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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51F99D it is the complementary color #AE0662. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51F99D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51F99D shade: #56F998, #67FFAB, #78FFBE, #89FFD1 and #9AFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51F99D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51F99D shade: #51F99D, #40E78A, #2FD577, #1EC364 and #0DB151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51F99D shade: #52F89D, #52F871, #61F852, #8DF852 and #BAF852

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51F99D shade: #52F89D, #52F8CA, #52F8F7, #52CDF8 and #52A0F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51F99D shade matches the following richer shades: #52F89D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51F99D shade: #52F89D, #61EA9F, #6FDBA0, #7ECDA1 and #8CBEA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51F99D shade: #60F852, #52F871, #52F89D, #52F8C9 and #52F8F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51F99D shade: #08F071, #2AF787, #52F89D, #7AFAB4 and #A2FBCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51F99D shade: #51F99D, #528CF8 and #F85B52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51F99D shade: #51F99D, #9D52F8 and #F89D52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51F99D shade: #51F99D, #528CF8, #F852AE and #F8BE52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51F99D shade: #51F99D, #525BF8, #F852AE and #F8F052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

Complementary color

CMYK 0 / 97 / 44 / 32

HEX #AE0662

RGB 174 6 98

HSL 327.14, 0.93%, 0.35%

LAB 37.86, 63.86, -4.2

 

CMYK 65 / 0 / 39 / 2

HEX #56F998

RGB 86 249 152

HSL 144.29, 0.93%, 0.66%

LAB 87.97, -63.17, 34.46

 

CMYK 60 / 0 / 33 / 0

HEX #67FFAB

RGB 103 255 171

HSL 146.84, 1%, 0.7%

LAB 90.48, -58.85, 28.38

 

CMYK 53 / 0 / 25 / 0

HEX #78FFBE

RGB 120 255 190

HSL 151.11, 1%, 0.74%

LAB 91.34, -51.64, 19.99

 

CMYK 46 / 0 / 18 / 0

HEX #89FFD1

RGB 137 255 209

HSL 156.61, 1%, 0.77%

LAB 92.33, -43.85, 11.72

 

CMYK 40 / 0 / 11 / 0

HEX #9AFFE4

RGB 154 255 228

HSL 163.96, 1%, 0.8%

LAB 93.45, -35.6, 3.62

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 72 / 0 / 40 / 9

HEX #40E78A

RGB 64 231 138

HSL 146.59, 0.78%, 0.58%

LAB 81.88, -62.57, 33.36

 

CMYK 78 / 0 / 44 / 16

HEX #2FD577

RGB 47 213 119

HSL 146.02, 0.66%, 0.51%

LAB 75.78, -61.73, 34.92

 

CMYK 85 / 0 / 49 / 24

HEX #1EC364

RGB 30 195 100

HSL 145.45, 0.73%, 0.44%

LAB 69.63, -60.48, 36.58

 

CMYK 93 / 0 / 54 / 31

HEX #0DB151

RGB 13 177 81

HSL 144.88, 0.86%, 0.37%

LAB 63.45, -58.68, 38.32

 

CMYK 67 / 0 / 37 / 3

HEX #52F89D

RGB 82 248 157

HSL 147.11, 0.92%, 0.65%

LAB 87.66, -62.58, 31.54

 

CMYK 67 / 0 / 54 / 3

HEX #52F871

RGB 82 248 113

HSL 131.2, 0.92%, 0.65%

LAB 87.06, -69.43, 51.96

 

CMYK 61 / 0 / 67 / 3

HEX #61F852

RGB 97 248 82

HSL 114.58, 0.92%, 0.65%

LAB 87.14, -69.8, 65.2

 

CMYK 43 / 0 / 67 / 3

HEX #8DF852

RGB 141 248 82

HSL 98.67, 0.92%, 0.65%

LAB 88.64, -58.26, 67.25

 

CMYK 25 / 0 / 67 / 3

HEX #BAF852

RGB 186 248 82

HSL 82.41, 0.92%, 0.65%

LAB 90.86, -43.1, 70.26

 

CMYK 67 / 0 / 37 / 3

HEX #52F89D

RGB 82 248 157

HSL 147.11, 0.92%, 0.65%

LAB 87.66, -62.58, 31.54

 

CMYK 67 / 0 / 19 / 3

HEX #52F8CA

RGB 82 248 202

HSL 163.37, 0.92%, 0.65%

LAB 88.54, -53.24, 9.71

 

CMYK 67 / 0 / 0 / 3

HEX #52F8F7

RGB 82 248 247

HSL 179.64, 0.92%, 0.65%

LAB 89.69, -41.88, -12.02

 

CMYK 67 / 17 / 0 / 3

HEX #52CDF8

RGB 82 205 248

HSL 195.54, 0.92%, 0.65%

LAB 77.42, -21.07, -31.15

 

CMYK 67 / 35 / 0 / 3

HEX #52A0F8

RGB 82 160 248

HSL 211.81, 0.92%, 0.65%

LAB 64.73, 3.41, -50.95

 

CMYK 67 / 0 / 37 / 3

HEX #52F89D

RGB 82 248 157

HSL 147.11, 0.92%, 0.65%

LAB 87.66, -62.58, 31.54

 

