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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 226 145 it is the complementary color RGB 196 29 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 226 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 226 145 shade: RGB 64 226 140, RGB 81 244 159, RGB 98 255 178, RGB 115 255 197 and RGB 132 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 226 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 226 145 shade: RGB 59 226 145, RGB 42 208 126, RGB 25 190 107, RGB 8 172 88 and RGB 0 154 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 226 145 shade: RGB 59 225 145, RGB 59 225 100, RGB 63 225 59, RGB 108 225 59 and RGB 153 225 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 226 145 shade: RGB 59 225 145, RGB 59 225 190, RGB 59 216 225, RGB 59 172 225 and RGB 59 127 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 226 145 shade matches the following richer shades: RGB 59 225 145 and RGB 41 243 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 226 145 shade: RGB 59 225 145, RGB 77 207 144, RGB 96 189 144, RGB 114 171 143 and RGB 132 153 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 226 145 shade: RGB 65 225 59, RGB 59 225 98, RGB 59 225 142, RGB 59 225 187 and RGB 59 220 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 226 145 shade: RGB 26 176 103, RGB 31 212 124, RGB 59 225 145, RGB 95 231 165 and RGB 131 236 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 226 145 shade: RGB 59 226 145, RGB 59 109 225 and RGB 225 76 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 226 145 shade: RGB 59 226 145, RGB 142 59 225 and RGB 225 142 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 226 145 shade: RGB 59 226 145, RGB 59 109 225, RGB 225 59 142 and RGB 225 176 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 226 145 shade: RGB 59 226 145, RGB 59 59 225, RGB 225 59 142 and RGB 225 225 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 36 / 11

HEX #3BE291

RGB 59 226 145

HSL 150.9, 0.74%, 0.56%

LAB 80.39, -60.13, 27.8

 

Complementary color

CMYK 0 / 85 / 44 / 23

HEX #C41D6E

RGB 196 29 110

HSL 330.9, 0.74%, 0.44%

LAB 43.86, 66.64, -2.41

 

CMYK 72 / 0 / 38 / 11

HEX #40E28C

RGB 64 226 140

HSL 148.15, 0.74%, 0.57%

LAB 80.39, -60.39, 30.38

 

CMYK 67 / 0 / 35 / 4

HEX #51F49F

RGB 81 244 159

HSL 148.71, 0.88%, 0.64%

LAB 86.48, -60.89, 28.94

 

CMYK 62 / 0 / 30 / 0

HEX #62FFB2

RGB 98 255 178

HSL 150.57, 1%, 0.69%

LAB 90.47, -58.48, 24.81

 

CMYK 55 / 0 / 23 / 0

HEX #73FFC5

RGB 115 255 197

HSL 155.14, 1%, 0.73%

LAB 91.32, -51.29, 16.36

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 74 / 0 / 36 / 11

HEX #3BE291

RGB 59 226 145

HSL 150.9, 0.74%, 0.56%

LAB 80.39, -60.13, 27.8

 

CMYK 80 / 0 / 39 / 18

HEX #2AD07E

RGB 42 208 126

HSL 150.36, 0.66%, 0.49%

LAB 74.26, -59.25, 29.36

 

CMYK 87 / 0 / 44 / 25

HEX #19BE6B

RGB 25 190 107

HSL 149.82, 0.77%, 0.42%

LAB 68.09, -57.96, 31.05

 

CMYK 95 / 0 / 49 / 33

HEX #08AC58

RGB 8 172 88

HSL 149.27, 0.91%, 0.35%

LAB 61.88, -56.12, 32.86

 

CMYK 100 / 0 / 55 / 40

HEX #009A45

RGB 0 154 69

HSL 146.88, 1%, 0.3%

LAB 55.63, -53.58, 34.76

 

CMYK 74 / 0 / 36 / 12

HEX #3BE191

RGB 59 225 145

HSL 151.08, 0.73%, 0.56%

LAB 80.08, -59.76, 27.4

 

