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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 163 117 it is the complementary color RGB 200 92 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 163 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 163 117 shade: RGB 60 163 112, RGB 77 181 131, RGB 94 199 150, RGB 111 217 169 and RGB 128 235 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 163 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 163 117 shade: RGB 55 163 117, RGB 38 145 98, RGB 21 127 79, RGB 4 109 60 and RGB 0 91 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 163 117 shade: RGB 54 164 117, RGB 54 164 88, RGB 54 164 58, RGB 80 164 54 and RGB 110 164 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 163 117 shade: RGB 54 164 117, RGB 54 164 147, RGB 54 152 164, RGB 54 122 164 and RGB 54 92 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 163 117 shade matches the following richer shades: RGB 54 164 117, RGB 37 182 120, RGB 19 199 123 and RGB 1 217 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 163 117 shade: RGB 54 164 117, RGB 72 146 115, RGB 90 128 112, RGB 108 111 109 and RGB 125 93 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 163 117 shade: RGB 54 164 58, RGB 54 164 87, RGB 54 164 116, RGB 54 164 146 and RGB 54 153 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 163 117 shade: RGB 34 102 73, RGB 44 133 95, RGB 54 164 117, RGB 67 192 139 and RGB 98 202 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 163 117 shade: RGB 55 163 117, RGB 54 80 164 and RGB 164 73 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 163 117 shade: RGB 55 163 117, RGB 116 54 164 and RGB 164 116 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 163 117 shade: RGB 55 163 117, RGB 54 80 164, RGB 164 54 102 and RGB 164 138 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 163 117 shade: RGB 55 163 117, RGB 62 54 164, RGB 164 54 102 and RGB 157 164 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

Complementary color

CMYK 0 / 54 / 31 / 22

HEX #C85C8A

RGB 200 92 138

HSL 334.44, 0.5%, 0.57%

LAB 53.78, 47.9, -4.63

 

CMYK 63 / 0 / 31 / 36

HEX #3CA370

RGB 60 163 112

HSL 150.29, 0.46%, 0.44%

LAB 60.18, -41.85, 17.94

 

CMYK 57 / 0 / 28 / 29

HEX #4DB583

RGB 77 181 131

HSL 151.15, 0.41%, 0.51%

LAB 66.72, -41.93, 16.63

 

CMYK 53 / 0 / 25 / 22

HEX #5EC796

RGB 94 199 150

HSL 152, 0.48%, 0.57%

LAB 73.17, -41.89, 15.43

 

CMYK 49 / 0 / 22 / 15

HEX #6FD9A9

RGB 111 217 169

HSL 152.83, 0.58%, 0.64%

LAB 79.54, -41.76, 14.34

 

CMYK 46 / 0 / 20 / 8

HEX #80EBBC

RGB 128 235 188

HSL 153.64, 0.73%, 0.71%

LAB 85.82, -41.59, 13.32

 

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

CMYK 74 / 0 / 32 / 43

HEX #269162

RGB 38 145 98

HSL 153.64, 0.58%, 0.36%

LAB 53.54, -41.28, 16.55

 

CMYK 83 / 0 / 38 / 50

HEX #157F4F

RGB 21 127 79

HSL 152.83, 0.72%, 0.29%

LAB 46.85, -40.41, 18.19

 

CMYK 96 / 0 / 45 / 57

HEX #046D3C

RGB 4 109 60

HSL 152, 0.93%, 0.22%

LAB 40.06, -38.94, 20.05

 

CMYK 100 / 0 / 55 / 64

HEX #005B29

RGB 0 91 41

HSL 147.03, 1%, 0.18%

LAB 33.23, -36.24, 22.17

 

CMYK 67 / 0 / 29 / 36

HEX #36A475

RGB 54 164 117

HSL 154.36, 0.5%, 0.43%

LAB 60.44, -42.33, 15.51

 

CMYK 67 / 0 / 46 / 36

HEX #36A458

RGB 54 164 88

HSL 138.55, 0.5%, 0.43%

LAB 59.92, -48.01, 30.51

 

CMYK 67 / 0 / 65 / 36

HEX #36A43A

RGB 54 164 58

HSL 122.18, 0.5%, 0.43%

LAB 59.56, -52.18, 44.74

 

CMYK 51 / 0 / 67 / 36

HEX #50A436

RGB 80 164 54

HSL 105.82, 0.5%, 0.43%

LAB 60.36, -46.04, 47.58

 

CMYK 33 / 0 / 67 / 36

HEX #6EA436

RGB 110 164 54

HSL 89.45, 0.5%, 0.43%

LAB 61.77, -35.98, 49.51

 

CMYK 67 / 0 / 29 / 36

HEX #36A475

RGB 54 164 117

HSL 154.36, 0.5%, 0.43%

LAB 60.44, -42.33, 15.51

 

CMYK 67 / 0 / 10 / 36

HEX #36A493

RGB 54 164 147

HSL 170.73, 0.5%, 0.43%

LAB 61.17, -34.92, -0.24

 

CMYK 67 / 7 / 0 / 36

HEX #3698A4

RGB 54 152 164

HSL 186.55, 0.5%, 0.43%

LAB 57.96, -24.16, -14.64

 

CMYK 67 / 26 / 0 / 36

HEX #367AA4

RGB 54 122 164

HSL 202.91, 0.5%, 0.43%

LAB 48.74, -7.76, -28.79

 

CMYK 67 / 44 / 0 / 36

HEX #365CA4

RGB 54 92 164

HSL 219.27, 0.5%, 0.43%

LAB 39.78, 10.74, -42.93

 

CMYK 67 / 0 / 29 / 36

HEX #36A475

RGB 54 164 117

HSL 154.36, 0.5%, 0.43%

LAB 60.44, -42.33, 15.51

 

