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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 73 145 114 it is the complementary color RGB 182 110 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 73 145 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 73 145 114 shade: RGB 78 145 109, RGB 95 163 128, RGB 112 181 147, RGB 129 199 166 and RGB 146 217 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 73 145 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 56 127 95, RGB 39 109 76, RGB 22 91 57 and RGB 5 73 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 73 145 95, RGB 73 145 75, RGB 90 145 73 and RGB 110 145 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 73 145 134, RGB 73 137 145, RGB 73 118 145 and RGB 73 98 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 73 145 114 shade matches the following richer shades: RGB 73 145 114, RGB 55 163 117, RGB 37 181 119, RGB 20 199 122 and RGB 2 216 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 91 128 112, RGB 108 110 109, RGB 126 92 107 and RGB 144 74 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 73 145 114 shade: RGB 73 145 75, RGB 73 145 95, RGB 73 145 114, RGB 73 145 133 and RGB 73 138 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 73 145 114 shade: RGB 45 90 71, RGB 59 118 93, RGB 73 145 114, RGB 89 171 136 and RGB 116 185 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 73 90 145 and RGB 145 85 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 114 73 145 and RGB 145 114 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 73 90 145, RGB 145 73 104 and RGB 145 128 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 73 145 114 shade: RGB 73 145 114, RGB 78 73 145, RGB 145 73 104 and RGB 141 145 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

Complementary color

CMYK 0 / 40 / 23 / 29

HEX #B66E8D

RGB 182 110 141

HSL 334.17, 0.33%, 0.57%

LAB 55.09, 32.76, -4.73

 

CMYK 46 / 0 / 25 / 43

HEX #4E916D

RGB 78 145 109

HSL 147.76, 0.3%, 0.44%

LAB 55.05, -30, 12.61

 

CMYK 42 / 0 / 21 / 36

HEX #5FA380

RGB 95 163 128

HSL 149.12, 0.27%, 0.51%

LAB 61.81, -29.75, 11.52

 

CMYK 38 / 0 / 19 / 29

HEX #70B593

RGB 112 181 147

HSL 150.43, 0.32%, 0.57%

LAB 68.46, -29.5, 10.53

 

CMYK 35 / 0 / 17 / 22

HEX #81C7A6

RGB 129 199 166

HSL 151.71, 0.38%, 0.64%

LAB 74.99, -29.25, 9.61

 

CMYK 33 / 0 / 15 / 15

HEX #92D9B9

RGB 146 217 185

HSL 152.96, 0.48%, 0.71%

LAB 81.42, -29.01, 8.75

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 56 / 0 / 25 / 50

HEX #387F5F

RGB 56 127 95

HSL 152.96, 0.39%, 0.36%

LAB 48.07, -30.39, 10.77

 

CMYK 64 / 0 / 30 / 57

HEX #276D4C

RGB 39 109 76

HSL 151.71, 0.47%, 0.29%

LAB 41.04, -30.37, 12.1

 

CMYK 76 / 0 / 37 / 64

HEX #165B39

RGB 22 91 57

HSL 150.43, 0.61%, 0.22%

LAB 33.87, -30.03, 13.65

 

CMYK 93 / 0 / 48 / 71

HEX #054926

RGB 5 73 38

HSL 149.12, 0.87%, 0.15%

LAB 26.56, -29.1, 15.49

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 50 / 0 / 34 / 43

HEX #49915F

RGB 73 145 95

HSL 138.33, 0.33%, 0.43%

LAB 54.55, -34.25, 19.78

 

CMYK 50 / 0 / 48 / 43

HEX #49914B

RGB 73 145 75

HSL 121.67, 0.33%, 0.43%

LAB 54.21, -37.69, 30.25

 

CMYK 38 / 0 / 50 / 43

HEX #5A9149

RGB 90 145 73

HSL 105.83, 0.33%, 0.43%

LAB 54.97, -32.49, 32.42

 

CMYK 24 / 0 / 50 / 43

HEX #6E9149

RGB 110 145 73

HSL 89.17, 0.33%, 0.43%

LAB 56.13, -25.08, 34.11

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 50 / 0 / 8 / 43

HEX #499186

RGB 73 145 134

HSL 170.83, 0.33%, 0.43%

LAB 55.47, -25.38, -1.11

 

CMYK 50 / 6 / 0 / 43

HEX #498991

RGB 73 137 145

HSL 186.67, 0.33%, 0.43%

LAB 53.33, -18.22, -10.64

 

CMYK 50 / 19 / 0 / 43

HEX #497691

RGB 73 118 145

HSL 202.5, 0.33%, 0.43%

LAB 47.52, -7.62, -19.46

 

CMYK 50 / 32 / 0 / 43

HEX #496291

RGB 73 98 145

HSL 219.17, 0.33%, 0.43%

LAB 41.53, 4.44, -28.75

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

CMYK 80 / 0 / 34 / 29

HEX #25B577

RGB 37 181 119

HSL 154.17, 0.66%, 0.43%

LAB 65.57, -51.18, 21.39

 