CMYK 74 / 0 / 56 / 12

HEX #3BE164

RGB 59 225 100

HSL 134.82, 0.73%, 0.56%

LAB 79.44, -67.11, 48.69

 

CMYK 72 / 0 / 74 / 12

HEX #3FE13B

RGB 63 225 59

HSL 118.55, 0.73%, 0.56%

LAB 79.17, -70.67, 65.03

 

CMYK 52 / 0 / 74 / 12

HEX #6CE13B

RGB 108 225 59

HSL 102.29, 0.73%, 0.56%

LAB 80.38, -60.84, 66.63

 

CMYK 32 / 0 / 74 / 12

HEX #99E13B

RGB 153 225 59

HSL 86.02, 0.73%, 0.56%

LAB 82.35, -46.57, 69.23

 

CMYK 74 / 0 / 36 / 12

HEX #3BE191

RGB 59 225 145

HSL 151.08, 0.73%, 0.56%

LAB 80.08, -59.76, 27.4

 

CMYK 74 / 0 / 16 / 12

HEX #3BE1BE

RGB 59 225 190

HSL 167.35, 0.73%, 0.56%

LAB 81.01, -49.75, 5.14

 

CMYK 74 / 4 / 0 / 12

HEX #3BD8E1

RGB 59 216 225

HSL 183.25, 0.73%, 0.56%

LAB 79.32, -36.3, -16.01

 

CMYK 74 / 24 / 0 / 12

HEX #3BACE1

RGB 59 172 225

HSL 199.16, 0.73%, 0.56%

LAB 66.42, -14.28, -35.75

 

CMYK 74 / 44 / 0 / 12

HEX #3B7FE1

RGB 59 127 225

HSL 215.42, 0.73%, 0.56%

LAB 53.54, 11.76, -56.09

 

CMYK 74 / 0 / 36 / 12

HEX #3BE191

RGB 59 225 145

HSL 151.08, 0.73%, 0.56%

LAB 80.08, -59.76, 27.4

 

CMYK 83 / 0 / 40 / 5

HEX #29F391

RGB 41 243 145

HSL 150.89, 0.89%, 0.56%

LAB 85.31, -68.09, 34.31

 

CMYK 74 / 0 / 36 / 12

HEX #3BE191

RGB 59 225 145

HSL 151.08, 0.73%, 0.56%

LAB 80.08, -59.76, 27.4

 

CMYK 63 / 0 / 30 / 19

HEX #4DCF90

RGB 77 207 144

HSL 150.92, 0.58%, 0.56%

LAB 74.96, -50.11, 21.02

 

CMYK 49 / 0 / 24 / 26

HEX #60BD90

RGB 96 189 144

HSL 150.97, 0.41%, 0.56%

LAB 70.1, -38.22, 14.38

 

CMYK 33 / 0 / 16 / 33

HEX #72AB8F

RGB 114 171 143

HSL 150.53, 0.25%, 0.56%

LAB 65.5, -24.83, 8.55

 

CMYK 14 / 0 / 7 / 40

HEX #84998F

RGB 132 153 143

HSL 151.43, 0.09%, 0.56%

LAB 61.37, -9.48, 2.75

 

CMYK 71 / 0 / 74 / 12

HEX #41E13B

RGB 65 225 59

HSL 117.83, 0.73%, 0.56%

LAB 79.21, -70.35, 65.08

 

CMYK 74 / 0 / 56 / 12

HEX #3BE162

RGB 59 225 98

HSL 134.1, 0.73%, 0.56%

LAB 79.42, -67.37, 49.58

 

CMYK 74 / 0 / 37 / 12

HEX #3BE18E

RGB 59 225 142

HSL 150, 0.73%, 0.56%

LAB 80.03, -60.34, 28.86

 

CMYK 74 / 0 / 17 / 12

HEX #3BE1BB

RGB 59 225 187

HSL 166.27, 0.73%, 0.56%

LAB 80.94, -50.49, 6.62

 

