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Color name
RGB 68 172 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 172 21 it is the complementary color RGB 187 83 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 172 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 172 21 shade: RGB 73 172 16, RGB 90 190 35, RGB 107 208 54, RGB 124 226 73 and RGB 141 244 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 172 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 51 154 2, RGB 34 136 0, RGB 17 118 0 and RGB 0 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 109 172 21, RGB 149 172 21, RGB 172 154 21 and RGB 172 113 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 27 172 21, RGB 21 172 55, RGB 21 172 96 and RGB 21 172 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 172 21 shade matches the following richer shades: RGB 68 172 21 and RGB 62 188 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 74 156 36, RGB 80 141 52, RGB 86 125 68 and RGB 92 109 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 172 21 shade: RGB 149 172 21, RGB 109 172 21, RGB 69 172 21, RGB 28 172 21 and RGB 21 172 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 172 21 shade: RGB 39 99 12, RGB 53 135 16, RGB 68 172 21, RGB 82 209 25 and RGB 103 229 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 21 172 154 and RGB 172 21 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 21 69 172 and RGB 172 21 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 21 172 154, RGB 124 21 172 and RGB 172 21 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 172 21 shade: RGB 68 172 21, RGB 21 144 172, RGB 124 21 172 and RGB 172 49 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

Complementary color

CMYK 20 / 65 / 0 / 8

HEX #BB53EA

RGB 187 83 234

HSL 281.32, 0.78%, 0.62%

LAB 54.75, 64.78, -58.63

 

CMYK 58 / 0 / 91 / 33

HEX #49AC10

RGB 73 172 16

HSL 98.08, 0.83%, 0.37%

LAB 62.47, -53.29, 61.19

 

CMYK 53 / 0 / 82 / 25

HEX #5ABE23

RGB 90 190 35

HSL 98.71, 0.69%, 0.44%

LAB 68.84, -54.41, 62.74

 

CMYK 49 / 0 / 74 / 18

HEX #6BD036

RGB 107 208 54

HSL 99.35, 0.62%, 0.51%

LAB 75.14, -55.15, 63.13

 

CMYK 45 / 0 / 68 / 11

HEX #7CE249

RGB 124 226 73

HSL 100, 0.73%, 0.59%

LAB 81.38, -55.61, 62.82

 

CMYK 42 / 0 / 62 / 4

HEX #8DF45C

RGB 141 244 92

HSL 100.66, 0.87%, 0.66%

LAB 87.55, -55.88, 62.13

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 67 / 0 / 99 / 40

HEX #339A02

RGB 51 154 2

HSL 100.66, 0.97%, 0.31%

LAB 55.91, -52.78, 57.64

 

CMYK 75 / 0 / 100 / 47

HEX #228800

RGB 34 136 0

HSL 105, 1%, 0.27%

LAB 49.43, -50.29, 52.64

 

CMYK 86 / 0 / 100 / 54

HEX #117600

RGB 17 118 0

HSL 111.36, 1%, 0.23%

LAB 42.88, -47.14, 47.29

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 37 / 0 / 88 / 33

HEX #6DAC15

RGB 109 172 21

HSL 85.03, 0.78%, 0.38%

LAB 64.01, -41.66, 62.15

 

CMYK 13 / 0 / 88 / 33

HEX #95AC15

RGB 149 172 21

HSL 69.14, 0.78%, 0.38%

LAB 66.48, -25.69, 65.22

 

CMYK 0 / 10 / 88 / 33

HEX #AC9A15

RGB 172 154 21

HSL 52.85, 0.78%, 0.38%

LAB 63.29, -6.31, 63.4

 

CMYK 0 / 34 / 88 / 33

HEX #AC7115

RGB 172 113 21

HSL 36.56, 0.78%, 0.38%

LAB 52.55, 16.36, 54.73

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 84 / 0 / 88 / 33

HEX #1BAC15

RGB 27 172 21

HSL 117.62, 0.78%, 0.38%

LAB 61.47, -61.71, 58.97

 

CMYK 88 / 0 / 68 / 33

HEX #15AC37

RGB 21 172 55

HSL 133.51, 0.78%, 0.38%

LAB 61.6, -59.85, 48.11

 

CMYK 88 / 0 / 44 / 33

HEX #15AC60

RGB 21 172 96

HSL 149.8, 0.78%, 0.38%

LAB 62.09, -53.93, 28.99

 

