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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #312233 it is the complementary color #CEDDCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #312233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #312233 shade: #36222E, #473441, #584654, #695867 and #7A6A7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #312233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #312233 shade: #312233, #201020 and #0F000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #312233 shade: #312234, #342231, #34222C, #342228 and #342223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #312233 shade: #312234, #2D2234, #282234, #232234 and #222234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #312233 shade matches the following richer shades: #312234, #371B3B, #3C1442, #420D49 and #470650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #312233 shade: #312234, #2C292D, #273025, #21371E and #1C3E17

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #312233 shade: #282234, #2D2234, #312234, #342231 and #34222D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #312233 shade: #020102, #1A121B, #312234, #49334C and #614365

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #312233 shade: #312233, #342322 and #22342A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #312233 shade: #312233, #343122 and #223431

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #312233 shade: #312233, #342322, #243422 and #223234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #312233 shade: #312233, #342922, #243422 and #222D34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

Complementary color

CMYK 7 / 0 / 8 / 13

HEX #CEDDCC

RGB 206 221 204

HSL 112.94, 0.2%, 0.83%

LAB 86.6, -8.12, 6.61

 

CMYK 0 / 37 / 15 / 79

HEX #36222E

RGB 54 34 46

HSL 324, 0.23%, 0.17%

LAB 16.13, 11.89, -4.04

 

CMYK 0 / 27 / 8 / 72

HEX #473441

RGB 71 52 65

HSL 318.95, 0.15%, 0.24%

LAB 24.25, 11.08, -4.78

 

CMYK 0 / 20 / 5 / 65

HEX #584654

RGB 88 70 84

HSL 313.33, 0.11%, 0.31%

LAB 32.02, 10.43, -5.42

 

CMYK 0 / 16 / 2 / 59

HEX #695867

RGB 105 88 103

HSL 307.06, 0.09%, 0.38%

LAB 39.52, 9.88, -6.01

 

CMYK 0 / 13 / 0 / 52

HEX #7A6A7A

RGB 122 106 122

HSL 300, 0.07%, 0.45%

LAB 46.78, 9.41, -6.56

 

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

CMYK 0 / 50 / 0 / 87

HEX #201020

RGB 32 16 32

HSL 300, 0.33%, 0.09%

LAB 7.06, 11.65, -7.78

 

CMYK 0 / 100 / 13 / 94

HEX #0F000D

RGB 15 0 13

HSL 308, 1%, 0.03%

LAB 1.18, 5.96, -3.57

 

CMYK 6 / 35 / 0 / 80

HEX #312234

RGB 49 34 52

HSL 290, 0.21%, 0.17%

LAB 15.72, 11.14, -8.98

 

CMYK 0 / 35 / 6 / 80

HEX #342231

RGB 52 34 49

HSL 310, 0.21%, 0.17%

LAB 15.98, 11.68, -6.42

 

CMYK 0 / 35 / 15 / 80

HEX #34222C

RGB 52 34 44

HSL 326.67, 0.21%, 0.17%

LAB 15.78, 10.58, -3.18

 

CMYK 0 / 35 / 23 / 80

HEX #342228

RGB 52 34 40

HSL 340, 0.21%, 0.17%

LAB 15.63, 9.76, -0.54

 

CMYK 0 / 35 / 33 / 80

HEX #342223

RGB 52 34 35

HSL 356.67, 0.21%, 0.17%

LAB 15.46, 8.83, 2.79

 

CMYK 6 / 35 / 0 / 80

HEX #312234

RGB 49 34 52

HSL 290, 0.21%, 0.17%

LAB 15.72, 11.14, -8.98

 

CMYK 13 / 35 / 0 / 80

HEX #2D2234

RGB 45 34 52

HSL 276.67, 0.21%, 0.17%

LAB 15.22, 9.5, -9.79

 

CMYK 23 / 35 / 0 / 80

HEX #282234

RGB 40 34 52

HSL 260, 0.21%, 0.17%

LAB 14.64, 7.49, -10.74

 

CMYK 33 / 35 / 0 / 80

HEX #232234

RGB 35 34 52

HSL 243.33, 0.21%, 0.17%

LAB 14.11, 5.55, -11.6

 

CMYK 35 / 35 / 0 / 80

HEX #222234

RGB 34 34 52

HSL 240, 0.21%, 0.17%

LAB 14.01, 5.17, -11.76

 

CMYK 6 / 35 / 0 / 80

HEX #312234

RGB 49 34 52

HSL 290, 0.21%, 0.17%

LAB 15.72, 11.14, -8.98

 

CMYK 7 / 54 / 0 / 77

HEX #371B3B

RGB 55 27 59

HSL 292.5, 0.37%, 0.17%

LAB 15.02, 19.93, -14.95

 

CMYK 9 / 70 / 0 / 74

HEX #3C1442

RGB 60 20 66

HSL 292.17, 0.53%, 0.17%

LAB 14.7, 27.36, -20.31

 

CMYK 10 / 82 / 0 / 71

HEX #420D49

RGB 66 13 73

HSL 293, 0.7%, 0.17%

LAB 15.1, 33.76, -24.49

 

