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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 81 109 it is the complementary color RGB 199 174 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 81 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 81 109 shade: RGB 61 81 104, RGB 78 99 123, RGB 95 117 142, RGB 112 135 161 and RGB 129 153 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 81 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 81 109 shade: RGB 56 81 109, RGB 39 63 90, RGB 22 45 71, RGB 5 27 52 and RGB 0 9 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 81 109 shade: RGB 55 80 107, RGB 55 66 107, RGB 59 55 107, RGB 73 55 107 and RGB 87 55 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 81 109 shade: RGB 55 80 107, RGB 55 66 107 and RGB 55 55 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 81 109 shade matches the following richer shades: RGB 55 80 107, RGB 42 79 120, RGB 29 78 134, RGB 15 77 147 and RGB 2 77 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 81 109 shade: RGB 55 80 107, RGB 68 80 94, RGB 81 81 81, RGB 95 82 68 and RGB 108 83 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 81 109 shade: RGB 55 107 106, RGB 55 94 107, RGB 55 80 107, RGB 55 66 107 and RGB 58 55 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 81 109 shade: RGB 27 39 53, RGB 41 59 80, RGB 55 80 107, RGB 69 100 134 and RGB 83 120 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 81 109 shade: RGB 56 81 109, RGB 92 55 107 and RGB 101 107 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 81 109 shade: RGB 56 81 109, RGB 107 55 80 and RGB 80 107 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 81 109 shade: RGB 56 81 109, RGB 92 55 107, RGB 107 82 55 and RGB 70 107 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 81 109 shade: RGB 56 81 109, RGB 107 55 106, RGB 107 82 55 and RGB 55 107 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 26 / 0 / 57

HEX #38516D

RGB 56 81 109

HSL 211.7, 0.32%, 0.32%

LAB 33.63, -1.04, -19.08

 

Complementary color

CMYK 0 / 13 / 27 / 22

HEX #C7AE92

RGB 199 174 146

HSL 31.7, 0.32%, 0.68%

LAB 72.55, 4.73, 17.7

 

CMYK 41 / 22 / 0 / 59

HEX #3D5168

RGB 61 81 104

HSL 212.09, 0.26%, 0.32%

LAB 33.72, -1.16, -15.76

 

CMYK 37 / 20 / 0 / 52

HEX #4E637B

RGB 78 99 123

HSL 212, 0.22%, 0.39%

LAB 41.17, -1.46, -15.98

 

CMYK 33 / 18 / 0 / 44

HEX #5F758E

RGB 95 117 142

HSL 211.91, 0.2%, 0.46%

LAB 48.4, -1.71, -16.23

 

CMYK 30 / 16 / 0 / 37

HEX #7087A1

RGB 112 135 161

HSL 211.84, 0.21%, 0.54%

LAB 55.43, -1.91, -16.51

 

CMYK 28 / 15 / 0 / 29

HEX #8199B4

RGB 129 153 180

HSL 211.76, 0.25%, 0.61%

LAB 62.29, -2.09, -16.81

 

CMYK 49 / 26 / 0 / 57

HEX #38516D

RGB 56 81 109

HSL 211.7, 0.32%, 0.32%

LAB 33.63, -1.04, -19.08

 

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

CMYK 69 / 37 / 0 / 72

HEX #162D47

RGB 22 45 71

HSL 211.84, 0.53%, 0.18%

LAB 17.93, 0.58, -18.93

 

CMYK 90 / 48 / 0 / 80

HEX #051B34

RGB 5 27 52

HSL 211.91, 0.82%, 0.11%

LAB 9.51, 2.24, -18.98

 

CMYK 100 / 73 / 0 / 87

HEX #000921

RGB 0 9 33

HSL 223.64, 1%, 0.06%

LAB 2.76, 3.36, -15.37

 

CMYK 49 / 25 / 0 / 58

HEX #37506B

RGB 55 80 107

HSL 211.15, 0.32%, 0.32%

LAB 33.16, -1.34, -18.55

 

