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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 27 46 58 it is the complementary color RGB 228 209 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 27 46 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 27 46 58 shade: RGB 32 46 53, RGB 49 64 72, RGB 66 82 91, RGB 83 100 110 and RGB 100 118 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 27 46 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 10 28 39, RGB 0 10 20 and RGB 0 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 27 38 58, RGB 27 30 58, RGB 33 27 58 and RGB 42 27 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 27 38 58, RGB 27 30 58 and RGB 27 27 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 27 46 58 shade matches the following richer shades: RGB 27 46 58, RGB 20 48 65, RGB 13 50 72 and RGB 6 51 79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 34 45 51, RGB 41 43 44, RGB 48 42 37 and RGB 55 40 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 27 46 58 shade: RGB 27 58 54, RGB 27 55 58, RGB 27 46 58, RGB 27 38 58 and RGB 27 30 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 27 46 58 shade: RGB 1 2 2, RGB 14 24 30, RGB 27 46 58, RGB 40 69 87 and RGB 54 91 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 45 27 58 and RGB 58 58 27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 58 27 46 and RGB 46 58 27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 45 27 58, RGB 58 39 27 and RGB 40 58 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 27 46 58 shade: RGB 27 46 58, RGB 55 27 58, RGB 58 39 27 and RGB 31 58 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

Complementary color

CMYK 0 / 8 / 14 / 11

HEX #E4D1C5

RGB 228 209 197

HSL 23.23, 0.36%, 0.83%

LAB 85.06, 4.62, 8.32

 

CMYK 40 / 13 / 0 / 79

HEX #202E35

RGB 32 46 53

HSL 200, 0.25%, 0.17%

LAB 18, -3.73, -6.38

 

CMYK 32 / 11 / 0 / 72

HEX #314048

RGB 49 64 72

HSL 200.87, 0.19%, 0.24%

LAB 26.12, -3.81, -6.84

 

CMYK 27 / 10 / 0 / 64

HEX #42525B

RGB 66 82 91

HSL 201.6, 0.16%, 0.31%

LAB 33.87, -3.88, -7.31

 

CMYK 25 / 9 / 0 / 57

HEX #53646E

RGB 83 100 110

HSL 202.22, 0.14%, 0.38%

LAB 41.34, -3.95, -7.78

 

CMYK 22 / 9 / 0 / 49

HEX #647681

RGB 100 118 129

HSL 202.76, 0.13%, 0.45%

LAB 48.57, -4.02, -8.24

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 74 / 28 / 0 / 85

HEX #0A1C27

RGB 10 28 39

HSL 202.76, 0.59%, 0.1%

LAB 9.33, -3.15, -9.72

 

CMYK 100 / 50 / 0 / 92

HEX #000A14

RGB 0 10 20

HSL 210, 1%, 0.04%

LAB 2.42, -0.8, -5.86

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 53 / 34 / 0 / 77

HEX #1B263A

RGB 27 38 58

HSL 218.71, 0.36%, 0.17%

LAB 15.09, 1.91, -14.37

 

CMYK 53 / 48 / 0 / 77

HEX #1B1E3A

RGB 27 30 58

HSL 234.19, 0.36%, 0.17%

LAB 12.4, 7.84, -18.6

 

CMYK 43 / 53 / 0 / 77

HEX #211B3A

RGB 33 27 58

HSL 251.61, 0.36%, 0.17%

LAB 12.04, 11.98, -19.13

 

CMYK 28 / 53 / 0 / 77

HEX #2A1B3A

RGB 42 27 58

HSL 269.03, 0.36%, 0.17%

LAB 13.12, 15.03, -17.36

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 53 / 34 / 0 / 77

HEX #1B263A

RGB 27 38 58

HSL 218.71, 0.36%, 0.17%

LAB 15.09, 1.91, -14.37

 

CMYK 53 / 48 / 0 / 77

HEX #1B1E3A

RGB 27 30 58

HSL 234.19, 0.36%, 0.17%

LAB 12.4, 7.84, -18.6

 

CMYK 53 / 53 / 0 / 77

HEX #1B1B3A

RGB 27 27 58

HSL 240, 0.36%, 0.17%

LAB 11.43, 10.11, -20.14

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 69 / 26 / 0 / 75

HEX #143041

RGB 20 48 65

HSL 202.67, 0.53%, 0.17%

LAB 18.56, -4.35, -13.85

 

CMYK 82 / 31 / 0 / 72

HEX #0D3248

RGB 13 50 72

HSL 202.37, 0.69%, 0.17%

LAB 19.37, -4.23, -17.37

 

