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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 74 51 77 it is the complementary color RGB 181 204 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 74 51 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 74 51 77 shade: RGB 79 51 72, RGB 96 69 91, RGB 113 87 110, RGB 130 105 129 and RGB 147 123 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 74 51 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 74 51 77 shade: RGB 74 51 77, RGB 57 33 58, RGB 40 15 39, RGB 23 0 20 and RGB 6 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 74 51 77 shade: RGB 73 51 76, RGB 76 51 72, RGB 76 51 65, RGB 76 51 58 and RGB 76 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 74 51 77 shade: RGB 73 51 76, RGB 66 51 76, RGB 59 51 76, RGB 52 51 76 and RGB 51 51 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 74 51 77 shade matches the following richer shades: RGB 73 51 76, RGB 81 40 86, RGB 89 30 97, RGB 97 20 107 and RGB 105 9 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 74 51 77 shade: RGB 73 51 76, RGB 65 61 66, RGB 57 71 55, RGB 49 81 45 and RGB 41 92 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 74 51 77 shade: RGB 59 51 76, RGB 66 51 76, RGB 73 51 76, RGB 76 51 72 and RGB 76 51 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 74 51 77 shade: RGB 25 17 26, RGB 49 34 51, RGB 73 51 76, RGB 97 67 101 and RGB 121 84 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 74 51 77 shade: RGB 74 51 77, RGB 76 53 51 and RGB 51 76 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 74 51 77 shade: RGB 74 51 77, RGB 76 73 51 and RGB 51 76 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 74 51 77 shade: RGB 74 51 77, RGB 76 53 51, RGB 53 76 51 and RGB 51 74 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 74 51 77 shade: RGB 74 51 77, RGB 76 60 51, RGB 53 76 51 and RGB 51 66 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

Complementary color

CMYK 11 / 0 / 13 / 20

HEX #B5CCB2

RGB 181 204 178

HSL 113.08, 0.2%, 0.75%

LAB 79.74, -12.62, 10.35

 

CMYK 0 / 35 / 9 / 69

HEX #4F3348

RGB 79 51 72

HSL 315, 0.22%, 0.25%

LAB 25.25, 16.49, -7.85

 

CMYK 0 / 28 / 5 / 62

HEX #60455B

RGB 96 69 91

HSL 311.11, 0.16%, 0.32%

LAB 32.92, 15.7, -8.47

 

CMYK 0 / 23 / 3 / 56

HEX #71576E

RGB 113 87 110

HSL 306.92, 0.13%, 0.39%

LAB 40.33, 15.02, -9.02

 

CMYK 0 / 19 / 1 / 49

HEX #826981

RGB 130 105 129

HSL 302.4, 0.11%, 0.46%

LAB 47.54, 14.42, -9.53

 

CMYK 1 / 17 / 0 / 42

HEX #937B94

RGB 147 123 148

HSL 297.6, 0.1%, 0.53%

LAB 54.56, 13.9, -10.02

 

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

CMYK 2 / 43 / 0 / 77

HEX #39213A

RGB 57 33 58

HSL 297.6, 0.27%, 0.18%

LAB 16.81, 16.5, -11.44

 

CMYK 0 / 63 / 2 / 84

HEX #280F27

RGB 40 15 39

HSL 302.4, 0.45%, 0.11%

LAB 8.47, 17.42, -10.8

 

CMYK 0 / 100 / 13 / 91

HEX #170014

RGB 23 0 20

HSL 307.83, 1%, 0.05%

LAB 2.1, 10.59, -6.12

 

CMYK 0 / 100 / 83 / 98

HEX #060001

RGB 6 0 1

HSL 350, 1%, 0.01%

LAB 0.37, 1.71, 0.17

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 0 / 33 / 5 / 70

HEX #4C3348

RGB 76 51 72

HSL 309.6, 0.2%, 0.25%

LAB 24.87, 15.29, -8.48

 

CMYK 0 / 33 / 14 / 70

HEX #4C3341

RGB 76 51 65

HSL 326.4, 0.2%, 0.25%

LAB 24.59, 13.84, -4.2

 

CMYK 0 / 33 / 24 / 70

HEX #4C333A

RGB 76 51 58

HSL 343.2, 0.2%, 0.25%

LAB 24.35, 12.51, 0.14

 

CMYK 0 / 33 / 33 / 70

HEX #4C3333

RGB 76 51 51

HSL 0, 0.2%, 0.25%

LAB 24.14, 11.31, 4.54

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 13 / 33 / 0 / 70

HEX #42334C

RGB 66 51 76

HSL 276, 0.2%, 0.25%

LAB 23.83, 12.3, -12.83

 

CMYK 22 / 33 / 0 / 70

HEX #3B334C

RGB 59 51 76

HSL 259.2, 0.2%, 0.25%

LAB 23.06, 9.67, -14.08

 

CMYK 32 / 33 / 0 / 70

HEX #34334C

RGB 52 51 76

HSL 242.4, 0.2%, 0.25%

LAB 22.37, 7.13, -15.2

 

