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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 122 138 it is the complementary color RGB 185 133 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 122 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 122 138 shade: RGB 75 122 133, RGB 92 140 152, RGB 109 158 171, RGB 126 176 190 and RGB 143 194 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 122 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 122 138 shade: RGB 70 122 138, RGB 53 104 119, RGB 36 86 100, RGB 19 68 81 and RGB 2 50 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 122 138 shade: RGB 70 122 139, RGB 70 104 139, RGB 70 85 139, RGB 73 70 139 and RGB 91 70 139

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 122 138 shade: RGB 70 122 139, RGB 70 104 139, RGB 70 85 139 and RGB 70 70 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 122 138 shade matches the following richer shades: RGB 70 122 139, RGB 53 131 155, RGB 36 140 172, RGB 19 149 189 and RGB 2 158 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 122 138 shade: RGB 70 122 139, RGB 86 113 122, RGB 103 104 105, RGB 120 95 88 and RGB 137 86 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 122 138 shade: RGB 70 139 118, RGB 70 139 136, RGB 70 122 139, RGB 70 104 139 and RGB 70 86 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 122 138 shade: RGB 42 74 84, RGB 56 98 111, RGB 70 122 139, RGB 83 147 166 and RGB 109 164 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 122 138 shade: RGB 70 122 138, RGB 99 70 139 and RGB 139 127 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 122 138 shade: RGB 70 122 138, RGB 139 70 122 and RGB 122 139 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 122 138 shade: RGB 70 122 138, RGB 99 70 139, RGB 139 86 70 and RGB 109 139 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 122 138 shade: RGB 70 122 138, RGB 120 70 139, RGB 139 86 70 and RGB 88 139 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 12 / 0 / 46

HEX #467A8A

RGB 70 122 138

HSL 194.12, 0.33%, 0.41%

LAB 48.33, -12.77, -14.1

 

Complementary color

CMYK 0 / 28 / 37 / 27

HEX #B98575

RGB 185 133 117

HSL 14.12, 0.33%, 0.59%

LAB 60.22, 17.85, 16.53

 

CMYK 44 / 8 / 0 / 48

HEX #4B7A85

RGB 75 122 133

HSL 191.38, 0.28%, 0.41%

LAB 48.4, -12.92, -11.03

 

CMYK 39 / 8 / 0 / 40

HEX #5C8C98

RGB 92 140 152

HSL 192, 0.25%, 0.48%

LAB 55.38, -12.98, -11.52

 

CMYK 36 / 8 / 0 / 33

HEX #6D9EAB

RGB 109 158 171

HSL 192.58, 0.27%, 0.55%

LAB 62.21, -13.01, -11.98

 

CMYK 34 / 7 / 0 / 25

HEX #7EB0BE

RGB 126 176 190

HSL 193.13, 0.33%, 0.62%

LAB 68.9, -13.02, -12.44

 

CMYK 32 / 7 / 0 / 18

HEX #8FC2D1

RGB 143 194 209

HSL 193.64, 0.42%, 0.69%

LAB 75.47, -13.03, -12.88

 

CMYK 49 / 12 / 0 / 46

HEX #467A8A

RGB 70 122 138

HSL 194.12, 0.33%, 0.41%

LAB 48.33, -12.77, -14.1

 

CMYK 55 / 13 / 0 / 53

HEX #356877

RGB 53 104 119

HSL 193.64, 0.38%, 0.34%

LAB 41.2, -12.5, -13.64

 

CMYK 64 / 14 / 0 / 61

HEX #245664

RGB 36 86 100

HSL 193.13, 0.47%, 0.27%

LAB 33.88, -12.06, -13.12

 

CMYK 77 / 16 / 0 / 68

HEX #134451

RGB 19 68 81

HSL 192.58, 0.62%, 0.2%

LAB 26.35, -11.27, -12.53

 

CMYK 97 / 19 / 0 / 76

HEX #02323E

RGB 2 50 62

HSL 192, 0.94%, 0.13%

LAB 18.55, -10.07, -11.86

 

