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Color name
CMYK 42 / 0 / 37 / 25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 42 / 0 / 37 / 25 it is the complementary color CMYK 0 / 56 / 6 / 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 42 / 0 / 37 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 39 / 0 / 40 / 25, CMYK 36 / 0 / 36 / 18, CMYK 34 / 0 / 33 / 11, CMYK 32 / 0 / 30 / 4 and CMYK 28 / 0 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 42 / 0 / 37 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 46 / 0 / 42 / 32, CMYK 50 / 0 / 47 / 39, CMYK 56 / 0 / 54 / 46 and CMYK 64 / 0 / 63 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 35 / 0 / 42 / 25, CMYK 24 / 0 / 42 / 25, CMYK 13 / 0 / 42 / 25 and CMYK 2 / 0 / 42 / 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 42 / 0 / 26 / 25, CMYK 42 / 0 / 15 / 25, CMYK 42 / 0 / 4 / 25 and CMYK 42 / 8 / 0 / 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 42 / 0 / 37 / 25 shade matches the following richer shades: CMYK 42 / 0 / 37 / 25, CMYK 55 / 0 / 49 / 19, CMYK 66 / 0 / 58 / 12 and CMYK 75 / 0 / 67 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 27 / 0 / 24 / 32, CMYK 8 / 0 / 7 / 39, CMYK 0 / 14 / 2 / 37 and CMYK 0 / 31 / 3 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 24 / 0 / 42 / 25, CMYK 35 / 0 / 42 / 25, CMYK 42 / 0 / 38 / 25, CMYK 42 / 0 / 27 / 25 and CMYK 42 / 0 / 15 / 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 55 / 0 / 49 / 41, CMYK 54 / 0 / 48 / 31, CMYK 42 / 0 / 37 / 25, CMYK 31 / 0 / 28 / 21 and CMYK 22 / 0 / 20 / 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 42 / 13 / 0 / 25 and CMYK 0 / 42 / 29 / 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 38 / 42 / 0 / 25 and CMYK 0 / 38 / 42 / 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 42 / 13 / 0 / 25, CMYK 0 / 42 / 4 / 25 and CMYK 0 / 29 / 42 / 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 42 / 0 / 37 / 25 shade: CMYK 42 / 0 / 37 / 25, CMYK 42 / 25 / 0 / 25, CMYK 0 / 42 / 4 / 25 and CMYK 0 / 17 / 42 / 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 37 / 25

HEX #6FBF78

RGB 111 191 120

HSL 126.75, 0.38%, 0.59%

LAB 70.87, -39.47, 28.34

 

Complementary color

CMYK 0 / 56 / 6 / 44

HEX #904087

RGB 144 64 135

HSL 306.75, 0.38%, 0.41%

LAB 40.16, 43.52, -24.29

 

CMYK 39 / 0 / 40 / 25

HEX #74BF73

RGB 116 191 115

HSL 119.21, 0.37%, 0.6%

LAB 71.02, -38.75, 31.19

 

CMYK 36 / 0 / 36 / 18

HEX #85D186

RGB 133 209 134

HSL 120.79, 0.45%, 0.67%

LAB 77.47, -38.52, 29.98

 

CMYK 34 / 0 / 33 / 11

HEX #96E399

RGB 150 227 153

HSL 122.34, 0.58%, 0.74%

LAB 83.82, -38.28, 28.84

 

CMYK 32 / 0 / 30 / 4

HEX #A7F5AC

RGB 167 245 172

HSL 123.85, 0.8%, 0.81%

LAB 90.09, -38.03, 27.75

 

CMYK 28 / 0 / 25 / 0

HEX #B8FFBF

RGB 184 255 191

HSL 125.92, 1%, 0.86%

LAB 94.09, -34.15, 23.71

 

CMYK 42 / 0 / 37 / 25

HEX #6FBF78

RGB 111 191 120

HSL 126.75, 0.38%, 0.59%

LAB 70.87, -39.47, 28.34

 

CMYK 46 / 0 / 42 / 32

HEX #5EAD65

RGB 94 173 101

HSL 125.32, 0.33%, 0.52%

LAB 64.33, -39.67, 29.62

 

CMYK 50 / 0 / 47 / 39

HEX #4D9B52

RGB 77 155 82

HSL 123.85, 0.34%, 0.45%

LAB 57.68, -39.78, 30.96

 

CMYK 56 / 0 / 54 / 46

HEX #3C893F

RGB 60 137 63

HSL 122.34, 0.39%, 0.39%

LAB 50.93, -39.73, 32.36

 

