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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 94 186 74 it is the complementary color RGB 161 69 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 94 186 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 94 186 74 shade: RGB 99 186 69, RGB 116 204 88, RGB 133 222 107, RGB 150 240 126 and RGB 167 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 94 186 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 94 186 74 shade: RGB 94 186 74, RGB 77 168 55, RGB 60 150 36, RGB 43 132 17 and RGB 26 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 94 186 74 shade: RGB 93 186 73, RGB 124 186 73, RGB 154 186 73, RGB 184 186 73 and RGB 186 157 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 94 186 74 shade: RGB 93 186 73, RGB 73 186 84, RGB 73 186 114, RGB 73 186 144 and RGB 73 186 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 94 186 74 shade matches the following richer shades: RGB 93 186 73, RGB 80 206 53, RGB 67 226 33 and RGB 54 246 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 94 186 74 shade: RGB 93 186 73, RGB 106 166 94, RGB 119 145 114, RGB 132 125 134 and RGB 145 105 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 94 186 74 shade: RGB 154 186 73, RGB 124 186 73, RGB 94 186 73, RGB 73 186 83 and RGB 73 186 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 94 186 74 shade: RGB 63 128 48, RGB 77 158 60, RGB 93 186 73, RGB 120 197 103 and RGB 147 208 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 94 186 74 shade: RGB 94 186 74, RGB 73 184 186 and RGB 186 73 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 94 186 74 shade: RGB 94 186 74, RGB 73 94 186 and RGB 186 73 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 94 186 74 shade: RGB 94 186 74, RGB 73 184 186, RGB 165 73 186 and RGB 186 75 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 94 186 74 shade: RGB 94 186 74, RGB 73 150 186, RGB 165 73 186 and RGB 186 109 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

Complementary color

CMYK 11 / 62 / 0 / 29

HEX #A145B5

RGB 161 69 181

HSL 289.29, 0.45%, 0.49%

LAB 45.87, 54.41, -42.66

 

CMYK 47 / 0 / 63 / 27

HEX #63BA45

RGB 99 186 69

HSL 104.62, 0.46%, 0.5%

LAB 68.17, -47.74, 49.9

 

CMYK 43 / 0 / 57 / 20

HEX #74CC58

RGB 116 204 88

HSL 105.52, 0.53%, 0.57%

LAB 74.57, -47.88, 48.87

 

CMYK 40 / 0 / 52 / 13

HEX #85DE6B

RGB 133 222 107

HSL 106.43, 0.64%, 0.65%

LAB 80.9, -47.89, 47.73

 

CMYK 38 / 0 / 48 / 6

HEX #96F07E

RGB 150 240 126

HSL 107.37, 0.79%, 0.72%

LAB 87.15, -47.81, 46.55

 

CMYK 35 / 0 / 43 / 0

HEX #A7FF91

RGB 167 255 145

HSL 108, 1%, 0.78%

LAB 92.48, -46.41, 44.29

 

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

CMYK 54 / 0 / 67 / 34

HEX #4DA837

RGB 77 168 55

HSL 108.32, 0.51%, 0.44%

LAB 61.53, -48.38, 48.39

 

CMYK 60 / 0 / 76 / 41

HEX #3C9624

RGB 60 150 36

HSL 107.37, 0.61%, 0.36%

LAB 54.97, -47.71, 48.88

 

CMYK 67 / 0 / 87 / 48

HEX #2B8411

RGB 43 132 17

HSL 106.43, 0.77%, 0.29%

LAB 48.33, -46.49, 48.37

 

CMYK 77 / 0 / 100 / 55

HEX #1A7200

RGB 26 114 0

HSL 106.32, 1%, 0.22%

LAB 41.62, -44.48, 46.35

 

CMYK 50 / 0 / 61 / 27

HEX #5DBA49

RGB 93 186 73

HSL 109.38, 0.45%, 0.51%

LAB 67.97, -49.1, 47.83

 

CMYK 33 / 0 / 61 / 27

HEX #7CBA49

RGB 124 186 73

HSL 92.92, 0.45%, 0.51%

LAB 69.39, -39.06, 49.82

 

CMYK 17 / 0 / 61 / 27

HEX #9ABA49

RGB 154 186 73

HSL 76.99, 0.45%, 0.51%

LAB 71.19, -27.68, 52.33

 

CMYK 1 / 0 / 61 / 27

HEX #B8BA49

RGB 184 186 73

HSL 61.06, 0.45%, 0.51%

LAB 73.41, -15.34, 55.39

 

CMYK 0 / 16 / 61 / 27

HEX #BA9D49

RGB 186 157 73

HSL 44.6, 0.45%, 0.51%

LAB 65.78, 0.74, 47.01

 

CMYK 50 / 0 / 61 / 27

HEX #5DBA49

RGB 93 186 73

HSL 109.38, 0.45%, 0.51%

LAB 67.97, -49.1, 47.83

 

CMYK 61 / 0 / 55 / 27

HEX #49BA54

RGB 73 186 84

HSL 125.84, 0.45%, 0.51%

LAB 67.41, -52.95, 41.89

 

CMYK 61 / 0 / 39 / 27

HEX #49BA72

RGB 73 186 114

HSL 141.77, 0.45%, 0.51%

LAB 67.84, -48.24, 27.23

 

CMYK 61 / 0 / 23 / 27

HEX #49BA90

RGB 73 186 144

HSL 157.7, 0.45%, 0.51%

LAB 68.42, -42.08, 11.91

 

CMYK 61 / 0 / 6 / 27

HEX #49BAAF

RGB 73 186 175

HSL 174.16, 0.45%, 0.51%

LAB 69.2, -34.39, -3.95

 

