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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 172 21 38 it is the complementary color RGB 83 234 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 172 21 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 172 21 38 shade: RGB 177 21 33, RGB 194 39 52, RGB 211 57 71, RGB 228 75 90 and RGB 245 93 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 172 21 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 155 3 19, RGB 138 0 0, RGB 121 0 0 and RGB 104 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 172 21 38 shade: RGB 172 21 38 and RGB 172 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 172 21 79, RGB 172 21 119, RGB 172 21 160 and RGB 143 21 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 172 21 38 shade matches the following richer shades: RGB 172 21 38 and RGB 188 5 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 156 36 50, RGB 141 52 62, RGB 125 68 74 and RGB 109 84 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 172 21 38 shade: RGB 172 21 119, RGB 172 21 79, RGB 172 21 38, RGB 172 43 21 and RGB 172 84 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 172 21 38 shade: RGB 99 12 22, RGB 135 16 30, RGB 172 21 38, RGB 209 25 46 and RGB 229 47 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 159 172 21 and RGB 21 99 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 38 172 21 and RGB 21 38 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 159 172 21, RGB 21 172 154 and RGB 33 21 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 172 21 38 shade: RGB 172 21 38, RGB 114 172 21, RGB 21 172 154 and RGB 79 21 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

Complementary color

CMYK 65 / 0 / 7 / 8

HEX #53EAD9

RGB 83 234 217

HSL 173.25, 0.78%, 0.62%

LAB 84.84, -43.48, -3.49

 

CMYK 0 / 88 / 81 / 31

HEX #B11521

RGB 177 21 33

HSL 355.38, 0.79%, 0.39%

LAB 37.83, 58.65, 36.86

 

CMYK 0 / 80 / 73 / 24

HEX #C22734

RGB 194 39 52

HSL 354.97, 0.67%, 0.46%

LAB 43.02, 59.86, 32.36

 

CMYK 0 / 73 / 66 / 17

HEX #D33947

RGB 211 57 71

HSL 354.55, 0.64%, 0.53%

LAB 48.55, 60.17, 28.46

 

CMYK 0 / 67 / 61 / 11

HEX #E44B5A

RGB 228 75 90

HSL 354.12, 0.74%, 0.59%

LAB 54.31, 59.91, 25.18

 

CMYK 0 / 62 / 56 / 4

HEX #F55D6D

RGB 245 93 109

HSL 353.68, 0.88%, 0.66%

LAB 60.2, 59.31, 22.43

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 98 / 88 / 39

HEX #9B0313

RGB 155 3 19

HSL 353.68, 0.96%, 0.31%

LAB 31.99, 55.1, 37.47

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 100 / 100 / 59

HEX #680000

RGB 104 0 0

HSL 0, 1%, 0.2%

LAB 19.81, 41.44, 30.34

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 88 / 31 / 33

HEX #AC1577

RGB 172 21 119

HSL 321.06, 0.78%, 0.38%

LAB 38.97, 63.47, -15.84

 

CMYK 0 / 88 / 7 / 33

HEX #AC15A0

RGB 172 21 160

HSL 304.77, 0.78%, 0.38%

LAB 40.97, 68.83, -37.86

 

CMYK 17 / 88 / 0 / 33

HEX #8F15AC

RGB 143 21 172

HSL 288.48, 0.78%, 0.38%

LAB 36.66, 65.6, -52.25

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 97 / 86 / 26

HEX #BC051A

RGB 188 5 26

HSL 353.11, 0.95%, 0.38%

LAB 39.37, 63.52, 42.95

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 77 / 68 / 39

HEX #9C2432

RGB 156 36 50

HSL 353, 0.63%, 0.38%

LAB 35.12, 49.34, 22.31

 

CMYK 0 / 63 / 56 / 45

HEX #8D343E

RGB 141 52 62

HSL 353.26, 0.46%, 0.38%

LAB 34.94, 38.6, 13.88

 