CMYK 64 / 0 / 63 / 53

HEX #2B772C

RGB 43 119 44

HSL 120.79, 0.47%, 0.32%

LAB 44.07, -39.38, 33.72

 

CMYK 42 / 0 / 37 / 25

HEX #6EBE77

RGB 110 190 119

HSL 126.75, 0.38%, 0.59%

LAB 70.51, -39.49, 28.38

 

CMYK 35 / 0 / 42 / 25

HEX #7BBE6E

RGB 123 190 110

HSL 110.25, 0.38%, 0.59%

LAB 70.98, -36.8, 33.8

 

CMYK 24 / 0 / 42 / 25

HEX #90BE6E

RGB 144 190 110

HSL 94.5, 0.38%, 0.59%

LAB 72.15, -29.5, 35.52

 

CMYK 13 / 0 / 42 / 25

HEX #A6BE6E

RGB 166 190 110

HSL 78, 0.38%, 0.59%

LAB 73.58, -21.21, 37.64

 

CMYK 2 / 0 / 42 / 25

HEX #BBBE6E

RGB 187 190 110

HSL 62.25, 0.38%, 0.59%

LAB 75.15, -12.89, 39.94

 

CMYK 42 / 0 / 37 / 25

HEX #6EBE77

RGB 110 190 119

HSL 126.75, 0.38%, 0.59%

LAB 70.51, -39.49, 28.38

 

CMYK 42 / 0 / 26 / 25

HEX #6EBE8D

RGB 110 190 141

HSL 143.25, 0.38%, 0.59%

LAB 70.92, -35.53, 17.22

 

CMYK 42 / 0 / 15 / 25

HEX #6EBEA2

RGB 110 190 162

HSL 159, 0.38%, 0.59%

LAB 71.39, -31.14, 6.5

 

CMYK 42 / 0 / 4 / 25

HEX #6EBEB7

RGB 110 190 183

HSL 174.75, 0.38%, 0.59%

LAB 71.93, -26.22, -4.17

 

CMYK 42 / 8 / 0 / 25

HEX #6EAEBE

RGB 110 174 190

HSL 192, 0.38%, 0.59%

LAB 67.51, -16.28, -14.62

 

CMYK 42 / 0 / 37 / 25

HEX #6EBE77

RGB 110 190 119

HSL 126.75, 0.38%, 0.59%

LAB 70.51, -39.49, 28.38

 

CMYK 55 / 0 / 49 / 19

HEX #5DCF6A

RGB 93 207 106

HSL 126.84, 0.54%, 0.59%

LAB 74.82, -53.21, 40.4

 

CMYK 66 / 0 / 58 / 12

HEX #4CE05D

RGB 76 224 93

HSL 126.89, 0.7%, 0.59%

LAB 79.41, -64.82, 51.9

 

CMYK 75 / 0 / 67 / 6

HEX #3BF050

RGB 59 240 80

HSL 126.96, 0.86%, 0.59%

LAB 83.88, -74.14, 62.24

 

CMYK 42 / 0 / 37 / 25

HEX #6EBE77

RGB 110 190 119

HSL 126.75, 0.38%, 0.59%

LAB 70.51, -39.49, 28.38

 

CMYK 27 / 0 / 24 / 32

HEX #7FAD84

RGB 127 173 132

HSL 126.52, 0.22%, 0.59%

LAB 66.57, -23.76, 16.21

 

CMYK 8 / 0 / 7 / 39

HEX #909C91

RGB 144 156 145

HSL 125, 0.06%, 0.59%

LAB 63.14, -6.44, 4.29

 

CMYK 0 / 14 / 2 / 37

HEX #A18B9E

RGB 161 139 158

HSL 308.18, 0.1%, 0.59%

LAB 60.35, 11.73, -7

 

CMYK 0 / 31 / 3 / 30

HEX #B27AAC

RGB 178 122 172

HSL 306.43, 0.27%, 0.59%

LAB 58.38, 29.99, -17.8

 

CMYK 24 / 0 / 42 / 25

HEX #91BE6E

RGB 145 190 110

HSL 93.75, 0.38%, 0.59%

LAB 72.21, -29.13, 35.61

 

CMYK 35 / 0 / 42 / 25

HEX #7BBE6E

RGB 123 190 110

HSL 110.25, 0.38%, 0.59%

LAB 70.98, -36.8, 33.8

 

