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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 254 164 it is the complementary color RGB 179 1 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 254 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 254 164 shade: RGB 81 254 159, RGB 98 255 178, RGB 115 255 197, RGB 132 255 216 and RGB 149 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 254 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 254 164 shade: RGB 76 254 164, RGB 59 236 145, RGB 42 218 126, RGB 25 200 107 and RGB 8 182 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 254 164 shade: RGB 77 254 164, RGB 77 254 117, RGB 85 254 77, RGB 132 254 77 and RGB 180 254 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 254 164 shade: RGB 77 254 164, RGB 77 254 212, RGB 77 248 254, RGB 77 200 254 and RGB 77 152 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 254 164 shade matches the following richer shades: RGB 77 254 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 254 164 shade: RGB 77 254 164, RGB 91 239 164, RGB 106 225 165, RGB 120 210 165 and RGB 135 196 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 254 164 shade: RGB 86 254 77, RGB 77 254 115, RGB 77 254 162, RGB 77 254 209 and RGB 77 251 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 254 164 shade: RGB 1 247 123, RGB 36 253 143, RGB 77 254 164, RGB 118 254 185 and RGB 159 254 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 254 164 shade: RGB 76 254 164, RGB 77 133 254 and RGB 254 92 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 254 164 shade: RGB 76 254 164, RGB 162 77 254 and RGB 254 162 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 254 164 shade: RGB 76 254 164, RGB 77 133 254, RGB 254 77 168 and RGB 254 198 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 254 164 shade: RGB 76 254 164, RGB 77 80 254, RGB 254 77 168 and RGB 254 251 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 35 / 0

HEX #4CFEA4

RGB 76 254 164

HSL 149.66, 0.99%, 0.65%

LAB 89.44, -64.43, 30.39

 

Complementary color

CMYK 0 / 99 / 49 / 30

HEX #B3015B

RGB 179 1 91

HSL 329.66, 0.99%, 0.35%

LAB 38.48, 64.97, 1.3

 

CMYK 68 / 0 / 37 / 0

HEX #51FE9F

RGB 81 254 159

HSL 147.05, 0.99%, 0.66%

LAB 89.46, -64.59, 32.93

 

CMYK 62 / 0 / 30 / 0

HEX #62FFB2

RGB 98 255 178

HSL 150.57, 1%, 0.69%

LAB 90.47, -58.48, 24.81

 

CMYK 55 / 0 / 23 / 0

HEX #73FFC5

RGB 115 255 197

HSL 155.14, 1%, 0.73%

LAB 91.32, -51.29, 16.36

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 42 / 0 / 8 / 0

HEX #95FFEB

RGB 149 255 235

HSL 168.68, 1%, 0.79%

LAB 93.41, -35.3, -0.07

 

CMYK 70 / 0 / 35 / 0

HEX #4CFEA4

RGB 76 254 164

HSL 149.66, 0.99%, 0.65%

LAB 89.44, -64.43, 30.39

 

CMYK 75 / 0 / 39 / 7

HEX #3BEC91

RGB 59 236 145

HSL 149.15, 0.82%, 0.58%

LAB 83.42, -63.77, 31.86

 

CMYK 81 / 0 / 42 / 15

HEX #2ADA7E

RGB 42 218 126

HSL 148.64, 0.7%, 0.51%

LAB 77.37, -62.79, 33.44

 

CMYK 88 / 0 / 47 / 22

HEX #19C86B

RGB 25 200 107

HSL 148.11, 0.78%, 0.44%

LAB 71.27, -61.4, 35.13

 

CMYK 96 / 0 / 52 / 29

HEX #08B658

RGB 8 182 88

HSL 147.59, 0.92%, 0.37%

LAB 65.13, -59.47, 36.92

 

CMYK 70 / 0 / 35 / 0

HEX #4DFEA4

RGB 77 254 164

HSL 149.49, 0.99%, 0.65%

LAB 89.46, -64.28, 30.42

 

