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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 60 72 it is the complementary color RGB 188 195 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 60 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 60 72 shade: RGB 72 60 67, RGB 89 78 86, RGB 106 96 105, RGB 123 114 124 and RGB 140 132 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 60 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 50 42 53, RGB 33 24 34 and RGB 16 6 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 70 60 72, RGB 72 60 70, RGB 72 60 67 and RGB 72 60 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 64 60 72, RGB 60 60 72 and RGB 60 60 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 60 72 shade matches the following richer shades: RGB 67 60 72, RGB 69 49 82, RGB 70 38 93, RGB 72 28 104 and RGB 74 17 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 65 71 61, RGB 63 81 50, RGB 61 92 40 and RGB 60 103 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 60 72 shade: RGB 60 60 72, RGB 64 60 72, RGB 67 60 72, RGB 70 60 72 and RGB 72 60 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 60 72 shade: RGB 25 22 27, RGB 46 41 49, RGB 67 60 72, RGB 88 79 94 and RGB 109 97 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 72 60 62 and RGB 60 72 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 72 67 60 and RGB 60 72 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 72 60 62, RGB 65 72 60 and RGB 60 72 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 60 72 shade: RGB 67 60 72, RGB 72 61 60, RGB 65 72 60 and RGB 60 71 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

Complementary color

CMYK 4 / 0 / 6 / 24

HEX #BCC3B7

RGB 188 195 183

HSL 95, 0.09%, 0.74%

LAB 77.96, -4.61, 5.18

 

CMYK 0 / 17 / 7 / 72

HEX #483C43

RGB 72 60 67

HSL 325, 0.09%, 0.26%

LAB 26.78, 6.66, -2.35

 

CMYK 0 / 12 / 3 / 65

HEX #594E56

RGB 89 78 86

HSL 316.36, 0.07%, 0.33%

LAB 34.49, 6.19, -3.03

 

CMYK 0 / 9 / 1 / 58

HEX #6A6069

RGB 106 96 105

HSL 306, 0.05%, 0.4%

LAB 41.92, 5.8, -3.66

 

CMYK 1 / 8 / 0 / 51

HEX #7B727C

RGB 123 114 124

HSL 294, 0.04%, 0.47%

LAB 49.13, 5.45, -4.25

 

CMYK 2 / 8 / 0 / 44

HEX #8C848F

RGB 140 132 143

HSL 283.64, 0.05%, 0.54%

LAB 56.15, 5.15, -4.82

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 6 / 21 / 0 / 79

HEX #322A35

RGB 50 42 53

HSL 283.64, 0.12%, 0.19%

LAB 18.33, 6.21, -5.72

 

CMYK 3 / 29 / 0 / 87

HEX #211822

RGB 33 24 34

HSL 294, 0.17%, 0.11%

LAB 9.74, 6.85, -5.21

 

CMYK 0 / 63 / 6 / 94

HEX #10060F

RGB 16 6 15

HSL 306, 0.45%, 0.04%

LAB 2.48, 4.25, -2.67

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 3 / 17 / 0 / 72

HEX #463C48

RGB 70 60 72

HSL 290, 0.09%, 0.26%

LAB 26.74, 6.94, -5.72

 

CMYK 0 / 17 / 3 / 72

HEX #483C46

RGB 72 60 70

HSL 310, 0.09%, 0.26%

LAB 26.88, 7.31, -4.17

 

CMYK 0 / 17 / 7 / 72

HEX #483C43

RGB 72 60 67

HSL 325, 0.09%, 0.26%

LAB 26.78, 6.66, -2.35

 

CMYK 0 / 17 / 11 / 72

HEX #483C40

RGB 72 60 64

HSL 340, 0.09%, 0.26%

LAB 26.68, 6.03, -0.52

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 11 / 17 / 0 / 72

HEX #403C48

RGB 64 60 72

HSL 260, 0.09%, 0.26%

LAB 26.13, 4.51, -6.71

 

CMYK 17 / 17 / 0 / 72

HEX #3C3C48

RGB 60 60 72

HSL 240, 0.09%, 0.26%

LAB 25.74, 2.93, -7.32

 

CMYK 17 / 17 / 0 / 72

HEX #3C3C48

RGB 60 60 72

HSL 240, 0.09%, 0.26%

LAB 25.74, 2.93, -7.32

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 16 / 40 / 0 / 68

HEX #453152

RGB 69 49 82

HSL 276.36, 0.25%, 0.26%

LAB 23.9, 16.28, -16.68

 

CMYK 25 / 59 / 0 / 64

HEX #46265D

RGB 70 38 93

HSL 274.91, 0.42%, 0.26%

LAB 21.87, 26.53, -27.16

 

