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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 207 55 it is the complementary color RGB 172 48 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 207 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 207 55 shade: RGB 88 207 50, RGB 105 225 69, RGB 122 243 88, RGB 139 255 107 and RGB 156 255 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 207 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 207 55 shade: RGB 83 207 55, RGB 66 189 36, RGB 49 171 17, RGB 32 153 0 and RGB 15 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 207 55 shade: RGB 81 206 53, RGB 123 206 53, RGB 164 206 53, RGB 205 206 53 and RGB 206 166 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 207 55 shade: RGB 81 206 53, RGB 53 206 66, RGB 53 206 107, RGB 53 206 149 and RGB 53 206 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 207 55 shade matches the following richer shades: RGB 81 206 53, RGB 69 226 33 and RGB 56 246 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 207 55 shade: RGB 81 206 53, RGB 94 186 74, RGB 107 165 94, RGB 120 145 114 and RGB 132 125 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 207 55 shade: RGB 165 206 53, RGB 124 206 53, RGB 84 206 53, RGB 53 206 63 and RGB 53 206 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 207 55 shade: RGB 54 142 34, RGB 67 176 42, RGB 81 206 53, RGB 110 214 87 and RGB 139 222 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 207 55 shade: RGB 83 207 55, RGB 53 206 206 and RGB 206 53 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 207 55 shade: RGB 83 207 55, RGB 53 84 206 and RGB 206 53 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 207 55 shade: RGB 83 207 55, RGB 53 206 206, RGB 175 53 206 and RGB 206 53 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 207 55 shade: RGB 83 207 55, RGB 53 160 206, RGB 175 53 206 and RGB 206 99 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 73 / 19

HEX #53CF37

RGB 83 207 55

HSL 108.95, 0.61%, 0.51%

LAB 74.02, -61.1, 61.4

 

Complementary color

CMYK 14 / 76 / 0 / 22

HEX #AC30C8

RGB 172 48 200

HSL 288.95, 0.61%, 0.49%

LAB 45.71, 68.66, -53.89

 

CMYK 57 / 0 / 76 / 19

HEX #58CF32

RGB 88 207 50

HSL 105.48, 0.62%, 0.5%

LAB 74.15, -60.23, 63.25

 

CMYK 53 / 0 / 69 / 12

HEX #69E145

RGB 105 225 69

HSL 106.15, 0.72%, 0.58%

LAB 80.34, -60.93, 63.03

 

CMYK 50 / 0 / 64 / 5

HEX #7AF358

RGB 122 243 88

HSL 106.84, 0.87%, 0.65%

LAB 86.48, -61.36, 62.36

 

CMYK 45 / 0 / 58 / 0

HEX #8BFF6B

RGB 139 255 107

HSL 107.03, 1%, 0.71%

LAB 90.81, -59.31, 59.46

 

CMYK 39 / 0 / 51 / 0

HEX #9CFF7E

RGB 156 255 126

HSL 106.05, 1%, 0.75%

LAB 91.73, -52.19, 52.22

 

CMYK 60 / 0 / 73 / 19

HEX #53CF37

RGB 83 207 55

HSL 108.95, 0.61%, 0.51%

LAB 74.02, -61.1, 61.4

 

CMYK 65 / 0 / 81 / 26

HEX #42BD24

RGB 66 189 36

HSL 108.24, 0.68%, 0.44%

LAB 67.78, -60.01, 61.22

 

CMYK 71 / 0 / 90 / 33

HEX #31AB11

RGB 49 171 17

HSL 107.53, 0.82%, 0.37%

LAB 61.5, -58.36, 59.93

 

CMYK 79 / 0 / 100 / 40

HEX #209900

RGB 32 153 0

HSL 107.45, 1%, 0.3%

LAB 55.16, -56, 57.2

 

CMYK 89 / 0 / 100 / 47

HEX #0F8700

RGB 15 135 0

HSL 113.33, 1%, 0.26%

LAB 48.8, -52.58, 52.01

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 40 / 0 / 74 / 19

HEX #7BCE35

RGB 123 206 53

HSL 92.55, 0.61%, 0.51%

LAB 75.21, -49.4, 63.76

 

CMYK 20 / 0 / 74 / 19

HEX #A4CE35

RGB 164 206 53

HSL 76.47, 0.61%, 0.51%

LAB 77.46, -34.41, 66.71

 

CMYK 0 / 0 / 74 / 19

HEX #CDCE35

RGB 205 206 53

HSL 60.39, 0.61%, 0.51%

LAB 80.39, -17.61, 70.52

 

CMYK 0 / 19 / 74 / 19

HEX #CEA635

RGB 206 166 53

HSL 44.31, 0.61%, 0.51%

LAB 69.93, 3.47, 60.65

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 74 / 0 / 48 / 19

HEX #35CE6B

RGB 53 206 107

HSL 141.18, 0.61%, 0.51%

LAB 73.52, -60.49, 38.06

 

CMYK 74 / 0 / 28 / 19

HEX #35CE95

RGB 53 206 149

HSL 157.65, 0.61%, 0.51%

LAB 74.23, -52.47, 17.29

 

CMYK 74 / 0 / 8 / 19

HEX #35CEBE

RGB 53 206 190

HSL 173.73, 0.61%, 0.51%

LAB 75.21, -42.33, -3.33

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 69 / 0 / 85 / 11

HEX #45E221

RGB 69 226 33

HSL 108.81, 0.77%, 0.51%

LAB 79.48, -71.41, 72.54

 

