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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1B84BA it is the complementary color #E47B45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1B84BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1B84BA shade: #2084B5, #3196C8, #42A8DB, #53BAEE and #64CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1B84BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1B84BA shade: #1B84BA, #0A72A7, #006094, #004E81 and #003C6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1B84BA shade: #1A84BB, #1A59BB, #1A2EBB, #321ABB and #5D1ABB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1B84BA shade: #1A84BB, #1A59BB, #1A2EBB and #1A1ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1B84BA shade matches the following richer shades: #1A84BB and #098ACC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1B84BA shade: #1A84BB, #2C7FAA, #3D7998, #4E7487 and #606E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1B84BA shade: #1ABB9B, #1AB0BB, #1A85BB, #1A5BBB and #1A30BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1B84BA shade: #105173, #156B97, #1A84BB, #209EDF and #44AEE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1B84BA shade: #1B84BA, #701ABB and #BBB01A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1B84BA shade: #1B84BA, #BB1A85 and #85BB1A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1B84BA shade: #1B84BA, #701ABB, #BB501A and #65BB1A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1B84BA shade: #1B84BA, #A01ABB, #BB501A and #35BB1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

Complementary color

CMYK 0 / 46 / 70 / 11

HEX #E47B45

RGB 228 123 69

HSL 20.38, 0.75%, 0.58%

LAB 62.58, 36.45, 46.74

 

CMYK 82 / 27 / 0 / 29

HEX #2084B5

RGB 32 132 181

HSL 199.73, 0.7%, 0.42%

LAB 52, -10.37, -33.58

 

CMYK 76 / 25 / 0 / 22

HEX #3196C8

RGB 49 150 200

HSL 199.87, 0.61%, 0.49%

LAB 58.64, -11.95, -34

 

CMYK 70 / 23 / 0 / 14

HEX #42A8DB

RGB 66 168 219

HSL 200, 0.68%, 0.56%

LAB 65.18, -13.18, -34.36

 

CMYK 65 / 22 / 0 / 7

HEX #53BAEE

RGB 83 186 238

HSL 200.13, 0.82%, 0.63%

LAB 71.64, -14.15, -34.68

 

CMYK 61 / 20 / 0 / 0

HEX #64CCFF

RGB 100 204 255

HSL 199.74, 1%, 0.7%

LAB 77.94, -15.52, -34.04

 

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

CMYK 94 / 32 / 0 / 35

HEX #0A72A7

RGB 10 114 167

HSL 200.25, 0.89%, 0.35%

LAB 45.48, -6.62, -35.72

 

CMYK 100 / 35 / 0 / 42

HEX #006094

RGB 0 96 148

HSL 201.08, 1%, 0.29%

LAB 38.73, -3.64, -35.11

 

CMYK 100 / 40 / 0 / 49

HEX #004E81

RGB 0 78 129

HSL 203.72, 1%, 0.25%

LAB 31.88, 0.02, -34.4

 

CMYK 100 / 45 / 0 / 57

HEX #003C6E

RGB 0 60 110

HSL 207.27, 1%, 0.22%

LAB 24.82, 4, -33.73

 

CMYK 86 / 29 / 0 / 27

HEX #1A84BB

RGB 26 132 187

HSL 200.5, 0.76%, 0.42%

LAB 52.19, -8.66, -36.74

 

CMYK 86 / 52 / 0 / 27

HEX #1A59BB

RGB 26 89 187

HSL 216.52, 0.76%, 0.42%

LAB 39.5, 18.18, -56.99

 

CMYK 86 / 75 / 0 / 27

HEX #1A2EBB

RGB 26 46 187

HSL 232.55, 0.76%, 0.42%

LAB 28.8, 45.82, -74.52

 

CMYK 73 / 86 / 0 / 27

HEX #321ABB

RGB 50 26 187

HSL 248.94, 0.76%, 0.42%

LAB 26.75, 56.82, -77.89

 

CMYK 50 / 86 / 0 / 27

HEX #5D1ABB

RGB 93 26 187

HSL 264.97, 0.76%, 0.42%

LAB 31.01, 60.52, -70.71

 

CMYK 86 / 29 / 0 / 27

HEX #1A84BB

RGB 26 132 187

HSL 200.5, 0.76%, 0.42%

LAB 52.19, -8.66, -36.74

 

CMYK 86 / 52 / 0 / 27

HEX #1A59BB

RGB 26 89 187

HSL 216.52, 0.76%, 0.42%

LAB 39.5, 18.18, -56.99

 

CMYK 86 / 75 / 0 / 27

HEX #1A2EBB

RGB 26 46 187

HSL 232.55, 0.76%, 0.42%

LAB 28.8, 45.82, -74.52

 

CMYK 86 / 86 / 0 / 27

HEX #1A1ABB

RGB 26 26 187

HSL 240, 0.76%, 0.42%

LAB 25.4, 55.73, -80.17

 

CMYK 86 / 29 / 0 / 27

HEX #1A84BB

RGB 26 132 187

HSL 200.5, 0.76%, 0.42%

LAB 52.19, -8.66, -36.74

 

CMYK 96 / 32 / 0 / 20

HEX #098ACC

RGB 9 138 204

HSL 200.31, 0.92%, 0.42%

LAB 54.65, -6.64, -42.54

 

