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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F5132 it is the complementary color #C0AECD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F5132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F5132 shade: #44512D, #556340, #667553, #778766 and #889979

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F5132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F5132 shade: #3F5132, #2E3F1F, #1D2D0C, #0C1B00 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F5132 shade: #3F5232, #485232, #505232, #524A32 and #524232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F5132 shade: #3F5232, #375232, #325236, #32523E and #325247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F5132 shade matches the following richer shades: #3F5232, #3E5C27, #3C671C, #3A7212 and #387D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F5132 shade: #3F5232, #41473D, #433C47, #443252 and #46275D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F5132 shade: #515232, #485232, #405232, #375232 and #325235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F5132 shade: #181F13, #2B3822, #3F5232, #536B42 and #678551

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F5132 shade: #3F5132, #32524A and #52324C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F5132 shade: #3F5132, #324052 and #523240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F5132 shade: #3F5132, #32524A, #443252 and #523239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F5132 shade: #3F5132, #325052, #443252 and #523432

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

Complementary color

CMYK 6 / 15 / 0 / 20

HEX #C0AECD

RGB 192 174 205

HSL 274.84, 0.24%, 0.74%

LAB 73.47, 12.22, -13.35

 

CMYK 16 / 0 / 44 / 68

HEX #44512D

RGB 68 81 45

HSL 81.67, 0.29%, 0.25%

LAB 32.49, -12.15, 19.49

 

CMYK 14 / 0 / 35 / 61

HEX #556340

RGB 85 99 64

HSL 84, 0.21%, 0.32%

LAB 39.96, -12.18, 18.17

 

CMYK 13 / 0 / 29 / 54

HEX #667553

RGB 102 117 83

HSL 86.47, 0.17%, 0.39%

LAB 47.2, -12.17, 16.96

 

CMYK 12 / 0 / 24 / 47

HEX #778766

RGB 119 135 102

HSL 89.09, 0.14%, 0.46%

LAB 54.25, -12.14, 15.86

 

CMYK 11 / 0 / 21 / 40

HEX #889979

RGB 136 153 121

HSL 91.88, 0.14%, 0.54%

LAB 61.13, -12.12, 14.84

 

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

CMYK 27 / 0 / 51 / 75

HEX #2E3F1F

RGB 46 63 31

HSL 91.88, 0.34%, 0.18%

LAB 24.43, -13.65, 17.41

 

CMYK 36 / 0 / 73 / 82

HEX #1D2D0C

RGB 29 45 12

HSL 89.09, 0.58%, 0.11%

LAB 16.33, -13.61, 18.34

 

CMYK 56 / 0 / 100 / 89

HEX #0C1B00

RGB 12 27 0

HSL 93.33, 1%, 0.05%

LAB 7.79, -11.3, 11.46

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 23 / 0 / 39 / 68

HEX #3F5232

RGB 63 82 50

HSL 95.63, 0.24%, 0.26%

LAB 32.53, -14.12, 16.45

 

CMYK 12 / 0 / 39 / 68

HEX #485232

RGB 72 82 50

HSL 78.75, 0.24%, 0.26%

LAB 33.23, -10.21, 17.5

 

CMYK 2 / 0 / 39 / 68

HEX #505232

RGB 80 82 50

HSL 63.75, 0.24%, 0.26%

LAB 33.92, -6.58, 18.54

 

CMYK 0 / 10 / 39 / 68

HEX #524A32

RGB 82 74 50

HSL 45, 0.24%, 0.26%

LAB 31.63, -0.78, 15.57

 

CMYK 0 / 20 / 39 / 68

HEX #524232

RGB 82 66 50

HSL 30, 0.24%, 0.26%

LAB 29.21, 4.25, 12.34

 

CMYK 23 / 0 / 39 / 68

HEX #3F5232

RGB 63 82 50

HSL 95.63, 0.24%, 0.26%

LAB 32.53, -14.12, 16.45

 

CMYK 33 / 0 / 39 / 68

HEX #375232

RGB 55 82 50

HSL 110.63, 0.24%, 0.26%

LAB 31.98, -17.39, 15.63

 

CMYK 39 / 0 / 34 / 68

HEX #325236

RGB 50 82 54

HSL 127.5, 0.24%, 0.26%

LAB 31.76, -18.53, 12.82

 

CMYK 39 / 0 / 24 / 68

HEX #32523E

RGB 50 82 62

HSL 142.5, 0.24%, 0.26%

LAB 31.94, -16.82, 8.08

 

CMYK 39 / 0 / 13 / 68

HEX #325247

RGB 50 82 71

HSL 159.38, 0.24%, 0.26%

LAB 32.19, -14.65, 2.74

 

CMYK 23 / 0 / 39 / 68

HEX #3F5232

RGB 63 82 50

HSL 95.63, 0.24%, 0.26%

LAB 32.53, -14.12, 16.45

 

CMYK 33 / 0 / 58 / 64

HEX #3E5C27

RGB 62 92 39

HSL 93.96, 0.4%, 0.26%

LAB 35.64, -21.55, 26.7

 

CMYK 42 / 0 / 73 / 60

HEX #3C671C

RGB 60 103 28

HSL 94.4, 0.57%, 0.26%

LAB 39.15, -28.89, 35.99

 

CMYK 49 / 0 / 84 / 55

HEX #3A7212

RGB 58 114 18

HSL 95, 0.73%, 0.26%

LAB 42.73, -35.2, 43.21

 

