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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 177 67 208 it is the complementary color RGB 78 188 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 177 67 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 177 67 208 shade: RGB 182 67 203, RGB 199 85 222, RGB 216 103 241, RGB 233 121 255 and RGB 250 139 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 177 67 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 160 49 189, RGB 143 31 170, RGB 126 13 151 and RGB 109 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 208 67 201, RGB 208 67 163, RGB 208 67 125 and RGB 208 67 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 139 67 208, RGB 101 67 208 and RGB 67 67 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 177 67 208 shade matches the following richer shades: RGB 177 67 208, RGB 187 48 227 and RGB 198 29 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 166 86 189, RGB 155 105 170, RGB 145 124 151 and RGB 134 143 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 177 67 208 shade: RGB 100 67 208, RGB 137 67 208, RGB 175 67 208, RGB 208 67 203 and RGB 208 67 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 177 67 208 shade: RGB 128 38 154, RGB 156 46 187, RGB 177 67 208, RGB 190 100 216 and RGB 204 133 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 208 67 72 and RGB 67 208 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 208 175 67 and RGB 67 208 175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 208 67 72, RGB 100 208 67 and RGB 67 208 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 177 67 208 shade: RGB 177 67 208, RGB 208 104 67, RGB 100 208 67 and RGB 67 170 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

Complementary color

CMYK 59 / 0 / 75 / 26

HEX #4EBC2F

RGB 78 188 47

HSL 106.81, 0.6%, 0.46%

LAB 67.87, -56.19, 57.98

 

CMYK 10 / 67 / 0 / 20

HEX #B643CB

RGB 182 67 203

HSL 290.74, 0.57%, 0.53%

LAB 49.82, 64.4, -48.95

 

CMYK 10 / 62 / 0 / 13

HEX #C755DE

RGB 199 85 222

HSL 289.93, 0.67%, 0.6%

LAB 56, 64.3, -49.79

 

CMYK 10 / 57 / 0 / 5

HEX #D867F1

RGB 216 103 241

HSL 289.13, 0.83%, 0.67%

LAB 62.21, 63.93, -50.42

 

CMYK 9 / 53 / 0 / 0

HEX #E979FF

RGB 233 121 255

HSL 290.15, 1%, 0.74%

LAB 68.18, 62.44, -48.55

 

CMYK 2 / 45 / 0 / 0

HEX #FA8BFF

RGB 250 139 255

HSL 297.41, 1%, 0.77%

LAB 73.55, 58.34, -39.99

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 15 / 74 / 0 / 26

HEX #A031BD

RGB 160 49 189

HSL 287.57, 0.59%, 0.47%

LAB 43.28, 63.91, -51.49

 

CMYK 16 / 82 / 0 / 33

HEX #8F1FAA

RGB 143 31 170

HSL 288.35, 0.69%, 0.39%

LAB 37.34, 62.82, -49.95

 

CMYK 17 / 91 / 0 / 41

HEX #7E0D97

RGB 126 13 151

HSL 289.13, 0.84%, 0.32%

LAB 31.71, 60.49, -47.69

 

CMYK 17 / 100 / 0 / 48

HEX #6D0084

RGB 109 0 132

HSL 289.55, 1%, 0.26%

LAB 26.5, 56.52, -44.49

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 0 / 68 / 3 / 18

HEX #D043C9

RGB 208 67 201

HSL 302.98, 0.6%, 0.54%

LAB 53.64, 69.96, -41.49

 

CMYK 0 / 68 / 22 / 18

HEX #D043A3

RGB 208 67 163

HSL 319.15, 0.6%, 0.54%

LAB 51.91, 64.38, -22.09

 

CMYK 0 / 68 / 40 / 18

HEX #D0437D

RGB 208 67 125

HSL 335.32, 0.6%, 0.54%

LAB 50.58, 59.86, -1.46

 

CMYK 0 / 68 / 58 / 18

HEX #D04357

RGB 208 67 87

HSL 351.49, 0.6%, 0.54%

LAB 49.63, 56.55, 20.16

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 33 / 68 / 0 / 18

HEX #8B43D0

RGB 139 67 208

HSL 270.64, 0.6%, 0.54%

LAB 44.32, 56.23, -60.99

 

CMYK 51 / 68 / 0 / 18

HEX #6543D0

RGB 101 67 208

HSL 254.47, 0.6%, 0.54%

LAB 40.14, 49.13, -67.97

 

CMYK 68 / 68 / 0 / 18

HEX #4343D0

RGB 67 67 208

HSL 240, 0.6%, 0.54%

LAB 37.41, 44.16, -72.54

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 18 / 79 / 0 / 11

HEX #BB30E3

RGB 187 48 227

HSL 286.59, 0.76%, 0.54%

LAB 49.77, 76.31, -62.71

 

