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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 189 145 it is the complementary color RGB 196 66 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 189 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 189 145 shade: RGB 64 189 140, RGB 81 207 159, RGB 98 225 178, RGB 115 243 197 and RGB 132 255 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 189 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 42 171 126, RGB 25 153 107, RGB 8 135 88 and RGB 0 117 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 59 189 110, RGB 59 189 75, RGB 79 189 59 and RGB 114 189 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 59 189 180, RGB 59 163 189, RGB 59 128 189 and RGB 59 93 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 189 145 shade matches the following richer shades: RGB 59 189 145, RGB 39 210 152 and RGB 19 230 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 80 169 139, RGB 100 149 132, RGB 120 129 126 and RGB 140 109 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 189 145 shade: RGB 59 189 75, RGB 59 189 109, RGB 59 189 144, RGB 59 189 179 and RGB 59 166 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 189 145 shade: RGB 40 127 97, RGB 50 158 121, RGB 59 189 145, RGB 88 202 163 and RGB 120 212 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 59 79 189 and RGB 189 92 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 144 59 189 and RGB 189 144 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 59 79 189, RGB 189 59 105 and RGB 189 170 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 189 145 shade: RGB 59 189 145, RGB 79 59 189, RGB 189 59 105 and RGB 170 189 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

Complementary color

CMYK 0 / 66 / 44 / 23

HEX #C4426E

RGB 196 66 110

HSL 339.69, 0.52%, 0.51%

LAB 47.95, 55.15, 3.56

 

CMYK 66 / 0 / 26 / 26

HEX #40BD8C

RGB 64 189 140

HSL 156.48, 0.49%, 0.5%

LAB 69.02, -45.93, 14.89

 

CMYK 61 / 0 / 23 / 19

HEX #51CF9F

RGB 81 207 159

HSL 157.14, 0.57%, 0.56%

LAB 75.38, -46.15, 13.65

 

CMYK 56 / 0 / 21 / 12

HEX #62E1B2

RGB 98 225 178

HSL 157.8, 0.68%, 0.63%

LAB 81.65, -46.23, 12.51

 

CMYK 53 / 0 / 19 / 5

HEX #73F3C5

RGB 115 243 197

HSL 158.44, 0.84%, 0.7%

LAB 87.86, -46.22, 11.46

 

CMYK 48 / 0 / 15 / 0

HEX #84FFD8

RGB 132 255 216

HSL 160.98, 1%, 0.76%

LAB 92.3, -43.53, 8.05

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 75 / 0 / 26 / 33

HEX #2AAB7E

RGB 42 171 126

HSL 159.07, 0.61%, 0.42%

LAB 62.61, -45.05, 13.51

 

CMYK 84 / 0 / 30 / 40

HEX #19996B

RGB 25 153 107

HSL 158.44, 0.72%, 0.35%

LAB 56.14, -44.11, 15.04

 

CMYK 94 / 0 / 35 / 47

HEX #088758

RGB 8 135 88

HSL 157.8, 0.89%, 0.28%

LAB 49.6, -42.64, 16.76

 

CMYK 100 / 0 / 41 / 54

HEX #007545

RGB 0 117 69

HSL 155.38, 1%, 0.23%

LAB 42.99, -40.43, 18.73

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 69 / 0 / 42 / 26

HEX #3BBD6E

RGB 59 189 110

HSL 143.54, 0.52%, 0.49%

LAB 68.35, -52.84, 29.93

 

CMYK 69 / 0 / 60 / 26

HEX #3BBD4B

RGB 59 189 75

HSL 127.38, 0.52%, 0.49%

LAB 67.9, -58.06, 46.58

 

CMYK 58 / 0 / 69 / 26

HEX #4FBD3B

RGB 79 189 59

HSL 110.77, 0.52%, 0.49%

LAB 68.29, -55.36, 53.99

 

CMYK 40 / 0 / 69 / 26

HEX #72BD3B

RGB 114 189 59

HSL 94.62, 0.52%, 0.49%

LAB 69.67, -45.02, 55.86

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 69 / 0 / 5 / 26

HEX #3BBDB4

RGB 59 189 180

HSL 175.85, 0.52%, 0.49%

LAB 69.91, -36.66, -5.7

 

CMYK 69 / 14 / 0 / 26

HEX #3BA3BD

RGB 59 163 189

HSL 192, 0.52%, 0.49%

LAB 62.34, -21.25, -22.08

 

CMYK 69 / 32 / 0 / 26

HEX #3B80BD

RGB 59 128 189

HSL 208.15, 0.52%, 0.49%

LAB 51.88, -1.76, -38.31

 

CMYK 69 / 51 / 0 / 26

HEX #3B5DBD

RGB 59 93 189

HSL 224.31, 0.52%, 0.49%

LAB 41.9, 20.07, -54.23

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 81 / 0 / 28 / 18

HEX #27D298

RGB 39 210 152

HSL 159.65, 0.69%, 0.49%

LAB 75.32, -54.9, 17.18

 

