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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 250 248 it is the complementary color RGB 172 5 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 250 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 250 248 shade: RGB 88 250 243, RGB 105 255 255, RGB 122 255 255, RGB 139 255 255 and RGB 156 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 250 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 250 248 shade: RGB 83 250 248, RGB 66 232 229, RGB 49 214 210, RGB 32 196 191 and RGB 15 178 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 250 248 shade: RGB 81 249 247, RGB 81 249 202, RGB 81 249 157, RGB 81 249 111 and RGB 97 249 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 250 248 shade: RGB 81 249 247, RGB 81 206 249, RGB 81 161 249, RGB 81 115 249 and RGB 81 81 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 250 248 shade matches the following richer shades: RGB 81 249 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 250 248 shade: RGB 81 249 247, RGB 96 235 233, RGB 110 220 219, RGB 125 206 205 and RGB 139 191 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 250 248 shade: RGB 81 249 157, RGB 81 249 202, RGB 81 249 246, RGB 81 207 249 and RGB 81 162 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 250 248 shade: RGB 7 241 238, RGB 41 248 245, RGB 81 249 247, RGB 121 250 249 and RGB 161 252 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 250 248 shade: RGB 83 250 248, RGB 112 81 249 and RGB 249 179 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 250 248 shade: RGB 83 250 248, RGB 246 81 249 and RGB 249 246 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 250 248 shade: RGB 83 250 248, RGB 112 81 249, RGB 249 81 84 and RGB 218 249 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 250 248 shade: RGB 83 250 248, RGB 162 81 249, RGB 249 81 84 and RGB 168 249 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 1 / 2

HEX #53FAF8

RGB 83 250 248

HSL 179.28, 0.94%, 0.65%

LAB 90.32, -42.37, -11.61

 

Complementary color

CMYK 0 / 97 / 96 / 33

HEX #AC0507

RGB 172 5 7

HSL 359.28, 0.94%, 0.35%

LAB 35.78, 59.11, 47.17

 

CMYK 65 / 0 / 3 / 2

HEX #58FAF3

RGB 88 250 243

HSL 177.41, 0.94%, 0.66%

LAB 90.28, -43.01, -9.05

 

CMYK 59 / 0 / 0 / 0

HEX #69FFFF

RGB 105 255 255

HSL 180, 1%, 0.71%

LAB 92.46, -39.46, -11.99

 

CMYK 52 / 0 / 0 / 0

HEX #7AFFFF

RGB 122 255 255

HSL 180, 1%, 0.74%

LAB 92.96, -36.41, -11.19

 

CMYK 45 / 0 / 0 / 0

HEX #8BFFFF

RGB 139 255 255

HSL 180, 1%, 0.77%

LAB 93.55, -32.91, -10.25

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 67 / 0 / 1 / 2

HEX #53FAF8

RGB 83 250 248

HSL 179.28, 0.94%, 0.65%

LAB 90.32, -42.37, -11.61

 

CMYK 72 / 0 / 1 / 9

HEX #42E8E5

RGB 66 232 229

HSL 178.92, 0.78%, 0.58%

LAB 84.24, -41.66, -10.75

 

CMYK 77 / 0 / 2 / 16

HEX #31D6D2

RGB 49 214 210

HSL 178.55, 0.67%, 0.52%

LAB 78.11, -40.74, -9.8

 

CMYK 84 / 0 / 3 / 23

HEX #20C4BF

RGB 32 196 191

HSL 178.17, 0.72%, 0.45%

LAB 71.93, -39.55, -8.77

 

CMYK 92 / 0 / 3 / 30

HEX #0FB2AC

RGB 15 178 172

HSL 177.79, 0.84%, 0.38%

LAB 65.69, -38, -7.61

 

CMYK 67 / 0 / 1 / 2

HEX #51F9F7

RGB 81 249 247

HSL 179.29, 0.93%, 0.65%

LAB 89.96, -42.46, -11.62

 

CMYK 67 / 0 / 19 / 2

HEX #51F9CA

RGB 81 249 202

HSL 163.21, 0.93%, 0.65%

LAB 88.81, -53.8, 10.1

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 67 / 0 / 55 / 2

HEX #51F96F

RGB 81 249 111

HSL 130.71, 0.93%, 0.65%

LAB 87.31, -70.19, 53.16

 

CMYK 61 / 0 / 67 / 2

HEX #61F951

RGB 97 249 81

HSL 114.29, 0.93%, 0.65%

LAB 87.43, -70.22, 65.9

 

CMYK 67 / 0 / 1 / 2

HEX #51F9F7

RGB 81 249 247

HSL 179.29, 0.93%, 0.65%

LAB 89.96, -42.46, -11.62

 

CMYK 67 / 17 / 0 / 2

HEX #51CEF9

RGB 81 206 249

HSL 195.36, 0.93%, 0.65%

LAB 77.72, -21.42, -31.23

 

CMYK 67 / 35 / 0 / 2

HEX #51A1F9

RGB 81 161 249

HSL 211.43, 0.93%, 0.65%

LAB 65.02, 3.02, -51.04

 

CMYK 67 / 54 / 0 / 2

HEX #5173F9

RGB 81 115 249

HSL 227.86, 0.93%, 0.65%

LAB 52.79, 30.66, -70.65

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 67 / 0 / 1 / 2

HEX #51F9F7

RGB 81 249 247

HSL 179.29, 0.93%, 0.65%

LAB 89.96, -42.46, -11.62

 

