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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 248 71 it is the complementary color RGB 199 7 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 248 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 248 71 shade: RGB 61 248 66, RGB 78 255 85, RGB 95 255 104, RGB 112 255 123 and RGB 129 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 248 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 248 71 shade: RGB 56 248 71, RGB 39 230 52, RGB 22 212 33, RGB 5 194 14 and RGB 0 176 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 248 71 shade: RGB 58 247 72, RGB 94 247 58, RGB 145 247 58, RGB 196 247 58 and RGB 247 247 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 248 71 shade: RGB 58 247 72, RGB 58 247 124, RGB 58 247 175, RGB 58 247 226 and RGB 58 218 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 248 71 shade matches the following richer shades: RGB 58 247 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 248 71 shade: RGB 58 247 72, RGB 74 231 86, RGB 91 214 100, RGB 107 198 114 and RGB 124 181 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 248 71 shade: RGB 146 247 58, RGB 96 247 58, RGB 58 247 70, RGB 58 247 121 and RGB 58 247 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 248 71 shade: RGB 7 215 24, RGB 18 246 36, RGB 58 247 72, RGB 97 249 109 and RGB 137 250 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 248 71 shade: RGB 56 248 71, RGB 58 197 247 and RGB 247 58 121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 248 71 shade: RGB 56 248 71, RGB 70 58 247 and RGB 247 70 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 248 71 shade: RGB 56 248 71, RGB 58 197 247, RGB 247 58 235 and RGB 247 108 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 248 71 shade: RGB 56 248 71, RGB 58 140 247, RGB 247 58 235 and RGB 247 165 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 71 / 3

HEX #38F847

RGB 56 248 71

HSL 124.69, 0.93%, 0.6%

LAB 86.22, -77.72, 68.01

 

Complementary color

CMYK 0 / 96 / 8 / 22

HEX #C707B8

RGB 199 7 184

HSL 304.69, 0.93%, 0.4%

LAB 46.65, 78.8, -42.79

 

CMYK 75 / 0 / 73 / 3

HEX #3DF842

RGB 61 248 66

HSL 121.6, 0.93%, 0.61%

LAB 86.27, -77.45, 69.78

 

CMYK 69 / 0 / 67 / 0

HEX #4EFF55

RGB 78 255 85

HSL 122.37, 1%, 0.65%

LAB 88.83, -75.46, 65.73

 

CMYK 63 / 0 / 59 / 0

HEX #5FFF68

RGB 95 255 104

HSL 123.38, 1%, 0.69%

LAB 89.37, -70.41, 58.72

 

CMYK 56 / 0 / 52 / 0

HEX #70FF7B

RGB 112 255 123

HSL 124.62, 1%, 0.72%

LAB 90.04, -64.47, 51.18

 

CMYK 49 / 0 / 44 / 0

HEX #81FF8E

RGB 129 255 142

HSL 126.19, 1%, 0.75%

LAB 90.84, -57.73, 43.33

 

CMYK 77 / 0 / 71 / 3

HEX #38F847

RGB 56 248 71

HSL 124.69, 0.93%, 0.6%

LAB 86.22, -77.72, 68.01

 

CMYK 83 / 0 / 77 / 10

HEX #27E634

RGB 39 230 52

HSL 124.08, 0.79%, 0.53%

LAB 80.33, -75.73, 68.28

 

CMYK 90 / 0 / 84 / 17

HEX #16D421

RGB 22 212 33

HSL 123.47, 0.81%, 0.46%

LAB 74.42, -73.08, 67.8

 

CMYK 97 / 0 / 93 / 24

HEX #05C20E

RGB 5 194 14

HSL 122.86, 0.95%, 0.39%

LAB 68.5, -69.64, 66.13

 

CMYK 100 / 0 / 100 / 31

HEX #00B000

RGB 0 176 0

HSL 120, 1%, 0.35%

LAB 62.55, -65.26, 62.99

 

