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Color name
RGB 231 81 58

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 231 81 58 it is the complementary color RGB 24 174 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 231 81 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 231 81 58 shade: RGB 236 81 53, RGB 253 99 72, RGB 255 117 91, RGB 255 135 110 and RGB 255 153 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 231 81 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 231 81 58 shade: RGB 231 81 58, RGB 214 63 39, RGB 197 45 20, RGB 180 27 1 and RGB 163 9 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 231 81 58 shade: RGB 230 82 59 and RGB 230 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 231 81 58 shade: RGB 230 82 59, RGB 230 128 59, RGB 230 174 59, RGB 230 220 59 and RGB 194 230 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 231 81 58 shade matches the following richer shades: RGB 230 82 59 and RGB 248 69 42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 231 81 58 shade: RGB 230 82 59, RGB 213 95 77, RGB 195 108 95, RGB 177 121 113 and RGB 159 134 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 231 81 58 shade: RGB 230 59 131, RGB 230 59 85, RGB 230 79 59, RGB 230 125 59 and RGB 230 171 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 231 81 58 shade: RGB 185 44 22, RGB 222 53 27, RGB 230 82 59, RGB 235 115 96 and RGB 239 147 133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 231 81 58 shade: RGB 231 81 58, RGB 176 230 59 and RGB 59 108 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 231 81 58 shade: RGB 231 81 58, RGB 59 230 79 and RGB 79 59 230

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 231 81 58 shade: RGB 231 81 58, RGB 176 230 59, RGB 59 210 230 and RGB 113 59 230

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 231 81 58 shade: RGB 231 81 58, RGB 125 230 59, RGB 59 210 230 and RGB 165 59 230

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

Complementary color

CMYK 88 / 12 / 0 / 23

HEX #18AEC5

RGB 24 174 197

HSL 187.98, 0.78%, 0.43%

LAB 65.36, -27.81, -21.98

 

CMYK 0 / 66 / 78 / 7

HEX #EC5135

RGB 236 81 53

HSL 9.18, 0.83%, 0.57%

LAB 56.06, 58.3, 48.21

 

CMYK 0 / 61 / 72 / 1

HEX #FD6348

RGB 253 99 72

HSL 8.95, 0.98%, 0.64%

LAB 61.89, 57.23, 45.46

 

CMYK 0 / 54 / 64 / 0

HEX #FF755B

RGB 255 117 91

HSL 9.51, 1%, 0.68%

LAB 65.54, 50.77, 39.66

 

CMYK 0 / 47 / 57 / 0

HEX #FF876E

RGB 255 135 110

HSL 10.34, 1%, 0.72%

LAB 69.27, 43.29, 34.01

 

CMYK 0 / 40 / 49 / 0

HEX #FF9981

RGB 255 153 129

HSL 11.43, 1%, 0.75%

LAB 73.3, 35.72, 28.95

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 0 / 71 / 82 / 16

HEX #D63F27

RGB 214 63 39

HSL 8.23, 0.69%, 0.5%

LAB 49.49, 57.66, 47.45

 

CMYK 0 / 77 / 90 / 23

HEX #C52D14

RGB 197 45 20

HSL 8.47, 0.82%, 0.43%

LAB 43.94, 58.06, 50.1

 

CMYK 0 / 85 / 99 / 29

HEX #B41B01

RGB 180 27 1

HSL 8.72, 0.99%, 0.35%

LAB 38.71, 57.67, 51.88

 

CMYK 0 / 94 / 100 / 36

HEX #A30900

RGB 163 9 0

HSL 3.31, 1%, 0.32%

LAB 33.95, 56.13, 47.95

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 74 / 74 / 10

HEX #E63B3B

RGB 230 59 59

HSL 0, 0.77%, 0.57%

LAB 52.14, 64.64, 40.51

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 44 / 74 / 10

HEX #E6803B

RGB 230 128 59

HSL 24.21, 0.77%, 0.57%

LAB 63.82, 34.19, 52.96

 

CMYK 0 / 24 / 74 / 10

HEX #E6AE3B

RGB 230 174 59

HSL 40.35, 0.77%, 0.57%

LAB 74.45, 9.83, 63.57

 

CMYK 0 / 4 / 74 / 10

HEX #E6DC3B

RGB 230 220 59

HSL 56.49, 0.77%, 0.57%

LAB 86.17, -13.82, 74.69

 

CMYK 16 / 0 / 74 / 10

HEX #C2E63B

RGB 194 230 59

HSL 72.63, 0.77%, 0.57%

LAB 86.2, -33.31, 73.76

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 72 / 83 / 3

HEX #F8452A

RGB 248 69 42

HSL 7.86, 0.94%, 0.57%

LAB 56.47, 66.23, 54.68

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 55 / 64 / 16

HEX #D55F4D

RGB 213 95 77

HSL 7.94, 0.62%, 0.57%

LAB 54.93, 45.22, 32.97

 