CMYK 67 / 0 / 1 / 2

HEX #51F9F7

RGB 81 249 247

HSL 179.29, 0.93%, 0.65%

LAB 89.96, -42.46, -11.62

 

CMYK 59 / 0 / 1 / 8

HEX #60EBE9

RGB 96 235 233

HSL 179.14, 0.78%, 0.65%

LAB 85.9, -37.65, -10.31

 

CMYK 50 / 0 / 0 / 14

HEX #6EDCDB

RGB 110 220 219

HSL 179.45, 0.61%, 0.65%

LAB 81.63, -31.67, -9.21

 

CMYK 39 / 0 / 0 / 19

HEX #7DCECD

RGB 125 206 205

HSL 179.26, 0.45%, 0.65%

LAB 77.82, -24.94, -7.31

 

CMYK 27 / 0 / 0 / 25

HEX #8BBFBF

RGB 139 191 191

HSL 180, 0.29%, 0.65%

LAB 73.88, -16.87, -5.5

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 67 / 0 / 19 / 2

HEX #51F9CA

RGB 81 249 202

HSL 163.21, 0.93%, 0.65%

LAB 88.81, -53.8, 10.1

 

CMYK 67 / 0 / 1 / 2

HEX #51F9F6

RGB 81 249 246

HSL 178.93, 0.93%, 0.65%

LAB 89.93, -42.73, -11.15

 

CMYK 67 / 17 / 0 / 2

HEX #51CFF9

RGB 81 207 249

HSL 195, 0.93%, 0.65%

LAB 78, -21.92, -30.79

 

CMYK 67 / 35 / 0 / 2

HEX #51A2F9

RGB 81 162 249

HSL 211.07, 0.93%, 0.65%

LAB 65.3, 2.44, -50.6

 

CMYK 97 / 0 / 1 / 5

HEX #07F1EE

RGB 7 241 238

HSL 179.23, 0.94%, 0.49%

LAB 86.57, -46.78, -12.07

 

CMYK 83 / 0 / 1 / 3

HEX #29F8F5

RGB 41 248 245

HSL 179.13, 0.94%, 0.57%

LAB 89.02, -46.45, -12.05

 

CMYK 67 / 0 / 1 / 2

HEX #51F9F7

RGB 81 249 247

HSL 179.29, 0.93%, 0.65%

LAB 89.96, -42.46, -11.62

 

CMYK 52 / 0 / 0 / 2

HEX #79FAF9

RGB 121 250 249

HSL 179.53, 0.93%, 0.73%

LAB 91.36, -35.82, -10.47

 

CMYK 36 / 0 / 0 / 1

HEX #A1FCFB

RGB 161 252 251

HSL 179.34, 0.94%, 0.81%

LAB 93.52, -27.26, -8.13

 

CMYK 67 / 0 / 1 / 2

HEX #53FAF8

RGB 83 250 248

HSL 179.28, 0.94%, 0.65%

LAB 90.32, -42.37, -11.61

 

CMYK 55 / 67 / 0 / 2

HEX #7051F9

RGB 112 81 249

HSL 251.07, 0.93%, 0.65%

LAB 47.2, 55.16, -79.66

 

CMYK 0 / 28 / 67 / 2

HEX #F9B351

RGB 249 179 81

HSL 35, 0.93%, 0.65%

LAB 77.86, 16.27, 58.48

 

CMYK 67 / 0 / 1 / 2

HEX #53FAF8

RGB 83 250 248

HSL 179.28, 0.94%, 0.65%

LAB 90.32, -42.37, -11.61

 

CMYK 1 / 67 / 0 / 2

HEX #F651F9

RGB 246 81 249

HSL 298.93, 0.93%, 0.65%

LAB 63.6, 81.09, -52.38

 

CMYK 0 / 1 / 67 / 2

HEX #F9F651

RGB 249 246 81

HSL 58.93, 0.93%, 0.65%

LAB 94.59, -17.72, 75.79

 

CMYK 67 / 0 / 1 / 2

HEX #53FAF8

RGB 83 250 248

HSL 179.28, 0.94%, 0.65%

LAB 90.32, -42.37, -11.61

 

CMYK 55 / 67 / 0 / 2

HEX #7051F9

RGB 112 81 249

HSL 251.07, 0.93%, 0.65%

LAB 47.2, 55.16, -79.66

 

CMYK 0 / 67 / 66 / 2

HEX #F95154

RGB 249 81 84

HSL 358.93, 0.93%, 0.65%

LAB 58.66, 63.82, 34.92

 

CMYK 12 / 0 / 67 / 2

HEX #DAF951

RGB 218 249 81

HSL 71.07, 0.93%, 0.65%

LAB 93.12, -31.49, 73.58

 

CMYK 67 / 0 / 1 / 2

HEX #53FAF8

RGB 83 250 248

HSL 179.28, 0.94%, 0.65%

LAB 90.32, -42.37, -11.61

 

CMYK 35 / 67 / 0 / 2

HEX #A251F9

RGB 162 81 249

HSL 268.93, 0.93%, 0.65%

LAB 52.29, 63.82, -71.14

 

CMYK 0 / 67 / 66 / 2

HEX #F95154

RGB 249 81 84

HSL 358.93, 0.93%, 0.65%

LAB 58.66, 63.82, 34.92

 

CMYK 33 / 0 / 67 / 2

HEX #A8F951

RGB 168 249 81

HSL 88.93, 0.93%, 0.65%

LAB 90.17, -49.98, 69.61

 

Description

Color code: RGB 83 250 248 | qconv.com Color code: RGB 83 250 248 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 250 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 250 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 1% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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