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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 43 200 57 it is the complementary color RGB 212 55 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 43 200 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 43 200 57 shade: RGB 48 200 52, RGB 65 218 71, RGB 82 236 90, RGB 99 254 109 and RGB 116 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 43 200 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 43 200 57 shade: RGB 43 200 57, RGB 26 182 38, RGB 9 164 19, RGB 0 146 0 and RGB 0 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 43 200 57 shade: RGB 42 201 57, RGB 71 201 42, RGB 114 201 42, RGB 157 201 42 and RGB 200 201 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 43 200 57 shade: RGB 42 201 57, RGB 42 201 99, RGB 42 201 142, RGB 42 201 185 and RGB 42 175 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 43 200 57 shade matches the following richer shades: RGB 42 201 57, RGB 23 221 40 and RGB 3 241 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 43 200 57 shade: RGB 42 201 57, RGB 62 182 73, RGB 82 162 89, RGB 102 142 105 and RGB 122 122 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 43 200 57 shade: RGB 114 201 42, RGB 72 201 42, RGB 42 201 56, RGB 42 201 98 and RGB 42 201 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 43 200 57 shade: RGB 28 133 37, RGB 35 167 47, RGB 42 201 57, RGB 70 215 83 and RGB 104 223 114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 43 200 57 shade: RGB 43 200 57, RGB 42 156 201 and RGB 201 42 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 43 200 57 shade: RGB 43 200 57, RGB 56 42 201 and RGB 201 56 42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 43 200 57 shade: RGB 43 200 57, RGB 42 156 201, RGB 201 42 188 and RGB 201 87 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 43 200 57 shade: RGB 43 200 57, RGB 42 109 201, RGB 201 42 188 and RGB 201 135 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

Complementary color

CMYK 0 / 74 / 7 / 17

HEX #D437C6

RGB 212 55 198

HSL 305.35, 0.65%, 0.52%

LAB 52.74, 74.34, -41.16

 

CMYK 76 / 0 / 74 / 22

HEX #30C834

RGB 48 200 52

HSL 121.58, 0.61%, 0.49%

LAB 71, -65.72, 59.15

 

CMYK 70 / 0 / 67 / 15

HEX #41DA47

RGB 65 218 71

HSL 122.35, 0.67%, 0.55%

LAB 77.11, -67.13, 58.53

 

CMYK 65 / 0 / 62 / 7

HEX #52EC5A

RGB 82 236 90

HSL 123.12, 0.8%, 0.62%

LAB 83.19, -68.07, 57.56

 

CMYK 61 / 0 / 57 / 0

HEX #63FE6D

RGB 99 254 109

HSL 123.87, 0.99%, 0.69%

LAB 89.22, -68.68, 56.41

 

CMYK 55 / 0 / 50 / 0

HEX #74FF80

RGB 116 255 128

HSL 125.18, 1%, 0.73%

LAB 90.23, -62.88, 49.11

 

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

CMYK 86 / 0 / 79 / 29

HEX #1AB626

RGB 26 182 38

HSL 124.62, 0.75%, 0.41%

LAB 64.82, -63.88, 57.58

 

CMYK 95 / 0 / 88 / 36

HEX #09A413

RGB 9 164 19

HSL 123.87, 0.9%, 0.34%

LAB 58.65, -60.87, 56.86

 

CMYK 100 / 0 / 100 / 43

HEX #009200

RGB 0 146 0

HSL 120, 1%, 0.29%

LAB 52.46, -56.88, 54.9

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 79 / 0 / 72 / 21

HEX #2AC939

RGB 42 201 57

HSL 125.66, 0.65%, 0.48%

LAB 71.26, -66.43, 57.59

 

CMYK 65 / 0 / 79 / 21

HEX #47C92A

RGB 71 201 42

HSL 109.06, 0.65%, 0.48%

LAB 71.74, -62.61, 63.25

 

CMYK 43 / 0 / 79 / 21

HEX #72C92A

RGB 114 201 42

HSL 92.83, 0.65%, 0.48%

LAB 73.23, -50.96, 65.18

 

CMYK 22 / 0 / 79 / 21

HEX #9DC92A

RGB 157 201 42

HSL 76.6, 0.65%, 0.48%

LAB 75.52, -35.38, 68.12

 

CMYK 0 / 0 / 79 / 21

HEX #C8C92A

RGB 200 201 42

HSL 60.38, 0.65%, 0.48%

LAB 78.59, -17.66, 72.02

 

CMYK 79 / 0 / 72 / 21

HEX #2AC939

RGB 42 201 57

HSL 125.66, 0.65%, 0.48%

LAB 71.26, -66.43, 57.59

 

CMYK 79 / 0 / 51 / 21

HEX #2AC963

RGB 42 201 99

HSL 141.51, 0.65%, 0.48%

LAB 71.67, -61.44, 39.65

 

CMYK 79 / 0 / 29 / 21

HEX #2AC98E

RGB 42 201 142

HSL 157.74, 0.65%, 0.48%

LAB 72.37, -53.36, 18.41

 

CMYK 79 / 0 / 8 / 21

HEX #2AC9B9

RGB 42 201 185

HSL 173.96, 0.65%, 0.48%

LAB 73.39, -42.64, -3.32

 

CMYK 79 / 13 / 0 / 21

HEX #2AAFC9

RGB 42 175 201

HSL 189.81, 0.65%, 0.48%

LAB 66.04, -25.62, -23.14

 