CMYK 50 / 0 / 61 / 27

HEX #5DBA49

RGB 93 186 73

HSL 109.38, 0.45%, 0.51%

LAB 67.97, -49.1, 47.83

 

CMYK 61 / 0 / 74 / 19

HEX #50CE35

RGB 80 206 53

HSL 109.41, 0.61%, 0.51%

LAB 73.61, -61.6, 61.65

 

CMYK 70 / 0 / 85 / 11

HEX #43E221

RGB 67 226 33

HSL 109.43, 0.77%, 0.51%

LAB 79.44, -71.76, 72.49

 

CMYK 78 / 0 / 95 / 4

HEX #36F60D

RGB 54 246 13

HSL 109.44, 0.93%, 0.51%

LAB 85.36, -80.08, 80.4

 

CMYK 50 / 0 / 61 / 27

HEX #5DBA49

RGB 93 186 73

HSL 109.38, 0.45%, 0.51%

LAB 67.97, -49.1, 47.83

 

CMYK 36 / 0 / 43 / 35

HEX #6AA65E

RGB 106 166 94

HSL 110, 0.29%, 0.51%

LAB 62.63, -33.8, 31.22

 

CMYK 18 / 0 / 21 / 43

HEX #779172

RGB 119 145 114

HSL 110.32, 0.12%, 0.51%

LAB 57.45, -15.43, 13.47

 

CMYK 1 / 7 / 0 / 47

HEX #847D86

RGB 132 125 134

HSL 286.67, 0.04%, 0.51%

LAB 53.27, 4.42, -3.93

 

CMYK 6 / 32 / 0 / 40

HEX #91699A

RGB 145 105 154

HSL 288.98, 0.2%, 0.51%

LAB 50.04, 24.91, -20.4

 

CMYK 17 / 0 / 61 / 27

HEX #9ABA49

RGB 154 186 73

HSL 76.99, 0.45%, 0.51%

LAB 71.19, -27.68, 52.33

 

CMYK 33 / 0 / 61 / 27

HEX #7CBA49

RGB 124 186 73

HSL 92.92, 0.45%, 0.51%

LAB 69.39, -39.06, 49.82

 

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

CMYK 61 / 0 / 55 / 27

HEX #49BA53

RGB 73 186 83

HSL 125.31, 0.45%, 0.51%

LAB 67.4, -53.09, 42.35

 

CMYK 61 / 0 / 39 / 27

HEX #49BA71

RGB 73 186 113

HSL 141.24, 0.45%, 0.51%

LAB 67.82, -48.42, 27.73

 

CMYK 51 / 0 / 63 / 50

HEX #3F8030

RGB 63 128 48

HSL 108.75, 0.45%, 0.35%

LAB 47.89, -36.99, 36.32

 

CMYK 51 / 0 / 62 / 38

HEX #4D9E3C

RGB 77 158 60

HSL 109.59, 0.45%, 0.43%

LAB 58.38, -43.91, 42.71

 

CMYK 50 / 0 / 61 / 27

HEX #5DBA49

RGB 93 186 73

HSL 109.38, 0.45%, 0.51%

LAB 67.97, -49.1, 47.83

 

CMYK 39 / 0 / 48 / 23

HEX #78C567

RGB 120 197 103

HSL 109.15, 0.45%, 0.59%

LAB 72.83, -41.85, 39.64

 

CMYK 29 / 0 / 36 / 18

HEX #93D085

RGB 147 208 133

HSL 108.8, 0.44%, 0.67%

LAB 77.88, -33.67, 31.18

 

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

CMYK 61 / 1 / 0 / 27

HEX #49B8BA

RGB 73 184 186

HSL 181.06, 0.45%, 0.51%

LAB 68.93, -30.42, -10.42

 

CMYK 0 / 61 / 25 / 27

HEX #BA498B

RGB 186 73 139

HSL 324.96, 0.45%, 0.51%

LAB 48.35, 52.51, -13.59

 

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

CMYK 61 / 49 / 0 / 27

HEX #495EBA

RGB 73 94 186

HSL 228.85, 0.45%, 0.51%

LAB 42.71, 20.76, -51.13

 

CMYK 0 / 61 / 49 / 27

HEX #BA495E

RGB 186 73 94

HSL 348.85, 0.45%, 0.51%

LAB 46.99, 47.36, 11.71

 

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

CMYK 61 / 1 / 0 / 27

HEX #49B8BA

RGB 73 184 186

HSL 181.06, 0.45%, 0.51%

LAB 68.93, -30.42, -10.42

 

CMYK 11 / 61 / 0 / 27

HEX #A549BA

RGB 165 73 186

HSL 288.85, 0.45%, 0.51%

LAB 47.38, 54.54, -43.14

 

CMYK 0 / 60 / 61 / 27

HEX #BA4B49

RGB 186 75 73

HSL 1.06, 0.45%, 0.51%

LAB 46.91, 44.72, 24.29

 

CMYK 49 / 0 / 60 / 27

HEX #5EBA4A

RGB 94 186 74

HSL 109.29, 0.45%, 0.51%

LAB 68.01, -48.71, 47.45

 

CMYK 61 / 19 / 0 / 27

HEX #4996BA

RGB 73 150 186

HSL 199.12, 0.45%, 0.51%

LAB 58.76, -12.88, -25.84

 

CMYK 11 / 61 / 0 / 27

HEX #A549BA

RGB 165 73 186

HSL 288.85, 0.45%, 0.51%

LAB 47.38, 54.54, -43.14

 

CMYK 0 / 41 / 61 / 27

HEX #BA6D49

RGB 186 109 73

HSL 19.12, 0.45%, 0.51%

LAB 53.88, 27.18, 33.02

 

Description

Color code: RGB 94 186 74 | qconv.com Color code: RGB 94 186 74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 186 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 186 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 60 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 60% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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