CMYK 50 / 12 / 0 / 45

HEX #467A8B

RGB 70 122 139

HSL 194.78, 0.33%, 0.41%

LAB 48.37, -12.47, -14.64

 

CMYK 50 / 25 / 0 / 45

HEX #46688B

RGB 70 104 139

HSL 210.43, 0.33%, 0.41%

LAB 42.86, -1.94, -23.08

 

CMYK 50 / 39 / 0 / 45

HEX #46558B

RGB 70 85 139

HSL 226.96, 0.33%, 0.41%

LAB 37.23, 9.97, -31.89

 

CMYK 47 / 50 / 0 / 45

HEX #49468B

RGB 73 70 139

HSL 242.61, 0.33%, 0.41%

LAB 33.27, 20.48, -38.17

 

CMYK 35 / 50 / 0 / 45

HEX #5B468B

RGB 91 70 139

HSL 258.26, 0.33%, 0.41%

LAB 34.94, 25.3, -35.41

 

CMYK 50 / 12 / 0 / 45

HEX #467A8B

RGB 70 122 139

HSL 194.78, 0.33%, 0.41%

LAB 48.37, -12.47, -14.64

 

CMYK 50 / 25 / 0 / 45

HEX #46688B

RGB 70 104 139

HSL 210.43, 0.33%, 0.41%

LAB 42.86, -1.94, -23.08

 

CMYK 50 / 39 / 0 / 45

HEX #46558B

RGB 70 85 139

HSL 226.96, 0.33%, 0.41%

LAB 37.23, 9.97, -31.89

 

CMYK 50 / 50 / 0 / 45

HEX #46468B

RGB 70 70 139

HSL 240, 0.33%, 0.41%

LAB 33.02, 19.74, -38.58

 

CMYK 50 / 12 / 0 / 45

HEX #467A8B

RGB 70 122 139

HSL 194.78, 0.33%, 0.41%

LAB 48.37, -12.47, -14.64

 

CMYK 66 / 15 / 0 / 39

HEX #35839B

RGB 53 131 155

HSL 194.12, 0.49%, 0.41%

LAB 51.1, -16.05, -19.9

 

CMYK 79 / 19 / 0 / 33

HEX #248CAC

RGB 36 140 172

HSL 194.12, 0.65%, 0.41%

LAB 54.14, -17.61, -25.08

 

CMYK 90 / 21 / 0 / 26

HEX #1395BD

RGB 19 149 189

HSL 194.12, 0.82%, 0.41%

LAB 57.37, -17.88, -29.79

 

CMYK 99 / 23 / 0 / 19

HEX #029ECE

RGB 2 158 206

HSL 194.12, 0.98%, 0.41%

LAB 60.71, -17.32, -34.16

 

CMYK 50 / 12 / 0 / 45

HEX #467A8B

RGB 70 122 139

HSL 194.78, 0.33%, 0.41%

LAB 48.37, -12.47, -14.64

 

CMYK 30 / 7 / 0 / 52

HEX #56717A

RGB 86 113 122

HSL 195, 0.17%, 0.41%

LAB 45.9, -7.51, -8.18

 

CMYK 2 / 1 / 0 / 59

HEX #676869

RGB 103 104 105

HSL 210, 0.01%, 0.41%

LAB 43.95, -0.18, -0.7

 

CMYK 0 / 21 / 27 / 53

HEX #785F58

RGB 120 95 88

HSL 13.13, 0.15%, 0.41%

LAB 42.59, 8.99, 7.85

 

CMYK 0 / 37 / 48 / 46

HEX #895647

RGB 137 86 71

HSL 13.64, 0.32%, 0.41%

LAB 41.89, 19.36, 17.53

 

CMYK 50 / 0 / 15 / 45

HEX #468B76

RGB 70 139 118

HSL 161.74, 0.33%, 0.41%

LAB 53.03, -27.18, 4.55

 

CMYK 50 / 0 / 2 / 45

HEX #468B88

RGB 70 139 136

HSL 177.39, 0.33%, 0.41%

LAB 53.54, -22.51, -5.12

 

CMYK 50 / 12 / 0 / 45

HEX #467A8B

RGB 70 122 139

HSL 194.78, 0.33%, 0.41%

LAB 48.37, -12.47, -14.64

 