CMYK 49 / 38 / 0 / 58

HEX #37426B

RGB 55 66 107

HSL 227.31, 0.32%, 0.32%

LAB 28.83, 7.82, -25.31

 

CMYK 45 / 49 / 0 / 58

HEX #3B376B

RGB 59 55 107

HSL 244.62, 0.32%, 0.32%

LAB 25.93, 16.37, -29.87

 

CMYK 32 / 49 / 0 / 58

HEX #49376B

RGB 73 55 107

HSL 260.77, 0.32%, 0.32%

LAB 27.33, 20.49, -27.57

 

CMYK 19 / 49 / 0 / 58

HEX #57376B

RGB 87 55 107

HSL 276.92, 0.32%, 0.32%

LAB 28.95, 24.9, -24.89

 

CMYK 49 / 25 / 0 / 58

HEX #37506B

RGB 55 80 107

HSL 211.15, 0.32%, 0.32%

LAB 33.16, -1.34, -18.55

 

CMYK 49 / 38 / 0 / 58

HEX #37426B

RGB 55 66 107

HSL 227.31, 0.32%, 0.32%

LAB 28.83, 7.82, -25.31

 

CMYK 49 / 49 / 0 / 58

HEX #37376B

RGB 55 55 107

HSL 240, 0.32%, 0.32%

LAB 25.58, 15.28, -30.45

 

CMYK 49 / 25 / 0 / 58

HEX #37506B

RGB 55 80 107

HSL 211.15, 0.32%, 0.32%

LAB 33.16, -1.34, -18.55

 

CMYK 65 / 34 / 0 / 53

HEX #2A4F78

RGB 42 79 120

HSL 211.54, 0.48%, 0.32%

LAB 32.79, 0.68, -27.31

 

CMYK 78 / 42 / 0 / 47

HEX #1D4E86

RGB 29 78 134

HSL 212, 0.64%, 0.32%

LAB 32.77, 4.57, -36.04

 

CMYK 90 / 48 / 0 / 42

HEX #0F4D93

RGB 15 77 147

HSL 211.82, 0.81%, 0.32%

LAB 32.95, 9.18, -43.72

 

CMYK 99 / 52 / 0 / 37

HEX #024DA0

RGB 2 77 160

HSL 211.52, 0.98%, 0.32%

LAB 33.69, 13.93, -50.42

 

CMYK 49 / 25 / 0 / 58

HEX #37506B

RGB 55 80 107

HSL 211.15, 0.32%, 0.32%

LAB 33.16, -1.34, -18.55

 

CMYK 28 / 15 / 0 / 63

HEX #44505E

RGB 68 80 94

HSL 212.31, 0.16%, 0.32%

LAB 33.51, -1.13, -9.74

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 0 / 14 / 28 / 63

HEX #5F5244

RGB 95 82 68

HSL 31.11, 0.17%, 0.32%

LAB 35.76, 2.91, 10.2

 

CMYK 0 / 23 / 50 / 58

HEX #6C5336

RGB 108 83 54

HSL 32.22, 0.33%, 0.32%

LAB 37.19, 6.33, 20.92

 

CMYK 49 / 0 / 1 / 58

HEX #376B6A

RGB 55 107 106

HSL 178.85, 0.32%, 0.32%

LAB 41.8, -17.61, -4.84

 

CMYK 49 / 12 / 0 / 58

HEX #375E6B

RGB 55 94 107

HSL 195, 0.32%, 0.32%

LAB 37.62, -9.92, -11.71

 

CMYK 49 / 25 / 0 / 58

HEX #37506B

RGB 55 80 107

HSL 211.15, 0.32%, 0.32%

LAB 33.16, -1.34, -18.55

 

CMYK 49 / 38 / 0 / 58

HEX #37426B

RGB 55 66 107

HSL 227.31, 0.32%, 0.32%

LAB 28.83, 7.82, -25.31

 