CMYK 70 / 0 / 54 / 0

HEX #4DFE75

RGB 77 254 117

HSL 133.56, 0.99%, 0.65%

LAB 88.8, -71.76, 52.21

 

CMYK 67 / 0 / 70 / 0

HEX #55FE4D

RGB 85 254 77

HSL 117.29, 0.99%, 0.65%

LAB 88.61, -74.59, 68.52

 

CMYK 48 / 0 / 70 / 0

HEX #84FE4D

RGB 132 254 77

HSL 101.36, 0.99%, 0.65%

LAB 90.01, -63.53, 70.4

 

CMYK 29 / 0 / 70 / 0

HEX #B4FE4D

RGB 180 254 77

HSL 85.08, 0.99%, 0.65%

LAB 92.19, -48.14, 73.32

 

CMYK 70 / 0 / 35 / 0

HEX #4DFEA4

RGB 77 254 164

HSL 149.49, 0.99%, 0.65%

LAB 89.46, -64.28, 30.42

 

CMYK 70 / 0 / 17 / 0

HEX #4DFED4

RGB 77 254 212

HSL 165.76, 0.99%, 0.65%

LAB 90.42, -54.05, 7.22

 

CMYK 70 / 2 / 0 / 0

HEX #4DF8FE

RGB 77 248 254

HSL 182.03, 0.99%, 0.65%

LAB 89.8, -40.59, -15.52

 

CMYK 70 / 21 / 0 / 0

HEX #4DC8FE

RGB 77 200 254

HSL 198.31, 0.99%, 0.65%

LAB 76.1, -17.32, -36.42

 

CMYK 70 / 40 / 0 / 0

HEX #4D98FE

RGB 77 152 254

HSL 214.58, 0.99%, 0.65%

LAB 62.67, 9.39, -57.53

 

CMYK 70 / 0 / 35 / 0

HEX #4DFEA4

RGB 77 254 164

HSL 149.49, 0.99%, 0.65%

LAB 89.46, -64.28, 30.42

 

CMYK 70 / 0 / 35 / 0

HEX #4DFEA4

RGB 77 254 164

HSL 149.49, 0.99%, 0.65%

LAB 89.46, -64.28, 30.42

 

CMYK 62 / 0 / 31 / 6

HEX #5BEFA4

RGB 91 239 164

HSL 149.59, 0.82%, 0.65%

LAB 85.32, -56.25, 24.86

 

CMYK 53 / 0 / 27 / 12

HEX #6AE1A5

RGB 106 225 165

HSL 149.75, 0.66%, 0.65%

LAB 81.64, -47.22, 19.35

 

CMYK 43 / 0 / 21 / 18

HEX #78D2A5

RGB 120 210 165

HSL 150, 0.5%, 0.65%

LAB 77.76, -37.14, 14

 

CMYK 31 / 0 / 16 / 23

HEX #87C4A5

RGB 135 196 165

HSL 149.51, 0.34%, 0.65%

LAB 74.41, -26.2, 9.36

 

CMYK 66 / 0 / 70 / 0

HEX #56FE4D

RGB 86 254 77

HSL 116.95, 0.99%, 0.65%

LAB 88.64, -74.4, 68.55

 

CMYK 70 / 0 / 55 / 0

HEX #4DFE73

RGB 77 254 115

HSL 132.88, 0.99%, 0.65%

LAB 88.78, -72.02, 53.09

 

CMYK 70 / 0 / 36 / 0

HEX #4DFEA2

RGB 77 254 162

HSL 148.81, 0.99%, 0.65%

LAB 89.43, -64.65, 31.37

 

CMYK 70 / 0 / 18 / 0

HEX #4DFED1

RGB 77 254 209

HSL 164.75, 0.99%, 0.65%

LAB 90.35, -54.75, 8.67

 

CMYK 70 / 1 / 0 / 0

HEX #4DFBFE

RGB 77 251 254

HSL 181.02, 0.99%, 0.65%

LAB 90.66, -41.94, -14.23

 

