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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 147 166 it is the complementary color RGB 172 108 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 147 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 147 166 shade: RGB 88 147 161, RGB 105 165 180, RGB 122 183 199, RGB 139 201 218 and RGB 156 219 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 147 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 66 129 147, RGB 49 111 128, RGB 32 93 109 and RGB 15 75 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 83 125 166, RGB 83 102 166, RGB 86 83 166 and RGB 109 83 166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 83 125 166, RGB 83 102 166 and RGB 83 83 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 147 166 shade matches the following richer shades: RGB 83 147 166, RGB 63 158 186, RGB 43 169 206, RGB 23 180 226 and RGB 2 191 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 103 136 145, RGB 124 125 125, RGB 144 114 105 and RGB 164 103 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 147 166 shade: RGB 83 166 140, RGB 83 166 162, RGB 83 148 166, RGB 83 126 166 and RGB 83 104 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 147 166 shade: RGB 56 98 111, RGB 69 122 138, RGB 83 147 166, RGB 109 165 181 and RGB 136 182 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 118 83 166 and RGB 166 151 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 166 83 148 and RGB 148 166 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 118 83 166, RGB 166 101 83 and RGB 131 166 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 147 166 shade: RGB 83 147 166, RGB 142 83 166, RGB 166 101 83 and RGB 107 166 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

Complementary color

CMYK 0 / 37 / 48 / 33

HEX #AC6C59

RGB 172 108 89

HSL 13.73, 0.33%, 0.51%

LAB 52.08, 23.36, 21.28

 

CMYK 45 / 9 / 0 / 37

HEX #5893A1

RGB 88 147 161

HSL 191.51, 0.29%, 0.49%

LAB 57.57, -15.38, -13.39

 

CMYK 42 / 8 / 0 / 29

HEX #69A5B4

RGB 105 165 180

HSL 192, 0.33%, 0.56%

LAB 64.33, -15.47, -13.86

 

CMYK 39 / 8 / 0 / 22

HEX #7AB7C7

RGB 122 183 199

HSL 192.47, 0.41%, 0.63%

LAB 70.96, -15.53, -14.32

 

CMYK 36 / 8 / 0 / 15

HEX #8BC9DA

RGB 139 201 218

HSL 192.91, 0.52%, 0.7%

LAB 77.47, -15.56, -14.76

 

CMYK 34 / 8 / 0 / 7

HEX #9CDBED

RGB 156 219 237

HSL 193.33, 0.69%, 0.77%

LAB 83.89, -15.59, -15.19

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 55 / 12 / 0 / 42

HEX #428193

RGB 66 129 147

HSL 193.33, 0.38%, 0.42%

LAB 50.65, -14.9, -15.89

 

CMYK 62 / 13 / 0 / 50

HEX #316F80

RGB 49 111 128

HSL 192.91, 0.45%, 0.35%

LAB 43.63, -14.47, -15.39

 

CMYK 71 / 15 / 0 / 57

HEX #205D6D

RGB 32 93 109

HSL 192.47, 0.55%, 0.28%

LAB 36.44, -13.8, -14.83

 

CMYK 83 / 17 / 0 / 65

HEX #0F4B5A

RGB 15 75 90

HSL 192, 0.71%, 0.21%

LAB 29.09, -12.68, -14.17

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 50 / 25 / 0 / 35

HEX #537DA6

RGB 83 125 166

HSL 209.64, 0.33%, 0.49%

LAB 50.99, -2.77, -26.36

 

CMYK 50 / 39 / 0 / 35

HEX #5366A6

RGB 83 102 166

HSL 226.27, 0.33%, 0.49%

LAB 44.37, 11.2, -36.72

 

CMYK 48 / 50 / 0 / 35

HEX #5653A6

RGB 86 83 166

HSL 242.17, 0.33%, 0.49%

LAB 39.44, 23.91, -44.55

 

CMYK 34 / 50 / 0 / 35

HEX #6D53A6

RGB 109 83 166

HSL 258.8, 0.33%, 0.49%

LAB 41.52, 29.77, -41.11

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 50 / 25 / 0 / 35

HEX #537DA6

RGB 83 125 166

HSL 209.64, 0.33%, 0.49%

LAB 50.99, -2.77, -26.36

 

CMYK 50 / 39 / 0 / 35

HEX #5366A6

RGB 83 102 166

HSL 226.27, 0.33%, 0.49%

LAB 44.37, 11.2, -36.72

 

CMYK 50 / 50 / 0 / 35

HEX #5353A6

RGB 83 83 166

HSL 240, 0.33%, 0.49%

LAB 39.21, 23.2, -44.94

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 66 / 15 / 0 / 27

HEX #3F9EBA

RGB 63 158 186

HSL 193.66, 0.49%, 0.49%

LAB 60.83, -18.96, -22.7

 

CMYK 79 / 18 / 0 / 19

HEX #2BA9CE

RGB 43 169 206

HSL 193.62, 0.65%, 0.49%

LAB 64.44, -20.8, -28.36

 