CMYK 88 / 0 / 20 / 33

HEX #15AC89

RGB 21 172 137

HSL 166.09, 0.78%, 0.38%

LAB 62.9, -44.81, 7.79

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 67 / 0 / 97 / 26

HEX #3EBC05

RGB 62 188 5

HSL 101.31, 0.95%, 0.38%

LAB 67.28, -61.58, 66.51

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 53 / 0 / 77 / 39

HEX #4A9C24

RGB 74 156 36

HSL 101, 0.63%, 0.38%

LAB 57.42, -46.1, 51.46

 

CMYK 43 / 0 / 63 / 45

HEX #508D34

RGB 80 141 52

HSL 101.12, 0.46%, 0.38%

LAB 52.95, -36.64, 40.34

 

CMYK 31 / 0 / 46 / 51

HEX #567D44

RGB 86 125 68

HSL 101.05, 0.3%, 0.38%

LAB 48.34, -25, 26.75

 

CMYK 16 / 0 / 23 / 57

HEX #5C6D54

RGB 92 109 84

HSL 100.8, 0.13%, 0.38%

LAB 44.02, -11.54, 11.9

 

CMYK 13 / 0 / 88 / 33

HEX #95AC15

RGB 149 172 21

HSL 69.14, 0.78%, 0.38%

LAB 66.48, -25.69, 65.22

 

CMYK 37 / 0 / 88 / 33

HEX #6DAC15

RGB 109 172 21

HSL 85.03, 0.78%, 0.38%

LAB 64.01, -41.66, 62.15

 

CMYK 60 / 0 / 88 / 33

HEX #45AC15

RGB 69 172 21

HSL 100.93, 0.78%, 0.38%

LAB 62.36, -54.16, 60.09

 

CMYK 84 / 0 / 88 / 33

HEX #1CAC15

RGB 28 172 21

HSL 117.22, 0.78%, 0.38%

LAB 61.49, -61.61, 58.99

 

CMYK 88 / 0 / 69 / 33

HEX #15AC36

RGB 21 172 54

HSL 133.11, 0.78%, 0.38%

LAB 61.59, -59.96, 48.51

 

CMYK 61 / 0 / 88 / 61

HEX #27630C

RGB 39 99 12

HSL 101.38, 0.78%, 0.22%

LAB 36.71, -35.39, 39.22

 

CMYK 61 / 0 / 88 / 47

HEX #358710

RGB 53 135 16

HSL 101.34, 0.79%, 0.3%

LAB 49.64, -45.14, 49.9

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 61 / 0 / 88 / 18

HEX #52D119

RGB 82 209 25

HSL 101.41, 0.79%, 0.46%

LAB 74.49, -63.57, 69.91

 

CMYK 55 / 0 / 79 / 10

HEX #67E52F

RGB 103 229 47

HSL 101.54, 0.78%, 0.54%

LAB 81.36, -64.29, 71.17

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 88 / 0 / 10 / 33

HEX #15AC9A

RGB 21 172 154

HSL 172.85, 0.78%, 0.38%

LAB 63.34, -40.22, -1.05

 

CMYK 0 / 88 / 25 / 33

HEX #AC1581

RGB 172 21 129

HSL 317.09, 0.78%, 0.38%

LAB 39.4, 64.65, -21.4

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 88 / 60 / 0 / 33

HEX #1545AC

RGB 21 69 172

HSL 220.93, 0.78%, 0.38%

LAB 32.69, 25.26, -59.22

 

CMYK 0 / 88 / 60 / 33

HEX #AC1545

RGB 172 21 69

HSL 340.93, 0.78%, 0.38%

LAB 37.37, 58.99, 13.68

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 88 / 0 / 10 / 33

HEX #15AC9A

RGB 21 172 154

HSL 172.85, 0.78%, 0.38%

LAB 63.34, -40.22, -1.05

 

CMYK 28 / 88 / 0 / 33

HEX #7C15AC

RGB 124 21 172

HSL 280.93, 0.78%, 0.38%

LAB 33.56, 62.6, -57.42

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 60 / 0 / 88 / 33

HEX #44AC15

RGB 68 172 21

HSL 101.32, 0.78%, 0.38%

LAB 62.33, -54.42, 60.05

 

CMYK 88 / 16 / 0 / 33

HEX #1590AC

RGB 21 144 172

HSL 191.13, 0.78%, 0.38%

LAB 55.16, -21.04, -23.53

 

CMYK 28 / 88 / 0 / 33

HEX #7C15AC

RGB 124 21 172

HSL 280.93, 0.78%, 0.38%

LAB 33.56, 62.6, -57.42

 

CMYK 0 / 72 / 88 / 33

HEX #AC3115

RGB 172 49 21

HSL 11.13, 0.78%, 0.38%

LAB 39.62, 48.71, 44.24

 

Description

Color code: RGB 68 172 21 | qconv.com Color code: RGB 68 172 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 172 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 172 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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