CMYK 0 / 46 / 41 / 51

HEX #7D444A

RGB 125 68 74

HSL 353.68, 0.3%, 0.38%

LAB 35.96, 25.18, 7.27

 

CMYK 0 / 23 / 21 / 57

HEX #6D5456

RGB 109 84 86

HSL 355.2, 0.13%, 0.38%

LAB 38.31, 10.71, 2.82

 

CMYK 0 / 88 / 31 / 33

HEX #AC1577

RGB 172 21 119

HSL 321.06, 0.78%, 0.38%

LAB 38.97, 63.47, -15.84

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 75 / 88 / 33

HEX #AC2B15

RGB 172 43 21

HSL 8.74, 0.78%, 0.38%

LAB 38.82, 50.92, 43.59

 

CMYK 0 / 51 / 88 / 33

HEX #AC5415

RGB 172 84 21

HSL 25.03, 0.78%, 0.38%

LAB 45.86, 32.33, 49.32

 

CMYK 0 / 88 / 78 / 61

HEX #630C16

RGB 99 12 22

HSL 353.1, 0.78%, 0.22%

LAB 19.94, 37.57, 19.43

 

CMYK 0 / 88 / 78 / 47

HEX #87101E

RGB 135 16 30

HSL 352.94, 0.79%, 0.3%

LAB 28.42, 47.77, 25.99

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 0 / 88 / 78 / 18

HEX #D1192E

RGB 209 25 46

HSL 353.15, 0.79%, 0.46%

LAB 44.87, 66.87, 38.78

 

CMYK 0 / 79 / 71 / 10

HEX #E52F43

RGB 229 47 67

HSL 353.41, 0.78%, 0.54%

LAB 50.8, 68.2, 34.35

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 8 / 0 / 88 / 33

HEX #9FAC15

RGB 159 172 21

HSL 65.17, 0.78%, 0.38%

LAB 67.22, -21.4, 66.14

 

CMYK 88 / 42 / 0 / 33

HEX #1563AC

RGB 21 99 172

HSL 209.01, 0.78%, 0.38%

LAB 41.31, 5.3, -45.27

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 78 / 0 / 88 / 33

HEX #26AC15

RGB 38 172 21

HSL 113.25, 0.78%, 0.38%

LAB 61.63, -60.34, 59.17

 

CMYK 88 / 78 / 0 / 33

HEX #1526AC

RGB 21 38 172

HSL 233.25, 0.78%, 0.38%

LAB 25.33, 44.98, -71.32

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 8 / 0 / 88 / 33

HEX #9FAC15

RGB 159 172 21

HSL 65.17, 0.78%, 0.38%

LAB 67.22, -21.4, 66.14

 

CMYK 88 / 0 / 10 / 33

HEX #15AC9A

RGB 21 172 154

HSL 172.85, 0.78%, 0.38%

LAB 63.34, -40.22, -1.05

 

CMYK 81 / 88 / 0 / 33

HEX #2115AC

RGB 33 21 172

HSL 244.77, 0.78%, 0.38%

LAB 23.13, 53.54, -74.97

 

CMYK 0 / 88 / 78 / 33

HEX #AC1526

RGB 172 21 38

HSL 353.25, 0.78%, 0.38%

LAB 36.83, 57.44, 32.57

 

CMYK 34 / 0 / 88 / 33

HEX #72AC15

RGB 114 172 21

HSL 83.05, 0.78%, 0.38%

LAB 64.27, -39.81, 62.48

 

CMYK 88 / 0 / 10 / 33

HEX #15AC9A

RGB 21 172 154

HSL 172.85, 0.78%, 0.38%

LAB 63.34, -40.22, -1.05

 

CMYK 54 / 88 / 0 / 33

HEX #4F15AC

RGB 79 21 172

HSL 263.05, 0.78%, 0.38%

LAB 27.23, 56.86, -68.04

 

Description

Color code: RGB 172 21 38 | qconv.com Color code: RGB 172 21 38 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 21 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 21 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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