CMYK 55 / 0 / 94 / 51

HEX #387D07

RGB 56 125 7

HSL 95.08, 0.89%, 0.26%

LAB 46.34, -40.8, 49

 

CMYK 23 / 0 / 39 / 68

HEX #3F5232

RGB 63 82 50

HSL 95.63, 0.24%, 0.26%

LAB 32.53, -14.12, 16.45

 

CMYK 8 / 0 / 14 / 72

HEX #41473D

RGB 65 71 61

HSL 96, 0.08%, 0.26%

LAB 29.33, -4.66, 5.18

 

CMYK 6 / 15 / 0 / 72

HEX #433C47

RGB 67 60 71

HSL 278.18, 0.08%, 0.26%

LAB 26.39, 5.48, -5.62

 

CMYK 17 / 39 / 0 / 68

HEX #443252

RGB 68 50 82

HSL 273.75, 0.24%, 0.26%

LAB 24.06, 15.26, -16.44

 

CMYK 25 / 58 / 0 / 64

HEX #46275D

RGB 70 39 93

HSL 274.44, 0.41%, 0.26%

LAB 22.1, 25.91, -26.79

 

CMYK 1 / 0 / 39 / 68

HEX #515232

RGB 81 82 50

HSL 61.88, 0.24%, 0.26%

LAB 34.01, -6.12, 18.67

 

CMYK 12 / 0 / 39 / 68

HEX #485232

RGB 72 82 50

HSL 78.75, 0.24%, 0.26%

LAB 33.23, -10.21, 17.5

 

CMYK 22 / 0 / 39 / 68

HEX #405232

RGB 64 82 50

HSL 93.75, 0.24%, 0.26%

LAB 32.6, -13.69, 16.56

 

CMYK 33 / 0 / 39 / 68

HEX #375232

RGB 55 82 50

HSL 110.63, 0.24%, 0.26%

LAB 31.98, -17.39, 15.63

 

CMYK 39 / 0 / 35 / 68

HEX #325235

RGB 50 82 53

HSL 125.63, 0.24%, 0.26%

LAB 31.74, -18.73, 13.41

 

CMYK 23 / 0 / 39 / 88

HEX #181F13

RGB 24 31 19

HSL 95, 0.24%, 0.1%

LAB 10.71, -6.16, 7.03

 

CMYK 23 / 0 / 39 / 78

HEX #2B3822

RGB 43 56 34

HSL 95.45, 0.24%, 0.18%

LAB 21.79, -10.34, 12.05

 

CMYK 23 / 0 / 39 / 68

HEX #3F5232

RGB 63 82 50

HSL 95.63, 0.24%, 0.26%

LAB 32.53, -14.12, 16.45

 

CMYK 22 / 0 / 38 / 58

HEX #536B42

RGB 83 107 66

HSL 95.12, 0.24%, 0.34%

LAB 42.38, -17.12, 20.16

 

CMYK 23 / 0 / 39 / 48

HEX #678551

RGB 103 133 81

HSL 94.62, 0.24%, 0.42%

LAB 52.12, -20.66, 24.65

 

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

CMYK 39 / 0 / 10 / 68

HEX #32524A

RGB 50 82 74

HSL 165, 0.24%, 0.26%

LAB 32.27, -13.88, 0.97

 

CMYK 0 / 39 / 7 / 68

HEX #52324C

RGB 82 50 76

HSL 311.25, 0.24%, 0.26%

LAB 25.55, 19.14, -10.02

 

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

CMYK 39 / 22 / 0 / 68

HEX #324052

RGB 50 64 82

HSL 213.75, 0.24%, 0.26%

LAB 26.6, -0.48, -12.66

 

CMYK 0 / 39 / 22 / 68

HEX #523240

RGB 82 50 64

HSL 333.75, 0.24%, 0.26%

LAB 25.09, 16.81, -2.71

 

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

CMYK 39 / 0 / 10 / 68

HEX #32524A

RGB 50 82 74

HSL 165, 0.24%, 0.26%

LAB 32.27, -13.88, 0.97

 

CMYK 17 / 39 / 0 / 68

HEX #443252

RGB 68 50 82

HSL 273.75, 0.24%, 0.26%

LAB 24.06, 15.26, -16.44

 

CMYK 0 / 39 / 30 / 68

HEX #523239

RGB 82 50 57

HSL 346.88, 0.24%, 0.26%

LAB 24.86, 15.6, 1.65

 

CMYK 22 / 0 / 38 / 68

HEX #3F5132

RGB 63 81 50

HSL 94.84, 0.24%, 0.26%

LAB 32.2, -13.55, 16.01

 

CMYK 39 / 2 / 0 / 68

HEX #325052

RGB 50 80 82

HSL 183.75, 0.24%, 0.26%

LAB 31.86, -10.51, -4.72

 

CMYK 17 / 39 / 0 / 68

HEX #443252

RGB 68 50 82

HSL 273.75, 0.24%, 0.26%

LAB 24.06, 15.26, -16.44

 

CMYK 0 / 37 / 39 / 68

HEX #523432

RGB 82 52 50

HSL 3.75, 0.24%, 0.26%

LAB 25.2, 13.24, 6.82

 

Description

Color code: HEX #3F5132 | qconv.com Color code: HEX #3F5132 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 81 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 81 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 38 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 38% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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