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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 197 240 it is the complementary color RGB 179 58 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 197 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 197 240 shade: RGB 81 197 235, RGB 98 215 254, RGB 115 233 255, RGB 132 251 255 and RGB 149 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 197 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 197 240 shade: RGB 76 197 240, RGB 59 179 221, RGB 42 161 202, RGB 25 143 183 and RGB 8 125 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 197 240 shade: RGB 75 197 240, RGB 75 152 240, RGB 75 108 240, RGB 87 75 240 and RGB 131 75 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 197 240 shade: RGB 75 197 240, RGB 75 152 240, RGB 75 108 240 and RGB 75 75 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 197 240 shade matches the following richer shades: RGB 75 197 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 197 240 shade: RGB 75 197 240, RGB 91 189 224, RGB 107 182 209, RGB 122 174 193 and RGB 138 167 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 197 240 shade: RGB 75 240 193, RGB 75 240 237, RGB 75 199 240, RGB 75 155 240 and RGB 75 111 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 197 240 shade: RGB 17 164 216, RGB 37 184 237, RGB 75 197 240, RGB 113 209 243 and RGB 152 221 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 197 240 shade: RGB 76 197 240, RGB 149 75 240 and RGB 240 215 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 197 240 shade: RGB 76 197 240, RGB 240 75 199 and RGB 199 240 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 197 240 shade: RGB 76 197 240, RGB 149 75 240, RGB 240 116 75 and RGB 166 240 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 197 240 shade: RGB 76 197 240, RGB 199 75 240, RGB 240 116 75 and RGB 116 240 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 18 / 0 / 6

HEX #4CC5F0

RGB 76 197 240

HSL 195.73, 0.85%, 0.62%

LAB 74.67, -20.32, -31.1

 

Complementary color

CMYK 0 / 68 / 92 / 30

HEX #B33A0F

RGB 179 58 15

HSL 15.73, 0.85%, 0.38%

LAB 42.22, 47.37, 49.17

 

CMYK 66 / 16 / 0 / 8

HEX #51C5EB

RGB 81 197 235

HSL 194.81, 0.79%, 0.62%

LAB 74.62, -21.13, -28.47

 

CMYK 61 / 15 / 0 / 0

HEX #62D7FE

RGB 98 215 254

HSL 195, 0.99%, 0.69%

LAB 80.93, -21.8, -28.91

 

CMYK 55 / 9 / 0 / 0

HEX #73E9FF

RGB 115 233 255

HSL 189.43, 1%, 0.73%

LAB 86.57, -27.35, -20.8

 

CMYK 48 / 2 / 0 / 0

HEX #84FBFF

RGB 132 251 255

HSL 181.95, 1%, 0.76%

LAB 92.19, -32.54, -12.31

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 68 / 18 / 0 / 6

HEX #4CC5F0

RGB 76 197 240

HSL 195.73, 0.85%, 0.62%

LAB 74.67, -20.32, -31.1

 

CMYK 73 / 19 / 0 / 13

HEX #3BB3DD

RGB 59 179 221

HSL 195.56, 0.7%, 0.55%

LAB 68.31, -19.31, -30.63

 

CMYK 79 / 20 / 0 / 21

HEX #2AA1CA

RGB 42 161 202

HSL 195.38, 0.66%, 0.48%

LAB 61.87, -18.03, -30.11

 

CMYK 86 / 22 / 0 / 28

HEX #198FB7

RGB 25 143 183

HSL 195.19, 0.76%, 0.41%

LAB 55.35, -16.37, -29.52

 

CMYK 95 / 24 / 0 / 36

HEX #087DA4

RGB 8 125 164

HSL 195, 0.91%, 0.34%

LAB 48.76, -14.23, -28.83

 

CMYK 69 / 18 / 0 / 6

HEX #4BC5F0

RGB 75 197 240

HSL 195.64, 0.85%, 0.62%

LAB 74.65, -20.46, -31.14

 

CMYK 69 / 37 / 0 / 6

HEX #4B98F0

RGB 75 152 240

HSL 212, 0.85%, 0.62%

LAB 61.86, 4.27, -51.13

 

CMYK 69 / 55 / 0 / 6

HEX #4B6CF0

RGB 75 108 240

HSL 228, 0.85%, 0.62%

LAB 50.11, 31.03, -69.99

 

CMYK 64 / 69 / 0 / 6

HEX #574BF0

RGB 87 75 240

HSL 244.36, 0.85%, 0.62%

LAB 43.29, 52.27, -81.1

 

CMYK 45 / 69 / 0 / 6

HEX #834BF0

RGB 131 75 240

HSL 260.36, 0.85%, 0.62%

LAB 47.17, 58.84, -74.59

 

CMYK 69 / 18 / 0 / 6

HEX #4BC5F0

RGB 75 197 240

HSL 195.64, 0.85%, 0.62%

LAB 74.65, -20.46, -31.14

 

CMYK 69 / 37 / 0 / 6

HEX #4B98F0

RGB 75 152 240

HSL 212, 0.85%, 0.62%

LAB 61.86, 4.27, -51.13

 

CMYK 69 / 55 / 0 / 6

HEX #4B6CF0

RGB 75 108 240

HSL 228, 0.85%, 0.62%

LAB 50.11, 31.03, -69.99

 

CMYK 69 / 69 / 0 / 6

HEX #4B4BF0

RGB 75 75 240

HSL 240, 0.85%, 0.62%

LAB 42.49, 50.86, -82.44

 

CMYK 69 / 18 / 0 / 6

HEX #4BC5F0

RGB 75 197 240

HSL 195.64, 0.85%, 0.62%

LAB 74.65, -20.46, -31.14

 