CMYK 74 / 2 / 0 / 12

HEX #3BDCE1

RGB 59 220 225

HSL 181.81, 0.73%, 0.56%

LAB 80.49, -38.15, -14.25

 

CMYK 85 / 0 / 41 / 31

HEX #1AB067

RGB 26 176 103

HSL 150.8, 0.74%, 0.4%

LAB 63.55, -53.64, 27.21

 

CMYK 85 / 0 / 42 / 17

HEX #1FD47C

RGB 31 212 124

HSL 150.83, 0.74%, 0.48%

LAB 75.35, -62.05, 31.8

 

CMYK 74 / 0 / 36 / 12

HEX #3BE191

RGB 59 225 145

HSL 151.08, 0.73%, 0.56%

LAB 80.08, -59.76, 27.4

 

CMYK 59 / 0 / 29 / 9

HEX #5FE7A5

RGB 95 231 165

HSL 150.88, 0.74%, 0.64%

LAB 83.07, -52.08, 21.28

 

CMYK 44 / 0 / 22 / 7

HEX #83ECB9

RGB 131 236 185

HSL 150.86, 0.73%, 0.72%

LAB 86.17, -41.89, 15.38

 

CMYK 74 / 0 / 36 / 11

HEX #3BE291

RGB 59 226 145

HSL 150.9, 0.74%, 0.56%

LAB 80.39, -60.13, 27.8

 

CMYK 74 / 52 / 0 / 12

HEX #3B6DE1

RGB 59 109 225

HSL 221.93, 0.73%, 0.56%

LAB 48.64, 22.99, -63.98

 

CMYK 0 / 66 / 74 / 12

HEX #E14C3B

RGB 225 76 59

HSL 6.14, 0.73%, 0.56%

LAB 53.48, 56.91, 41.75

 

CMYK 74 / 0 / 36 / 11

HEX #3BE291

RGB 59 226 145

HSL 150.9, 0.74%, 0.56%

LAB 80.39, -60.13, 27.8

 

CMYK 37 / 74 / 0 / 12

HEX #8E3BE1

RGB 142 59 225

HSL 270, 0.73%, 0.56%

LAB 44.68, 64.3, -70.11

 

CMYK 0 / 37 / 74 / 12

HEX #E18E3B

RGB 225 142 59

HSL 30, 0.73%, 0.56%

LAB 66.27, 24.77, 55.25

 

CMYK 74 / 0 / 36 / 11

HEX #3BE291

RGB 59 226 145

HSL 150.9, 0.74%, 0.56%

LAB 80.39, -60.13, 27.8

 

CMYK 74 / 52 / 0 / 12

HEX #3B6DE1

RGB 59 109 225

HSL 221.93, 0.73%, 0.56%

LAB 48.64, 22.99, -63.98

 

CMYK 0 / 74 / 37 / 12

HEX #E13B8E

RGB 225 59 142

HSL 330, 0.73%, 0.56%

LAB 53.05, 69.1, -7.66

 

CMYK 0 / 22 / 74 / 12

HEX #E1B03B

RGB 225 176 59

HSL 42.29, 0.73%, 0.56%

LAB 74.43, 6.63, 63.37

 

CMYK 74 / 0 / 36 / 11

HEX #3BE291

RGB 59 226 145

HSL 150.9, 0.74%, 0.56%

LAB 80.39, -60.13, 27.8

 

CMYK 74 / 74 / 0 / 12

HEX #3B3BE1

RGB 59 59 225

HSL 240, 0.73%, 0.56%

LAB 36.92, 53.38, -83.14

 

CMYK 0 / 74 / 37 / 12

HEX #E13B8E

RGB 225 59 142

HSL 330, 0.73%, 0.56%

LAB 53.05, 69.1, -7.66

 

CMYK 0 / 0 / 74 / 12

HEX #E1E13B

RGB 225 225 59

HSL 60, 0.73%, 0.56%

LAB 87.08, -18.36, 75.39

 

Description

Color code: RGB 59 226 145 | qconv.com Color code: RGB 59 226 145 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 226 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 226 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 36 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 36% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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