CMYK 92 / 0 / 31 / 10

HEX #13E69E

RGB 19 230 158

HSL 159.53, 0.85%, 0.49%

LAB 81.4, -62.35, 22.41

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 53 / 0 / 18 / 34

HEX #50A98B

RGB 80 169 139

HSL 159.78, 0.36%, 0.49%

LAB 63.3, -34.08, 7.42

 

CMYK 33 / 0 / 11 / 42

HEX #649584

RGB 100 149 132

HSL 159.18, 0.2%, 0.49%

LAB 57.91, -20.37, 3.74

 

CMYK 7 / 0 / 2 / 49

HEX #78817E

RGB 120 129 126

HSL 160, 0.04%, 0.49%

LAB 53.17, -3.94, 0.47

 

CMYK 0 / 22 / 15 / 45

HEX #8C6D77

RGB 140 109 119

HSL 340.65, 0.12%, 0.49%

LAB 49.31, 13.97, -0.83

 

CMYK 69 / 0 / 60 / 26

HEX #3BBD4B

RGB 59 189 75

HSL 127.38, 0.52%, 0.49%

LAB 67.9, -58.06, 46.58

 

CMYK 69 / 0 / 42 / 26

HEX #3BBD6D

RGB 59 189 109

HSL 143.08, 0.52%, 0.49%

LAB 68.34, -53.02, 30.43

 

CMYK 69 / 0 / 24 / 26

HEX #3BBD90

RGB 59 189 144

HSL 159.23, 0.52%, 0.49%

LAB 69, -45.85, 12.67

 

CMYK 69 / 0 / 5 / 26

HEX #3BBDB3

RGB 59 189 179

HSL 175.38, 0.52%, 0.49%

LAB 69.88, -36.94, -5.19

 

CMYK 69 / 12 / 0 / 26

HEX #3BA6BD

RGB 59 166 189

HSL 190.62, 0.52%, 0.49%

LAB 63.24, -22.8, -20.7

 

CMYK 69 / 0 / 24 / 50

HEX #287F61

RGB 40 127 97

HSL 159.31, 0.52%, 0.33%

LAB 47.61, -33.36, 8.9

 

CMYK 68 / 0 / 23 / 38

HEX #329E79

RGB 50 158 121

HSL 159.44, 0.52%, 0.41%

LAB 58.52, -39.53, 10.57

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 56 / 0 / 19 / 21

HEX #58CAA3

RGB 88 202 163

HSL 159.47, 0.52%, 0.57%

LAB 74.16, -41.69, 9.82

 

CMYK 43 / 0 / 15 / 17

HEX #78D4B5

RGB 120 212 181

HSL 159.78, 0.52%, 0.65%

LAB 78.7, -34.67, 6.82

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 69 / 58 / 0 / 26

HEX #3B4FBD

RGB 59 79 189

HSL 230.77, 0.52%, 0.49%

LAB 38.19, 29.11, -60.23

 

CMYK 0 / 51 / 69 / 26

HEX #BD5C3B

RGB 189 92 59

HSL 15.23, 0.52%, 0.49%

LAB 50.44, 36.54, 36.73

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 24 / 69 / 0 / 26

HEX #903BBD

RGB 144 59 189

HSL 279.23, 0.52%, 0.49%

LAB 42.36, 56.62, -53.1

 

CMYK 0 / 24 / 69 / 26

HEX #BD903B

RGB 189 144 59

HSL 39.23, 0.52%, 0.49%

LAB 62.58, 8.23, 50.12

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 69 / 58 / 0 / 26

HEX #3B4FBD

RGB 59 79 189

HSL 230.77, 0.52%, 0.49%

LAB 38.19, 29.11, -60.23

 

CMYK 0 / 69 / 44 / 26

HEX #BD3B69

RGB 189 59 105

HSL 338.77, 0.52%, 0.49%

LAB 45.59, 55.32, 3.05

 

CMYK 0 / 10 / 69 / 26

HEX #BDAA3B

RGB 189 170 59

HSL 51.23, 0.52%, 0.49%

LAB 69.39, -5.78, 57.19

 

CMYK 69 / 0 / 23 / 26

HEX #3BBD91

RGB 59 189 145

HSL 159.69, 0.52%, 0.49%

LAB 69.02, -45.62, 12.15

 

CMYK 58 / 69 / 0 / 26

HEX #4F3BBD

RGB 79 59 189

HSL 249.23, 0.52%, 0.49%

LAB 34.93, 44.36, -65.49

 

CMYK 0 / 69 / 44 / 26

HEX #BD3B69

RGB 189 59 105

HSL 338.77, 0.52%, 0.49%

LAB 45.59, 55.32, 3.05

 

CMYK 10 / 0 / 69 / 26

HEX #AABD3B

RGB 170 189 59

HSL 68.77, 0.52%, 0.49%

LAB 73.06, -23.58, 60.41

 

Description

Color code: RGB 59 189 145 | qconv.com Color code: RGB 59 189 145 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 189 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 189 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 23 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 23% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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