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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 208 232 it is the complementary color RGB 197 47 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 208 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 208 232 shade: RGB 63 208 227, RGB 80 226 246, RGB 97 244 255, RGB 114 255 255 and RGB 131 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 208 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 208 232 shade: RGB 58 208 232, RGB 41 190 213, RGB 24 172 194, RGB 7 154 175 and RGB 0 136 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 208 232 shade: RGB 58 208 231, RGB 58 161 231, RGB 58 114 231, RGB 58 67 231 and RGB 96 58 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 208 232 shade: RGB 58 208 231, RGB 58 161 231, RGB 58 114 231, RGB 58 67 231 and RGB 58 58 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 208 232 shade matches the following richer shades: RGB 58 208 231 and RGB 40 220 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 208 232 shade: RGB 58 208 231, RGB 76 195 214, RGB 94 182 196, RGB 111 169 178 and RGB 129 156 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 208 232 shade: RGB 58 231 162, RGB 58 231 208, RGB 58 208 231, RGB 58 162 231 and RGB 58 116 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 208 232 shade: RGB 21 163 186, RGB 26 196 223, RGB 58 208 231, RGB 95 216 236 and RGB 132 225 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 208 232 shade: RGB 58 208 232, RGB 116 58 231 and RGB 231 185 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 208 232 shade: RGB 58 208 232, RGB 231 58 208 and RGB 208 231 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 208 232 shade: RGB 58 208 232, RGB 116 58 231, RGB 231 81 58 and RGB 174 231 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 208 232 shade: RGB 58 208 232, RGB 168 58 231, RGB 231 81 58 and RGB 122 231 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 10 / 0 / 9

HEX #3AD0E8

RGB 58 208 232

HSL 188.28, 0.79%, 0.57%

LAB 77.18, -30.53, -22.99

 

Complementary color

CMYK 0 / 76 / 88 / 23

HEX #C52F17

RGB 197 47 23

HSL 8.28, 0.79%, 0.43%

LAB 44.18, 57.48, 49.04

 

CMYK 72 / 8 / 0 / 11

HEX #3FD0E3

RGB 63 208 227

HSL 186.95, 0.75%, 0.57%

LAB 77.11, -31.48, -20.41

 

CMYK 67 / 8 / 0 / 4

HEX #50E2F6

RGB 80 226 246

HSL 187.23, 0.9%, 0.64%

LAB 83.31, -32.29, -21.09

 

CMYK 62 / 4 / 0 / 0

HEX #61F4FF

RGB 97 244 255

HSL 184.18, 1%, 0.69%

LAB 89.14, -35.7, -16.98

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E8

RGB 58 208 232

HSL 188.28, 0.79%, 0.57%

LAB 77.18, -30.53, -22.99

 

CMYK 81 / 11 / 0 / 16

HEX #29BED5

RGB 41 190 213

HSL 188.02, 0.68%, 0.5%

LAB 70.94, -29.33, -22.24

 

CMYK 88 / 11 / 0 / 24

HEX #18ACC2

RGB 24 172 194

HSL 187.76, 0.78%, 0.43%

LAB 64.64, -27.79, -21.41

 

CMYK 96 / 12 / 0 / 31

HEX #079AAF

RGB 7 154 175

HSL 187.5, 0.92%, 0.36%

LAB 58.28, -25.86, -20.48

 

CMYK 100 / 13 / 0 / 39

HEX #00889C

RGB 0 136 156

HSL 187.69, 1%, 0.31%

LAB 51.85, -23.42, -19.42

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E7

RGB 58 208 231

HSL 187.98, 0.78%, 0.57%

LAB 77.15, -30.84, -22.5

 

CMYK 75 / 30 / 0 / 9

HEX #3AA1E7

RGB 58 161 231

HSL 204.28, 0.78%, 0.57%

LAB 63.47, -6.29, -43.66

 

CMYK 75 / 51 / 0 / 9

HEX #3A72E7

RGB 58 114 231

HSL 220.58, 0.78%, 0.57%

LAB 50.34, 21.92, -64.61

 

CMYK 75 / 71 / 0 / 9

HEX #3A43E7

RGB 58 67 231

HSL 236.88, 0.78%, 0.57%

LAB 39.04, 50.81, -83.06

 

CMYK 58 / 75 / 0 / 9

HEX #603AE7

RGB 96 58 231

HSL 253.18, 0.78%, 0.57%

LAB 40.05, 59.51, -81.3

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E7

RGB 58 208 231

HSL 187.98, 0.78%, 0.57%

LAB 77.15, -30.84, -22.5

 

CMYK 75 / 30 / 0 / 9

HEX #3AA1E7

RGB 58 161 231

HSL 204.28, 0.78%, 0.57%

LAB 63.47, -6.29, -43.66

 

CMYK 75 / 51 / 0 / 9

HEX #3A72E7

RGB 58 114 231

HSL 220.58, 0.78%, 0.57%

LAB 50.34, 21.92, -64.61

 

CMYK 75 / 71 / 0 / 9

HEX #3A43E7

RGB 58 67 231

HSL 236.88, 0.78%, 0.57%

LAB 39.04, 50.81, -83.06

 

CMYK 75 / 75 / 0 / 9

HEX #3A3AE7

RGB 58 58 231

HSL 240, 0.78%, 0.57%

LAB 37.29, 55.73, -85.95

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E7

RGB 58 208 231

HSL 187.98, 0.78%, 0.57%

LAB 77.15, -30.84, -22.5

 