CMYK 46 / 49 / 0 / 58

HEX #3A376B

RGB 58 55 107

HSL 243.46, 0.32%, 0.32%

LAB 25.84, 16.09, -30.02

 

CMYK 49 / 26 / 0 / 79

HEX #1B2735

RGB 27 39 53

HSL 212.31, 0.33%, 0.16%

LAB 15.18, -0.61, -10.72

 

CMYK 49 / 26 / 0 / 69

HEX #293B50

RGB 41 59 80

HSL 212.31, 0.32%, 0.24%

LAB 24.25, -0.66, -15.02

 

CMYK 49 / 25 / 0 / 58

HEX #37506B

RGB 55 80 107

HSL 211.15, 0.32%, 0.32%

LAB 33.16, -1.34, -18.55

 

CMYK 49 / 25 / 0 / 47

HEX #456486

RGB 69 100 134

HSL 211.38, 0.32%, 0.4%

LAB 41.38, -1.35, -22.38

 

CMYK 49 / 26 / 0 / 36

HEX #5378A2

RGB 83 120 162

HSL 211.9, 0.32%, 0.48%

LAB 49.35, -1.05, -26.57

 

CMYK 49 / 26 / 0 / 57

HEX #38516D

RGB 56 81 109

HSL 211.7, 0.32%, 0.32%

LAB 33.63, -1.04, -19.08

 

CMYK 14 / 49 / 0 / 58

HEX #5C376B

RGB 92 55 107

HSL 282.69, 0.32%, 0.32%

LAB 29.59, 26.52, -23.86

 

CMYK 6 / 0 / 49 / 58

HEX #656B37

RGB 101 107 55

HSL 66.92, 0.32%, 0.32%

LAB 43.59, -10.9, 28.21

 

CMYK 49 / 26 / 0 / 57

HEX #38516D

RGB 56 81 109

HSL 211.7, 0.32%, 0.32%

LAB 33.63, -1.04, -19.08

 

CMYK 0 / 49 / 25 / 58

HEX #6B3750

RGB 107 55 80

HSL 331.15, 0.32%, 0.32%

LAB 30.49, 26.47, -4.86

 

CMYK 25 / 0 / 49 / 58

HEX #506B37

RGB 80 107 55

HSL 91.15, 0.32%, 0.32%

LAB 41.99, -19.94, 25.89

 

CMYK 49 / 26 / 0 / 57

HEX #38516D

RGB 56 81 109

HSL 211.7, 0.32%, 0.32%

LAB 33.63, -1.04, -19.08

 

CMYK 14 / 49 / 0 / 58

HEX #5C376B

RGB 92 55 107

HSL 282.69, 0.32%, 0.32%

LAB 29.59, 26.52, -23.86

 

CMYK 0 / 23 / 49 / 58

HEX #6B5237

RGB 107 82 55

HSL 31.15, 0.32%, 0.32%

LAB 36.81, 6.59, 19.81

 

CMYK 35 / 0 / 49 / 58

HEX #466B37

RGB 70 107 55

HSL 102.69, 0.32%, 0.32%

LAB 41.36, -23.9, 24.96

 

CMYK 49 / 26 / 0 / 57

HEX #38516D

RGB 56 81 109

HSL 211.7, 0.32%, 0.32%

LAB 33.63, -1.04, -19.08

 

CMYK 0 / 49 / 1 / 58

HEX #6B376A

RGB 107 55 106

HSL 301.15, 0.32%, 0.32%

LAB 31.58, 31.22, -19.96

 

CMYK 0 / 23 / 49 / 58

HEX #6B5237

RGB 107 82 55

HSL 31.15, 0.32%, 0.32%

LAB 36.81, 6.59, 19.81

 

CMYK 49 / 0 / 48 / 58

HEX #376B38

RGB 55 107 56

HSL 121.15, 0.32%, 0.32%

LAB 40.59, -29.04, 23.27

 

Description

Color code: RGB 56 81 109 | qconv.com Color code: RGB 56 81 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 81 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 81 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 26 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 26% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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