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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 167 208 it is the complementary color RGB 188 88 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 167 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 167 208 shade: RGB 72 167 203, RGB 89 185 222, RGB 106 203 241, RGB 123 221 255 and RGB 140 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 167 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 50 149 189, RGB 33 131 170, RGB 16 113 151 and RGB 0 95 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 67 129 208, RGB 67 91 208, RGB 81 67 208 and RGB 119 67 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 67 129 208, RGB 67 91 208 and RGB 67 67 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 167 208 shade matches the following richer shades: RGB 67 167 208, RGB 48 175 227 and RGB 29 183 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 86 159 189, RGB 105 151 170, RGB 124 143 151 and RGB 143 135 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 167 208 shade: RGB 67 208 172, RGB 67 205 208, RGB 67 168 208, RGB 67 130 208 and RGB 67 93 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 167 208 shade: RGB 38 120 154, RGB 46 146 187, RGB 67 167 208, RGB 100 182 216 and RGB 133 198 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 135 67 208 and RGB 208 191 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 208 67 168 and RGB 168 208 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 135 67 208, RGB 208 107 67 and RGB 140 208 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 167 208 shade: RGB 67 167 208, RGB 177 67 208, RGB 208 107 67 and RGB 97 208 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

Complementary color

CMYK 0 / 53 / 75 / 26

HEX #BC582F

RGB 188 88 47

HSL 17.45, 0.6%, 0.46%

LAB 49.35, 37.59, 41.84

 

CMYK 65 / 18 / 0 / 20

HEX #48A7CB

RGB 72 167 203

HSL 196.49, 0.56%, 0.54%

LAB 64.42, -16.88, -26.66

 

CMYK 60 / 17 / 0 / 13

HEX #59B9DE

RGB 89 185 222

HSL 196.69, 0.67%, 0.61%

LAB 70.94, -17.53, -27.06

 

CMYK 56 / 16 / 0 / 5

HEX #6ACBF1

RGB 106 203 241

HSL 196.89, 0.83%, 0.68%

LAB 77.36, -18.04, -27.43

 

CMYK 52 / 13 / 0 / 0

HEX #7BDDFF

RGB 123 221 255

HSL 195.45, 1%, 0.74%

LAB 83.52, -19.82, -25.41

 

CMYK 45 / 6 / 0 / 0

HEX #8CEFFF

RGB 140 239 255

HSL 188.35, 1%, 0.77%

LAB 89.17, -25.05, -16.79

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 74 / 21 / 0 / 26

HEX #3295BD

RGB 50 149 189

HSL 197.27, 0.58%, 0.47%

LAB 57.89, -15.04, -28.94

 

CMYK 81 / 23 / 0 / 33

HEX #2183AA

RGB 33 131 170

HSL 197.08, 0.67%, 0.4%

LAB 51.22, -13.66, -28.46

 

CMYK 89 / 25 / 0 / 41

HEX #107197

RGB 16 113 151

HSL 196.89, 0.81%, 0.33%

LAB 44.45, -11.82, -27.9

 

CMYK 100 / 28 / 0 / 48

HEX #005F84

RGB 0 95 132

HSL 196.82, 1%, 0.26%

LAB 37.57, -9.47, -27.25

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 68 / 38 / 0 / 18

HEX #4381D0

RGB 67 129 208

HSL 213.62, 0.6%, 0.54%

LAB 53.44, 5.59, -46.66

 

CMYK 68 / 56 / 0 / 18

HEX #435BD0

RGB 67 91 208

HSL 229.79, 0.6%, 0.54%

LAB 43.11, 29.36, -63.24

 

CMYK 61 / 68 / 0 / 18

HEX #5143D0

RGB 81 67 208

HSL 245.96, 0.6%, 0.54%

LAB 38.41, 46.01, -70.87

 

CMYK 43 / 68 / 0 / 18

HEX #7743D0

RGB 119 67 208

HSL 262.13, 0.6%, 0.54%

LAB 41.99, 52.34, -64.88

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 68 / 38 / 0 / 18

HEX #4381D0

RGB 67 129 208

HSL 213.62, 0.6%, 0.54%

LAB 53.44, 5.59, -46.66

 

CMYK 68 / 56 / 0 / 18

HEX #435BD0

RGB 67 91 208

HSL 229.79, 0.6%, 0.54%

LAB 43.11, 29.36, -63.24

 

CMYK 68 / 68 / 0 / 18

HEX #4343D0

RGB 67 67 208

HSL 240, 0.6%, 0.54%

LAB 37.41, 44.16, -72.54

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 79 / 23 / 0 / 11

HEX #30AFE3

RGB 48 175 227

HSL 197.43, 0.76%, 0.54%

LAB 67.15, -16.42, -35.72

 