CMYK 42 / 0 / 38 / 25

HEX #6EBE76

RGB 110 190 118

HSL 126, 0.38%, 0.59%

LAB 70.49, -39.66, 28.88

 

CMYK 42 / 0 / 27 / 25

HEX #6EBE8B

RGB 110 190 139

HSL 141.75, 0.38%, 0.59%

LAB 70.88, -35.92, 18.24

 

CMYK 42 / 0 / 15 / 25

HEX #6EBEA1

RGB 110 190 161

HSL 158.25, 0.38%, 0.59%

LAB 71.36, -31.36, 7.01

 

CMYK 55 / 0 / 49 / 41

HEX #43964D

RGB 67 150 77

HSL 127.23, 0.38%, 0.43%

LAB 55.63, -41.2, 30.92

 

CMYK 54 / 0 / 48 / 31

HEX #52B15C

RGB 82 177 92

HSL 126.32, 0.38%, 0.51%

LAB 64.97, -46.1, 35.01

 

CMYK 42 / 0 / 37 / 25

HEX #6EBE77

RGB 110 190 119

HSL 126.75, 0.38%, 0.59%

LAB 70.51, -39.49, 28.38

 

CMYK 31 / 0 / 28 / 21

HEX #8BCA92

RGB 139 202 146

HSL 126.67, 0.37%, 0.67%

LAB 75.95, -31.4, 21.71

 

CMYK 22 / 0 / 20 / 16

HEX #A7D7AD

RGB 167 215 173

HSL 127.5, 0.38%, 0.75%

LAB 81.75, -23.76, 15.72

 

CMYK 42 / 0 / 37 / 25

HEX #6FBF78

RGB 111 191 120

HSL 126.75, 0.38%, 0.59%

LAB 70.87, -39.47, 28.34

 

CMYK 42 / 13 / 0 / 25

HEX #6EA6BE

RGB 110 166 190

HSL 198, 0.38%, 0.59%

LAB 65.2, -12.02, -18.1

 

CMYK 0 / 42 / 29 / 25

HEX #BE6E86

RGB 190 110 134

HSL 342, 0.38%, 0.59%

LAB 55.91, 34.65, 0.68

 

CMYK 42 / 0 / 37 / 25

HEX #6FBF78

RGB 111 191 120

HSL 126.75, 0.38%, 0.59%

LAB 70.87, -39.47, 28.34

 

CMYK 38 / 42 / 0 / 25

HEX #766EBE

RGB 118 110 190

HSL 246, 0.38%, 0.59%

LAB 50.36, 22.54, -41.06

 

CMYK 0 / 38 / 42 / 25

HEX #BE766E

RGB 190 118 110

HSL 6, 0.38%, 0.59%

LAB 57.1, 27.31, 16.33

 

CMYK 42 / 0 / 37 / 25

HEX #6FBF78

RGB 111 191 120

HSL 126.75, 0.38%, 0.59%

LAB 70.87, -39.47, 28.34

 

CMYK 42 / 13 / 0 / 25

HEX #6EA6BE

RGB 110 166 190

HSL 198, 0.38%, 0.59%

LAB 65.2, -12.02, -18.1

 

CMYK 0 / 42 / 4 / 25

HEX #BE6EB6

RGB 190 110 182

HSL 306, 0.38%, 0.59%

LAB 57.54, 42.28, -24.7

 

CMYK 0 / 29 / 42 / 25

HEX #BE866E

RGB 190 134 110

HSL 18, 0.38%, 0.59%

LAB 60.89, 18.48, 21.49

 

CMYK 42 / 0 / 37 / 25

HEX #6FBF78

RGB 111 191 120

HSL 126.75, 0.38%, 0.59%

LAB 70.87, -39.47, 28.34

 

CMYK 42 / 25 / 0 / 25

HEX #6E8EBE

RGB 110 142 190

HSL 216, 0.38%, 0.59%

LAB 58.39, 1.38, -28.53

 

CMYK 0 / 42 / 4 / 25

HEX #BE6EB6

RGB 190 110 182

HSL 306, 0.38%, 0.59%

LAB 57.54, 42.28, -24.7

 

CMYK 0 / 17 / 42 / 25

HEX #BE9E6E

RGB 190 158 110

HSL 36, 0.38%, 0.59%

LAB 66.92, 5.27, 29.49

 

Description

Color code: CMYK 42 / 0 / 37 / 25 | qconv.com Color code: CMYK 42 / 0 / 37 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 191 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 191 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 37 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 37% 25% C M Y K

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Provide designers and agencies with accurate color values.

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