CMYK 20 / 88 / 0 / 4

HEX #C61DF6

RGB 198 29 246

HSL 286.73, 0.92%, 0.54%

LAB 51.31, 85.69, -70.83

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 12 / 54 / 0 / 26

HEX #A656BD

RGB 166 86 189

HSL 286.6, 0.44%, 0.54%

LAB 50.02, 49.06, -40.69

 

CMYK 9 / 38 / 0 / 33

HEX #9B69AA

RGB 155 105 170

HSL 286.15, 0.28%, 0.54%

LAB 51.81, 31.57, -26.95

 

CMYK 4 / 18 / 0 / 41

HEX #917C97

RGB 145 124 151

HSL 286.67, 0.11%, 0.54%

LAB 54.73, 13.21, -11.53

 

CMYK 6 / 0 / 8 / 44

HEX #868F84

RGB 134 143 132

HSL 109.09, 0.05%, 0.54%

LAB 58.4, -5.44, 4.72

 

CMYK 52 / 68 / 0 / 18

HEX #6443D0

RGB 100 67 208

HSL 254.04, 0.6%, 0.54%

LAB 40.04, 48.97, -68.13

 

CMYK 34 / 68 / 0 / 18

HEX #8943D0

RGB 137 67 208

HSL 269.79, 0.6%, 0.54%

LAB 44.07, 55.82, -61.4

 

CMYK 16 / 68 / 0 / 18

HEX #AF43D0

RGB 175 67 208

HSL 285.96, 0.6%, 0.54%

LAB 49.11, 63.8, -53.02

 

CMYK 0 / 68 / 2 / 18

HEX #D043CB

RGB 208 67 203

HSL 302.13, 0.6%, 0.54%

LAB 53.75, 70.28, -42.48

 

CMYK 0 / 68 / 21 / 18

HEX #D043A5

RGB 208 67 165

HSL 318.3, 0.6%, 0.54%

LAB 52, 64.65, -23.14

 

CMYK 17 / 75 / 0 / 40

HEX #80269A

RGB 128 38 154

HSL 286.55, 0.6%, 0.38%

LAB 34.62, 54.57, -44.81

 

CMYK 17 / 75 / 0 / 27

HEX #9C2EBB

RGB 156 46 187

HSL 286.81, 0.61%, 0.46%

LAB 42.17, 63.79, -52.13

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 12 / 54 / 0 / 15

HEX #BE64D8

RGB 190 100 216

HSL 286.55, 0.6%, 0.62%

LAB 57.09, 53.88, -44.75

 

CMYK 9 / 41 / 0 / 12

HEX #CC85E0

RGB 204 133 224

HSL 286.81, 0.59%, 0.7%

LAB 65.74, 42.32, -35.54

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 0 / 68 / 65 / 18

HEX #D04348

RGB 208 67 72

HSL 357.87, 0.6%, 0.54%

LAB 49.36, 55.59, 28.77

 

CMYK 68 / 0 / 43 / 18

HEX #43D076

RGB 67 208 118

HSL 141.7, 0.6%, 0.54%

LAB 74.58, -57.18, 33.96

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 0 / 16 / 68 / 18

HEX #D0AF43

RGB 208 175 67

HSL 45.96, 0.6%, 0.54%

LAB 72.54, 0.25, 57.68

 

CMYK 68 / 0 / 16 / 18

HEX #43D0AF

RGB 67 208 175

HSL 165.96, 0.6%, 0.54%

LAB 75.7, -45.23, 5.49

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 0 / 68 / 65 / 18

HEX #D04348

RGB 208 67 72

HSL 357.87, 0.6%, 0.54%

LAB 49.36, 55.59, 28.77

 

CMYK 52 / 0 / 68 / 18

HEX #64D043

RGB 100 208 67

HSL 105.96, 0.6%, 0.54%

LAB 74.97, -56.17, 58.11

 

CMYK 68 / 0 / 2 / 18

HEX #43D0CB

RGB 67 208 203

HSL 177.87, 0.6%, 0.54%

LAB 76.45, -37.89, -8.48

 

CMYK 15 / 68 / 0 / 18

HEX #B143D0

RGB 177 67 208

HSL 286.81, 0.6%, 0.54%

LAB 49.39, 64.23, -52.55

 

CMYK 0 / 50 / 68 / 18

HEX #D06843

RGB 208 104 67

HSL 15.74, 0.6%, 0.54%

LAB 55.8, 38.26, 39.33

 

CMYK 52 / 0 / 68 / 18

HEX #64D043

RGB 100 208 67

HSL 105.96, 0.6%, 0.54%

LAB 74.97, -56.17, 58.11

 

CMYK 68 / 18 / 0 / 18

HEX #43AAD0

RGB 67 170 208

HSL 196.17, 0.6%, 0.54%

LAB 65.36, -17.68, -28.01

 

Description

Color code: RGB 177 67 208 | qconv.com Color code: RGB 177 67 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 67 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 67 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 68 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 68% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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