CMYK 100 / 0 / 50 / 3

HEX #01F77B

RGB 1 247 123

HSL 149.76, 0.99%, 0.49%

LAB 85.99, -75.01, 45.82

 

CMYK 86 / 0 / 43 / 1

HEX #24FD8F

RGB 36 253 143

HSL 149.59, 0.98%, 0.57%

LAB 88.26, -72.19, 39.13

 

CMYK 70 / 0 / 35 / 0

HEX #4DFEA4

RGB 77 254 164

HSL 149.49, 0.99%, 0.65%

LAB 89.46, -64.28, 30.42

 

CMYK 54 / 0 / 27 / 0

HEX #76FEB9

RGB 118 254 185

HSL 149.56, 0.99%, 0.73%

LAB 90.89, -52.65, 21.91

 

CMYK 37 / 0 / 19 / 0

HEX #9FFECE

RGB 159 254 206

HSL 149.68, 0.98%, 0.81%

LAB 92.89, -38.34, 14.18

 

CMYK 70 / 0 / 35 / 0

HEX #4CFEA4

RGB 76 254 164

HSL 149.66, 0.99%, 0.65%

LAB 89.44, -64.43, 30.39

 

CMYK 70 / 48 / 0 / 0

HEX #4D85FE

RGB 77 133 254

HSL 221.02, 0.99%, 0.65%

LAB 57.57, 20.81, -65.7

 

CMYK 0 / 64 / 70 / 0

HEX #FE5C4D

RGB 254 92 77

HSL 5.08, 0.99%, 0.65%

LAB 61.01, 60.73, 41.82

 

CMYK 70 / 0 / 35 / 0

HEX #4CFEA4

RGB 76 254 164

HSL 149.66, 0.99%, 0.65%

LAB 89.44, -64.43, 30.39

 

CMYK 36 / 70 / 0 / 0

HEX #A24DFE

RGB 162 77 254

HSL 268.81, 0.99%, 0.65%

LAB 52, 66.78, -74.39

 

CMYK 0 / 36 / 70 / 0

HEX #FEA24D

RGB 254 162 77

HSL 28.81, 0.99%, 0.65%

LAB 74.47, 27.01, 56.82

 

CMYK 70 / 0 / 35 / 0

HEX #4CFEA4

RGB 76 254 164

HSL 149.66, 0.99%, 0.65%

LAB 89.44, -64.43, 30.39

 

CMYK 70 / 48 / 0 / 0

HEX #4D85FE

RGB 77 133 254

HSL 221.02, 0.99%, 0.65%

LAB 57.57, 20.81, -65.7

 

CMYK 0 / 70 / 34 / 0

HEX #FE4DA8

RGB 254 77 168

HSL 329.15, 0.99%, 0.65%

LAB 60.96, 73.49, -10.56

 

CMYK 0 / 22 / 70 / 0

HEX #FEC64D

RGB 254 198 77

HSL 41.02, 0.99%, 0.65%

LAB 82.91, 8.24, 65.66

 

CMYK 70 / 0 / 35 / 0

HEX #4CFEA4

RGB 76 254 164

HSL 149.66, 0.99%, 0.65%

LAB 89.44, -64.43, 30.39

 

CMYK 70 / 69 / 0 / 0

HEX #4D50FE

RGB 77 80 254

HSL 238.98, 0.99%, 0.65%

LAB 44.9, 52.73, -86.31

 

CMYK 0 / 70 / 34 / 0

HEX #FE4DA8

RGB 254 77 168

HSL 329.15, 0.99%, 0.65%

LAB 60.96, 73.49, -10.56

 

CMYK 0 / 1 / 70 / 0

HEX #FEFB4D

RGB 254 251 77

HSL 58.98, 0.99%, 0.65%

LAB 96.25, -18.29, 78.96

 

Description

Color code: RGB 76 254 164 | qconv.com Color code: RGB 76 254 164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 254 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 254 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 35 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 35% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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