CMYK 80 / 0 / 34 / 29

HEX #25B678

RGB 37 182 120

HSL 154.34, 0.66%, 0.43%

LAB 65.91, -51.35, 21.31

 

CMYK 90 / 0 / 38 / 22

HEX #13C77B

RGB 19 199 123

HSL 154.67, 0.83%, 0.43%

LAB 71.16, -58.48, 26.75

 

CMYK 100 / 0 / 42 / 15

HEX #01D97D

RGB 1 217 125

HSL 154.44, 0.99%, 0.43%

LAB 76.75, -65.01, 33.08

 

CMYK 67 / 0 / 29 / 36

HEX #36A475

RGB 54 164 117

HSL 154.36, 0.5%, 0.43%

LAB 60.44, -42.33, 15.51

 

CMYK 51 / 0 / 21 / 43

HEX #489273

RGB 72 146 115

HSL 154.86, 0.34%, 0.43%

LAB 55.25, -30.77, 9.45

 

CMYK 30 / 0 / 13 / 50

HEX #5A8070

RGB 90 128 112

HSL 154.74, 0.17%, 0.43%

LAB 50.43, -16.98, 4.42

 

CMYK 3 / 0 / 2 / 56

HEX #6C6F6D

RGB 108 111 109

HSL 140, 0.01%, 0.43%

LAB 46.53, -1.56, 0.71

 

CMYK 0 / 26 / 14 / 51

HEX #7D5D6B

RGB 125 93 107

HSL 333.75, 0.15%, 0.43%

LAB 43.14, 15.45, -2.86

 

CMYK 67 / 0 / 65 / 36

HEX #36A43A

RGB 54 164 58

HSL 122.18, 0.5%, 0.43%

LAB 59.56, -52.18, 44.74

 

CMYK 67 / 0 / 47 / 36

HEX #36A457

RGB 54 164 87

HSL 138, 0.5%, 0.43%

LAB 59.91, -48.18, 31.01

 

CMYK 67 / 0 / 29 / 36

HEX #36A474

RGB 54 164 116

HSL 153.82, 0.5%, 0.43%

LAB 60.42, -42.55, 16.03

 

CMYK 67 / 0 / 11 / 36

HEX #36A492

RGB 54 164 146

HSL 170.18, 0.5%, 0.43%

LAB 61.14, -35.19, 0.29

 

CMYK 67 / 7 / 0 / 36

HEX #3699A4

RGB 54 153 164

HSL 186, 0.5%, 0.43%

LAB 58.27, -24.67, -14.17

 

CMYK 67 / 0 / 28 / 60

HEX #226649

RGB 34 102 73

HSL 154.41, 0.5%, 0.27%

LAB 38.42, -28.9, 10.24

 

CMYK 67 / 0 / 29 / 48

HEX #2C855F

RGB 44 133 95

HSL 154.38, 0.5%, 0.35%

LAB 49.66, -35.78, 12.94

 

CMYK 67 / 0 / 29 / 36

HEX #36A475

RGB 54 164 117

HSL 154.36, 0.5%, 0.43%

LAB 60.44, -42.33, 15.51

 

CMYK 65 / 0 / 28 / 25

HEX #43C08B

RGB 67 192 139

HSL 154.56, 0.5%, 0.51%

LAB 70.01, -46.87, 16.81

 

CMYK 51 / 0 / 22 / 21

HEX #62CA9E

RGB 98 202 158

HSL 154.62, 0.5%, 0.59%

LAB 74.39, -40.57, 12.87

 

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

CMYK 67 / 51 / 0 / 36

HEX #3650A4

RGB 54 80 164

HSL 225.82, 0.5%, 0.43%

LAB 36.37, 18.6, -48.4

 

CMYK 0 / 55 / 67 / 36

HEX #A44936

RGB 164 73 54

HSL 10.36, 0.5%, 0.43%

LAB 42.65, 36.23, 29.42

 

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

CMYK 29 / 67 / 0 / 36

HEX #7436A4

RGB 116 54 164

HSL 273.82, 0.5%, 0.43%

LAB 36.05, 47.2, -48.64

 

CMYK 0 / 29 / 67 / 36

HEX #A47436

RGB 164 116 54

HSL 33.82, 0.5%, 0.43%

LAB 52.56, 12.49, 40.84

 

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

CMYK 67 / 51 / 0 / 36

HEX #3650A4

RGB 54 80 164

HSL 225.82, 0.5%, 0.43%

LAB 36.37, 18.6, -48.4

 

CMYK 0 / 67 / 38 / 36

HEX #A43666

RGB 164 54 102

HSL 333.82, 0.5%, 0.43%

LAB 40.39, 49.42, -3.2

 

CMYK 0 / 16 / 67 / 36

HEX #A48A36

RGB 164 138 54

HSL 45.82, 0.5%, 0.43%

LAB 58.35, 0.14, 47.13

 

CMYK 66 / 0 / 28 / 36

HEX #37A375

RGB 55 163 117

HSL 154.44, 0.5%, 0.43%

LAB 60.15, -41.72, 15.11

 

CMYK 62 / 67 / 0 / 36

HEX #3E36A4

RGB 62 54 164

HSL 244.36, 0.5%, 0.43%

LAB 30.26, 36.69, -58.3

 

CMYK 0 / 67 / 38 / 36

HEX #A43666

RGB 164 54 102

HSL 333.82, 0.5%, 0.43%

LAB 40.39, 49.42, -3.2

 

CMYK 4 / 0 / 67 / 36

HEX #9DA436

RGB 157 164 54

HSL 63.82, 0.5%, 0.43%

LAB 64.95, -16.85, 53.82

 

Description

Color code: RGB 55 163 117 | qconv.com Color code: RGB 55 163 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 163 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 163 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 28 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 28% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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