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Color name
RGB 82 146 52

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 146 52 it is the complementary color RGB 173 109 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 146 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 146 52 shade: RGB 87 146 47, RGB 104 164 66, RGB 121 182 85, RGB 138 200 104 and RGB 155 218 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 146 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 65 128 33, RGB 48 110 14, RGB 31 92 0 and RGB 14 74 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 107 146 52, RGB 132 146 52, RGB 146 134 52 and RGB 146 109 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 57 146 52, RGB 52 146 73, RGB 52 146 98 and RGB 52 146 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 146 52 shade matches the following richer shades: RGB 82 146 52, RGB 76 162 36, RGB 70 178 20 and RGB 65 194 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 88 130 68, RGB 94 114 84, RGB 100 97 100 and RGB 105 81 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 146 52 shade: RGB 133 146 52, RGB 108 146 52, RGB 83 146 52, RGB 58 146 52 and RGB 52 146 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 146 52 shade: RGB 48 85 30, RGB 65 115 41, RGB 82 146 52, RGB 99 176 63 and RGB 121 194 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 52 146 133 and RGB 146 52 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 52 83 146 and RGB 146 52 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 52 146 133, RGB 115 52 146 and RGB 146 52 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 146 52 shade: RGB 82 146 52, RGB 52 130 146, RGB 115 52 146 and RGB 146 68 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

Complementary color

CMYK 15 / 46 / 0 / 20

HEX #AD6DCB

RGB 173 109 203

HSL 280.85, 0.47%, 0.61%

LAB 56.22, 41.83, -38.9

 

CMYK 40 / 0 / 68 / 43

HEX #57922F

RGB 87 146 47

HSL 95.76, 0.51%, 0.38%

LAB 54.85, -36.88, 44.76

 

CMYK 37 / 0 / 60 / 36

HEX #68A442

RGB 104 164 66

HSL 96.73, 0.43%, 0.45%

LAB 61.56, -37.06, 43.87

 

CMYK 34 / 0 / 53 / 29

HEX #79B655

RGB 121 182 85

HSL 97.73, 0.4%, 0.52%

LAB 68.15, -37.09, 42.77

 

CMYK 31 / 0 / 48 / 22

HEX #8AC868

RGB 138 200 104

HSL 98.75, 0.47%, 0.6%

LAB 74.64, -37.04, 41.59

 

CMYK 29 / 0 / 44 / 15

HEX #9BDA7B

RGB 155 218 123

HSL 99.79, 0.56%, 0.67%

LAB 81.04, -36.94, 40.4

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 49 / 0 / 74 / 50

HEX #418021

RGB 65 128 33

HSL 99.79, 0.59%, 0.32%

LAB 47.84, -37.79, 42.93

 

CMYK 56 / 0 / 87 / 57

HEX #306E0E

RGB 48 110 14

HSL 98.75, 0.77%, 0.24%

LAB 40.92, -37.01, 42.58

 

CMYK 66 / 0 / 100 / 64

HEX #1F5C00

RGB 31 92 0

HSL 99.78, 1%, 0.18%

LAB 33.87, -35.53, 40.24

 

CMYK 81 / 0 / 100 / 71

HEX #0E4A00

RGB 14 74 0

HSL 108.65, 1%, 0.15%

LAB 26.71, -32.86, 34.25

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 27 / 0 / 64 / 43

HEX #6B9234

RGB 107 146 52

HSL 84.89, 0.47%, 0.39%

LAB 56.02, -28.92, 44.15

 

CMYK 10 / 0 / 64 / 43

HEX #849234

RGB 132 146 52

HSL 68.94, 0.47%, 0.39%

LAB 57.76, -18.5, 46.54

 

CMYK 0 / 8 / 64 / 43

HEX #928634

RGB 146 134 52

HSL 52.34, 0.47%, 0.39%

LAB 55.49, -5.89, 44.46

 

CMYK 0 / 25 / 64 / 43

HEX #926D34

RGB 146 109 52

HSL 36.38, 0.47%, 0.39%

LAB 48.63, 8.24, 36.87

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 61 / 0 / 64 / 43

HEX #399234

RGB 57 146 52

HSL 116.81, 0.47%, 0.39%

LAB 53.68, -45.5, 40.91

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 64 / 0 / 33 / 43

HEX #349262

RGB 52 146 98

HSL 149.36, 0.47%, 0.39%

LAB 54.21, -39.19, 17.52

 

CMYK 64 / 0 / 16 / 43

HEX #34927B

RGB 52 146 123

HSL 165.32, 0.47%, 0.39%

LAB 54.78, -33.27, 4.11

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 53 / 0 / 78 / 36

HEX #4CA224

RGB 76 162 36

HSL 100.95, 0.64%, 0.39%

LAB 59.44, -47.83, 53.44

 