CMYK 33 / 33 / 0 / 70

HEX #33334C

RGB 51 51 76

HSL 240, 0.2%, 0.25%

LAB 22.28, 6.78, -15.36

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 6 / 53 / 0 / 66

HEX #512856

RGB 81 40 86

HSL 293.48, 0.37%, 0.25%

LAB 23.47, 27.09, -19.89

 

CMYK 8 / 69 / 0 / 62

HEX #591E61

RGB 89 30 97

HSL 292.84, 0.53%, 0.25%

LAB 23.39, 37.19, -27.2

 

CMYK 9 / 81 / 0 / 58

HEX #61146B

RGB 97 20 107

HSL 293.1, 0.69%, 0.25%

LAB 24.01, 45.14, -32.65

 

CMYK 10 / 92 / 0 / 54

HEX #690975

RGB 105 9 117

HSL 293.33, 0.86%, 0.25%

LAB 25.21, 51.4, -37.1

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 2 / 8 / 0 / 74

HEX #413D42

RGB 65 61 66

HSL 288, 0.04%, 0.25%

LAB 26.32, 2.83, -2.45

 

CMYK 20 / 0 / 23 / 72

HEX #394737

RGB 57 71 55

HSL 112.5, 0.13%, 0.25%

LAB 28.52, -9.28, 7.8

 

CMYK 40 / 0 / 44 / 68

HEX #31512D

RGB 49 81 45

HSL 113.33, 0.29%, 0.25%

LAB 31.18, -20.06, 17.54

 

CMYK 55 / 0 / 62 / 64

HEX #295C23

RGB 41 92 35

HSL 113.68, 0.45%, 0.25%

LAB 34.49, -29.73, 27.22

 

CMYK 22 / 33 / 0 / 70

HEX #3B334C

RGB 59 51 76

HSL 259.2, 0.2%, 0.25%

LAB 23.06, 9.67, -14.08

 

CMYK 13 / 33 / 0 / 70

HEX #42334C

RGB 66 51 76

HSL 276, 0.2%, 0.25%

LAB 23.83, 12.3, -12.83

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 0 / 33 / 5 / 70

HEX #4C3348

RGB 76 51 72

HSL 309.6, 0.2%, 0.25%

LAB 24.87, 15.29, -8.48

 

CMYK 0 / 33 / 14 / 70

HEX #4C3341

RGB 76 51 65

HSL 326.4, 0.2%, 0.25%

LAB 24.59, 13.84, -4.2

 

CMYK 4 / 35 / 0 / 90

HEX #19111A

RGB 25 17 26

HSL 293.33, 0.21%, 0.08%

LAB 6.16, 5.71, -4.59

 

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 4 / 34 / 0 / 60

HEX #614365

RGB 97 67 101

HSL 292.94, 0.2%, 0.33%

LAB 32.91, 19.47, -14.83

 

CMYK 4 / 33 / 0 / 51

HEX #79547E

RGB 121 84 126

HSL 292.86, 0.2%, 0.41%

LAB 41.08, 23.11, -17.62

 

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

CMYK 0 / 30 / 33 / 70

HEX #4C3533

RGB 76 53 51

HSL 4.8, 0.2%, 0.25%

LAB 24.71, 10, 5.34

 

CMYK 33 / 0 / 17 / 70

HEX #334C3F

RGB 51 76 63

HSL 148.8, 0.2%, 0.25%

LAB 29.99, -12.81, 4.69

 

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

CMYK 0 / 4 / 33 / 70

HEX #4C4933

RGB 76 73 51

HSL 52.8, 0.2%, 0.25%

LAB 30.74, -2.8, 13.65

 

CMYK 33 / 0 / 4 / 70

HEX #334C49

RGB 51 76 73

HSL 172.8, 0.2%, 0.25%

LAB 30.29, -10.29, -1.29

 

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

CMYK 0 / 30 / 33 / 70

HEX #4C3533

RGB 76 53 51

HSL 4.8, 0.2%, 0.25%

LAB 24.71, 10, 5.34

 

CMYK 30 / 0 / 33 / 70

HEX #354C33

RGB 53 76 51

HSL 115.2, 0.2%, 0.25%

LAB 29.82, -14.65, 12.1

 

CMYK 33 / 3 / 0 / 70

HEX #334A4C

RGB 51 74 76

HSL 184.8, 0.2%, 0.25%

LAB 29.72, -8.26, -4.05

 

CMYK 4 / 34 / 0 / 70

HEX #4A334D

RGB 74 51 77

HSL 293.08, 0.2%, 0.25%

LAB 24.83, 15.62, -11.89

 

CMYK 0 / 21 / 33 / 70

HEX #4C3C33

RGB 76 60 51

HSL 21.6, 0.2%, 0.25%

LAB 26.76, 5.45, 8.22

 

CMYK 30 / 0 / 33 / 70

HEX #354C33

RGB 53 76 51

HSL 115.2, 0.2%, 0.25%

LAB 29.82, -14.65, 12.1

 

CMYK 33 / 13 / 0 / 70

HEX #33424C

RGB 51 66 76

HSL 204, 0.2%, 0.25%

LAB 27.08, -3.24, -8.01

 

Description

Color code: RGB 74 51 77 | qconv.com Color code: RGB 74 51 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 74 red, 51 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
74 51 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 34 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 34% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - amymauk.com | web de...
Link: http://www.amymauk.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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