CMYK 90 / 0 / 39 / 22

HEX #14C77A

RGB 20 199 122

HSL 154.19, 0.82%, 0.43%

LAB 71.15, -58.62, 27.26

 

CMYK 99 / 0 / 43 / 15

HEX #02D87C

RGB 2 216 124

HSL 154.21, 0.98%, 0.43%

LAB 76.42, -64.82, 33.17

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 29 / 0 / 13 / 50

HEX #5B8070

RGB 91 128 112

HSL 154.05, 0.17%, 0.43%

LAB 50.49, -16.65, 4.52

 

CMYK 2 / 0 / 1 / 57

HEX #6C6E6D

RGB 108 110 109

HSL 150, 0.01%, 0.43%

LAB 46.24, -0.97, 0.28

 

CMYK 0 / 27 / 15 / 51

HEX #7E5C6B

RGB 126 92 107

HSL 333.53, 0.16%, 0.43%

LAB 42.99, 16.44, -3.06

 

CMYK 0 / 49 / 28 / 44

HEX #904A68

RGB 144 74 104

HSL 334.29, 0.32%, 0.43%

LAB 40.94, 33.21, -3.99

 

CMYK 50 / 0 / 48 / 43

HEX #49914B

RGB 73 145 75

HSL 121.67, 0.33%, 0.43%

LAB 54.21, -37.69, 30.25

 

CMYK 50 / 0 / 34 / 43

HEX #49915F

RGB 73 145 95

HSL 138.33, 0.33%, 0.43%

LAB 54.55, -34.25, 19.78

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 50 / 0 / 8 / 43

HEX #499185

RGB 73 145 133

HSL 170, 0.33%, 0.43%

LAB 55.44, -25.64, -0.58

 

CMYK 50 / 5 / 0 / 43

HEX #498A91

RGB 73 138 145

HSL 185.83, 0.33%, 0.43%

LAB 53.64, -18.75, -10.18

 

CMYK 50 / 0 / 21 / 65

HEX #2D5A47

RGB 45 90 71

HSL 154.67, 0.33%, 0.26%

LAB 34.65, -20.62, 6.23

 

CMYK 50 / 0 / 21 / 54

HEX #3B765D

RGB 59 118 93

HSL 154.58, 0.33%, 0.35%

LAB 45.19, -25.69, 7.91

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 48 / 0 / 20 / 33

HEX #59AB88

RGB 89 171 136

HSL 154.39, 0.33%, 0.51%

LAB 64.18, -33.47, 10.39

 

CMYK 37 / 0 / 16 / 27

HEX #74B99B

RGB 116 185 155

HSL 153.91, 0.33%, 0.59%

LAB 70.02, -28.58, 8.4

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 50 / 38 / 0 / 43

HEX #495A91

RGB 73 90 145

HSL 225.83, 0.33%, 0.43%

LAB 39.2, 9.49, -32.41

 

CMYK 0 / 41 / 50 / 43

HEX #915549

RGB 145 85 73

HSL 10, 0.33%, 0.43%

LAB 42.76, 23.54, 17.68

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 21 / 50 / 0 / 43

HEX #724991

RGB 114 73 145

HSL 274.17, 0.33%, 0.43%

LAB 38.53, 31.72, -33.22

 

CMYK 0 / 21 / 50 / 43

HEX #917249

RGB 145 114 73

HSL 34.17, 0.33%, 0.43%

LAB 50.14, 6.74, 27.28

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 50 / 38 / 0 / 43

HEX #495A91

RGB 73 90 145

HSL 225.83, 0.33%, 0.43%

LAB 39.2, 9.49, -32.41

 

CMYK 0 / 50 / 28 / 43

HEX #914968

RGB 145 73 104

HSL 334.17, 0.33%, 0.43%

LAB 40.87, 34.12, -4.08

 

CMYK 0 / 12 / 50 / 43

HEX #918049

RGB 145 128 73

HSL 45.83, 0.33%, 0.43%

LAB 53.96, -1.23, 32.07

 

CMYK 50 / 0 / 21 / 43

HEX #499172

RGB 73 145 114

HSL 154.17, 0.33%, 0.43%

LAB 54.95, -30.26, 9.6

 

CMYK 46 / 50 / 0 / 43

HEX #4E4991

RGB 78 73 145

HSL 244.17, 0.33%, 0.43%

LAB 34.86, 21.71, -39.27

 

CMYK 0 / 50 / 28 / 43

HEX #914968

RGB 145 73 104

HSL 334.17, 0.33%, 0.43%

LAB 40.87, 34.12, -4.08

 

CMYK 3 / 0 / 50 / 43

HEX #8D9149

RGB 141 145 73

HSL 63.33, 0.33%, 0.43%

LAB 58.41, -12.29, 37.39

 

Description

Color code: RGB 73 145 114 | qconv.com Color code: RGB 73 145 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 145 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 145 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 21 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 21% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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