CMYK 67 / 0 / 37 / 3

HEX #52F89D

RGB 82 248 157

HSL 147.11, 0.92%, 0.65%

LAB 87.66, -62.58, 31.54

 

CMYK 59 / 0 / 32 / 8

HEX #61EA9F

RGB 97 234 159

HSL 147.15, 0.77%, 0.65%

LAB 83.91, -54.05, 25.53

 

CMYK 49 / 0 / 27 / 14

HEX #6FDBA0

RGB 111 219 160

HSL 147.22, 0.6%, 0.65%

LAB 79.94, -44.46, 19.64

 

CMYK 39 / 0 / 21 / 20

HEX #7ECDA1

RGB 126 205 161

HSL 146.58, 0.44%, 0.65%

LAB 76.48, -33.97, 14.37

 

CMYK 26 / 0 / 14 / 25

HEX #8CBEA3

RGB 140 190 163

HSL 147.6, 0.28%, 0.65%

LAB 72.92, -22.06, 8.36

 

CMYK 61 / 0 / 67 / 3

HEX #60F852

RGB 96 248 82

HSL 114.94, 0.92%, 0.65%

LAB 87.11, -70.01, 65.17

 

CMYK 67 / 0 / 54 / 3

HEX #52F871

RGB 82 248 113

HSL 131.2, 0.92%, 0.65%

LAB 87.06, -69.43, 51.96

 

CMYK 67 / 0 / 37 / 3

HEX #52F89D

RGB 82 248 157

HSL 147.11, 0.92%, 0.65%

LAB 87.66, -62.58, 31.54

 

CMYK 67 / 0 / 19 / 3

HEX #52F8C9

RGB 82 248 201

HSL 163.01, 0.92%, 0.65%

LAB 88.52, -53.47, 10.2

 

CMYK 67 / 0 / 1 / 3

HEX #52F8F5

RGB 82 248 245

HSL 178.92, 0.92%, 0.65%

LAB 89.64, -42.42, -11.06

 

CMYK 97 / 0 / 53 / 6

HEX #08F071

RGB 8 240 113

HSL 147.16, 0.94%, 0.49%

LAB 83.74, -74.13, 47.74

 

CMYK 83 / 0 / 45 / 3

HEX #2AF787

RGB 42 247 135

HSL 147.22, 0.93%, 0.57%

LAB 86.39, -71.09, 40.63

 

CMYK 67 / 0 / 37 / 3

HEX #52F89D

RGB 82 248 157

HSL 147.11, 0.92%, 0.65%

LAB 87.66, -62.58, 31.54

 

CMYK 51 / 0 / 28 / 2

HEX #7AFAB4

RGB 122 250 180

HSL 147.19, 0.93%, 0.73%

LAB 89.77, -51.06, 22.93

 

CMYK 35 / 0 / 20 / 2

HEX #A2FBCA

RGB 162 251 202

HSL 146.97, 0.92%, 0.81%

LAB 92.1, -36.91, 15.15

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 67 / 44 / 0 / 3

HEX #528CF8

RGB 82 140 248

HSL 219.04, 0.92%, 0.65%

LAB 59.28, 15.21, -59.64

 

CMYK 0 / 63 / 67 / 3

HEX #F85B52

RGB 248 91 82

HSL 3.25, 0.92%, 0.65%

LAB 59.93, 59.42, 37.55

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 37 / 67 / 0 / 3

HEX #9D52F8

RGB 157 82 248

HSL 267.11, 0.92%, 0.65%

LAB 51.81, 62.16, -71.38

 

CMYK 0 / 37 / 67 / 3

HEX #F89D52

RGB 248 157 82

HSL 27.11, 0.92%, 0.65%

LAB 72.68, 27.46, 52.31

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 67 / 44 / 0 / 3

HEX #528CF8

RGB 82 140 248

HSL 219.04, 0.92%, 0.65%

LAB 59.28, 15.21, -59.64

 

CMYK 0 / 67 / 30 / 3

HEX #F852AE

RGB 248 82 174

HSL 326.75, 0.92%, 0.65%

LAB 60.82, 70.79, -14.34

 

CMYK 0 / 23 / 67 / 3

HEX #F8BE52

RGB 248 190 82

HSL 39.04, 0.92%, 0.65%

LAB 80.4, 10.15, 60.73

 

CMYK 67 / 0 / 37 / 2

HEX #51F99D

RGB 81 249 157

HSL 147.14, 0.93%, 0.65%

LAB 87.94, -63.12, 31.9

 

CMYK 67 / 63 / 0 / 3

HEX #525BF8

RGB 82 91 248

HSL 236.75, 0.92%, 0.65%

LAB 47.04, 45, -79.44

 

CMYK 0 / 67 / 30 / 3

HEX #F852AE

RGB 248 82 174

HSL 326.75, 0.92%, 0.65%

LAB 60.82, 70.79, -14.34

 

CMYK 0 / 3 / 67 / 3

HEX #F8F052

RGB 248 240 82

HSL 57.11, 0.92%, 0.65%

LAB 92.96, -15.16, 73.77

 

Description

Color code: HEX #51F99D | qconv.com Color code: HEX #51F99D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 249 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 249 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 37 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 37% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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