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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 27 52 it is the complementary color RGB 197 228 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 27 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 27 52 shade: RGB 63 27 47, RGB 80 45 66, RGB 97 63 85, RGB 114 81 104 and RGB 131 99 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 27 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 41 9 33, RGB 24 0 14 and RGB 7 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 58 27 44, RGB 58 27 36 and RGB 58 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 56 27 58, RGB 48 27 58, RGB 39 27 58 and RGB 31 27 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 27 52 shade matches the following richer shades: RGB 58 27 52, RGB 65 20 57, RGB 72 13 61 and RGB 79 6 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 51 34 48, RGB 44 41 44, RGB 37 48 40 and RGB 30 55 35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 27 52 shade: RGB 48 27 58, RGB 56 27 58, RGB 58 27 53, RGB 58 27 44 and RGB 58 27 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 27 52 shade: RGB 2 1 2, RGB 30 14 27, RGB 58 27 52, RGB 87 40 78 and RGB 115 54 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 58 39 27 and RGB 27 58 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 53 58 27 and RGB 27 53 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 58 39 27, RGB 27 58 33 and RGB 27 46 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 27 52 shade: RGB 58 27 52, RGB 58 49 27, RGB 27 58 33 and RGB 27 37 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

Complementary color

CMYK 14 / 0 / 11 / 11

HEX #C5E4CB

RGB 197 228 203

HSL 131.61, 0.36%, 0.83%

LAB 87.81, -14.88, 8.79

 

CMYK 0 / 57 / 25 / 75

HEX #3F1B2F

RGB 63 27 47

HSL 326.67, 0.4%, 0.18%

LAB 15.73, 20.47, -5.22

 

CMYK 0 / 44 / 18 / 69

HEX #502D42

RGB 80 45 66

HSL 324, 0.28%, 0.25%

LAB 23.59, 19.53, -6.32

 

CMYK 0 / 35 / 12 / 62

HEX #613F55

RGB 97 63 85

HSL 321.18, 0.21%, 0.31%

LAB 31.24, 18.64, -7.13

 

CMYK 0 / 29 / 9 / 55

HEX #725168

RGB 114 81 104

HSL 318.18, 0.17%, 0.38%

LAB 38.66, 17.86, -7.81

 

CMYK 0 / 24 / 6 / 49

HEX #83637B

RGB 131 99 123

HSL 315, 0.14%, 0.45%

LAB 45.88, 17.17, -8.41

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 78 / 20 / 84

HEX #290921

RGB 41 9 33

HSL 315, 0.64%, 0.1%

LAB 7.01, 19.96, -8.49

 

CMYK 0 / 100 / 42 / 91

HEX #18000E

RGB 24 0 14

HSL 325, 1%, 0.05%

LAB 2.04, 9.88, -2.7

 

CMYK 0 / 100 / 100 / 97

HEX #070000

RGB 7 0 0

HSL 0, 1%, 0.01%

LAB 0.41, 1.83, 0.64

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 53 / 24 / 77

HEX #3A1B2C

RGB 58 27 44

HSL 327.1, 0.36%, 0.17%

LAB 14.76, 17.89, -4.6

 

CMYK 0 / 53 / 38 / 77

HEX #3A1B24

RGB 58 27 36

HSL 342.58, 0.36%, 0.17%

LAB 14.46, 16.51, 0.74

 

CMYK 0 / 53 / 53 / 77

HEX #3A1B1B

RGB 58 27 27

HSL 0, 0.36%, 0.17%

LAB 14.19, 15.22, 6.88

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 3 / 53 / 0 / 77

HEX #381B3A

RGB 56 27 58

HSL 296.13, 0.36%, 0.17%

LAB 15.12, 20.05, -14.08

 

CMYK 17 / 53 / 0 / 77

HEX #301B3A

RGB 48 27 58

HSL 280.65, 0.36%, 0.17%

LAB 13.93, 17.16, -16.02

 

CMYK 33 / 53 / 0 / 77

HEX #271B3A

RGB 39 27 58

HSL 263.23, 0.36%, 0.17%

LAB 12.74, 13.99, -17.98

 

CMYK 47 / 53 / 0 / 77

HEX #1F1B3A

RGB 31 27 58

HSL 247.74, 0.36%, 0.17%

LAB 11.83, 11.34, -19.48

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 69 / 12 / 75

HEX #411439

RGB 65 20 57

HSL 310.67, 0.53%, 0.17%

LAB 15.06, 27.05, -13.35

 

CMYK 0 / 82 / 15 / 72

HEX #480D3D

RGB 72 13 61

HSL 311.19, 0.69%, 0.17%

LAB 15.5, 33.05, -15.39

 

