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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #84FFD8 it is the complementary color #7B0027. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #84FFD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #84FFD8 shade: #89FFD3, #9AFFE6, #ABFFF9, #BCFFFF and #CDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #84FFD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #84FFD8 shade: #84FFD8, #73EDC5, #62DBB2, #51C99F and #40B78C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #84FFD8 shade: #84FFD8, #84FFB7, #84FF96, #94FF84 and #B5FF84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #84FFD8 shade: #84FFD8, #84FFF9, #84E3FF, #84C2FF and #84A1FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #84FFD8 shade matches the following richer shades: #84FFD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #84FFD8 shade: #84FFD8, #8EF5D4, #98EBD0, #A2E1CD and #ACD7C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #84FFD8 shade: #84FF94, #84FFB5, #84FFD6, #84FFF6 and #84E6FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #84FFD8 shade: #32FFBE, #5BFFCB, #84FFD8, #ADFFE5 and #D7FFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #84FFD8 shade: #84FFD8, #8494FF and #FFA584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #84FFD8 shade: #84FFD8, #D684FF and #FFD684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #84FFD8 shade: #84FFD8, #8494FF, #FF84AD and #FFEE84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #84FFD8 shade: #84FFD8, #9984FF, #FF84AD and #EAFF84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

Complementary color

CMYK 0 / 100 / 68 / 52

HEX #7B0027

RGB 123 0 39

HSL 340.98, 1%, 0.24%

LAB 24.82, 47.95, 15.01

 

CMYK 46 / 0 / 17 / 0

HEX #89FFD3

RGB 137 255 211

HSL 157.63, 1%, 0.77%

LAB 92.37, -43.43, 10.76

 

CMYK 40 / 0 / 10 / 0

HEX #9AFFE6

RGB 154 255 230

HSL 165.15, 1%, 0.8%

LAB 93.5, -35.16, 2.66

 

CMYK 33 / 0 / 2 / 0

HEX #ABFFF9

RGB 171 255 249

HSL 175.71, 1%, 0.84%

LAB 94.75, -26.57, -5.23

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 51 / 0 / 17 / 7

HEX #73EDC5

RGB 115 237 197

HSL 160.33, 0.77%, 0.69%

LAB 86.13, -43.61, 8.99

 

CMYK 55 / 0 / 19 / 14

HEX #62DBB2

RGB 98 219 178

HSL 159.67, 0.63%, 0.62%

LAB 79.88, -43.64, 10

 

CMYK 60 / 0 / 21 / 21

HEX #51C99F

RGB 81 201 159

HSL 159, 0.53%, 0.55%

LAB 73.56, -43.59, 11.09

 

CMYK 65 / 0 / 23 / 28

HEX #40B78C

RGB 64 183 140

HSL 158.32, 0.48%, 0.48%

LAB 67.16, -43.4, 12.28

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 48 / 0 / 28 / 0

HEX #84FFB7

RGB 132 255 183

HSL 144.88, 1%, 0.76%

LAB 91.62, -50.2, 24

 

CMYK 48 / 0 / 41 / 0

HEX #84FF96

RGB 132 255 150

HSL 128.78, 1%, 0.76%

LAB 91.07, -55.77, 39.76

 

CMYK 42 / 0 / 48 / 0

HEX #94FF84

RGB 148 255 132

HSL 112.2, 1%, 0.76%

LAB 91.45, -53.86, 49.01

 

CMYK 29 / 0 / 48 / 0

HEX #B5FF84

RGB 181 255 132

HSL 96.1, 1%, 0.76%

LAB 93.02, -43.43, 51.29

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 48 / 0 / 2 / 0

HEX #84FFF9

RGB 132 255 249

HSL 177.07, 1%, 0.76%

LAB 93.13, -35.89, -7.8

 

CMYK 48 / 11 / 0 / 0

HEX #84E3FF

RGB 132 227 255

HSL 193.66, 1%, 0.76%

LAB 85.54, -20.91, -22.31

 

CMYK 48 / 24 / 0 / 0

HEX #84C2FF

RGB 132 194 255

HSL 209.76, 1%, 0.76%

LAB 76.5, -3.73, -36.16

 

CMYK 48 / 37 / 0 / 0

HEX #84A1FF

RGB 132 161 255

HSL 225.85, 1%, 0.76%

LAB 67.74, 14.73, -49.87

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 42 / 0 / 13 / 4

HEX #8EF5D4

RGB 142 245 212

HSL 160.78, 0.84%, 0.76%

LAB 89.77, -37.51, 6.53

 