CMYK 88 / 26 / 0 / 4

HEX #1DB7F6

RGB 29 183 246

HSL 197.42, 0.92%, 0.54%

LAB 70.02, -15.59, -41.62

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 54 / 16 / 0 / 26

HEX #569FBD

RGB 86 159 189

HSL 197.48, 0.44%, 0.54%

LAB 62.04, -14.23, -22.46

 

CMYK 38 / 11 / 0 / 33

HEX #6997AA

RGB 105 151 170

HSL 197.54, 0.28%, 0.54%

LAB 59.92, -10.58, -14.88

 

CMYK 18 / 5 / 0 / 41

HEX #7C8F97

RGB 124 143 151

HSL 197.78, 0.11%, 0.54%

LAB 58.19, -5, -6.53

 

CMYK 0 / 6 / 8 / 44

HEX #8F8784

RGB 143 135 132

HSL 16.36, 0.05%, 0.54%

LAB 56.91, 2.44, 2.67

 

CMYK 68 / 0 / 17 / 18

HEX #43D0AC

RGB 67 208 172

HSL 164.68, 0.6%, 0.54%

LAB 75.63, -45.97, 7

 

CMYK 68 / 1 / 0 / 18

HEX #43CDD0

RGB 67 205 208

HSL 181.28, 0.6%, 0.54%

LAB 75.71, -35.1, -12.29

 

CMYK 68 / 19 / 0 / 18

HEX #43A8D0

RGB 67 168 208

HSL 197.02, 0.6%, 0.54%

LAB 64.77, -16.62, -28.92

 

CMYK 68 / 38 / 0 / 18

HEX #4382D0

RGB 67 130 208

HSL 213.19, 0.6%, 0.54%

LAB 53.72, 4.99, -46.2

 

CMYK 68 / 55 / 0 / 18

HEX #435DD0

RGB 67 93 208

HSL 228.94, 0.6%, 0.54%

LAB 43.62, 28.09, -62.41

 

CMYK 75 / 22 / 0 / 40

HEX #26789A

RGB 38 120 154

HSL 197.59, 0.6%, 0.38%

LAB 47.21, -12.55, -25.35

 

CMYK 75 / 22 / 0 / 27

HEX #2E92BB

RGB 46 146 187

HSL 197.45, 0.61%, 0.46%

LAB 56.81, -14.58, -29.5

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 54 / 16 / 0 / 15

HEX #64B6D8

RGB 100 182 216

HSL 197.59, 0.6%, 0.62%

LAB 70.26, -15.57, -24.78

 

CMYK 41 / 12 / 0 / 12

HEX #85C6E0

RGB 133 198 224

HSL 197.14, 0.59%, 0.7%

LAB 76.53, -14.05, -19.44

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 35 / 68 / 0 / 18

HEX #8743D0

RGB 135 67 208

HSL 268.94, 0.6%, 0.54%

LAB 43.83, 55.42, -61.8

 

CMYK 0 / 8 / 68 / 18

HEX #D0BF43

RGB 208 191 67

HSL 52.77, 0.6%, 0.54%

LAB 76.73, -8.1, 61.99

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 0 / 68 / 19 / 18

HEX #D043A8

RGB 208 67 168

HSL 317.02, 0.6%, 0.54%

LAB 52.12, 65.06, -24.72

 

CMYK 19 / 0 / 68 / 18

HEX #A8D043

RGB 168 208 67

HSL 77.02, 0.6%, 0.54%

LAB 78.37, -32.95, 62.71

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 35 / 68 / 0 / 18

HEX #8743D0

RGB 135 67 208

HSL 268.94, 0.6%, 0.54%

LAB 43.83, 55.42, -61.8

 

CMYK 0 / 49 / 68 / 18

HEX #D06B43

RGB 208 107 67

HSL 17.02, 0.6%, 0.54%

LAB 56.42, 36.72, 40.04

 

CMYK 33 / 0 / 68 / 18

HEX #8CD043

RGB 140 208 67

HSL 88.94, 0.6%, 0.54%

LAB 76.73, -43.45, 60.51

 

CMYK 68 / 20 / 0 / 18

HEX #43A7D0

RGB 67 167 208

HSL 197.45, 0.6%, 0.54%

LAB 64.47, -16.08, -29.37

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 0 / 49 / 68 / 18

HEX #D06B43

RGB 208 107 67

HSL 17.02, 0.6%, 0.54%

LAB 56.42, 36.72, 40.04

 

CMYK 53 / 0 / 68 / 18

HEX #61D043

RGB 97 208 67

HSL 107.23, 0.6%, 0.54%

LAB 74.86, -56.99, 57.96

 

Description

Color code: RGB 67 167 208 | qconv.com Color code: RGB 67 167 208 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 167 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 167 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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