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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649DFF it is the complementary color #9B6200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649DFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649DFF shade: #699DFA, #7AAFFF, #8BC1FF, #9CD3FF and #ADE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649DFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649DFF shade: #649DFF, #538BEC, #4279D9, #3167C6 and #2055B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649DFF shade: #659EFF, #6574FF, #8065FF, #A965FF and #D265FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649DFF shade: #659EFF, #6574FF and #6565FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649DFF shade matches the following richer shades: #659EFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649DFF shade: #659EFF, #72A1F2, #7EA4E6, #8BA8D9 and #97ABCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649DFF shade: #65F2FF, #65C9FF, #65A0FF, #6577FF and #7C65FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649DFF shade: #136AFF, #3C84FF, #659EFF, #8FB8FF and #B8D2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649DFF shade: #649DFF, #E265FF and #DDFF65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649DFF shade: #649DFF, #FF65A0 and #A0FF65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649DFF shade: #649DFF, #E265FF, #FFC465 and #82FF65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649DFF shade: #649DFF, #FF65ED, #FFC465 and #65FF77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

Complementary color

CMYK 0 / 37 / 100 / 39

HEX #9B6200

RGB 155 98 0

HSL 37.94, 1%, 0.3%

LAB 46.58, 16.76, 54.37

 

CMYK 58 / 37 / 0 / 2

HEX #699DFA

RGB 105 157 250

HSL 218.48, 0.94%, 0.7%

LAB 64.98, 9.81, -51.6

 

CMYK 52 / 31 / 0 / 0

HEX #7AAFFF

RGB 122 175 255

HSL 216.09, 1%, 0.74%

LAB 70.88, 4.54, -44.95

 

CMYK 45 / 24 / 0 / 0

HEX #8BC1FF

RGB 139 193 255

HSL 212.07, 1%, 0.77%

LAB 76.59, -1.56, -36

 

CMYK 39 / 17 / 0 / 0

HEX #9CD3FF

RGB 156 211 255

HSL 206.67, 1%, 0.81%

LAB 82.31, -6.97, -27.12

 

CMYK 32 / 10 / 0 / 0

HEX #ADE5FF

RGB 173 229 255

HSL 199.02, 1%, 0.84%

LAB 88.04, -11.79, -18.34

 

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

CMYK 65 / 41 / 0 / 7

HEX #538BEC

RGB 83 139 236

HSL 218.04, 0.8%, 0.63%

LAB 58.38, 11.86, -54.44

 

CMYK 70 / 44 / 0 / 15

HEX #4279D9

RGB 66 121 217

HSL 218.15, 0.67%, 0.55%

LAB 51.66, 13.53, -54.58

 

CMYK 75 / 48 / 0 / 22

HEX #3167C6

RGB 49 103 198

HSL 218.26, 0.6%, 0.48%

LAB 44.84, 15.59, -54.72

 

CMYK 82 / 53 / 0 / 30

HEX #2055B3

RGB 32 85 179

HSL 218.37, 0.7%, 0.41%

LAB 37.95, 18.17, -54.8

 

CMYK 60 / 38 / 0 / 0

HEX #659EFF

RGB 101 158 255

HSL 217.79, 1%, 0.7%

LAB 65.31, 10.09, -53.81

 

CMYK 60 / 55 / 0 / 0

HEX #6574FF

RGB 101 116 255

HSL 234.16, 1%, 0.7%

LAB 54.53, 35.14, -71.09

 

CMYK 50 / 60 / 0 / 0

HEX #8065FF

RGB 128 101 255

HSL 250.52, 1%, 0.7%

LAB 53.08, 48.66, -73.36

 

CMYK 34 / 60 / 0 / 0

HEX #A965FF

RGB 169 101 255

HSL 266.49, 1%, 0.7%

LAB 57.04, 56.93, -66.76

 

CMYK 18 / 60 / 0 / 0

HEX #D265FF

RGB 210 101 255

HSL 282.47, 1%, 0.7%

LAB 61.85, 66.12, -58.77

 

CMYK 60 / 38 / 0 / 0

HEX #659EFF

RGB 101 158 255

HSL 217.79, 1%, 0.7%

LAB 65.31, 10.09, -53.81

 

CMYK 60 / 55 / 0 / 0

HEX #6574FF

RGB 101 116 255

HSL 234.16, 1%, 0.7%

LAB 54.53, 35.14, -71.09

 

CMYK 60 / 60 / 0 / 0

HEX #6565FF

RGB 101 101 255

HSL 240, 1%, 0.7%

LAB 51.03, 44.05, -76.78

 

CMYK 60 / 38 / 0 / 0

HEX #659EFF

RGB 101 158 255

HSL 217.79, 1%, 0.7%

LAB 65.31, 10.09, -53.81

 

CMYK 60 / 38 / 0 / 0

HEX #659EFF

RGB 101 158 255

HSL 217.79, 1%, 0.7%

LAB 65.31, 10.09, -53.81

 

