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Color name
HEX #D727A3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D727A3 it is the complementary color #28D85C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D727A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D727A3 shade: #DC279E, #ED39B1, #FE4BC4, #FF5DD7 and #FF6FEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D727A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D727A3 shade: #D727A3, #C61590, #B5037D, #A4006A and #930057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D727A3 shade: #D727A3, #D72774, #D72744 and #D72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D727A3 shade: #D727A3, #D727D2, #AC27D7, #7D27D7 and #4D27D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D727A3 shade matches the following richer shades: #D727A3 and #EC12AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D727A3 shade: #D727A3, #C23C9B, #AE5092, #99658A and #847A81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D727A3 shade: #AB27D7, #D727D4, #D727A5, #D72776 and #D72747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D727A3 shade: #911A6E, #B42189, #D727A3, #DD4AB2 and #E46DC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D727A3 shade: #D727A3, #D77C27 and #27D7C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D727A3 shade: #D727A3, #A5D727 and #27A5D7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D727A3 shade: #D727A3, #D77C27, #27D759 and #2782D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D727A3 shade: #D727A3, #D7B127, #27D759 and #274DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

Complementary color

CMYK 81 / 0 / 57 / 15

HEX #28D85C

RGB 40 216 92

HSL 137.73, 0.69%, 0.5%

LAB 76.27, -67.59, 48.52

 

CMYK 0 / 82 / 28 / 14

HEX #DC279E

RGB 220 39 158

HSL 320.55, 0.72%, 0.51%

LAB 50.85, 75.01, -20.6

 

CMYK 0 / 76 / 25 / 7

HEX #ED39B1

RGB 237 57 177

HSL 320, 0.83%, 0.58%

LAB 56.19, 76.56, -23.29

 

CMYK 0 / 70 / 23 / 0

HEX #FE4BC4

RGB 254 75 196

HSL 319.44, 0.99%, 0.65%

LAB 61.73, 77.41, -25.48

 

CMYK 0 / 64 / 16 / 0

HEX #FF5DD7

RGB 255 93 215

HSL 314.81, 1%, 0.68%

LAB 64.96, 73.72, -31.22

 

CMYK 0 / 56 / 8 / 0

HEX #FF6FEA

RGB 255 111 234

HSL 308.75, 1%, 0.72%

LAB 68.44, 69.15, -36.4

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 89 / 27 / 22

HEX #C61590

RGB 198 21 144

HSL 318.31, 0.81%, 0.43%

LAB 45.02, 72, -21.5

 

CMYK 0 / 98 / 31 / 29

HEX #B5037D

RGB 181 3 125

HSL 318.88, 0.97%, 0.36%

LAB 40.2, 68.4, -17.54

 

CMYK 0 / 100 / 35 / 36

HEX #A4006A

RGB 164 0 106

HSL 321.22, 1%, 0.32%

LAB 35.86, 63.15, -12.53

 

CMYK 0 / 100 / 41 / 42

HEX #930057

RGB 147 0 87

HSL 324.49, 1%, 0.29%

LAB 31.56, 57.5, -7.09

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 82 / 46 / 16

HEX #D72774

RGB 215 39 116

HSL 333.75, 0.69%, 0.5%

LAB 48.46, 69.64, 1.06

 

CMYK 0 / 82 / 68 / 16

HEX #D72744

RGB 215 39 68

HSL 350.11, 0.69%, 0.5%

LAB 47.39, 66.43, 28.98

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 82 / 2 / 16

HEX #D727D2

RGB 215 39 210

HSL 301.7, 0.69%, 0.5%

LAB 52.45, 80.82, -48.46

 

CMYK 20 / 82 / 0 / 16

HEX #AC27D7

RGB 172 39 215

HSL 285.34, 0.69%, 0.5%

LAB 45.81, 74.03, -62.38

 

CMYK 42 / 82 / 0 / 16

HEX #7D27D7

RGB 125 39 215

HSL 269.32, 0.69%, 0.5%

LAB 39.1, 66.91, -73.6

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 92 / 28 / 7

HEX #EC12AB

RGB 236 18 171

HSL 317.89, 0.86%, 0.5%

LAB 53.17, 83.15, -24.45

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 69 / 20 / 24

HEX #C23C9B

RGB 194 60 155

HSL 317.46, 0.53%, 0.5%

LAB 48.35, 62.25, -23.04

 

CMYK 0 / 54 / 16 / 32

HEX #AE5092

RGB 174 80 146

HSL 317.87, 0.37%, 0.5%

LAB 48.02, 46.58, -18.44

 

