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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #349249 it is the complementary color #CB6DB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #349249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #349249 shade: #399244, #4AA457, #5BB66A, #6CC87D and #7DDA90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #349249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #349249 shade: #349249, #238036, #126E23, #015C10 and #004A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #349249 shade: #349249, #399234, #529234, #6B9234 and #849234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #349249 shade: #349249, #349262, #34927C, #348F92 and #347592

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #349249 shade matches the following richer shades: #349249, #24A240, #14B237 and #04C22E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #349249 shade: #349249, #448252, #54725B, #646164 and #75516D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #349249 shade: #529234, #399234, #349248, #349261 and #34927A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #349249 shade: #1E552B, #29733A, #349249, #3FB058 and #56C26E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #349249 shade: #349249, #346B92 and #923445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #349249 shade: #349249, #483492 and #924834

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #349249 shade: #349249, #346B92, #92347D and #925B34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #349249 shade: #349249, #344F92, #92347D and #927734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

Complementary color

CMYK 0 / 46 / 10 / 20

HEX #CB6DB6

RGB 203 109 182

HSL 313.4, 0.47%, 0.61%

LAB 58.98, 46.87, -22.33

 

CMYK 61 / 0 / 53 / 43

HEX #399244

RGB 57 146 68

HSL 127.42, 0.44%, 0.4%

LAB 53.86, -43.45, 33.33

 

CMYK 55 / 0 / 47 / 36

HEX #4AA457

RGB 74 164 87

HSL 128.67, 0.38%, 0.47%

LAB 60.51, -43.62, 31.9

 

CMYK 50 / 0 / 42 / 29

HEX #5BB66A

RGB 91 182 106

HSL 129.89, 0.38%, 0.54%

LAB 67.07, -43.59, 30.53

 

CMYK 46 / 0 / 38 / 22

HEX #6CC87D

RGB 108 200 125

HSL 131.09, 0.46%, 0.6%

LAB 73.53, -43.44, 29.23

 

CMYK 43 / 0 / 34 / 15

HEX #7DDA90

RGB 125 218 144

HSL 132.26, 0.56%, 0.67%

LAB 79.91, -43.24, 28.01

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 73 / 0 / 58 / 50

HEX #238036

RGB 35 128 54

HSL 132.26, 0.57%, 0.32%

LAB 47.06, -43.24, 32.14

 

CMYK 84 / 0 / 68 / 57

HEX #126E23

RGB 18 110 35

HSL 131.09, 0.72%, 0.25%

LAB 40.25, -41.95, 33.58

 

CMYK 99 / 0 / 83 / 64

HEX #015C10

RGB 1 92 16

HSL 129.89, 0.98%, 0.18%

LAB 33.35, -39.76, 34.43

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 61 / 0 / 64 / 43

HEX #399234

RGB 57 146 52

HSL 116.81, 0.47%, 0.39%

LAB 53.68, -45.5, 40.91

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 27 / 0 / 64 / 43

HEX #6B9234

RGB 107 146 52

HSL 84.89, 0.47%, 0.39%

LAB 56.02, -28.92, 44.15

 

CMYK 10 / 0 / 64 / 43

HEX #849234

RGB 132 146 52

HSL 68.94, 0.47%, 0.39%

LAB 57.76, -18.5, 46.54

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 64 / 0 / 33 / 43

HEX #349262

RGB 52 146 98

HSL 149.36, 0.47%, 0.39%

LAB 54.21, -39.19, 17.52

 

CMYK 64 / 0 / 15 / 43

HEX #34927C

RGB 52 146 124

HSL 165.96, 0.47%, 0.39%

LAB 54.81, -33.01, 3.58

 

CMYK 64 / 2 / 0 / 43

HEX #348F92

RGB 52 143 146

HSL 181.91, 0.47%, 0.39%

LAB 54.5, -25.37, -9.54

 

CMYK 64 / 20 / 0 / 43

HEX #347592

RGB 52 117 146

HSL 198.51, 0.47%, 0.39%

LAB 46.35, -11.36, -21.93

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 78 / 0 / 60 / 36

HEX #24A240

RGB 36 162 64

HSL 133.33, 0.64%, 0.39%

LAB 58.59, -53.89, 40.8

 

CMYK 89 / 0 / 69 / 30

HEX #14B237

RGB 20 178 55

HSL 133.29, 0.8%, 0.39%

LAB 63.56, -61.79, 50.21

 

CMYK 98 / 0 / 76 / 24

HEX #04C22E

RGB 4 194 46

HSL 133.26, 0.96%, 0.39%

LAB 68.61, -68.13, 58.66

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 48 / 0 / 37 / 49

HEX #448252

RGB 68 130 82

HSL 133.55, 0.31%, 0.39%

LAB 49.26, -31.22, 19.95

 