CMYK 0 / 45 / 51 / 24

HEX #C36C5F

RGB 195 108 95

HSL 7.8, 0.45%, 0.57%

LAB 55.23, 33.16, 22.55

 

CMYK 0 / 32 / 36 / 31

HEX #B17971

RGB 177 121 113

HSL 7.5, 0.29%, 0.57%

LAB 56.3, 20.85, 13.24

 

CMYK 0 / 16 / 18 / 38

HEX #9F8682

RGB 159 134 130

HSL 8.28, 0.13%, 0.57%

LAB 58.07, 8.82, 5.68

 

CMYK 0 / 74 / 43 / 10

HEX #E63B83

RGB 230 59 131

HSL 334.74, 0.77%, 0.57%

LAB 53.59, 69.34, -0.19

 

CMYK 0 / 74 / 63 / 10

HEX #E63B55

RGB 230 59 85

HSL 350.88, 0.77%, 0.57%

LAB 52.52, 65.89, 25.89

 

CMYK 0 / 66 / 74 / 10

HEX #E64F3B

RGB 230 79 59

HSL 7.02, 0.77%, 0.57%

LAB 54.79, 57.35, 43.43

 

CMYK 0 / 46 / 74 / 10

HEX #E67D3B

RGB 230 125 59

HSL 23.16, 0.77%, 0.57%

LAB 63.18, 35.74, 52.31

 

CMYK 0 / 26 / 74 / 10

HEX #E6AB3B

RGB 230 171 59

HSL 39.3, 0.77%, 0.57%

LAB 73.72, 11.42, 62.86

 

CMYK 0 / 76 / 88 / 27

HEX #B92C16

RGB 185 44 22

HSL 8.1, 0.79%, 0.41%

LAB 41.49, 54.72, 46.36

 

CMYK 0 / 76 / 88 / 13

HEX #DE351B

RGB 222 53 27

HSL 8, 0.78%, 0.49%

LAB 49.68, 63.24, 53.69

 

CMYK 0 / 64 / 74 / 10

HEX #E6523B

RGB 230 82 59

HSL 8.07, 0.77%, 0.57%

LAB 55.25, 56.12, 43.93

 

CMYK 0 / 51 / 59 / 8

HEX #EB7360

RGB 235 115 96

HSL 8.2, 0.78%, 0.65%

LAB 62.31, 44.8, 32.27

 

CMYK 0 / 38 / 44 / 6

HEX #EF9385

RGB 239 147 133

HSL 7.92, 0.77%, 0.73%

LAB 70.11, 33.16, 22.15

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 23 / 0 / 74 / 10

HEX #B0E63B

RGB 176 230 59

HSL 78.95, 0.77%, 0.57%

LAB 85.07, -40.27, 72.29

 

CMYK 74 / 53 / 0 / 10

HEX #3B6CE6

RGB 59 108 230

HSL 222.81, 0.77%, 0.57%

LAB 48.72, 25.44, -66.66

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 74 / 0 / 66 / 10

HEX #3BE64F

RGB 59 230 79

HSL 127.02, 0.77%, 0.57%

LAB 80.79, -71.13, 59.29

 

CMYK 66 / 74 / 0 / 10

HEX #4F3BE6

RGB 79 59 230

HSL 247.02, 0.77%, 0.57%

LAB 38.73, 56.81, -82.96

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 23 / 0 / 74 / 10

HEX #B0E63B

RGB 176 230 59

HSL 78.95, 0.77%, 0.57%

LAB 85.07, -40.27, 72.29

 

CMYK 74 / 9 / 0 / 10

HEX #3BD2E6

RGB 59 210 230

HSL 187.02, 0.77%, 0.57%

LAB 77.72, -31.99, -21.1

 

CMYK 51 / 74 / 0 / 10

HEX #713BE6

RGB 113 59 230

HSL 258.95, 0.77%, 0.57%

LAB 41.77, 61.01, -77.85

 

CMYK 0 / 65 / 75 / 9

HEX #E7513A

RGB 231 81 58

HSL 7.98, 0.78%, 0.57%

LAB 55.26, 56.82, 44.51

 

CMYK 46 / 0 / 74 / 10

HEX #7DE63B

RGB 125 230 59

HSL 96.84, 0.77%, 0.57%

LAB 82.52, -57.81, 68.96

 

CMYK 74 / 9 / 0 / 10

HEX #3BD2E6

RGB 59 210 230

HSL 187.02, 0.77%, 0.57%

LAB 77.72, -31.99, -21.1

 

CMYK 28 / 74 / 0 / 10

HEX #A53BE6

RGB 165 59 230

HSL 277.19, 0.77%, 0.57%

LAB 48.06, 69.4, -67.32

 

Description

Color code: RGB 231 81 58 | qconv.com Color code: RGB 231 81 58 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 81 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 81 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 75 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 75% 9% C M Y K

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Provide designers and agencies with accurate color values.

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