CMYK 86 / 29 / 0 / 27

HEX #1A84BB

RGB 26 132 187

HSL 200.5, 0.76%, 0.42%

LAB 52.19, -8.66, -36.74

 

CMYK 74 / 25 / 0 / 33

HEX #2C7FAA

RGB 44 127 170

HSL 200.48, 0.59%, 0.42%

LAB 50.24, -10.09, -29.97

 

CMYK 60 / 20 / 0 / 40

HEX #3D7998

RGB 61 121 152

HSL 200.44, 0.43%, 0.42%

LAB 48.18, -9.89, -22.62

 

CMYK 42 / 14 / 0 / 47

HEX #4E7487

RGB 78 116 135

HSL 200, 0.27%, 0.42%

LAB 46.79, -8.1, -14.63

 

CMYK 19 / 7 / 0 / 54

HEX #606E76

RGB 96 110 118

HSL 201.82, 0.1%, 0.42%

LAB 45.56, -3.38, -6.22

 

CMYK 86 / 0 / 17 / 27

HEX #1ABB9B

RGB 26 187 155

HSL 168.07, 0.76%, 0.42%

LAB 68.11, -46.04, 5.33

 

CMYK 86 / 6 / 0 / 27

HEX #1AB0BB

RGB 26 176 187

HSL 184.1, 0.76%, 0.42%

LAB 65.64, -31.87, -16

 

CMYK 86 / 29 / 0 / 27

HEX #1A85BB

RGB 26 133 187

HSL 200.12, 0.76%, 0.42%

LAB 52.49, -9.24, -36.27

 

CMYK 86 / 51 / 0 / 27

HEX #1A5BBB

RGB 26 91 187

HSL 215.78, 0.76%, 0.42%

LAB 40.06, 16.86, -56.08

 

CMYK 86 / 74 / 0 / 27

HEX #1A30BB

RGB 26 48 187

HSL 231.8, 0.76%, 0.42%

LAB 29.21, 44.67, -73.84

 

CMYK 86 / 30 / 0 / 55

HEX #105173

RGB 16 81 115

HSL 200.61, 0.76%, 0.26%

LAB 32.33, -6.5, -24.97

 

CMYK 86 / 29 / 0 / 41

HEX #156B97

RGB 21 107 151

HSL 200.31, 0.76%, 0.34%

LAB 42.63, -7.91, -30.75

 

CMYK 86 / 29 / 0 / 27

HEX #1A84BB

RGB 26 132 187

HSL 200.5, 0.76%, 0.42%

LAB 52.19, -8.66, -36.74

 

CMYK 86 / 29 / 0 / 13

HEX #209EDF

RGB 32 158 223

HSL 200.42, 0.75%, 0.5%

LAB 61.73, -9.88, -42.01

 

CMYK 70 / 24 / 0 / 11

HEX #44AEE4

RGB 68 174 228

HSL 200.25, 0.75%, 0.58%

LAB 67.35, -13.18, -35.93

 

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

CMYK 40 / 86 / 0 / 27

HEX #701ABB

RGB 112 26 187

HSL 272.05, 0.76%, 0.42%

LAB 33.5, 62.83, -66.52

 

CMYK 0 / 6 / 86 / 27

HEX #BBB01A

RGB 187 176 26

HSL 55.9, 0.76%, 0.42%

LAB 70.66, -11.07, 68.85

 

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

CMYK 0 / 86 / 29 / 27

HEX #BB1A85

RGB 187 26 133

HSL 320.12, 0.76%, 0.42%

LAB 42.76, 67.5, -18.45

 

CMYK 29 / 0 / 86 / 27

HEX #85BB1A

RGB 133 187 26

HSL 80.12, 0.76%, 0.42%

LAB 69.9, -39.02, 66.63

 

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

CMYK 40 / 86 / 0 / 27

HEX #701ABB

RGB 112 26 187

HSL 272.05, 0.76%, 0.42%

LAB 33.5, 62.83, -66.52

 

CMYK 0 / 57 / 86 / 27

HEX #BB501A

RGB 187 80 26

HSL 20.12, 0.76%, 0.42%

LAB 47.46, 40.48, 49.71

 

CMYK 46 / 0 / 86 / 27

HEX #65BB1A

RGB 101 187 26

HSL 92.05, 0.76%, 0.42%

LAB 68.3, -50.33, 64.63

 

CMYK 85 / 29 / 0 / 27

HEX #1B84BA

RGB 27 132 186

HSL 200.38, 0.75%, 0.42%

LAB 52.15, -8.96, -36.22

 

CMYK 14 / 86 / 0 / 27

HEX #A01ABB

RGB 160 26 187

HSL 289.94, 0.76%, 0.42%

LAB 40.9, 70.06, -54.15

 

CMYK 0 / 57 / 86 / 27

HEX #BB501A

RGB 187 80 26

HSL 20.12, 0.76%, 0.42%

LAB 47.46, 40.48, 49.71

 

CMYK 72 / 0 / 86 / 27

HEX #35BB1A

RGB 53 187 26

HSL 109.94, 0.76%, 0.42%

LAB 66.8, -62.39, 62.74

 

Description

Color code: HEX #1B84BA | qconv.com Color code: HEX #1B84BA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 132 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 132 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 29 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 29% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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