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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 75 240 it is the complementary color RGB 56 180 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 75 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 75 240 shade: RGB 204 75 235, RGB 221 93 254, RGB 238 111 255, RGB 255 129 255 and RGB 255 147 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 75 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 182 57 221, RGB 165 39 202, RGB 148 21 183 and RGB 131 3 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 240 75 236, RGB 240 75 192, RGB 240 75 148 and RGB 240 75 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 155 75 240, RGB 110 75 240 and RGB 75 75 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 75 240 shade matches the following richer shades: RGB 199 75 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 191 91 224, RGB 183 107 209, RGB 175 122 193 and RGB 167 138 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 75 240 shade: RGB 111 75 240, RGB 155 75 240, RGB 199 75 240, RGB 240 75 237 and RGB 240 75 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 75 240 shade: RGB 166 17 216, RGB 187 37 237, RGB 199 75 240, RGB 211 113 243 and RGB 223 152 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 240 75 83 and RGB 75 240 133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 240 199 75 and RGB 75 240 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 240 75 83, RGB 116 240 75 and RGB 75 240 232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 75 240 shade: RGB 199 75 240, RGB 240 116 75, RGB 116 240 75 and RGB 75 199 240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

Complementary color

CMYK 69 / 0 / 92 / 29

HEX #38B40F

RGB 56 180 15

HSL 105.09, 0.85%, 0.38%

LAB 64.58, -59.98, 62.94

 

CMYK 13 / 68 / 0 / 8

HEX #CC4BEB

RGB 204 75 235

HSL 288.38, 0.8%, 0.61%

LAB 55.96, 71.93, -57.14

 

CMYK 13 / 63 / 0 / 0

HEX #DD5DFE

RGB 221 93 254

HSL 287.7, 0.99%, 0.68%

LAB 61.96, 71.91, -57.96

 

CMYK 7 / 56 / 0 / 0

HEX #EE6FFF

RGB 238 111 255

HSL 292.92, 1%, 0.72%

LAB 67.1, 68.31, -50.21

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 18 / 74 / 0 / 13

HEX #B639DD

RGB 182 57 221

HSL 285.73, 0.71%, 0.55%

LAB 49.61, 71.47, -59.59

 

CMYK 18 / 81 / 0 / 21

HEX #A527CA

RGB 165 39 202

HSL 286.38, 0.68%, 0.47%

LAB 43.82, 70.44, -58.15

 

CMYK 19 / 89 / 0 / 28

HEX #9415B7

RGB 148 21 183

HSL 287.04, 0.79%, 0.4%

LAB 38.29, 68.4, -56.11

 

CMYK 20 / 98 / 0 / 36

HEX #8303A4

RGB 131 3 164

HSL 287.7, 0.96%, 0.33%

LAB 33.07, 65.09, -53.35

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 69 / 2 / 6

HEX #F04BEC

RGB 240 75 236

HSL 301.45, 0.85%, 0.62%

LAB 61.32, 79.8, -48.84

 

CMYK 0 / 69 / 20 / 6

HEX #F04BC0

RGB 240 75 192

HSL 317.45, 0.85%, 0.62%

LAB 59.31, 73.47, -27.11

 

CMYK 0 / 69 / 38 / 6

HEX #F04B94

RGB 240 75 148

HSL 333.45, 0.85%, 0.62%

LAB 57.75, 68.32, -3.95

 

CMYK 0 / 69 / 57 / 6

HEX #F04B67

RGB 240 75 103

HSL 349.82, 0.85%, 0.62%

LAB 56.62, 64.46, 20.98

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 35 / 69 / 0 / 6

HEX #9B4BF0

RGB 155 75 240

HSL 269.09, 0.85%, 0.62%

LAB 49.85, 63.14, -70.11

 

CMYK 54 / 69 / 0 / 6

HEX #6E4BF0

RGB 110 75 240

HSL 252.73, 0.85%, 0.62%

LAB 45.13, 55.45, -78

 

CMYK 69 / 69 / 0 / 6

HEX #4B4BF0

RGB 75 75 240

HSL 240, 0.85%, 0.62%

LAB 42.49, 50.86, -82.44

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 15 / 59 / 0 / 12

HEX #BF5BE0

RGB 191 91 224

HSL 285.11, 0.68%, 0.62%

LAB 56.03, 60.07, -50.94

 