CMYK 79 / 0 / 72 / 21

HEX #2AC939

RGB 42 201 57

HSL 125.66, 0.65%, 0.48%

LAB 71.26, -66.43, 57.59

 

CMYK 90 / 0 / 82 / 13

HEX #17DD28

RGB 23 221 40

HSL 125.15, 0.81%, 0.48%

LAB 77.31, -75.17, 68.72

 

CMYK 99 / 0 / 90 / 5

HEX #03F118

RGB 3 241 24

HSL 125.29, 0.98%, 0.48%

LAB 83.44, -82.03, 77.31

 

CMYK 79 / 0 / 72 / 21

HEX #2AC939

RGB 42 201 57

HSL 125.66, 0.65%, 0.48%

LAB 71.26, -66.43, 57.59

 

CMYK 66 / 0 / 60 / 29

HEX #3EB649

RGB 62 182 73

HSL 125.5, 0.49%, 0.48%

LAB 65.72, -55.25, 45

 

CMYK 49 / 0 / 45 / 36

HEX #52A259

RGB 82 162 89

HSL 125.25, 0.33%, 0.48%

LAB 60.21, -40.28, 30.53

 

CMYK 28 / 0 / 26 / 44

HEX #668E69

RGB 102 142 105

HSL 124.5, 0.16%, 0.48%

LAB 55.27, -21.65, 15.38

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 43 / 0 / 79 / 21

HEX #72C92A

RGB 114 201 42

HSL 92.83, 0.65%, 0.48%

LAB 73.23, -50.96, 65.18

 

CMYK 64 / 0 / 79 / 21

HEX #48C92A

RGB 72 201 42

HSL 108.68, 0.65%, 0.48%

LAB 71.77, -62.39, 63.29

 

CMYK 79 / 0 / 72 / 21

HEX #2AC938

RGB 42 201 56

HSL 125.28, 0.65%, 0.48%

LAB 71.25, -66.52, 57.95

 

CMYK 79 / 0 / 51 / 21

HEX #2AC962

RGB 42 201 98

HSL 141.13, 0.65%, 0.48%

LAB 71.65, -61.59, 40.12

 

CMYK 79 / 0 / 30 / 21

HEX #2AC98C

RGB 42 201 140

HSL 156.98, 0.65%, 0.48%

LAB 72.33, -53.8, 19.42

 

CMYK 79 / 0 / 72 / 48

HEX #1C8525

RGB 28 133 37

HSL 125.14, 0.65%, 0.32%

LAB 48.46, -48.25, 41.59

 

CMYK 79 / 0 / 72 / 35

HEX #23A72F

RGB 35 167 47

HSL 125.45, 0.65%, 0.4%

LAB 60.07, -57.53, 49.75

 

CMYK 79 / 0 / 72 / 21

HEX #2AC939

RGB 42 201 57

HSL 125.66, 0.65%, 0.48%

LAB 71.26, -66.43, 57.59

 

CMYK 67 / 0 / 61 / 16

HEX #46D753

RGB 70 215 83

HSL 125.38, 0.64%, 0.56%

LAB 76.39, -64.02, 52.8

 

CMYK 53 / 0 / 49 / 13

HEX #68DF72

RGB 104 223 114

HSL 125.04, 0.65%, 0.64%

LAB 80.14, -55.57, 43.2

 

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

CMYK 79 / 22 / 0 / 21

HEX #2A9CC9

RGB 42 156 201

HSL 196.98, 0.65%, 0.48%

LAB 60.33, -15.68, -31.94

 

CMYK 0 / 79 / 54 / 21

HEX #C92A5D

RGB 201 42 93

HSL 340.75, 0.65%, 0.48%

LAB 45.45, 63.38, 10.57

 

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

CMYK 72 / 79 / 0 / 21

HEX #382AC9

RGB 56 42 201

HSL 245.28, 0.65%, 0.48%

LAB 31.15, 54.41, -78.83

 

CMYK 0 / 72 / 79 / 21

HEX #C9382A

RGB 201 56 42

HSL 5.28, 0.65%, 0.48%

LAB 46.19, 56.16, 41.88

 

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

CMYK 79 / 22 / 0 / 21

HEX #2A9CC9

RGB 42 156 201

HSL 196.98, 0.65%, 0.48%

LAB 60.33, -15.68, -31.94

 

CMYK 0 / 79 / 6 / 21

HEX #C92ABC

RGB 201 42 188

HSL 304.91, 0.65%, 0.48%

LAB 49.14, 74.15, -41.17

 

CMYK 0 / 57 / 79 / 21

HEX #C9572A

RGB 201 87 42

HSL 16.98, 0.65%, 0.48%

LAB 51.15, 42.9, 46.82

 

CMYK 79 / 0 / 72 / 22

HEX #2BC839

RGB 43 200 57

HSL 125.35, 0.65%, 0.48%

LAB 70.95, -66, 57.28

 

CMYK 79 / 46 / 0 / 21

HEX #2A6DC9

RGB 42 109 201

HSL 214.72, 0.65%, 0.48%

LAB 46.51, 12.1, -53.78

 

CMYK 0 / 79 / 6 / 21

HEX #C92ABC

RGB 201 42 188

HSL 304.91, 0.65%, 0.48%

LAB 49.14, 74.15, -41.17

 

CMYK 0 / 33 / 79 / 21

HEX #C9872A

RGB 201 135 42

HSL 35.09, 0.65%, 0.48%

LAB 61.58, 17.63, 56.75

 

Description

Color code: RGB 43 200 57 | qconv.com Color code: RGB 43 200 57 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 200 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 200 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 72% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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