CMYK 0 / 34 / 10 / 40

HEX #99658A

RGB 153 101 138

HSL 317.31, 0.2%, 0.5%

LAB 49.39, 26.88, -11.85

 

CMYK 0 / 8 / 2 / 48

HEX #847A81

RGB 132 122 129

HSL 318, 0.04%, 0.5%

LAB 52.3, 5.16, -2.44

 

CMYK 20 / 82 / 0 / 16

HEX #AB27D7

RGB 171 39 215

HSL 285, 0.69%, 0.5%

LAB 45.66, 73.87, -62.63

 

CMYK 0 / 82 / 1 / 16

HEX #D727D4

RGB 215 39 212

HSL 301.02, 0.69%, 0.5%

LAB 52.57, 81.12, -49.43

 

CMYK 0 / 82 / 23 / 16

HEX #D727A5

RGB 215 39 165

HSL 317.05, 0.69%, 0.5%

LAB 50.23, 74.73, -25.77

 

CMYK 0 / 82 / 45 / 16

HEX #D72776

RGB 215 39 118

HSL 333.07, 0.69%, 0.5%

LAB 48.52, 69.81, -0.08

 

CMYK 0 / 82 / 67 / 16

HEX #D72747

RGB 215 39 71

HSL 349.09, 0.69%, 0.5%

LAB 47.43, 66.58, 27.23

 

CMYK 0 / 82 / 24 / 43

HEX #911A6E

RGB 145 26 110

HSL 317.65, 0.7%, 0.34%

LAB 33.74, 54.96, -18.65

 

CMYK 0 / 82 / 24 / 29

HEX #B42189

RGB 180 33 137

HSL 317.55, 0.69%, 0.42%

LAB 42.15, 64.86, -21.95

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 67 / 19 / 13

HEX #DD4AB2

RGB 221 74 178

HSL 317.55, 0.68%, 0.58%

LAB 55.57, 67.16, -25.06

 

CMYK 0 / 52 / 15 / 11

HEX #E46DC1

RGB 228 109 193

HSL 317.65, 0.69%, 0.66%

LAB 62.74, 56.22, -22.55

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 42 / 82 / 16

HEX #D77C27

RGB 215 124 39

HSL 28.98, 0.69%, 0.5%

LAB 60.79, 29.42, 57.83

 

CMYK 82 / 0 / 10 / 16

HEX #27D7C2

RGB 39 215 194

HSL 172.84, 0.69%, 0.5%

LAB 77.83, -46.49, -1.66

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 23 / 0 / 82 / 16

HEX #A5D727

RGB 165 215 39

HSL 77.05, 0.69%, 0.5%

LAB 80.04, -38.69, 73.13

 

CMYK 82 / 23 / 0 / 16

HEX #27A5D7

RGB 39 165 215

HSL 197.05, 0.69%, 0.5%

LAB 63.55, -16, -34.73

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 42 / 82 / 16

HEX #D77C27

RGB 215 124 39

HSL 28.98, 0.69%, 0.5%

LAB 60.79, 29.42, 57.83

 

CMYK 82 / 0 / 59 / 16

HEX #27D759

RGB 39 215 89

HSL 137.05, 0.69%, 0.5%

LAB 75.92, -67.76, 49.46

 

CMYK 82 / 40 / 0 / 16

HEX #2782D7

RGB 39 130 215

HSL 208.98, 0.69%, 0.5%

LAB 53.28, 4.06, -50.91

 

CMYK 0 / 82 / 24 / 16

HEX #D727A3

RGB 215 39 163

HSL 317.73, 0.69%, 0.5%

LAB 50.15, 74.49, -24.72

 

CMYK 0 / 18 / 82 / 16

HEX #D7B127

RGB 215 177 39

HSL 47.05, 0.69%, 0.5%

LAB 73.57, 1.04, 69.02

 

CMYK 82 / 0 / 59 / 16

HEX #27D759

RGB 39 215 89

HSL 137.05, 0.69%, 0.5%

LAB 75.92, -67.76, 49.46

 

CMYK 82 / 64 / 0 / 16

HEX #274DD7

RGB 39 77 215

HSL 227.05, 0.69%, 0.5%

LAB 38.98, 37.7, -74.06

 

Description

Color code: HEX #D727A3 | qconv.com Color code: HEX #D727A3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 39 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 39 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 24% 16% C M Y K

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Provide designers and agencies with accurate color values.

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