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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF779 it is the complementary color #C50886. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF779. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF779 shade: #3FF774, #50FF87, #61FF9A, #72FFAD and #83FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF779. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF779 shade: #3AF779, #29E566, #18D353, #07C140 and #00AF2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF779 shade: #3BF679, #3BF647, #61F63B, #94F63B and #C7F63B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF779 shade: #3BF679, #3BF6AC, #3BF6DE, #3BDCF6 and #3BA9F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF779 shade matches the following richer shades: #3BF679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF779 shade: #3BF679, #4BE67F, #5CD584, #6CC58A and #7DB48F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF779 shade: #60F63B, #3BF647, #3BF679, #3BF6AB and #3BF6DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF779 shade: #08D64D, #13F55E, #3BF679, #62F894 and #8AFAAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF779 shade: #3AF779, #3B92F6 and #F63B47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF779 shade: #3AF779, #793BF6 and #F6793B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF779 shade: #3AF779, #3B92F6, #F63BB8 and #F69F3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF779 shade: #3AF779, #3B5AF6, #F63BB8 and #F6D73B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

Complementary color

CMYK 0 / 96 / 32 / 23

HEX #C50886

RGB 197 8 134

HSL 320, 0.92%, 0.4%

LAB 43.89, 72.2, -17.15

 

CMYK 74 / 0 / 53 / 3

HEX #3FF774

RGB 63 247 116

HSL 137.28, 0.92%, 0.61%

LAB 86.42, -71.65, 49.74

 

CMYK 69 / 0 / 47 / 0

HEX #50FF87

RGB 80 255 135

HSL 138.86, 1%, 0.66%

LAB 89.38, -69.08, 44.55

 

CMYK 62 / 0 / 40 / 0

HEX #61FF9A

RGB 97 255 154

HSL 141.65, 1%, 0.69%

LAB 90.04, -63.03, 36.25

 

CMYK 55 / 0 / 32 / 0

HEX #72FFAD

RGB 114 255 173

HSL 145.11, 1%, 0.72%

LAB 90.83, -56.21, 27.9

 

CMYK 49 / 0 / 25 / 0

HEX #83FFC0

RGB 131 255 192

HSL 149.52, 1%, 0.76%

LAB 91.75, -48.72, 19.6

 

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

CMYK 82 / 0 / 55 / 10

HEX #29E566

RGB 41 229 102

HSL 139.47, 0.78%, 0.53%

LAB 80.44, -70.3, 48.9

 

CMYK 89 / 0 / 61 / 17

HEX #18D353

RGB 24 211 83

HSL 138.93, 0.8%, 0.46%

LAB 74.45, -68.52, 50.4

 

CMYK 96 / 0 / 67 / 24

HEX #07C140

RGB 7 193 64

HSL 138.39, 0.93%, 0.39%

LAB 68.43, -66.11, 51.76

 

CMYK 100 / 0 / 74 / 31

HEX #00AF2D

RGB 0 175 45

HSL 135.43, 1%, 0.34%

LAB 62.38, -62.9, 52.78

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 76 / 0 / 71 / 4

HEX #3BF647

RGB 59 246 71

HSL 123.85, 0.91%, 0.6%

LAB 85.65, -76.74, 67.45

 

CMYK 61 / 0 / 76 / 4

HEX #61F63B

RGB 97 246 59

HSL 107.81, 0.91%, 0.6%

LAB 86.39, -70.82, 72.39

 

CMYK 40 / 0 / 76 / 4

HEX #94F63B

RGB 148 246 59

HSL 91.44, 0.91%, 0.6%

LAB 88.22, -56.78, 74.78

 

CMYK 19 / 0 / 76 / 4

HEX #C7F63B

RGB 199 246 59

HSL 75.08, 0.91%, 0.6%

LAB 90.95, -38.6, 78.32

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 76 / 0 / 30 / 4

HEX #3BF6AC

RGB 59 246 172

HSL 156.26, 0.91%, 0.6%

LAB 86.91, -62.11, 22.84

 

CMYK 76 / 0 / 10 / 4

HEX #3BF6DE

RGB 59 246 222

HSL 172.3, 0.91%, 0.6%

LAB 88.02, -50.36, -1.49

 

CMYK 76 / 11 / 0 / 4

HEX #3BDCF6

RGB 59 220 246

HSL 188.34, 0.91%, 0.6%

LAB 81.17, -31.93, -24.39

 

CMYK 76 / 31 / 0 / 4

HEX #3BA9F6

RGB 59 169 246

HSL 204.71, 0.91%, 0.6%

LAB 66.49, -5.47, -47.14

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 67 / 0 / 45 / 10

HEX #4BE67F

RGB 75 230 127

HSL 140.13, 0.76%, 0.6%

LAB 81.63, -62.35, 38.57

 