CMYK 90 / 20 / 0 / 11

HEX #17B4E2

RGB 23 180 226

HSL 193.6, 0.82%, 0.49%

LAB 68.25, -21.21, -33.5

 

CMYK 99 / 23 / 0 / 3

HEX #02BFF7

RGB 2 191 247

HSL 193.71, 0.98%, 0.49%

LAB 72.22, -20.37, -38.75

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 29 / 6 / 0 / 43

HEX #678891

RGB 103 136 145

HSL 192.86, 0.17%, 0.49%

LAB 54.59, -9.33, -8.59

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 0 / 21 / 27 / 44

HEX #907269

RGB 144 114 105

HSL 13.85, 0.16%, 0.49%

LAB 50.67, 10.37, 9.47

 

CMYK 0 / 37 / 48 / 36

HEX #A46755

RGB 164 103 85

HSL 13.67, 0.32%, 0.49%

LAB 49.8, 22.45, 20.39

 

CMYK 50 / 0 / 16 / 35

HEX #53A68C

RGB 83 166 140

HSL 161.2, 0.33%, 0.49%

LAB 62.51, -31.71, 5.75

 

CMYK 50 / 0 / 2 / 35

HEX #53A6A2

RGB 83 166 162

HSL 177.11, 0.33%, 0.49%

LAB 63.11, -26.18, -5.7

 

CMYK 50 / 11 / 0 / 35

HEX #5394A6

RGB 83 148 166

HSL 193.01, 0.33%, 0.49%

LAB 57.82, -15.73, -15.89

 

CMYK 50 / 24 / 0 / 35

HEX #537EA6

RGB 83 126 166

HSL 208.92, 0.33%, 0.49%

LAB 51.28, -3.36, -25.91

 

CMYK 50 / 37 / 0 / 35

HEX #5368A6

RGB 83 104 166

HSL 224.82, 0.33%, 0.49%

LAB 44.93, 9.95, -35.83

 

CMYK 50 / 12 / 0 / 56

HEX #38626F

RGB 56 98 111

HSL 194.18, 0.33%, 0.33%

LAB 39.11, -10.77, -11.91

 

CMYK 50 / 12 / 0 / 46

HEX #457A8A

RGB 69 122 138

HSL 193.91, 0.33%, 0.41%

LAB 48.28, -13.02, -14.18

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 40 / 9 / 0 / 29

HEX #6DA5B5

RGB 109 165 181

HSL 193.33, 0.33%, 0.57%

LAB 64.56, -14.15, -14.05

 

CMYK 30 / 7 / 0 / 24

HEX #88B6C3

RGB 136 182 195

HSL 193.22, 0.33%, 0.65%

LAB 71.3, -12.11, -11.53

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 29 / 50 / 0 / 35

HEX #7653A6

RGB 118 83 166

HSL 265.3, 0.33%, 0.49%

LAB 42.45, 32.24, -39.58

 

CMYK 0 / 9 / 50 / 35

HEX #A69753

RGB 166 151 83

HSL 49.16, 0.33%, 0.49%

LAB 62.39, -3.81, 37.58

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 0 / 50 / 11 / 35

HEX #A65394

RGB 166 83 148

HSL 313.01, 0.33%, 0.49%

LAB 47.54, 42.89, -20.47

 

CMYK 11 / 0 / 50 / 35

HEX #94A653

RGB 148 166 83

HSL 73.01, 0.33%, 0.49%

LAB 65.12, -19.29, 40.52

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 29 / 50 / 0 / 35

HEX #7653A6

RGB 118 83 166

HSL 265.3, 0.33%, 0.49%

LAB 42.45, 32.24, -39.58

 

CMYK 0 / 39 / 50 / 35

HEX #A66553

RGB 166 101 83

HSL 13.01, 0.33%, 0.49%

LAB 49.54, 24.21, 21.26

 

CMYK 21 / 0 / 50 / 35

HEX #83A653

RGB 131 166 83

HSL 85.3, 0.33%, 0.49%

LAB 63.94, -26.09, 38.82

 

CMYK 50 / 11 / 0 / 35

HEX #5393A6

RGB 83 147 166

HSL 193.73, 0.33%, 0.49%

LAB 57.52, -15.19, -16.35

 

CMYK 14 / 50 / 0 / 35

HEX #8E53A6

RGB 142 83 166

HSL 282.65, 0.33%, 0.49%

LAB 45.21, 39.08, -35.03

 

CMYK 0 / 39 / 50 / 35

HEX #A66553

RGB 166 101 83

HSL 13.01, 0.33%, 0.49%

LAB 49.54, 24.21, 21.26

 

CMYK 36 / 0 / 50 / 35

HEX #6BA653

RGB 107 166 83

HSL 102.65, 0.33%, 0.49%

LAB 62.53, -34.96, 36.78

 

Description

Color code: RGB 83 147 166 | qconv.com Color code: RGB 83 147 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 147 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 147 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 11 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 11% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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