CMYK 35 / 0 / 11 / 8

HEX #98EBD0

RGB 152 235 208

HSL 160.48, 0.67%, 0.76%

LAB 87.31, -31.09, 5.13

 

CMYK 28 / 0 / 9 / 12

HEX #A2E1CD

RGB 162 225 205

HSL 160.95, 0.51%, 0.76%

LAB 84.97, -24.05, 3.38

 

CMYK 20 / 0 / 7 / 16

HEX #ACD7C9

RGB 172 215 201

HSL 160.47, 0.35%, 0.76%

LAB 82.69, -16.84, 2.27

 

CMYK 48 / 0 / 42 / 0

HEX #84FF94

RGB 132 255 148

HSL 127.8, 1%, 0.76%

LAB 91.04, -56.07, 40.7

 

CMYK 48 / 0 / 29 / 0

HEX #84FFB5

RGB 132 255 181

HSL 143.9, 1%, 0.76%

LAB 91.58, -50.57, 24.97

 

CMYK 48 / 0 / 16 / 0

HEX #84FFD6

RGB 132 255 214

HSL 160, 1%, 0.76%

LAB 92.26, -43.96, 9.02

 

CMYK 48 / 0 / 4 / 0

HEX #84FFF6

RGB 132 255 246

HSL 175.61, 1%, 0.76%

LAB 93.05, -36.62, -6.37

 

CMYK 48 / 10 / 0 / 0

HEX #84E6FF

RGB 132 230 255

HSL 192.2, 1%, 0.76%

LAB 86.36, -22.4, -21.06

 

CMYK 80 / 0 / 25 / 0

HEX #32FFBE

RGB 50 255 190

HSL 160.98, 1%, 0.6%

LAB 89.82, -62.51, 17.64

 

CMYK 64 / 0 / 20 / 0

HEX #5BFFCB

RGB 91 255 203

HSL 160.98, 1%, 0.68%

LAB 90.81, -54.46, 12.45

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 32 / 0 / 10 / 0

HEX #ADFFE5

RGB 173 255 229

HSL 160.98, 1%, 0.84%

LAB 94.34, -30.31, 4.51

 

CMYK 16 / 0 / 5 / 0

HEX #D7FFF2

RGB 215 255 242

HSL 160.5, 1%, 0.92%

LAB 96.97, -15.25, 1.93

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 48 / 42 / 0 / 0

HEX #8494FF

RGB 132 148 255

HSL 232.2, 1%, 0.76%

LAB 64.41, 22.26, -55.14

 

CMYK 0 / 35 / 48 / 0

HEX #FFA584

RGB 255 165 132

HSL 16.1, 1%, 0.76%

LAB 75.97, 29.77, 30.86

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 16 / 48 / 0 / 0

HEX #D684FF

RGB 214 132 255

HSL 280, 1%, 0.76%

LAB 68.03, 51.98, -48.93

 

CMYK 0 / 16 / 48 / 0

HEX #FFD684

RGB 255 214 132

HSL 40, 1%, 0.76%

LAB 87.49, 4.25, 45.64

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 48 / 42 / 0 / 0

HEX #8494FF

RGB 132 148 255

HSL 232.2, 1%, 0.76%

LAB 64.41, 22.26, -55.14

 

CMYK 0 / 48 / 32 / 0

HEX #FF84AD

RGB 255 132 173

HSL 340, 1%, 0.76%

LAB 70.02, 50.95, 0

 

CMYK 0 / 7 / 48 / 0

HEX #FFEE84

RGB 255 238 132

HSL 51.71, 1%, 0.76%

LAB 93.48, -7.87, 53.01

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 40 / 48 / 0 / 0

HEX #9984FF

RGB 153 132 255

HSL 250.24, 1%, 0.76%

LAB 62.08, 36.38, -58.75

 

CMYK 0 / 48 / 32 / 0

HEX #FF84AD

RGB 255 132 173

HSL 340, 1%, 0.76%

LAB 70.02, 50.95, 0

 

CMYK 8 / 0 / 48 / 0

HEX #EAFF84

RGB 234 255 132

HSL 70.24, 1%, 0.76%

LAB 96.28, -24.28, 56.01

 

Description

Color code: HEX #84FFD8 | qconv.com Color code: HEX #84FFD8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 255 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 255 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 15 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 15% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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