CMYK 69 / 18 / 0 / 6

HEX #4BC5F0

RGB 75 197 240

HSL 195.64, 0.85%, 0.62%

LAB 74.65, -20.46, -31.14

 

CMYK 59 / 16 / 0 / 12

HEX #5BBDE0

RGB 91 189 224

HSL 195.79, 0.68%, 0.62%

LAB 72.23, -18.65, -26.16

 

CMYK 49 / 13 / 0 / 18

HEX #6BB6D1

RGB 107 182 209

HSL 195.88, 0.53%, 0.62%

LAB 70.31, -16.03, -20.85

 

CMYK 37 / 10 / 0 / 24

HEX #7AAEC1

RGB 122 174 193

HSL 196.06, 0.36%, 0.62%

LAB 68.21, -12.32, -15.15

 

CMYK 22 / 6 / 0 / 31

HEX #8AA7B1

RGB 138 167 177

HSL 195.38, 0.2%, 0.62%

LAB 66.68, -7.71, -8.47

 

CMYK 69 / 0 / 20 / 6

HEX #4BF0C1

RGB 75 240 193

HSL 162.91, 0.85%, 0.62%

LAB 85.84, -53.09, 10.52

 

CMYK 69 / 0 / 1 / 6

HEX #4BF0ED

RGB 75 240 237

HSL 178.91, 0.85%, 0.62%

LAB 86.96, -41.94, -10.88

 

CMYK 69 / 17 / 0 / 6

HEX #4BC7F0

RGB 75 199 240

HSL 194.91, 0.85%, 0.62%

LAB 75.22, -21.49, -30.25

 

CMYK 69 / 35 / 0 / 6

HEX #4B9BF0

RGB 75 155 240

HSL 210.91, 0.85%, 0.62%

LAB 62.7, 2.53, -49.8

 

CMYK 69 / 54 / 0 / 6

HEX #4B6FF0

RGB 75 111 240

HSL 226.91, 0.85%, 0.62%

LAB 50.87, 29.17, -68.76

 

CMYK 92 / 24 / 0 / 15

HEX #11A4D8

RGB 17 164 216

HSL 195.68, 0.85%, 0.46%

LAB 63.03, -16.5, -36.11

 

CMYK 84 / 22 / 0 / 7

HEX #25B8ED

RGB 37 184 237

HSL 195.9, 0.85%, 0.54%

LAB 70.03, -18.72, -36.73

 

CMYK 69 / 18 / 0 / 6

HEX #4BC5F0

RGB 75 197 240

HSL 195.64, 0.85%, 0.62%

LAB 74.65, -20.46, -31.14

 

CMYK 53 / 14 / 0 / 5

HEX #71D1F3

RGB 113 209 243

HSL 195.69, 0.84%, 0.7%

LAB 79.38, -19.14, -25.39

 

CMYK 38 / 10 / 0 / 4

HEX #98DDF6

RGB 152 221 246

HSL 195.96, 0.84%, 0.78%

LAB 84.51, -15.45, -19.04

 

CMYK 68 / 18 / 0 / 6

HEX #4CC5F0

RGB 76 197 240

HSL 195.73, 0.85%, 0.62%

LAB 74.67, -20.32, -31.1

 

CMYK 38 / 69 / 0 / 6

HEX #954BF0

RGB 149 75 240

HSL 266.91, 0.85%, 0.62%

LAB 49.15, 62.03, -71.28

 

CMYK 0 / 10 / 69 / 6

HEX #F0D74B

RGB 240 215 75

HSL 50.91, 0.85%, 0.62%

LAB 85.82, -6.42, 68.99

 

CMYK 68 / 18 / 0 / 6

HEX #4CC5F0

RGB 76 197 240

HSL 195.73, 0.85%, 0.62%

LAB 74.67, -20.32, -31.1

 

CMYK 0 / 69 / 17 / 6

HEX #F04BC7

RGB 240 75 199

HSL 314.91, 0.85%, 0.62%

LAB 59.6, 74.4, -30.66

 

CMYK 17 / 0 / 69 / 6

HEX #C7F04B

RGB 199 240 75

HSL 74.91, 0.85%, 0.62%

LAB 89.38, -35.1, 71.56

 

CMYK 68 / 18 / 0 / 6

HEX #4CC5F0

RGB 76 197 240

HSL 195.73, 0.85%, 0.62%

LAB 74.67, -20.32, -31.1

 

CMYK 38 / 69 / 0 / 6

HEX #954BF0

RGB 149 75 240

HSL 266.91, 0.85%, 0.62%

LAB 49.15, 62.03, -71.28

 

CMYK 0 / 52 / 69 / 6

HEX #F0744B

RGB 240 116 75

HSL 14.91, 0.85%, 0.62%

LAB 62.95, 44.88, 44.54

 

CMYK 31 / 0 / 69 / 6

HEX #A6F04B

RGB 166 240 75

HSL 86.91, 0.85%, 0.62%

LAB 87.45, -47.32, 68.99

 

CMYK 68 / 18 / 0 / 6

HEX #4CC5F0

RGB 76 197 240

HSL 195.73, 0.85%, 0.62%

LAB 74.67, -20.32, -31.1

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 52 / 69 / 6

HEX #F0744B

RGB 240 116 75

HSL 14.91, 0.85%, 0.62%

LAB 62.95, 44.88, 44.54

 

CMYK 52 / 0 / 69 / 6

HEX #74F04B

RGB 116 240 75

HSL 105.09, 0.85%, 0.62%

LAB 85.27, -62.97, 66.05

 

Description

Color code: RGB 76 197 240 | qconv.com Color code: RGB 76 197 240 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 197 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 197 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 18 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 18% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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