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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 121 243 it is the complementary color RGB 194 134 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 121 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 121 243 shade: RGB 66 121 238, RGB 83 139 255, RGB 100 157 255, RGB 117 175 255 and RGB 134 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 121 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 121 243 shade: RGB 61 121 243, RGB 44 103 224, RGB 27 85 205, RGB 10 67 186 and RGB 0 49 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 121 243 shade: RGB 63 122 242, RGB 63 74 242, RGB 100 63 242, RGB 149 63 242 and RGB 197 63 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 121 243 shade: RGB 63 122 242, RGB 63 74 242 and RGB 63 63 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 121 243 shade matches the following richer shades: RGB 63 122 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 121 243 shade: RGB 63 122 242, RGB 79 128 226, RGB 96 133 209, RGB 112 139 193 and RGB 129 144 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 121 243 shade: RGB 63 218 242, RGB 63 170 242, RGB 63 123 242, RGB 63 75 242 and RGB 99 63 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 121 243 shade: RGB 13 78 210, RGB 24 95 240, RGB 63 122 242, RGB 102 149 245 and RGB 140 176 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 121 243 shade: RGB 61 121 243, RGB 218 63 242 and RGB 194 242 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 121 243 shade: RGB 61 121 243, RGB 242 63 123 and RGB 123 242 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 121 243 shade: RGB 61 121 243, RGB 218 63 242, RGB 242 182 63 and RGB 87 242 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 121 243 shade: RGB 61 121 243, RGB 242 63 212, RGB 242 182 63 and RGB 63 242 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 50 / 0 / 5

HEX #3D79F3

RGB 61 121 243

HSL 220.22, 0.88%, 0.6%

LAB 53.1, 22.26, -66.85

 

Complementary color

CMYK 0 / 31 / 94 / 24

HEX #C2860C

RGB 194 134 12

HSL 40.22, 0.88%, 0.4%

LAB 60.38, 14.36, 63.94

 

CMYK 72 / 49 / 0 / 7

HEX #4279EE

RGB 66 121 238

HSL 220.81, 0.83%, 0.6%

LAB 52.96, 21.06, -64.29

 

CMYK 67 / 45 / 0 / 0

HEX #538BFF

RGB 83 139 255

HSL 220.47, 1%, 0.66%

LAB 59.46, 18.37, -63.2

 

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

CMYK 54 / 31 / 0 / 0

HEX #75AFFF

RGB 117 175 255

HSL 214.78, 1%, 0.73%

LAB 70.64, 3.48, -45.36

 

CMYK 47 / 24 / 0 / 0

HEX #86C1FF

RGB 134 193 255

HSL 210.74, 1%, 0.76%

LAB 76.33, -2.73, -36.42

 

CMYK 75 / 50 / 0 / 5

HEX #3D79F3

RGB 61 121 243

HSL 220.22, 0.88%, 0.6%

LAB 53.1, 22.26, -66.85

 

CMYK 80 / 54 / 0 / 12

HEX #2C67E0

RGB 44 103 224

HSL 220.33, 0.74%, 0.53%

LAB 46.47, 24.84, -66.95

 

CMYK 87 / 59 / 0 / 20

HEX #1B55CD

RGB 27 85 205

HSL 220.45, 0.77%, 0.45%

LAB 39.81, 27.94, -66.95

 

CMYK 95 / 64 / 0 / 27

HEX #0A43BA

RGB 10 67 186

HSL 220.57, 0.9%, 0.38%

LAB 33.19, 31.61, -66.72

 

CMYK 100 / 71 / 0 / 35

HEX #0031A7

RGB 0 49 167

HSL 222.4, 1%, 0.33%

LAB 26.7, 35.75, -66.07

 

CMYK 74 / 50 / 0 / 5

HEX #3F7AF2

RGB 63 122 242

HSL 220.22, 0.87%, 0.6%

LAB 53.37, 21.51, -65.85

 

CMYK 74 / 69 / 0 / 5

HEX #3F4AF2

RGB 63 74 242

HSL 236.31, 0.87%, 0.6%

LAB 41.79, 50.88, -84.74

 

CMYK 59 / 74 / 0 / 5

HEX #643FF2

RGB 100 63 242

HSL 252.4, 0.87%, 0.6%

LAB 42.27, 60.69, -83.86

 

CMYK 38 / 74 / 0 / 5

HEX #953FF2

RGB 149 63 242

HSL 268.83, 0.87%, 0.6%

LAB 47.44, 67.75, -75.19

 

CMYK 19 / 74 / 0 / 5

HEX #C53FF2

RGB 197 63 242

HSL 284.92, 0.87%, 0.6%

LAB 53.85, 76.18, -64.49

 

CMYK 74 / 50 / 0 / 5

HEX #3F7AF2

RGB 63 122 242

HSL 220.22, 0.87%, 0.6%

LAB 53.37, 21.51, -65.85

 

CMYK 74 / 69 / 0 / 5

HEX #3F4AF2

RGB 63 74 242

HSL 236.31, 0.87%, 0.6%

LAB 41.79, 50.88, -84.74

 

CMYK 74 / 74 / 0 / 5

HEX #3F3FF2

RGB 63 63 242

HSL 240, 0.87%, 0.6%

LAB 39.62, 56.94, -88.32

 

CMYK 74 / 50 / 0 / 5

HEX #3F7AF2

RGB 63 122 242

HSL 220.22, 0.87%, 0.6%

LAB 53.37, 21.51, -65.85

 

CMYK 74 / 50 / 0 / 5

HEX #3F7AF2

RGB 63 122 242

HSL 220.22, 0.87%, 0.6%

LAB 53.37, 21.51, -65.85

 