CMYK 77 / 0 / 71 / 3

HEX #3AF748

RGB 58 247 72

HSL 124.44, 0.92%, 0.6%

LAB 85.95, -77.09, 67.39

 

CMYK 62 / 0 / 77 / 3

HEX #5EF73A

RGB 94 247 58

HSL 108.57, 0.92%, 0.6%

LAB 86.61, -71.87, 72.87

 

CMYK 41 / 0 / 77 / 3

HEX #91F73A

RGB 145 247 58

HSL 92.38, 0.92%, 0.6%

LAB 88.37, -58.18, 75.18

 

CMYK 21 / 0 / 77 / 3

HEX #C4F73A

RGB 196 247 58

HSL 76.19, 0.92%, 0.6%

LAB 91.04, -40.24, 78.62

 

CMYK 0 / 0 / 77 / 3

HEX #F7F73A

RGB 247 247 58

HSL 60, 0.92%, 0.6%

LAB 94.57, -19.99, 83.15

 

CMYK 77 / 0 / 71 / 3

HEX #3AF748

RGB 58 247 72

HSL 124.44, 0.92%, 0.6%

LAB 85.95, -77.09, 67.39

 

CMYK 77 / 0 / 50 / 3

HEX #3AF77C

RGB 58 247 124

HSL 140.95, 0.92%, 0.6%

LAB 86.44, -71.15, 46.01

 

CMYK 77 / 0 / 29 / 3

HEX #3AF7AF

RGB 58 247 175

HSL 157.14, 0.92%, 0.6%

LAB 87.25, -61.97, 21.77

 

CMYK 77 / 0 / 9 / 3

HEX #3AF7E2

RGB 58 247 226

HSL 173.33, 0.92%, 0.6%

LAB 88.41, -49.84, -3.02

 

CMYK 77 / 12 / 0 / 3

HEX #3ADAF7

RGB 58 218 247

HSL 189.21, 0.92%, 0.6%

LAB 80.6, -30.77, -25.78

 

CMYK 77 / 0 / 71 / 3

HEX #3AF748

RGB 58 247 72

HSL 124.44, 0.92%, 0.6%

LAB 85.95, -77.09, 67.39

 

CMYK 77 / 0 / 71 / 3

HEX #3AF748

RGB 58 247 72

HSL 124.44, 0.92%, 0.6%

LAB 85.95, -77.09, 67.39

 

CMYK 68 / 0 / 63 / 9

HEX #4AE756

RGB 74 231 86

HSL 124.59, 0.77%, 0.6%

LAB 81.45, -68.32, 57.23

 

CMYK 57 / 0 / 53 / 16

HEX #5BD664

RGB 91 214 100

HSL 124.39, 0.6%, 0.6%

LAB 76.82, -57.18, 45.73

 

CMYK 46 / 0 / 42 / 22

HEX #6BC672

RGB 107 198 114

HSL 124.62, 0.44%, 0.6%

LAB 72.71, -44.64, 33.83

 

CMYK 31 / 0 / 29 / 29

HEX #7CB580

RGB 124 181 128

HSL 124.21, 0.28%, 0.6%

LAB 68.67, -29.4, 21.25

 

CMYK 41 / 0 / 77 / 3

HEX #92F73A

RGB 146 247 58

HSL 92.06, 0.92%, 0.6%

LAB 88.42, -57.86, 75.24

 

CMYK 61 / 0 / 77 / 3

HEX #60F73A

RGB 96 247 58

HSL 107.94, 0.92%, 0.6%

LAB 86.66, -71.43, 72.94

 

CMYK 77 / 0 / 72 / 3

HEX #3AF746

RGB 58 247 70

HSL 123.81, 0.92%, 0.6%

LAB 85.94, -77.25, 68.08

 

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

CMYK 77 / 0 / 31 / 3

HEX #3AF7AB

RGB 58 247 171

HSL 155.87, 0.92%, 0.6%

LAB 87.17, -62.8, 23.71

 

