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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 241 82 it is the complementary color RGB 196 14 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 241 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 241 82 shade: RGB 64 241 77, RGB 81 255 96, RGB 98 255 115, RGB 115 255 134 and RGB 132 255 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 241 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 42 223 63, RGB 25 205 44, RGB 8 187 25 and RGB 0 169 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 85 241 59, RGB 134 241 59, RGB 183 241 59 and RGB 232 241 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 59 241 131, RGB 59 241 180, RGB 59 241 229 and RGB 59 204 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 241 82 shade matches the following richer shades: RGB 59 241 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 76 224 95, RGB 93 207 107, RGB 110 190 120 and RGB 127 173 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 241 82 shade: RGB 135 241 59, RGB 86 241 59, RGB 59 241 80, RGB 59 241 129 and RGB 59 241 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 241 82 shade: RGB 14 204 38, RGB 20 238 48, RGB 59 241 82, RGB 98 244 116 and RGB 136 246 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 59 183 241 and RGB 241 59 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 80 59 241 and RGB 241 80 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 59 183 241, RGB 241 59 220 and RGB 241 117 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 241 82 shade: RGB 59 241 82, RGB 59 129 241, RGB 241 59 220 and RGB 241 171 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

Complementary color

CMYK 0 / 93 / 12 / 23

HEX #C40EAD

RGB 196 14 173

HSL 307.58, 0.87%, 0.41%

LAB 45.73, 76.12, -37.81

 

CMYK 73 / 0 / 68 / 5

HEX #40F14D

RGB 64 241 77

HSL 124.41, 0.86%, 0.6%

LAB 84.24, -74.02, 63.81

 

CMYK 68 / 0 / 62 / 0

HEX #51FF60

RGB 81 255 96

HSL 125.17, 1%, 0.66%

LAB 88.98, -73.88, 61.54

 

CMYK 62 / 0 / 55 / 0

HEX #62FF73

RGB 98 255 115

HSL 126.5, 1%, 0.69%

LAB 89.56, -68.52, 54.14

 

CMYK 55 / 0 / 47 / 0

HEX #73FF86

RGB 115 255 134

HSL 128.14, 1%, 0.73%

LAB 90.27, -62.3, 46.34

 

CMYK 48 / 0 / 40 / 0

HEX #84FF99

RGB 132 255 153

HSL 130.24, 1%, 0.76%

LAB 91.11, -55.31, 38.34

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 81 / 0 / 72 / 13

HEX #2ADF3F

RGB 42 223 63

HSL 126.96, 0.74%, 0.52%

LAB 78.24, -72.58, 62.6

 

CMYK 88 / 0 / 79 / 20

HEX #19CD2C

RGB 25 205 44

HSL 126.33, 0.78%, 0.45%

LAB 72.26, -70.29, 62.88

 

CMYK 96 / 0 / 87 / 27

HEX #08BB19

RGB 8 187 25

HSL 125.7, 0.92%, 0.38%

LAB 66.26, -67.2, 62.28

 

CMYK 100 / 0 / 96 / 34

HEX #00A906

RGB 0 169 6

HSL 122.13, 1%, 0.33%

LAB 60.24, -63.18, 60.3

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 65 / 0 / 76 / 5

HEX #55F13B

RGB 85 241 59

HSL 111.43, 0.87%, 0.59%

LAB 84.56, -71.74, 70.51

 

CMYK 44 / 0 / 76 / 5

HEX #86F13B

RGB 134 241 59

HSL 95.27, 0.87%, 0.59%

LAB 86.15, -59.25, 72.6

 

CMYK 24 / 0 / 76 / 5

HEX #B7F13B

RGB 183 241 59

HSL 79.12, 0.87%, 0.59%

LAB 88.59, -42.47, 75.77

 

CMYK 4 / 0 / 76 / 5

HEX #E8F13B

RGB 232 241 59

HSL 62.97, 0.87%, 0.59%

LAB 91.86, -23.2, 79.98

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 76 / 0 / 46 / 5

HEX #3BF183

RGB 59 241 131

HSL 143.74, 0.87%, 0.59%

LAB 84.73, -67.93, 40.5

 

CMYK 76 / 0 / 25 / 5

HEX #3BF1B4

RGB 59 241 180

HSL 159.89, 0.87%, 0.59%

LAB 85.57, -58.5, 16.86

 

CMYK 76 / 0 / 5 / 5

HEX #3BF1E5

RGB 59 241 229

HSL 176.04, 0.87%, 0.59%

LAB 86.75, -46.38, -7.03

 

CMYK 76 / 15 / 0 / 5

HEX #3BCCF1

RGB 59 204 241

HSL 192.2, 0.87%, 0.59%

LAB 76.35, -25.67, -29.08

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 66 / 0 / 58 / 12

HEX #4CE05F

RGB 76 224 95

HSL 127.7, 0.7%, 0.59%

LAB 79.43, -64.58, 51.03

 