CMYK 65 / 43 / 0 / 11

HEX #4F80E2

RGB 79 128 226

HSL 220, 0.72%, 0.6%

LAB 54.65, 14.43, -54.83

 

CMYK 54 / 36 / 0 / 18

HEX #6085D1

RGB 96 133 209

HSL 220.35, 0.55%, 0.6%

LAB 55.95, 9.02, -43.15

 

CMYK 42 / 28 / 0 / 24

HEX #708BC1

RGB 112 139 193

HSL 220, 0.4%, 0.6%

LAB 57.81, 4.51, -31.13

 

CMYK 27 / 18 / 0 / 31

HEX #8190B0

RGB 129 144 176

HSL 220.85, 0.23%, 0.6%

LAB 59.66, 2, -18.54

 

CMYK 74 / 10 / 0 / 5

HEX #3FDAF2

RGB 63 218 242

HSL 188.04, 0.87%, 0.6%

LAB 80.52, -31.76, -23.24

 

CMYK 74 / 30 / 0 / 5

HEX #3FAAF2

RGB 63 170 242

HSL 204.13, 0.87%, 0.6%

LAB 66.69, -6.94, -44.64

 

CMYK 74 / 49 / 0 / 5

HEX #3F7BF2

RGB 63 123 242

HSL 219.89, 0.87%, 0.6%

LAB 53.64, 20.89, -65.42

 

CMYK 74 / 69 / 0 / 5

HEX #3F4BF2

RGB 63 75 242

HSL 235.98, 0.87%, 0.6%

LAB 42, 50.31, -84.39

 

CMYK 59 / 74 / 0 / 5

HEX #633FF2

RGB 99 63 242

HSL 252.07, 0.87%, 0.6%

LAB 42.18, 60.57, -84.01

 

CMYK 94 / 63 / 0 / 18

HEX #0D4ED2

RGB 13 78 210

HSL 220.2, 0.88%, 0.44%

LAB 38.18, 33.79, -72.52

 

CMYK 90 / 60 / 0 / 6

HEX #185FF0

RGB 24 95 240

HSL 220.28, 0.88%, 0.52%

LAB 45.18, 34.67, -78.1

 

CMYK 74 / 50 / 0 / 5

HEX #3F7AF2

RGB 63 122 242

HSL 220.22, 0.87%, 0.6%

LAB 53.37, 21.51, -65.85

 

CMYK 58 / 39 / 0 / 4

HEX #6695F5

RGB 102 149 245

HSL 220.28, 0.88%, 0.68%

LAB 62.43, 12.31, -52.9

 

CMYK 43 / 29 / 0 / 3

HEX #8CB0F7

RGB 140 176 247

HSL 219.81, 0.87%, 0.76%

LAB 71.79, 5.83, -39.14

 

CMYK 75 / 50 / 0 / 5

HEX #3D79F3

RGB 61 121 243

HSL 220.22, 0.88%, 0.6%

LAB 53.1, 22.26, -66.85

 

CMYK 10 / 74 / 0 / 5

HEX #DA3FF2

RGB 218 63 242

HSL 291.96, 0.87%, 0.6%

LAB 56.95, 80.16, -59.34

 

CMYK 20 / 0 / 74 / 5

HEX #C2F23F

RGB 194 242 63

HSL 76.09, 0.87%, 0.6%

LAB 89.55, -38.55, 75.68

 

CMYK 75 / 50 / 0 / 5

HEX #3D79F3

RGB 61 121 243

HSL 220.22, 0.88%, 0.6%

LAB 53.1, 22.26, -66.85

 

CMYK 0 / 74 / 49 / 5

HEX #F23F7B

RGB 242 63 123

HSL 339.89, 0.87%, 0.6%

LAB 55.95, 70.62, 8.25

 

CMYK 49 / 0 / 74 / 5

HEX #7BF23F

RGB 123 242 63

HSL 99.89, 0.87%, 0.6%

LAB 86.04, -62.61, 71.08

 

CMYK 75 / 50 / 0 / 5

HEX #3D79F3

RGB 61 121 243

HSL 220.22, 0.88%, 0.6%

LAB 53.1, 22.26, -66.85

 

CMYK 10 / 74 / 0 / 5

HEX #DA3FF2

RGB 218 63 242

HSL 291.96, 0.87%, 0.6%

LAB 56.95, 80.16, -59.34

 

CMYK 0 / 25 / 74 / 5

HEX #F2B63F

RGB 242 182 63

HSL 39.89, 0.87%, 0.6%

LAB 77.69, 10.89, 65.61

 

CMYK 64 / 0 / 74 / 5

HEX #57F23F

RGB 87 242 63

HSL 111.96, 0.87%, 0.6%

LAB 84.94, -71.39, 69.62

 

CMYK 75 / 50 / 0 / 5

HEX #3D79F3

RGB 61 121 243

HSL 220.22, 0.88%, 0.6%

LAB 53.1, 22.26, -66.85

 

CMYK 0 / 74 / 12 / 5

HEX #F23FD4

RGB 242 63 212

HSL 310.06, 0.87%, 0.6%

LAB 59.15, 80.47, -38.74

 

CMYK 0 / 25 / 74 / 5

HEX #F2B63F

RGB 242 182 63

HSL 39.89, 0.87%, 0.6%

LAB 77.69, 10.89, 65.61

 

CMYK 74 / 0 / 62 / 5

HEX #3FF25D

RGB 63 242 93

HSL 130.06, 0.87%, 0.6%

LAB 84.66, -72.88, 57.85

 

Description

Color code: RGB 61 121 243 | qconv.com Color code: RGB 61 121 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 121 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 121 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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