CMYK 26 / 0 / 20 / 55

HEX #54725B

RGB 84 114 91

HSL 134, 0.15%, 0.39%

LAB 45.19, -15.99, 9.28

 

CMYK 0 / 3 / 0 / 61

HEX #646164

RGB 100 97 100

HSL 300, 0.02%, 0.39%

LAB 41.5, 1.81, -1.29

 

CMYK 0 / 31 / 7 / 54

HEX #75516D

RGB 117 81 109

HSL 313.33, 0.18%, 0.39%

LAB 39.19, 19.98, -10.07

 

CMYK 44 / 0 / 64 / 43

HEX #529234

RGB 82 146 52

HSL 100.85, 0.47%, 0.39%

LAB 54.66, -38.14, 42.27

 

CMYK 61 / 0 / 64 / 43

HEX #399234

RGB 57 146 52

HSL 116.81, 0.47%, 0.39%

LAB 53.68, -45.5, 40.91

 

CMYK 64 / 0 / 51 / 43

HEX #349248

RGB 52 146 72

HSL 132.77, 0.47%, 0.39%

LAB 53.77, -44, 31.11

 

CMYK 64 / 0 / 34 / 43

HEX #349261

RGB 52 146 97

HSL 148.72, 0.47%, 0.39%

LAB 54.19, -39.4, 18.05

 

CMYK 64 / 0 / 16 / 43

HEX #34927A

RGB 52 146 122

HSL 164.68, 0.47%, 0.39%

LAB 54.75, -33.53, 4.65

 

CMYK 65 / 0 / 49 / 67

HEX #1E552B

RGB 30 85 43

HSL 134.18, 0.48%, 0.23%

LAB 31.69, -28.5, 19.21

 

CMYK 64 / 0 / 50 / 55

HEX #29733A

RGB 41 115 58

HSL 133.78, 0.47%, 0.31%

LAB 42.82, -36.18, 24.85

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 64 / 0 / 50 / 31

HEX #3FB058

RGB 63 176 88

HSL 133.27, 0.47%, 0.47%

LAB 64.01, -50.79, 35.7

 

CMYK 56 / 0 / 43 / 24

HEX #56C26E

RGB 86 194 110

HSL 133.33, 0.47%, 0.55%

LAB 70.66, -49.17, 33.07

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 64 / 27 / 0 / 43

HEX #346B92

RGB 52 107 146

HSL 204.89, 0.47%, 0.39%

LAB 43.24, -5.49, -26.74

 

CMYK 0 / 64 / 53 / 43

HEX #923445

RGB 146 52 69

HSL 349.15, 0.47%, 0.39%

LAB 35.98, 40.99, 10.97

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 51 / 64 / 0 / 43

HEX #483492

RGB 72 52 146

HSL 252.77, 0.47%, 0.39%

LAB 29.18, 33.89, -49.06

 

CMYK 0 / 51 / 64 / 43

HEX #924834

RGB 146 72 52

HSL 12.77, 0.47%, 0.39%

LAB 39.57, 29.42, 26.2

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 64 / 27 / 0 / 43

HEX #346B92

RGB 52 107 146

HSL 204.89, 0.47%, 0.39%

LAB 43.24, -5.49, -26.74

 

CMYK 0 / 64 / 14 / 43

HEX #92347D

RGB 146 52 125

HSL 313.4, 0.47%, 0.39%

LAB 37.93, 48.07, -21.57

 

CMYK 0 / 38 / 64 / 43

HEX #925B34

RGB 146 91 52

HSL 24.89, 0.47%, 0.39%

LAB 44, 18.67, 31.52

 

CMYK 64 / 0 / 50 / 43

HEX #349249

RGB 52 146 73

HSL 133.4, 0.47%, 0.39%

LAB 53.78, -43.84, 30.6

 

CMYK 64 / 46 / 0 / 43

HEX #344F92

RGB 52 79 146

HSL 222.77, 0.47%, 0.39%

LAB 34.8, 12.27, -40.08

 

CMYK 0 / 64 / 14 / 43

HEX #92347D

RGB 146 52 125

HSL 313.4, 0.47%, 0.39%

LAB 37.93, 48.07, -21.57

 

CMYK 0 / 18 / 64 / 43

HEX #927734

RGB 146 119 52

HSL 42.77, 0.47%, 0.39%

LAB 51.33, 2.51, 39.9

 

Description

Color code: HEX #349249 | qconv.com Color code: HEX #349249 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 146 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 146 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 50 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 50% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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