CMYK 55 / 0 / 48 / 19

HEX #5DCF6B

RGB 93 207 107

HSL 127.37, 0.54%, 0.59%

LAB 74.83, -53.07, 39.92

 

CMYK 42 / 0 / 37 / 25

HEX #6EBE78

RGB 110 190 120

HSL 127.5, 0.38%, 0.59%

LAB 70.52, -39.33, 27.88

 

CMYK 27 / 0 / 23 / 32

HEX #7FAD85

RGB 127 173 133

HSL 127.83, 0.22%, 0.59%

LAB 66.59, -23.58, 15.69

 

CMYK 44 / 0 / 76 / 5

HEX #87F13B

RGB 135 241 59

HSL 94.95, 0.87%, 0.59%

LAB 86.19, -58.94, 72.65

 

CMYK 64 / 0 / 76 / 5

HEX #56F13B

RGB 86 241 59

HSL 111.1, 0.87%, 0.59%

LAB 84.59, -71.53, 70.55

 

CMYK 76 / 0 / 67 / 5

HEX #3BF150

RGB 59 241 80

HSL 126.92, 0.87%, 0.59%

LAB 84.18, -74.45, 62.57

 

CMYK 76 / 0 / 46 / 5

HEX #3BF181

RGB 59 241 129

HSL 143.08, 0.87%, 0.59%

LAB 84.7, -68.25, 41.44

 

CMYK 76 / 0 / 27 / 5

HEX #3BF1B1

RGB 59 241 177

HSL 158.9, 0.87%, 0.59%

LAB 85.51, -59.16, 18.33

 

CMYK 93 / 0 / 81 / 20

HEX #0ECC26

RGB 14 204 38

HSL 127.58, 0.87%, 0.43%

LAB 71.84, -71.04, 64.17

 

CMYK 92 / 0 / 80 / 7

HEX #14EE30

RGB 20 238 48

HSL 127.71, 0.87%, 0.51%

LAB 82.65, -79.59, 71.57

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 60 / 0 / 52 / 4

HEX #62F474

RGB 98 244 116

HSL 127.4, 0.87%, 0.67%

LAB 86.29, -64.51, 49.75

 

CMYK 45 / 0 / 39 / 4

HEX #88F696

RGB 136 246 150

HSL 127.64, 0.86%, 0.75%

LAB 88.61, -51.06, 36.59

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 76 / 24 / 0 / 5

HEX #3BB7F1

RGB 59 183 241

HSL 199.12, 0.87%, 0.59%

LAB 70.28, -14.83, -38.48

 

CMYK 0 / 76 / 54 / 5

HEX #F13B6F

RGB 241 59 111

HSL 342.86, 0.87%, 0.59%

LAB 55.05, 70.65, 14.11

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 67 / 76 / 0 / 5

HEX #503BF1

RGB 80 59 241

HSL 246.92, 0.87%, 0.59%

LAB 39.89, 60.16, -87.28

 

CMYK 0 / 67 / 76 / 5

HEX #F1503B

RGB 241 80 59

HSL 6.92, 0.87%, 0.59%

LAB 56.83, 60.54, 46.18

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 76 / 24 / 0 / 5

HEX #3BB7F1

RGB 59 183 241

HSL 199.12, 0.87%, 0.59%

LAB 70.28, -14.83, -38.48

 

CMYK 0 / 76 / 9 / 5

HEX #F13BDC

RGB 241 59 220

HSL 306.92, 0.87%, 0.59%

LAB 58.97, 82.51, -43.56

 

CMYK 0 / 51 / 76 / 5

HEX #F1753B

RGB 241 117 59

HSL 19.12, 0.87%, 0.59%

LAB 63.13, 44.04, 52.75

 

CMYK 76 / 0 / 66 / 5

HEX #3BF152

RGB 59 241 82

HSL 127.58, 0.87%, 0.59%

LAB 84.2, -74.26, 61.81

 

CMYK 76 / 46 / 0 / 5

HEX #3B81F1

RGB 59 129 241

HSL 216.92, 0.87%, 0.59%

LAB 55.05, 16.35, -62.59

 

CMYK 0 / 76 / 9 / 5

HEX #F13BDC

RGB 241 59 220

HSL 306.92, 0.87%, 0.59%

LAB 58.97, 82.51, -43.56

 

CMYK 0 / 29 / 76 / 5

HEX #F1AB3B

RGB 241 171 59

HSL 36.92, 0.87%, 0.59%

LAB 74.91, 16.09, 64.43

 

Description

Color code: RGB 59 241 82 | qconv.com Color code: RGB 59 241 82 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 241 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 241 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 66 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 66% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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