CMYK 11 / 93 / 0 / 69

HEX #470650

RGB 71 6 80

HSL 292.7, 0.86%, 0.17%

LAB 15.74, 38.7, -28.22

 

CMYK 6 / 35 / 0 / 80

HEX #312234

RGB 49 34 52

HSL 290, 0.21%, 0.17%

LAB 15.72, 11.14, -8.98

 

CMYK 2 / 9 / 0 / 82

HEX #2C292D

RGB 44 41 45

HSL 285, 0.05%, 0.17%

LAB 17.04, 2.32, -2.12

 

CMYK 19 / 0 / 23 / 81

HEX #273025

RGB 39 48 37

HSL 109.09, 0.13%, 0.17%

LAB 18.71, -6.52, 5.79

 

CMYK 40 / 0 / 45 / 78

HEX #21371E

RGB 33 55 30

HSL 112.8, 0.29%, 0.17%

LAB 20.63, -14.81, 12.99

 

CMYK 55 / 0 / 63 / 76

HEX #1C3E17

RGB 28 62 23

HSL 112.31, 0.46%, 0.17%

LAB 22.84, -21.63, 19.99

 

CMYK 23 / 35 / 0 / 80

HEX #282234

RGB 40 34 52

HSL 260, 0.21%, 0.17%

LAB 14.64, 7.49, -10.74

 

CMYK 13 / 35 / 0 / 80

HEX #2D2234

RGB 45 34 52

HSL 276.67, 0.21%, 0.17%

LAB 15.22, 9.5, -9.79

 

CMYK 6 / 35 / 0 / 80

HEX #312234

RGB 49 34 52

HSL 290, 0.21%, 0.17%

LAB 15.72, 11.14, -8.98

 

CMYK 0 / 35 / 6 / 80

HEX #342231

RGB 52 34 49

HSL 310, 0.21%, 0.17%

LAB 15.98, 11.68, -6.42

 

CMYK 0 / 35 / 13 / 80

HEX #34222D

RGB 52 34 45

HSL 323.33, 0.21%, 0.17%

LAB 15.82, 10.79, -3.83

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 4 / 33 / 0 / 89

HEX #1A121B

RGB 26 18 27

HSL 293.33, 0.2%, 0.09%

LAB 6.61, 5.94, -4.7

 

CMYK 6 / 35 / 0 / 80

HEX #312234

RGB 49 34 52

HSL 290, 0.21%, 0.17%

LAB 15.72, 11.14, -8.98

 

CMYK 4 / 33 / 0 / 70

HEX #49334C

RGB 73 51 76

HSL 292.8, 0.2%, 0.25%

LAB 24.66, 15, -11.49

 

CMYK 4 / 34 / 0 / 60

HEX #614365

RGB 97 67 101

HSL 292.94, 0.2%, 0.33%

LAB 32.91, 19.47, -14.83

 

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

CMYK 0 / 33 / 35 / 80

HEX #342322

RGB 52 35 34

HSL 3.33, 0.21%, 0.17%

LAB 15.74, 7.96, 3.89

 

CMYK 35 / 0 / 19 / 80

HEX #22342A

RGB 34 52 42

HSL 146.67, 0.21%, 0.17%

LAB 19.9, -9.99, 4

 

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

CMYK 0 / 6 / 35 / 80

HEX #343122

RGB 52 49 34

HSL 50, 0.21%, 0.17%

LAB 20.21, -1.61, 10.08

 

CMYK 35 / 0 / 6 / 80

HEX #223431

RGB 34 52 49

HSL 170, 0.21%, 0.17%

LAB 20.12, -8.13, -0.46

 

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

CMYK 0 / 33 / 35 / 80

HEX #342322

RGB 52 35 34

HSL 3.33, 0.21%, 0.17%

LAB 15.74, 7.96, 3.89

 

CMYK 31 / 0 / 35 / 80

HEX #243422

RGB 36 52 34

HSL 113.33, 0.21%, 0.17%

LAB 19.83, -10.99, 9.32

 

CMYK 35 / 4 / 0 / 80

HEX #223234

RGB 34 50 52

HSL 186.67, 0.21%, 0.17%

LAB 19.51, -5.97, -3.41

 

CMYK 4 / 33 / 0 / 80

HEX #312233

RGB 49 34 51

HSL 292.94, 0.2%, 0.17%

LAB 15.68, 10.89, -8.35

 

CMYK 0 / 21 / 35 / 80

HEX #342922

RGB 52 41 34

HSL 23.33, 0.21%, 0.17%

LAB 17.61, 3.8, 6.51

 

CMYK 31 / 0 / 35 / 80

HEX #243422

RGB 36 52 34

HSL 113.33, 0.21%, 0.17%

LAB 19.83, -10.99, 9.32

 

CMYK 35 / 13 / 0 / 80

HEX #222D34

RGB 34 45 52

HSL 203.33, 0.21%, 0.17%

LAB 17.76, -2.63, -6.03

 

Description

Color code: HEX #312233 | qconv.com Color code: HEX #312233 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 49 red, 34 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
49 34 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 33 magenta, none yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 33% 0% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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