CMYK 97 / 0 / 89 / 16

HEX #07D718

RGB 7 215 24

HSL 124.9, 0.94%, 0.44%

LAB 75.27, -74.97, 70.33

 

CMYK 93 / 0 / 85 / 4

HEX #12F624

RGB 18 246 36

HSL 124.74, 0.93%, 0.52%

LAB 85.08, -82.43, 76.63

 

CMYK 77 / 0 / 71 / 3

HEX #3AF748

RGB 58 247 72

HSL 124.44, 0.92%, 0.6%

LAB 85.95, -77.09, 67.39

 

CMYK 61 / 0 / 56 / 2

HEX #61F96D

RGB 97 249 109

HSL 124.74, 0.93%, 0.68%

LAB 87.68, -67.36, 54.58

 

CMYK 45 / 0 / 42 / 2

HEX #89FA92

RGB 137 250 146

HSL 124.78, 0.92%, 0.76%

LAB 89.75, -53.03, 40.05

 

CMYK 77 / 0 / 71 / 3

HEX #38F847

RGB 56 248 71

HSL 124.69, 0.93%, 0.6%

LAB 86.22, -77.72, 68.01

 

CMYK 77 / 20 / 0 / 3

HEX #3AC5F7

RGB 58 197 247

HSL 195.87, 0.92%, 0.6%

LAB 74.54, -20.3, -35.11

 

CMYK 0 / 77 / 51 / 3

HEX #F73A79

RGB 247 58 121

HSL 340, 0.92%, 0.6%

LAB 56.27, 73.29, 10.02

 

CMYK 77 / 0 / 71 / 3

HEX #38F847

RGB 56 248 71

HSL 124.69, 0.93%, 0.6%

LAB 86.22, -77.72, 68.01

 

CMYK 72 / 77 / 0 / 3

HEX #463AF7

RGB 70 58 247

HSL 243.81, 0.92%, 0.6%

LAB 39.65, 61.55, -91.07

 

CMYK 0 / 72 / 77 / 3

HEX #F7463A

RGB 247 70 58

HSL 3.81, 0.92%, 0.6%

LAB 56.55, 66.05, 46.73

 

CMYK 77 / 0 / 71 / 3

HEX #38F847

RGB 56 248 71

HSL 124.69, 0.93%, 0.6%

LAB 86.22, -77.72, 68.01

 

CMYK 77 / 20 / 0 / 3

HEX #3AC5F7

RGB 58 197 247

HSL 195.87, 0.92%, 0.6%

LAB 74.54, -20.3, -35.11

 

CMYK 0 / 77 / 5 / 3

HEX #F73AEB

RGB 247 58 235

HSL 303.81, 0.92%, 0.6%

LAB 60.6, 86.13, -49.34

 

CMYK 0 / 56 / 77 / 3

HEX #F76C3A

RGB 247 108 58

HSL 15.87, 0.92%, 0.6%

LAB 62.34, 50.52, 52.71

 

CMYK 77 / 0 / 71 / 3

HEX #38F847

RGB 56 248 71

HSL 124.69, 0.93%, 0.6%

LAB 86.22, -77.72, 68.01

 

CMYK 77 / 43 / 0 / 3

HEX #3A8CF7

RGB 58 140 247

HSL 213.97, 0.92%, 0.6%

LAB 58.39, 11.71, -60.56

 

CMYK 0 / 77 / 5 / 3

HEX #F73AEB

RGB 247 58 235

HSL 303.81, 0.92%, 0.6%

LAB 60.6, 86.13, -49.34

 

CMYK 0 / 33 / 77 / 3

HEX #F7A53A

RGB 247 165 58

HSL 33.97, 0.92%, 0.6%

LAB 74.18, 21.72, 64.35

 

Description

Color code: RGB 56 248 71 | qconv.com Color code: RGB 56 248 71 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 248 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 248 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 71 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 71% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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