CMYK 61 / 0 / 89 / 30

HEX #46B214

RGB 70 178 20

HSL 101.01, 0.8%, 0.39%

LAB 64.32, -56.05, 61.99

 

CMYK 66 / 0 / 98 / 24

HEX #41C204

RGB 65 194 4

HSL 100.74, 0.96%, 0.39%

LAB 69.27, -62.91, 68.26

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 32 / 0 / 48 / 49

HEX #588244

RGB 88 130 68

HSL 100.65, 0.31%, 0.39%

LAB 50.05, -26.73, 28.92

 

CMYK 18 / 0 / 26 / 55

HEX #5E7254

RGB 94 114 84

HSL 100, 0.15%, 0.39%

LAB 45.71, -13.54, 14.25

 

CMYK 0 / 3 / 0 / 61

HEX #646164

RGB 100 97 100

HSL 300, 0.02%, 0.39%

LAB 41.5, 1.81, -1.29

 

CMYK 10 / 31 / 0 / 54

HEX #695175

RGB 105 81 117

HSL 280, 0.18%, 0.39%

LAB 38.15, 17.28, -16.73

 

CMYK 9 / 0 / 64 / 43

HEX #859234

RGB 133 146 52

HSL 68.3, 0.47%, 0.39%

LAB 57.84, -18.07, 46.65

 

CMYK 26 / 0 / 64 / 43

HEX #6C9234

RGB 108 146 52

HSL 84.26, 0.47%, 0.39%

LAB 56.08, -28.53, 44.24

 

CMYK 43 / 0 / 64 / 43

HEX #539234

RGB 83 146 52

HSL 100.21, 0.47%, 0.39%

LAB 54.7, -37.8, 42.33

 

CMYK 60 / 0 / 64 / 43

HEX #3A9234

RGB 58 146 52

HSL 116.17, 0.47%, 0.39%

LAB 53.71, -45.25, 40.95

 

CMYK 64 / 0 / 51 / 43

HEX #349247

RGB 52 146 71

HSL 132.13, 0.47%, 0.39%

LAB 53.75, -44.16, 31.62

 

CMYK 44 / 0 / 65 / 67

HEX #30551E

RGB 48 85 30

HSL 100.36, 0.48%, 0.23%

LAB 32.3, -24.65, 27.4

 

CMYK 43 / 0 / 64 / 55

HEX #417329

RGB 65 115 41

HSL 100.54, 0.47%, 0.31%

LAB 43.57, -31.35, 34.85

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 44 / 0 / 64 / 31

HEX #63B03F

RGB 99 176 63

HSL 100.88, 0.47%, 0.47%

LAB 65.01, -44.22, 49.02

 

CMYK 38 / 0 / 56 / 24

HEX #79C256

RGB 121 194 86

HSL 100.56, 0.47%, 0.55%

LAB 71.77, -42.28, 46.58

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 64 / 0 / 9 / 43

HEX #349285

RGB 52 146 133

HSL 171.7, 0.47%, 0.39%

LAB 55.05, -30.6, -1.23

 

CMYK 0 / 64 / 17 / 43

HEX #923479

RGB 146 52 121

HSL 315.96, 0.47%, 0.39%

LAB 37.75, 47.44, -19.36

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 64 / 43 / 0 / 43

HEX #345392

RGB 52 83 146

HSL 220.21, 0.47%, 0.39%

LAB 35.97, 9.64, -38.21

 

CMYK 0 / 64 / 43 / 43

HEX #923453

RGB 146 52 83

HSL 340.21, 0.47%, 0.39%

LAB 36.35, 42.39, 2.54

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 64 / 0 / 9 / 43

HEX #349285

RGB 52 146 133

HSL 171.7, 0.47%, 0.39%

LAB 55.05, -30.6, -1.23

 

CMYK 21 / 64 / 0 / 43

HEX #733492

RGB 115 52 146

HSL 280.21, 0.47%, 0.39%

LAB 34.35, 43.78, -40.47

 

CMYK 0 / 64 / 55 / 43

HEX #923441

RGB 146 52 65

HSL 351.7, 0.47%, 0.39%

LAB 35.89, 40.64, 13.4

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 64 / 11 / 0 / 43

HEX #348292

RGB 52 130 146

HSL 190.21, 0.47%, 0.39%

LAB 50.42, -18.58, -15.7

 

CMYK 21 / 64 / 0 / 43

HEX #733492

RGB 115 52 146

HSL 280.21, 0.47%, 0.39%

LAB 34.35, 43.78, -40.47

 

CMYK 0 / 53 / 64 / 43

HEX #924434

RGB 146 68 52

HSL 10.21, 0.47%, 0.39%

LAB 38.71, 31.58, 25.15

 

Description

Color code: RGB 82 146 52 | qconv.com Color code: RGB 82 146 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 146 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 146 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 64 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 64% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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