CMYK 53 / 33 / 0 / 5

HEX #72A1F2

RGB 114 161 242

HSL 217.97, 0.83%, 0.7%

LAB 66.12, 6.83, -45.39

 

CMYK 45 / 29 / 0 / 10

HEX #7EA4E6

RGB 126 164 230

HSL 218.08, 0.68%, 0.7%

LAB 67.05, 4.33, -37.31

 

CMYK 36 / 23 / 0 / 15

HEX #8BA8D9

RGB 139 168 217

HSL 217.69, 0.51%, 0.7%

LAB 68.39, 1.9, -28.03

 

CMYK 26 / 17 / 0 / 20

HEX #97ABCD

RGB 151 171 205

HSL 217.78, 0.35%, 0.7%

LAB 69.55, 0.7, -19.58

 

CMYK 60 / 5 / 0 / 0

HEX #65F2FF

RGB 101 242 255

HSL 185.06, 1%, 0.7%

LAB 88.68, -34.13, -17.66

 

CMYK 60 / 21 / 0 / 0

HEX #65C9FF

RGB 101 201 255

HSL 201.04, 1%, 0.7%

LAB 77.14, -13.78, -35.28

 

CMYK 60 / 37 / 0 / 0

HEX #65A0FF

RGB 101 160 255

HSL 217.01, 1%, 0.7%

LAB 65.85, 8.93, -52.96

 

CMYK 60 / 53 / 0 / 0

HEX #6577FF

RGB 101 119 255

HSL 232.99, 1%, 0.7%

LAB 55.26, 33.34, -69.91

 

CMYK 51 / 60 / 0 / 0

HEX #7C65FF

RGB 124 101 255

HSL 248.96, 1%, 0.7%

LAB 52.74, 47.92, -73.91

 

CMYK 93 / 58 / 0 / 0

HEX #136AFF

RGB 19 106 255

HSL 217.88, 1%, 0.54%

LAB 49.09, 33.14, -80.07

 

CMYK 76 / 48 / 0 / 0

HEX #3C84FF

RGB 60 132 255

HSL 217.85, 1%, 0.62%

LAB 56.77, 19.7, -67.57

 

CMYK 60 / 38 / 0 / 0

HEX #659EFF

RGB 101 158 255

HSL 217.79, 1%, 0.7%

LAB 65.31, 10.09, -53.81

 

CMYK 44 / 28 / 0 / 0

HEX #8FB8FF

RGB 143 184 255

HSL 218.04, 1%, 0.78%

LAB 74.41, 4.35, -39.37

 

CMYK 28 / 18 / 0 / 0

HEX #B8D2FF

RGB 184 210 255

HSL 218.03, 1%, 0.86%

LAB 83.71, 1.2, -24.84

 

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

CMYK 11 / 60 / 0 / 0

HEX #E265FF

RGB 226 101 255

HSL 288.7, 1%, 0.7%

LAB 63.91, 69.83, -55.36

 

CMYK 13 / 0 / 60 / 0

HEX #DDFF65

RGB 221 255 101

HSL 73.25, 1%, 0.7%

LAB 95.09, -31.8, 67.96

 

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

CMYK 0 / 60 / 37 / 0

HEX #FF65A0

RGB 255 101 160

HSL 337.01, 1%, 0.7%

LAB 64.25, 63.68, -1.08

 

CMYK 37 / 0 / 60 / 0

HEX #A0FF65

RGB 160 255 101

HSL 97.01, 1%, 0.7%

LAB 91.65, -53.51, 63.2

 

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

CMYK 11 / 60 / 0 / 0

HEX #E265FF

RGB 226 101 255

HSL 288.7, 1%, 0.7%

LAB 63.91, 69.83, -55.36

 

CMYK 0 / 23 / 60 / 0

HEX #FFC465

RGB 255 196 101

HSL 37.01, 1%, 0.7%

LAB 82.74, 11.09, 54.91

 

CMYK 49 / 0 / 60 / 0

HEX #82FF65

RGB 130 255 101

HSL 108.7, 1%, 0.7%

LAB 90.42, -62.42, 61.47

 

CMYK 61 / 38 / 0 / 0

HEX #649DFF

RGB 100 157 255

HSL 217.94, 1%, 0.7%

LAB 65, 10.49, -54.31

 

CMYK 0 / 60 / 7 / 0

HEX #FF65ED

RGB 255 101 237

HSL 307.01, 1%, 0.7%

LAB 67.04, 73.79, -40.24

 

CMYK 0 / 23 / 60 / 0

HEX #FFC465

RGB 255 196 101

HSL 37.01, 1%, 0.7%

LAB 82.74, 11.09, 54.91

 

CMYK 60 / 0 / 53 / 0

HEX #65FF77

RGB 101 255 119

HSL 127.01, 1%, 0.7%

LAB 89.68, -67.4, 52.5

 

Description

Color code: HEX #649DFF | qconv.com Color code: HEX #649DFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 157 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 157 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 38 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 38% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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