CMYK 31 / 73 / 0 / 59

HEX #481C68

RGB 72 28 104

HSL 274.74, 0.58%, 0.26%

LAB 20.86, 35.54, -35.99

 

CMYK 36 / 85 / 0 / 55

HEX #4A1173

RGB 74 17 115

HSL 274.9, 0.74%, 0.26%

LAB 20.42, 43.42, -43.83

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 8 / 0 / 14 / 72

HEX #41473D

RGB 65 71 61

HSL 96, 0.08%, 0.26%

LAB 29.33, -4.66, 5.18

 

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

CMYK 34 / 0 / 57 / 64

HEX #3D5C28

RGB 61 92 40

HSL 95.77, 0.39%, 0.26%

LAB 35.6, -21.83, 26.09

 

CMYK 42 / 0 / 72 / 60

HEX #3C671D

RGB 60 103 29

HSL 94.86, 0.56%, 0.26%

LAB 39.16, -28.8, 35.56

 

CMYK 17 / 17 / 0 / 72

HEX #3C3C48

RGB 60 60 72

HSL 240, 0.09%, 0.26%

LAB 25.74, 2.93, -7.32

 

CMYK 11 / 17 / 0 / 72

HEX #403C48

RGB 64 60 72

HSL 260, 0.09%, 0.26%

LAB 26.13, 4.51, -6.71

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 3 / 17 / 0 / 72

HEX #463C48

RGB 70 60 72

HSL 290, 0.09%, 0.26%

LAB 26.74, 6.94, -5.72

 

CMYK 0 / 17 / 3 / 72

HEX #483C46

RGB 72 60 70

HSL 310, 0.09%, 0.26%

LAB 26.88, 7.31, -4.17

 

CMYK 7 / 19 / 0 / 89

HEX #19161B

RGB 25 22 27

HSL 276, 0.1%, 0.1%

LAB 7.76, 2.78, -2.99

 

CMYK 6 / 16 / 0 / 81

HEX #2E2931

RGB 46 41 49

HSL 277.5, 0.09%, 0.18%

LAB 17.41, 4.19, -4.36

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 6 / 16 / 0 / 63

HEX #584F5E

RGB 88 79 94

HSL 276, 0.09%, 0.34%

LAB 34.95, 6.92, -7.39

 

CMYK 7 / 17 / 0 / 54

HEX #6D6175

RGB 109 97 117

HSL 276, 0.09%, 0.42%

LAB 42.89, 8.91, -9.49

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 0 / 17 / 14 / 72

HEX #483C3E

RGB 72 60 62

HSL 350, 0.09%, 0.26%

LAB 26.61, 5.62, 0.71

 

CMYK 17 / 0 / 14 / 72

HEX #3C483E

RGB 60 72 62

HSL 130, 0.09%, 0.26%

LAB 29.27, -7.15, 4.39

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 0 / 7 / 17 / 72

HEX #48433C

RGB 72 67 60

HSL 35, 0.09%, 0.26%

LAB 28.69, 0.71, 5.01

 

CMYK 17 / 0 / 7 / 72

HEX #3C4843

RGB 60 72 67

HSL 155, 0.09%, 0.26%

LAB 29.41, -6.01, 1.38

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 0 / 17 / 14 / 72

HEX #483C3E

RGB 72 60 62

HSL 350, 0.09%, 0.26%

LAB 26.61, 5.62, 0.71

 

CMYK 10 / 0 / 17 / 72

HEX #41483C

RGB 65 72 60

HSL 95, 0.09%, 0.26%

LAB 29.63, -5.48, 6.24

 

CMYK 17 / 0 / 4 / 72

HEX #3C4845

RGB 60 72 69

HSL 165, 0.09%, 0.26%

LAB 29.48, -5.54, 0.18

 

CMYK 7 / 17 / 0 / 72

HEX #433C48

RGB 67 60 72

HSL 275, 0.09%, 0.26%

LAB 26.43, 5.71, -6.22

 

CMYK 0 / 15 / 17 / 72

HEX #483D3C

RGB 72 61 60

HSL 5, 0.09%, 0.26%

LAB 26.85, 4.58, 2.38

 

CMYK 10 / 0 / 17 / 72

HEX #41483C

RGB 65 72 60

HSL 95, 0.09%, 0.26%

LAB 29.63, -5.48, 6.24

 

CMYK 17 / 1 / 0 / 72

HEX #3C4748

RGB 60 71 72

HSL 185, 0.09%, 0.26%

LAB 29.25, -4.18, -2.1

 

Description

Color code: RGB 67 60 72 | qconv.com Color code: RGB 67 60 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 60 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 60 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 17 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 17% 0% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - Marcianos — Entreten...
Link: http://marcianosmx.com

23% - SSB - Stuttgarter St...
Link: http://ssb-ag.de

100% - GA-Studio
Link: http://www.ga-studio.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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