CMYK 84 / 12 / 0 / 2

HEX #28DCF9

RGB 40 220 249

HSL 188.33, 0.95%, 0.57%

LAB 81, -32.6, -26.26

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E7

RGB 58 208 231

HSL 187.98, 0.78%, 0.57%

LAB 77.15, -30.84, -22.5

 

CMYK 64 / 9 / 0 / 16

HEX #4CC3D6

RGB 76 195 214

HSL 188.26, 0.63%, 0.57%

LAB 73.17, -27.22, -19.33

 

CMYK 52 / 7 / 0 / 23

HEX #5EB6C4

RGB 94 182 196

HSL 188.24, 0.46%, 0.57%

LAB 69.34, -22.54, -15.23

 

CMYK 38 / 5 / 0 / 30

HEX #6FA9B2

RGB 111 169 178

HSL 188.06, 0.3%, 0.57%

LAB 65.73, -16.51, -10.62

 

CMYK 20 / 3 / 0 / 37

HEX #819CA1

RGB 129 156 161

HSL 189.38, 0.15%, 0.57%

LAB 62.52, -8.26, -5.75

 

CMYK 75 / 0 / 30 / 9

HEX #3AE7A2

RGB 58 231 162

HSL 156.07, 0.78%, 0.57%

LAB 82.2, -58.69, 21.5

 

CMYK 75 / 0 / 10 / 9

HEX #3AE7D0

RGB 58 231 208

HSL 172.02, 0.78%, 0.57%

LAB 83.23, -47.79, -1.16

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E7

RGB 58 208 231

HSL 187.98, 0.78%, 0.57%

LAB 77.15, -30.84, -22.5

 

CMYK 75 / 30 / 0 / 9

HEX #3AA2E7

RGB 58 162 231

HSL 203.93, 0.78%, 0.57%

LAB 63.76, -6.85, -43.21

 

CMYK 75 / 50 / 0 / 9

HEX #3A74E7

RGB 58 116 231

HSL 219.88, 0.78%, 0.57%

LAB 50.87, 20.66, -63.74

 

CMYK 89 / 12 / 0 / 27

HEX #15A3BA

RGB 21 163 186

HSL 188.36, 0.8%, 0.41%

LAB 61.57, -26.1, -21.64

 

CMYK 88 / 12 / 0 / 13

HEX #1AC4DF

RGB 26 196 223

HSL 188.22, 0.79%, 0.49%

LAB 72.91, -30.1, -24.69

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E7

RGB 58 208 231

HSL 187.98, 0.78%, 0.57%

LAB 77.15, -30.84, -22.5

 

CMYK 60 / 8 / 0 / 7

HEX #5FD8EC

RGB 95 216 236

HSL 188.51, 0.79%, 0.65%

LAB 80.52, -28.02, -19.98

 

CMYK 45 / 6 / 0 / 6

HEX #84E1F0

RGB 132 225 240

HSL 188.33, 0.78%, 0.73%

LAB 84.51, -23.84, -15.95

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E8

RGB 58 208 232

HSL 188.28, 0.79%, 0.57%

LAB 77.18, -30.53, -22.99

 

CMYK 50 / 75 / 0 / 9

HEX #743AE7

RGB 116 58 231

HSL 260.12, 0.78%, 0.57%

LAB 42.01, 62.15, -78.01

 

CMYK 0 / 20 / 75 / 9

HEX #E7B93A

RGB 231 185 58

HSL 44.05, 0.78%, 0.57%

LAB 77.28, 4.43, 66.7

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E8

RGB 58 208 232

HSL 188.28, 0.79%, 0.57%

LAB 77.18, -30.53, -22.99

 

CMYK 0 / 75 / 10 / 9

HEX #E73AD0

RGB 231 58 208

HSL 307.98, 0.78%, 0.57%

LAB 56.65, 78.99, -40.51

 

CMYK 10 / 0 / 75 / 9

HEX #D0E73A

RGB 208 231 58

HSL 67.98, 0.78%, 0.57%

LAB 87.42, -28.23, 75.56

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E8

RGB 58 208 232

HSL 188.28, 0.79%, 0.57%

LAB 77.18, -30.53, -22.99

 

CMYK 50 / 75 / 0 / 9

HEX #743AE7

RGB 116 58 231

HSL 260.12, 0.78%, 0.57%

LAB 42.01, 62.15, -78.01

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 25 / 0 / 75 / 9

HEX #AEE73A

RGB 174 231 58

HSL 79.77, 0.78%, 0.57%

LAB 85.23, -41.52, 72.72

 

CMYK 75 / 10 / 0 / 9

HEX #3AD0E8

RGB 58 208 232

HSL 188.28, 0.79%, 0.57%

LAB 77.18, -30.53, -22.99

 

CMYK 27 / 75 / 0 / 9

HEX #A83AE7

RGB 168 58 231

HSL 278.15, 0.78%, 0.57%

LAB 48.41, 70.51, -67.3

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 47 / 0 / 75 / 9

HEX #7AE73A

RGB 122 231 58

HSL 97.8, 0.78%, 0.57%

LAB 82.7, -59.14, 69.41

 

Description

Color code: RGB 58 208 232 | qconv.com Color code: RGB 58 208 232 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 208 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 208 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 10 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 10% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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