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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 186 243 it is the complementary color RGB 177 69 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 186 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 186 243 shade: RGB 83 186 238, RGB 100 204 255, RGB 117 222 255, RGB 134 240 255 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 186 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 186 243 shade: RGB 78 186 243, RGB 61 168 224, RGB 44 150 205, RGB 27 132 186 and RGB 10 114 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 186 243 shade: RGB 78 186 242, RGB 78 141 242, RGB 78 97 242, RGB 103 78 242 and RGB 148 78 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 186 243 shade: RGB 78 186 242, RGB 78 141 242, RGB 78 97 242 and RGB 78 78 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 186 243 shade matches the following richer shades: RGB 78 186 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 186 243 shade: RGB 78 186 242, RGB 93 181 227, RGB 109 176 212, RGB 124 171 196 and RGB 139 167 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 186 243 shade: RGB 78 242 209, RGB 78 231 242, RGB 78 188 242, RGB 78 144 242 and RGB 78 100 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 186 243 shade: RGB 15 151 223, RGB 39 170 240, RGB 78 186 242, RGB 117 201 245 and RGB 155 216 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 186 243 shade: RGB 78 186 243, RGB 166 78 242 and RGB 242 231 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 186 243 shade: RGB 78 186 243, RGB 242 78 188 and RGB 188 242 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 186 243 shade: RGB 78 186 243, RGB 166 78 242, RGB 242 133 78 and RGB 155 242 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 186 243 shade: RGB 78 186 243, RGB 215 78 242, RGB 242 133 78 and RGB 105 242 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 23 / 0 / 5

HEX #4EBAF3

RGB 78 186 243

HSL 200.73, 0.87%, 0.63%

LAB 71.7, -13.32, -37.32

 

Complementary color

CMYK 0 / 61 / 93 / 31

HEX #B1450C

RGB 177 69 12

HSL 20.73, 0.87%, 0.37%

LAB 43.7, 41.69, 50.98

 

CMYK 65 / 22 / 0 / 7

HEX #53BAEE

RGB 83 186 238

HSL 200.13, 0.82%, 0.63%

LAB 71.64, -14.15, -34.68

 

CMYK 61 / 20 / 0 / 0

HEX #64CCFF

RGB 100 204 255

HSL 199.74, 1%, 0.7%

LAB 77.94, -15.52, -34.04

 

CMYK 54 / 13 / 0 / 0

HEX #75DEFF

RGB 117 222 255

HSL 194.35, 1%, 0.73%

LAB 83.57, -21.54, -25.35

 

CMYK 47 / 6 / 0 / 0

HEX #86F0FF

RGB 134 240 255

HSL 187.44, 1%, 0.76%

LAB 89.21, -26.87, -16.76

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF3

RGB 78 186 243

HSL 200.73, 0.87%, 0.63%

LAB 71.7, -13.32, -37.32

 

CMYK 73 / 25 / 0 / 12

HEX #3DA8E0

RGB 61 168 224

HSL 200.61, 0.72%, 0.56%

LAB 65.26, -12.19, -37

 

CMYK 79 / 27 / 0 / 20

HEX #2C96CD

RGB 44 150 205

HSL 200.5, 0.65%, 0.49%

LAB 58.75, -10.77, -36.64

 

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

CMYK 94 / 32 / 0 / 35

HEX #0A72A7

RGB 10 114 167

HSL 200.25, 0.89%, 0.35%

LAB 45.48, -6.62, -35.72

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF2

RGB 78 186 242

HSL 200.49, 0.86%, 0.63%

LAB 71.66, -13.64, -36.84

 

CMYK 68 / 42 / 0 / 5

HEX #4E8DF2

RGB 78 141 242

HSL 216.95, 0.86%, 0.63%

LAB 59.05, 11.93, -56.7

 

CMYK 68 / 60 / 0 / 5

HEX #4E61F2

RGB 78 97 242

HSL 233.05, 0.86%, 0.63%

LAB 47.73, 38.89, -74.98

 

CMYK 57 / 68 / 0 / 5

HEX #674EF2

RGB 103 78 242

HSL 249.15, 0.86%, 0.63%

LAB 45.28, 53.4, -78.91

 

CMYK 39 / 68 / 0 / 5

HEX #944EF2

RGB 148 78 242

HSL 265.61, 0.86%, 0.63%

LAB 49.68, 60.92, -71.54

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF2

RGB 78 186 242

HSL 200.49, 0.86%, 0.63%

LAB 71.66, -13.64, -36.84

 

CMYK 68 / 42 / 0 / 5

HEX #4E8DF2

RGB 78 141 242

HSL 216.95, 0.86%, 0.63%

LAB 59.05, 11.93, -56.7

 

CMYK 68 / 60 / 0 / 5

HEX #4E61F2

RGB 78 97 242

HSL 233.05, 0.86%, 0.63%

LAB 47.73, 38.89, -74.98

 

CMYK 68 / 68 / 0 / 5

HEX #4E4EF2

RGB 78 78 242

HSL 240, 0.86%, 0.63%

LAB 43.48, 50.13, -81.93

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF2

RGB 78 186 242

HSL 200.49, 0.86%, 0.63%

LAB 71.66, -13.64, -36.84

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF2

RGB 78 186 242

HSL 200.49, 0.86%, 0.63%

LAB 71.66, -13.64, -36.84

 