CMYK 57 / 0 / 38 / 16

HEX #5CD584

RGB 92 213 132

HSL 139.83, 0.59%, 0.6%

LAB 77, -51.68, 30.1

 

CMYK 45 / 0 / 30 / 23

HEX #6CC58A

RGB 108 197 138

HSL 140.22, 0.43%, 0.6%

LAB 72.86, -39.83, 21.5

 

CMYK 31 / 0 / 21 / 29

HEX #7DB48F

RGB 125 180 143

HSL 139.64, 0.27%, 0.6%

LAB 68.74, -25.83, 13.21

 

CMYK 61 / 0 / 76 / 4

HEX #60F63B

RGB 96 246 59

HSL 108.13, 0.91%, 0.6%

LAB 86.36, -71.04, 72.36

 

CMYK 76 / 0 / 71 / 4

HEX #3BF647

RGB 59 246 71

HSL 123.85, 0.91%, 0.6%

LAB 85.65, -76.74, 67.45

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 76 / 0 / 30 / 4

HEX #3BF6AB

RGB 59 246 171

HSL 155.94, 0.91%, 0.6%

LAB 86.89, -62.32, 23.32

 

CMYK 76 / 0 / 10 / 4

HEX #3BF6DD

RGB 59 246 221

HSL 171.98, 0.91%, 0.6%

LAB 88, -50.62, -1.01

 

CMYK 96 / 0 / 64 / 16

HEX #08D64D

RGB 8 214 77

HSL 140.1, 0.93%, 0.44%

LAB 75.25, -70.91, 53.87

 

CMYK 92 / 0 / 62 / 4

HEX #13F55E

RGB 19 245 94

HSL 139.91, 0.92%, 0.52%

LAB 85.12, -77.7, 57.82

 

CMYK 76 / 0 / 51 / 4

HEX #3BF679

RGB 59 246 121

HSL 139.89, 0.91%, 0.6%

LAB 86.12, -71.14, 47.03

 

CMYK 60 / 0 / 40 / 3

HEX #62F894

RGB 98 248 148

HSL 140, 0.91%, 0.68%

LAB 87.91, -61.23, 36.42

 

CMYK 45 / 0 / 30 / 2

HEX #8AFAAF

RGB 138 250 175

HSL 139.82, 0.92%, 0.76%

LAB 90.26, -48.03, 26.25

 

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

CMYK 76 / 41 / 0 / 4

HEX #3B92F6

RGB 59 146 246

HSL 212.09, 0.91%, 0.6%

LAB 60.02, 7.85, -57.4

 

CMYK 0 / 76 / 71 / 4

HEX #F63B47

RGB 246 59 71

HSL 356.15, 0.91%, 0.6%

LAB 55.25, 69.77, 38.09

 

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

CMYK 51 / 76 / 0 / 4

HEX #793BF6

RGB 121 59 246

HSL 259.89, 0.91%, 0.6%

LAB 44.01, 66.25, -83.17

 

CMYK 0 / 51 / 76 / 4

HEX #F6793B

RGB 246 121 59

HSL 19.89, 0.91%, 0.6%

LAB 64.63, 43.97, 54.51

 

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

CMYK 76 / 41 / 0 / 4

HEX #3B92F6

RGB 59 146 246

HSL 212.09, 0.91%, 0.6%

LAB 60.02, 7.85, -57.4

 

CMYK 0 / 76 / 25 / 4

HEX #F63BB8

RGB 246 59 184

HSL 319.89, 0.91%, 0.6%

LAB 58.21, 78.92, -24.12

 

CMYK 0 / 35 / 76 / 4

HEX #F69F3B

RGB 246 159 59

HSL 32.09, 0.91%, 0.6%

LAB 72.7, 24.5, 62.49

 

CMYK 77 / 0 / 51 / 3

HEX #3AF779

RGB 58 247 121

HSL 140, 0.92%, 0.6%

LAB 86.41, -71.59, 47.38

 

CMYK 76 / 63 / 0 / 4

HEX #3B5AF6

RGB 59 90 246

HSL 230.05, 0.91%, 0.6%

LAB 45.49, 42.38, -80.91

 

CMYK 0 / 76 / 25 / 4

HEX #F63BB8

RGB 246 59 184

HSL 319.89, 0.91%, 0.6%

LAB 58.21, 78.92, -24.12

 

CMYK 0 / 13 / 76 / 4

HEX #F6D73B

RGB 246 215 59

HSL 50.05, 0.91%, 0.6%

LAB 86.26, -4.61, 75.28

 

Description

Color code: HEX #3AF779 | qconv.com Color code: HEX #3AF779 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 247 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 247 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 51 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 51% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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