CMYK 12 / 49 / 0 / 18

HEX #B76BD1

RGB 183 107 209

HSL 284.71, 0.53%, 0.62%

LAB 57.26, 46.99, -40.59

 

CMYK 9 / 37 / 0 / 24

HEX #AF7AC1

RGB 175 122 193

HSL 284.79, 0.36%, 0.62%

LAB 58.87, 33.15, -29.07

 

CMYK 6 / 22 / 0 / 31

HEX #A78AB1

RGB 167 138 177

HSL 284.62, 0.2%, 0.62%

LAB 61.28, 18.18, -16.36

 

CMYK 54 / 69 / 0 / 6

HEX #6F4BF0

RGB 111 75 240

HSL 253.09, 0.85%, 0.62%

LAB 45.22, 55.6, -77.85

 

CMYK 35 / 69 / 0 / 6

HEX #9B4BF0

RGB 155 75 240

HSL 269.09, 0.85%, 0.62%

LAB 49.85, 63.14, -70.11

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 69 / 1 / 6

HEX #F04BED

RGB 240 75 237

HSL 301.09, 0.85%, 0.62%

LAB 61.37, 79.95, -49.31

 

CMYK 0 / 69 / 20 / 6

HEX #F04BC1

RGB 240 75 193

HSL 317.09, 0.85%, 0.62%

LAB 59.35, 73.6, -27.62

 

CMYK 23 / 92 / 0 / 15

HEX #A611D8

RGB 166 17 216

HSL 284.92, 0.85%, 0.46%

LAB 43.46, 77.68, -66.81

 

CMYK 21 / 84 / 0 / 7

HEX #BB25ED

RGB 187 37 237

HSL 285, 0.85%, 0.54%

LAB 49.5, 80.91, -68.79

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 13 / 53 / 0 / 5

HEX #D371F3

RGB 211 113 243

HSL 285.23, 0.84%, 0.7%

LAB 63.45, 58.31, -49.61

 

CMYK 9 / 38 / 0 / 4

HEX #DF98F6

RGB 223 152 246

HSL 285.32, 0.84%, 0.78%

LAB 72.76, 42.23, -36.57

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 69 / 65 / 6

HEX #F04B53

RGB 240 75 83

HSL 357.09, 0.85%, 0.62%

LAB 56.27, 63.23, 32.19

 

CMYK 69 / 0 / 45 / 6

HEX #4BF085

RGB 75 240 133

HSL 141.09, 0.85%, 0.62%

LAB 84.75, -64.95, 39.61

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 17 / 69 / 6

HEX #F0C74B

RGB 240 199 75

HSL 45.09, 0.85%, 0.62%

LAB 81.77, 1.76, 64.88

 

CMYK 69 / 0 / 17 / 6

HEX #4BF0C7

RGB 75 240 199

HSL 165.09, 0.85%, 0.62%

LAB 85.98, -51.68, 7.58

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 69 / 65 / 6

HEX #F04B53

RGB 240 75 83

HSL 357.09, 0.85%, 0.62%

LAB 56.27, 63.23, 32.19

 

CMYK 52 / 0 / 69 / 6

HEX #74F04B

RGB 116 240 75

HSL 105.09, 0.85%, 0.62%

LAB 85.27, -62.97, 66.05

 

CMYK 69 / 0 / 3 / 6

HEX #4BF0E8

RGB 75 240 232

HSL 177.09, 0.85%, 0.62%

LAB 86.82, -43.3, -8.47

 

CMYK 17 / 69 / 0 / 6

HEX #C74BF0

RGB 199 75 240

HSL 285.09, 0.85%, 0.62%

LAB 55.55, 71.83, -60.62

 

CMYK 0 / 52 / 69 / 6

HEX #F0744B

RGB 240 116 75

HSL 14.91, 0.85%, 0.62%

LAB 62.95, 44.88, 44.54

 

CMYK 52 / 0 / 69 / 6

HEX #74F04B

RGB 116 240 75

HSL 105.09, 0.85%, 0.62%

LAB 85.27, -62.97, 66.05

 

CMYK 69 / 17 / 0 / 6

HEX #4BC7F0

RGB 75 199 240

HSL 194.91, 0.85%, 0.62%

LAB 75.22, -21.49, -30.25

 

Description

Color code: RGB 199 75 240 | qconv.com Color code: RGB 199 75 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 75 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 75 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 69 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 69% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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