CMYK 77 / 0 / 95 / 4

HEX #38F60D

RGB 56 246 13

HSL 108.93, 0.93%, 0.51%

LAB 85.39, -79.82, 80.43

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

CMYK 35 / 0 / 43 / 35

HEX #6BA55E

RGB 107 165 94

HSL 109.01, 0.28%, 0.51%

LAB 62.38, -32.99, 30.91

 

CMYK 17 / 0 / 21 / 43

HEX #789172

RGB 120 145 114

HSL 108.39, 0.12%, 0.51%

LAB 57.52, -15.06, 13.58

 

CMYK 1 / 7 / 0 / 47

HEX #847D86

RGB 132 125 134

HSL 286.67, 0.04%, 0.51%

LAB 53.27, 4.42, -3.93

 

CMYK 20 / 0 / 74 / 19

HEX #A5CE35

RGB 165 206 53

HSL 76.08, 0.61%, 0.51%

LAB 77.52, -34.01, 66.79

 

CMYK 40 / 0 / 74 / 19

HEX #7CCE35

RGB 124 206 53

HSL 92.16, 0.61%, 0.51%

LAB 75.25, -49.07, 63.82

 

CMYK 59 / 0 / 74 / 19

HEX #54CE35

RGB 84 206 53

HSL 107.84, 0.61%, 0.51%

LAB 73.73, -60.66, 61.81

 

CMYK 74 / 0 / 69 / 19

HEX #35CE3F

RGB 53 206 63

HSL 123.92, 0.61%, 0.51%

LAB 73.06, -65.95, 57.27

 

CMYK 74 / 0 / 50 / 19

HEX #35CE68

RGB 53 206 104

HSL 140, 0.61%, 0.51%

LAB 73.48, -60.96, 39.49

 

CMYK 62 / 0 / 76 / 44

HEX #368E22

RGB 54 142 34

HSL 108.89, 0.61%, 0.35%

LAB 52.11, -46.42, 46.71

 

CMYK 62 / 0 / 76 / 31

HEX #43B02A

RGB 67 176 42

HSL 108.81, 0.61%, 0.43%

LAB 63.68, -54.96, 55.45

RGB 67 176 42

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

RGB 81 206 53

CMYK 49 / 0 / 59 / 16

HEX #6ED657

RGB 110 214 87

HSL 109.13, 0.61%, 0.59%

LAB 77.34, -53.77, 52.45

RGB 110 214 87

CMYK 37 / 0 / 46 / 13

HEX #8BDE78

RGB 139 222 120

HSL 108.82, 0.61%, 0.67%

LAB 81.34, -44.38, 42.09

RGB 139 222 120

CMYK 60 / 0 / 73 / 19

HEX #53CF37

RGB 83 207 55

HSL 108.95, 0.61%, 0.51%

LAB 74.02, -61.1, 61.4

 

CMYK 74 / 0 / 0 / 19

HEX #35CECE

RGB 53 206 206

HSL 180, 0.61%, 0.51%

LAB 75.67, -37.85, -11.28

 

CMYK 0 / 74 / 30 / 19

HEX #CE3591

RGB 206 53 145

HSL 323.92, 0.61%, 0.51%

LAB 49.15, 66.45, -15.66

 

CMYK 60 / 0 / 73 / 19

HEX #53CF37

RGB 83 207 55

HSL 108.95, 0.61%, 0.51%

LAB 74.02, -61.1, 61.4

 

CMYK 74 / 59 / 0 / 19

HEX #3554CE

RGB 53 84 206

HSL 227.84, 0.61%, 0.51%

LAB 40.5, 31.28, -66.37

 

CMYK 0 / 74 / 59 / 19

HEX #CE3554

RGB 206 53 84

HSL 347.84, 0.61%, 0.51%

LAB 47.38, 60.81, 18.91

 

CMYK 60 / 0 / 73 / 19

HEX #53CF37

RGB 83 207 55

HSL 108.95, 0.61%, 0.51%

LAB 74.02, -61.1, 61.4

 

CMYK 74 / 0 / 0 / 19

HEX #35CECE

RGB 53 206 206

HSL 180, 0.61%, 0.51%

LAB 75.67, -37.85, -11.28

 

CMYK 15 / 74 / 0 / 19

HEX #AF35CE

RGB 175 53 206

HSL 287.84, 0.61%, 0.51%

LAB 47.13, 68.69, -55.05

 

CMYK 0 / 74 / 74 / 19

HEX #CE3535

RGB 206 53 53

HSL 0, 0.61%, 0.51%

LAB 46.88, 59.16, 36.79

 

CMYK 60 / 0 / 73 / 19

HEX #53CF37

RGB 83 207 55

HSL 108.95, 0.61%, 0.51%

LAB 74.02, -61.1, 61.4

 

CMYK 74 / 22 / 0 / 19

HEX #35A0CE

RGB 53 160 206

HSL 198.04, 0.61%, 0.51%

LAB 61.96, -14.91, -32.18

 

CMYK 15 / 74 / 0 / 19

HEX #AF35CE

RGB 175 53 206

HSL 287.84, 0.61%, 0.51%

LAB 47.13, 68.69, -55.05

 

CMYK 0 / 52 / 74 / 19

HEX #CE6335

RGB 206 99 53

HSL 18.04, 0.61%, 0.51%

LAB 54.35, 39.31, 44.92

 

Description

Color code: RGB 83 207 55 | qconv.com Color code: RGB 83 207 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 207 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 207 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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