 153 153 65

HSL 60, 0.4%, 0.43%

LAB 61.6, -12.07, 45.29

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 46 / 58 / 0 / 40

HEX #534199

RGB 83 65 153

HSL 252.27, 0.4%, 0.43%

LAB 33.81, 30.47, -45.79

 

CMYK 0 / 58 / 58 / 40

HEX #994141

RGB 153 65 65

HSL 0, 0.4%, 0.43%

LAB 39.47, 36.87, 18.41

 

CMYK 12 / 0 / 58 / 40

HEX #879941

RGB 135 153 65

HSL 72.27, 0.4%, 0.43%

LAB 60.17, -19.77, 43.29

 

CMYK 58 / 1 / 0 / 40

HEX #419899

RGB 65 152 153

HSL 180.68, 0.4%, 0.43%

LAB 57.92, -25.47, -8.4

 

CMYK 29 / 58 / 0 / 40

HEX #6D4199

RGB 109 65 153

HSL 270, 0.4%, 0.43%

LAB 36.62, 36.93, -41.14

 

CMYK 0 / 58 / 58 / 40

HEX #994141

RGB 153 65 65

HSL 0, 0.4%, 0.43%

LAB 39.47, 36.87, 18.41

 

CMYK 29 / 0 / 58 / 40

HEX #6D9941

RGB 109 153 65

HSL 90, 0.4%, 0.43%

LAB 58.43, -30.26, 40.83

 

Description

Color code: HEX #419899 | qconv.com Color code: HEX #419899 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 152 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 152 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 1 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 1% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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