CMYK 50 / 25 / 0 / 45

HEX #46688B

RGB 70 104 139

HSL 210.43, 0.33%, 0.41%

LAB 42.86, -1.94, -23.08

 

CMYK 50 / 38 / 0 / 45

HEX #46568B

RGB 70 86 139

HSL 226.09, 0.33%, 0.41%

LAB 37.52, 9.33, -31.43

 

CMYK 50 / 12 / 0 / 67

HEX #2A4A54

RGB 42 74 84

HSL 194.29, 0.33%, 0.25%

LAB 29.49, -8.67, -9.61

 

CMYK 50 / 12 / 0 / 56

HEX #38626F

RGB 56 98 111

HSL 194.18, 0.33%, 0.33%

LAB 39.11, -10.77, -11.91

 

CMYK 50 / 12 / 0 / 45

HEX #467A8B

RGB 70 122 139

HSL 194.78, 0.33%, 0.41%

LAB 48.37, -12.47, -14.64

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 40 / 9 / 0 / 29

HEX #6DA4B5

RGB 109 164 181

HSL 194.17, 0.33%, 0.57%

LAB 64.27, -13.62, -14.49

 

CMYK 49 / 12 / 0 / 46

HEX #467A8A

RGB 70 122 138

HSL 194.12, 0.33%, 0.41%

LAB 48.33, -12.77, -14.1

 

CMYK 29 / 50 / 0 / 45

HEX #63468B

RGB 99 70 139

HSL 265.22, 0.33%, 0.41%

LAB 35.79, 27.59, -34.01

 

CMYK 0 / 9 / 50 / 45

HEX #8B7F46

RGB 139 127 70

HSL 49.57, 0.33%, 0.41%

LAB 53.07, -3.61, 32.45

 

CMYK 49 / 12 / 0 / 46

HEX #467A8A

RGB 70 122 138

HSL 194.12, 0.33%, 0.41%

LAB 48.33, -12.77, -14.1

 

CMYK 0 / 50 / 12 / 45

HEX #8B467A

RGB 139 70 122

HSL 314.78, 0.33%, 0.41%

LAB 40.04, 36.53, -16.55

 

CMYK 12 / 0 / 50 / 45

HEX #7A8B46

RGB 122 139 70

HSL 74.78, 0.33%, 0.41%

LAB 55.12, -17.49, 34.62

 

CMYK 49 / 12 / 0 / 46

HEX #467A8A

RGB 70 122 138

HSL 194.12, 0.33%, 0.41%

LAB 48.33, -12.77, -14.1

 

CMYK 29 / 50 / 0 / 45

HEX #63468B

RGB 99 70 139

HSL 265.22, 0.33%, 0.41%

LAB 35.79, 27.59, -34.01

 

CMYK 0 / 38 / 50 / 45

HEX #8B5646

RGB 139 86 70

HSL 13.91, 0.33%, 0.41%

LAB 42.13, 20.11, 18.51

 

CMYK 22 / 0 / 50 / 45

HEX #6D8B46

RGB 109 139 70

HSL 86.09, 0.33%, 0.41%

LAB 54.19, -22.83, 33.28

 

CMYK 49 / 12 / 0 / 46

HEX #467A8A

RGB 70 122 138

HSL 194.12, 0.33%, 0.41%

LAB 48.33, -12.77, -14.1

 

CMYK 14 / 50 / 0 / 45

HEX #78468B

RGB 120 70 139

HSL 283.48, 0.33%, 0.41%

LAB 38.27, 33.85, -29.93

 

CMYK 0 / 38 / 50 / 45

HEX #8B5646

RGB 139 86 70

HSL 13.91, 0.33%, 0.41%

LAB 42.13, 20.11, 18.51

 

CMYK 37 / 0 / 50 / 45

HEX #588B46

RGB 88 139 70

HSL 104.35, 0.33%, 0.41%

LAB 52.93, -30.79, 31.44

 

Description

Color code: RGB 70 122 138 | qconv.com Color code: RGB 70 122 138 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 122 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 122 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 12 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 12% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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