CMYK 0 / 92 / 18 / 69

HEX #4F0641

RGB 79 6 65

HSL 311.51, 0.86%, 0.17%

LAB 16.38, 37.83, -16.73

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 33 / 6 / 80

HEX #332230

RGB 51 34 48

HSL 310.59, 0.2%, 0.17%

LAB 15.81, 11.02, -6

 

CMYK 0 / 7 / 0 / 83

HEX #2C292C

RGB 44 41 44

HSL 300, 0.04%, 0.17%

LAB 17, 2.07, -1.47

 

CMYK 23 / 0 / 17 / 81

HEX #253028

RGB 37 48 40

HSL 136.36, 0.13%, 0.17%

LAB 18.63, -6.71, 3.59

 

CMYK 45 / 0 / 36 / 78

HEX #1E3723

RGB 30 55 35

HSL 132, 0.29%, 0.17%

LAB 20.56, -14.97, 9.58

 

CMYK 17 / 53 / 0 / 77

HEX #301B3A

RGB 48 27 58

HSL 280.65, 0.36%, 0.17%

LAB 13.93, 17.16, -16.02

 

CMYK 3 / 53 / 0 / 77

HEX #381B3A

RGB 56 27 58

HSL 296.13, 0.36%, 0.17%

LAB 15.12, 20.05, -14.08

 

CMYK 0 / 53 / 9 / 77

HEX #3A1B35

RGB 58 27 53

HSL 309.68, 0.36%, 0.17%

LAB 15.17, 19.68, -10.42

 

CMYK 0 / 53 / 24 / 77

HEX #3A1B2C

RGB 58 27 44

HSL 327.1, 0.36%, 0.17%

LAB 14.76, 17.89, -4.6

 

CMYK 0 / 53 / 38 / 77

HEX #3A1B24

RGB 58 27 36

HSL 342.58, 0.36%, 0.17%

LAB 14.46, 16.51, 0.74

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 0 / 53 / 10 / 88

HEX #1E0E1B

RGB 30 14 27

HSL 311.25, 0.36%, 0.09%

LAB 6.05, 10.38, -5.48

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 54 / 10 / 66

HEX #57284E

RGB 87 40 78

HSL 311.49, 0.37%, 0.25%

LAB 23.98, 27.47, -13.7

 

CMYK 0 / 53 / 10 / 55

HEX #733667

RGB 115 54 103

HSL 311.8, 0.36%, 0.33%

LAB 32.4, 33.85, -16.68

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 33 / 53 / 77

HEX #3A271B

RGB 58 39 27

HSL 23.23, 0.36%, 0.17%

LAB 17.6, 7.14, 11.46

 

CMYK 53 / 0 / 10 / 77

HEX #1B3A34

RGB 27 58 52

HSL 168.39, 0.36%, 0.17%

LAB 21.97, -13.3, 0.17

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 9 / 0 / 53 / 77

HEX #353A1B

RGB 53 58 27

HSL 69.68, 0.36%, 0.17%

LAB 23.21, -7.91, 18.47

 

CMYK 53 / 9 / 0 / 77

HEX #1B353A

RGB 27 53 58

HSL 189.68, 0.36%, 0.17%

LAB 20.38, -8.33, -6.26

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 33 / 53 / 77

HEX #3A271B

RGB 58 39 27

HSL 23.23, 0.36%, 0.17%

LAB 17.6, 7.14, 11.46

 

CMYK 53 / 0 / 43 / 77

HEX #1B3A21

RGB 27 58 33

HSL 131.61, 0.36%, 0.17%

LAB 21.46, -18.14, 12.08

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 0 / 53 / 10 / 77

HEX #3A1B34

RGB 58 27 52

HSL 311.61, 0.36%, 0.17%

LAB 15.12, 19.47, -9.79

 

CMYK 0 / 16 / 53 / 77

HEX #3A311B

RGB 58 49 27

HSL 42.58, 0.36%, 0.17%

LAB 20.73, 0.4, 15.5

 

CMYK 53 / 0 / 43 / 77

HEX #1B3A21

RGB 27 58 33

HSL 131.61, 0.36%, 0.17%

LAB 21.46, -18.14, 12.08

 

CMYK 53 / 36 / 0 / 77

HEX #1B253A

RGB 27 37 58

HSL 220.65, 0.36%, 0.17%

LAB 14.74, 2.64, -14.91

 

Description

Color code: RGB 58 27 52 | qconv.com Color code: RGB 58 27 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 27 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 27 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 10 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 10% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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