CMYK 59 / 20 / 0 / 11

HEX #5DB5E3

RGB 93 181 227

HSL 200.6, 0.71%, 0.63%

LAB 70.12, -13.16, -31.03

 

CMYK 49 / 17 / 0 / 17

HEX #6DB0D4

RGB 109 176 212

HSL 200.97, 0.54%, 0.63%

LAB 68.79, -11.54, -24.8

 

CMYK 37 / 13 / 0 / 23

HEX #7CABC4

RGB 124 171 196

HSL 200.83, 0.38%, 0.63%

LAB 67.57, -9.38, -17.77

 

CMYK 23 / 8 / 0 / 29

HEX #8BA7B5

RGB 139 167 181

HSL 200, 0.22%, 0.63%

LAB 66.87, -6.47, -10.41

 

CMYK 68 / 0 / 14 / 5

HEX #4EF2D1

RGB 78 242 209

HSL 167.93, 0.86%, 0.63%

LAB 86.86, -49.67, 3.65

 

CMYK 68 / 5 / 0 / 5

HEX #4EE7F2

RGB 78 231 242

HSL 184.02, 0.86%, 0.63%

LAB 84.58, -36.06, -17.07

 

CMYK 68 / 22 / 0 / 5

HEX #4EBCF2

RGB 78 188 242

HSL 199.76, 0.86%, 0.63%

LAB 72.23, -14.7, -35.96

 

CMYK 68 / 40 / 0 / 5

HEX #4E90F2

RGB 78 144 242

HSL 215.85, 0.86%, 0.63%

LAB 59.87, 10.14, -55.4

 

CMYK 68 / 59 / 0 / 5

HEX #4E64F2

RGB 78 100 242

HSL 231.95, 0.86%, 0.63%

LAB 48.44, 37.06, -73.81

 

CMYK 93 / 32 / 0 / 13

HEX #0F97DF

RGB 15 151 223

HSL 200.77, 0.87%, 0.47%

LAB 59.49, -6.83, -45.55

 

CMYK 84 / 29 / 0 / 6

HEX #27AAF0

RGB 39 170 240

HSL 200.9, 0.87%, 0.55%

LAB 66.11, -9.99, -44.48

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF2

RGB 78 186 242

HSL 200.49, 0.86%, 0.63%

LAB 71.66, -13.64, -36.84

 

CMYK 52 / 18 / 0 / 4

HEX #75C9F5

RGB 117 201 245

HSL 200.63, 0.86%, 0.71%

LAB 77.37, -13.61, -29.52

 

CMYK 38 / 13 / 0 / 3

HEX #9BD8F8

RGB 155 216 248

HSL 200.65, 0.87%, 0.79%

LAB 83.37, -11.61, -21.8

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF3

RGB 78 186 243

HSL 200.73, 0.87%, 0.63%

LAB 71.7, -13.32, -37.32

 

CMYK 31 / 68 / 0 / 5

HEX #A64EF2

RGB 166 78 242

HSL 272.2, 0.86%, 0.63%

LAB 51.8, 64.35, -68.01

 

CMYK 0 / 5 / 68 / 5

HEX #F2E74E

RGB 242 231 78

HSL 55.98, 0.86%, 0.63%

LAB 90.13, -13.41, 72.24

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF3

RGB 78 186 243

HSL 200.73, 0.87%, 0.63%

LAB 71.7, -13.32, -37.32

 

CMYK 0 / 68 / 22 / 5

HEX #F24EBC

RGB 242 78 188

HSL 319.76, 0.86%, 0.63%

LAB 59.85, 72.39, -23.96

 

CMYK 22 / 0 / 68 / 5

HEX #BCF24E

RGB 188 242 78

HSL 79.76, 0.86%, 0.63%

LAB 89.27, -39.99, 70.15

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF3

RGB 78 186 243

HSL 200.73, 0.87%, 0.63%

LAB 71.7, -13.32, -37.32

 

CMYK 31 / 68 / 0 / 5

HEX #A64EF2

RGB 166 78 242

HSL 272.2, 0.86%, 0.63%

LAB 51.8, 64.35, -68.01

 

CMYK 0 / 45 / 68 / 5

HEX #F2854E

RGB 242 133 78

HSL 20.12, 0.86%, 0.63%

LAB 66.67, 37.29, 47.32

 

CMYK 36 / 0 / 68 / 5

HEX #9BF24E

RGB 155 242 78

HSL 91.83, 0.86%, 0.63%

LAB 87.5, -51.71, 67.75

 

CMYK 68 / 23 / 0 / 5

HEX #4EBAF3

RGB 78 186 243

HSL 200.73, 0.87%, 0.63%

LAB 71.7, -13.32, -37.32

 

CMYK 11 / 68 / 0 / 5

HEX #D74EF2

RGB 215 78 242

HSL 290.12, 0.86%, 0.63%

LAB 58.33, 74.38, -57.17

 

CMYK 0 / 45 / 68 / 5

HEX #F2854E

RGB 242 133 78

HSL 20.12, 0.86%, 0.63%

LAB 66.67, 37.29, 47.32

 

CMYK 57 / 0 / 68 / 5

HEX #69F24E

RGB 105 242 78

HSL 110.12, 0.86%, 0.63%

LAB 85.53, -66.25, 65.09

 

Description

Color code: RGB 78 186 243 | qconv.com Color code: RGB 78 186 243 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 186 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 186 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 23 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 23% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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