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Color name
RGB 77 39 215

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 77 39 215 it is the complementary color RGB 178 216 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 77 39 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 77 39 215 shade: RGB 82 39 210, RGB 99 57 229, RGB 116 75 248, RGB 133 93 255 and RGB 150 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 77 39 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 60 21 196, RGB 43 3 177, RGB 26 0 158 and RGB 9 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 124 39 215, RGB 172 39 215, RGB 215 39 211 and RGB 215 39 163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 77 39 215 shade: RGB 77 39 215 and RGB 39 39 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 77 39 215 shade matches the following richer shades: RGB 77 39 215 and RGB 65 18 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 89 60 194, RGB 100 80 174, RGB 112 101 153 and RGB 124 122 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 77 39 215 shade: RGB 39 98 215, RGB 39 51 215, RGB 74 39 215, RGB 121 39 215 and RGB 168 39 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 77 39 215 shade: RGB 52 26 145, RGB 64 33 180, RGB 77 39 215, RGB 106 74 221 and RGB 134 109 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 215 39 145 and RGB 74 215 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 215 74 39 and RGB 39 215 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 215 39 145, RGB 180 215 39 and RGB 39 215 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 77 39 215 shade: RGB 77 39 215, RGB 215 39 92, RGB 180 215 39 and RGB 39 215 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

Complementary color

CMYK 18 / 0 / 81 / 15

HEX #B2D828

RGB 178 216 40

HSL 72.95, 0.69%, 0.5%

LAB 81.14, -34, 74.17

 

CMYK 61 / 81 / 0 / 18

HEX #5227D2

RGB 82 39 210

HSL 255.09, 0.69%, 0.49%

LAB 33.77, 60.62, -79.66

 

CMYK 57 / 75 / 0 / 10

HEX #6339E5

RGB 99 57 229

HSL 254.65, 0.77%, 0.56%

LAB 39.98, 59.8, -80.28

 

CMYK 53 / 70 / 0 / 3

HEX #744BF8

RGB 116 75 248

HSL 254.22, 0.93%, 0.63%

LAB 46.34, 58.59, -80.49

 

CMYK 48 / 64 / 0 / 0

HEX #855DFF

RGB 133 93 255

HSL 254.81, 1%, 0.68%

LAB 51.88, 53.94, -75.29

 

CMYK 41 / 56 / 0 / 0

HEX #966FFF

RGB 150 111 255

HSL 256.25, 1%, 0.72%

LAB 57.15, 47.52, -66.68

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 69 / 89 / 0 / 23

HEX #3C15C4

RGB 60 21 196

HSL 253.37, 0.81%, 0.43%

LAB 28.07, 61.55, -81

 

CMYK 76 / 98 / 0 / 31

HEX #2B03B1

RGB 43 3 177

HSL 253.79, 0.97%, 0.35%

LAB 22.84, 60.19, -78.45

 

CMYK 84 / 100 / 0 / 38

HEX #1A009E

RGB 26 0 158

HSL 249.87, 1%, 0.31%

LAB 18.75, 55.71, -73.77

 

CMYK 94 / 100 / 0 / 45

HEX #09008B

RGB 9 0 139

HSL 243.88, 1%, 0.27%

LAB 15.07, 50.53, -68.15

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 42 / 82 / 0 / 16

HEX #7C27D7

RGB 124 39 215

HSL 268.98, 0.69%, 0.5%

LAB 38.97, 66.77, -73.81

 

CMYK 20 / 82 / 0 / 16

HEX #AC27D7

RGB 172 39 215

HSL 285.34, 0.69%, 0.5%

LAB 45.81, 74.03, -62.38

 

CMYK 0 / 82 / 2 / 16

HEX #D727D3

RGB 215 39 211

HSL 301.36, 0.69%, 0.5%

LAB 52.51, 80.97, -48.95

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 72 / 92 / 0 / 7

HEX #4112EC

RGB 65 18 236

HSL 252.94, 0.86%, 0.5%

LAB 33.16, 72.74, -95.63

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 54 / 69 / 0 / 24

HEX #593CC2

RGB 89 60 194

HSL 252.99, 0.53%, 0.5%

LAB 36.46, 46.88, -65.89

 