CMYK 92 / 35 / 0 / 69

HEX #06334F

RGB 6 51 79

HSL 203.01, 0.86%, 0.17%

LAB 19.93, -2.86, -21.23

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 33 / 12 / 0 / 80

HEX #222D33

RGB 34 45 51

HSL 201.18, 0.2%, 0.17%

LAB 17.72, -2.94, -5.4

 

CMYK 7 / 2 / 0 / 83

HEX #292B2C

RGB 41 43 44

HSL 200, 0.04%, 0.17%

LAB 17.37, -0.64, -0.96

 

CMYK 0 / 13 / 23 / 81

HEX #302A25

RGB 48 42 37

HSL 27.27, 0.13%, 0.17%

LAB 17.54, 1.71, 4.27

 

CMYK 0 / 27 / 45 / 78

HEX #37281E

RGB 55 40 30

HSL 24, 0.29%, 0.17%

LAB 17.57, 5.35, 9.3

 

CMYK 53 / 0 / 7 / 77

HEX #1B3A36

RGB 27 58 54

HSL 172.26, 0.36%, 0.17%

LAB 22.04, -12.7, -1.08

 

CMYK 53 / 5 / 0 / 77

HEX #1B373A

RGB 27 55 58

HSL 185.81, 0.36%, 0.17%

LAB 21.1, -9.6, -5.18

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 53 / 34 / 0 / 77

HEX #1B263A

RGB 27 38 58

HSL 218.71, 0.36%, 0.17%

LAB 15.09, 1.91, -14.37

 

CMYK 53 / 48 / 0 / 77

HEX #1B1E3A

RGB 27 30 58

HSL 234.19, 0.36%, 0.17%

LAB 12.4, 7.84, -18.6

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 53 / 20 / 0 / 88

HEX #0E181E

RGB 14 24 30

HSL 202.5, 0.36%, 0.09%

LAB 7.59, -2.32, -5.63

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 54 / 21 / 0 / 66

HEX #284557

RGB 40 69 87

HSL 202.98, 0.37%, 0.25%

LAB 27.83, -5.11, -14.08

 

CMYK 53 / 21 / 0 / 55

HEX #365B73

RGB 54 91 115

HSL 203.61, 0.36%, 0.33%

LAB 36.94, -5.85, -17.7

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 22 / 53 / 0 / 77

HEX #2D1B3A

RGB 45 27 58

HSL 274.84, 0.36%, 0.17%

LAB 13.52, 16.09, -16.7

 

CMYK 0 / 0 / 53 / 77

HEX #3A3A1B

RGB 58 58 27

HSL 60, 0.36%, 0.17%

LAB 23.69, -5.42, 19.16

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 0 / 53 / 21 / 77

HEX #3A1B2E

RGB 58 27 46

HSL 323.23, 0.36%, 0.17%

LAB 14.85, 18.27, -5.91

 

CMYK 21 / 0 / 53 / 77

HEX #2E3A1B

RGB 46 58 27

HSL 83.23, 0.36%, 0.17%

LAB 22.61, -11.29, 17.59

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 22 / 53 / 0 / 77

HEX #2D1B3A

RGB 45 27 58

HSL 274.84, 0.36%, 0.17%

LAB 13.52, 16.09, -16.7

 

CMYK 0 / 33 / 53 / 77

HEX #3A271B

RGB 58 39 27

HSL 23.23, 0.36%, 0.17%

LAB 17.6, 7.14, 11.46

 

CMYK 31 / 0 / 53 / 77

HEX #283A1B

RGB 40 58 27

HSL 94.84, 0.36%, 0.17%

LAB 22.15, -14.04, 16.92

 

CMYK 53 / 21 / 0 / 77

HEX #1B2E3A

RGB 27 46 58

HSL 203.23, 0.36%, 0.17%

LAB 17.88, -3.72, -10.05

 

CMYK 5 / 53 / 0 / 77

HEX #371B3A

RGB 55 27 58

HSL 294.19, 0.36%, 0.17%

LAB 14.96, 19.69, -14.33

 

CMYK 0 / 33 / 53 / 77

HEX #3A271B

RGB 58 39 27

HSL 23.23, 0.36%, 0.17%

LAB 17.6, 7.14, 11.46

 

CMYK 47 / 0 / 53 / 77

HEX #1F3A1B

RGB 31 58 27

HSL 112.26, 0.36%, 0.17%

LAB 21.57, -17.81, 16.06

 

Description

Color code: RGB 27 46 58 | qconv.com Color code: RGB 27 46 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 46 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 46 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 21 magenta, none yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 21% 0% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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