CMYK 43 / 54 / 0 / 32

HEX #6450AE

RGB 100 80 174

HSL 252.77, 0.37%, 0.5%

LAB 40.41, 31.55, -47.66

 

CMYK 27 / 34 / 0 / 40

HEX #706599

RGB 112 101 153

HSL 252.69, 0.2%, 0.5%

LAB 45.71, 16.21, -26.78

 

CMYK 6 / 8 / 0 / 48

HEX #7C7A84

RGB 124 122 132

HSL 252, 0.04%, 0.5%

LAB 51.69, 2.81, -5.17

 

CMYK 82 / 54 / 0 / 16

HEX #2762D7

RGB 39 98 215

HSL 219.89, 0.69%, 0.5%

LAB 44.34, 24.21, -65.3

 

CMYK 82 / 76 / 0 / 16

HEX #2733D7

RGB 39 51 215

HSL 235.91, 0.69%, 0.5%

LAB 33.36, 53.08, -83.32

 

CMYK 66 / 82 / 0 / 16

HEX #4A27D7

RGB 74 39 215

HSL 251.93, 0.69%, 0.5%

LAB 33.59, 61.26, -82.87

 

CMYK 44 / 82 / 0 / 16

HEX #7927D7

RGB 121 39 215

HSL 267.95, 0.69%, 0.5%

LAB 38.59, 66.38, -74.46

 

CMYK 22 / 82 / 0 / 16

HEX #A827D7

RGB 168 39 215

HSL 283.98, 0.69%, 0.5%

LAB 45.2, 73.37, -63.4

 

CMYK 64 / 82 / 0 / 43

HEX #341A91

RGB 52 26 145

HSL 253.11, 0.7%, 0.34%

LAB 21.99, 44.79, -60.31

 

CMYK 64 / 82 / 0 / 29

HEX #4021B4

RGB 64 33 180

HSL 252.65, 0.69%, 0.42%

LAB 28.04, 53.06, -71.55

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 52 / 67 / 0 / 13

HEX #6A4ADD

RGB 106 74 221

HSL 253.06, 0.68%, 0.58%

LAB 43.04, 49.92, -70.68

 

CMYK 41 / 52 / 0 / 11

HEX #866DE4

RGB 134 109 228

HSL 252.61, 0.69%, 0.66%

LAB 53.61, 37.75, -57.42

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 82 / 33 / 16

HEX #D72791

RGB 215 39 145

HSL 323.86, 0.69%, 0.5%

LAB 49.43, 72.44, -15.08

 

CMYK 66 / 0 / 82 / 16

HEX #4AD727

RGB 74 215 39

HSL 108.07, 0.69%, 0.5%

LAB 76.19, -66.72, 68.24

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 66 / 82 / 16

HEX #D74A27

RGB 215 74 39

HSL 11.93, 0.69%, 0.5%

LAB 51.26, 53.68, 49.16

 

CMYK 82 / 0 / 66 / 16

HEX #27D74A

RGB 39 215 74

HSL 131.93, 0.69%, 0.5%

LAB 75.78, -69.47, 55.76

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 82 / 33 / 16

HEX #D72791

RGB 215 39 145

HSL 323.86, 0.69%, 0.5%

LAB 49.43, 72.44, -15.08

 

CMYK 16 / 0 / 82 / 16

HEX #B4D727

RGB 180 215 39

HSL 71.93, 0.69%, 0.5%

LAB 80.99, -32.77, 74.33

 

CMYK 82 / 0 / 49 / 16

HEX #27D76D

RGB 39 215 109

HSL 143.86, 0.69%, 0.5%

LAB 76.15, -64.92, 40.34

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 82 / 57 / 16

HEX #D7275C

RGB 215 39 92

HSL 341.93, 0.69%, 0.5%

LAB 47.84, 67.81, 14.92

 

CMYK 16 / 0 / 82 / 16

HEX #B4D727

RGB 180 215 39

HSL 71.93, 0.69%, 0.5%

LAB 80.99, -32.77, 74.33

 

CMYK 82 / 0 / 25 / 16

HEX #27D7A2

RGB 39 215 162

HSL 161.93, 0.69%, 0.5%

LAB 77.07, -54.55, 14.32

 

Description

Color code: RGB 77 39 215 | qconv.com Color code: RGB 77 39 215 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 39 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 39 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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