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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #273F5A it is the complementary color #D8C0A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #273F5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #273F5A shade: #2C3F55, #3D5168, #4E637B, #5F758E and #7087A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #273F5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #273F5A shade: #273F5A, #162D47, #051B34, #000921 and #00000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #273F5A shade: #263E59, #263059, #292659, #372659 and #452659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #273F5A shade: #263E59, #263059 and #262659

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #273F5A shade matches the following richer shades: #263E59, #1B3D63, #113D6D and #073C78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #273F5A shade: #263E59, #303E4E, #3A3F44, #45403A and #4F402F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #273F5A shade: #265958, #264C59, #263E59, #263159 and #282659

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #273F5A shade: #0D151F, #192A3C, #263E59, #325276 and #3F6693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #273F5A shade: #273F5A, #4A2659 and #535926

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #273F5A shade: #273F5A, #59263E and #3E5926

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #273F5A shade: #273F5A, #4A2659, #594026 and #345926

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #273F5A shade: #273F5A, #592658, #594026 and #265927

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

Complementary color

CMYK 0 / 11 / 24 / 15

HEX #D8C0A5

RGB 216 192 165

HSL 31.76, 0.4%, 0.75%

LAB 79.05, 4.32, 16.72

 

CMYK 48 / 26 / 0 / 67

HEX #2C3F55

RGB 44 63 85

HSL 212.2, 0.32%, 0.25%

LAB 26, -0.74, -15.59

 

CMYK 41 / 22 / 0 / 59

HEX #3D5168

RGB 61 81 104

HSL 212.09, 0.26%, 0.32%

LAB 33.72, -1.16, -15.76

 

CMYK 37 / 20 / 0 / 52

HEX #4E637B

RGB 78 99 123

HSL 212, 0.22%, 0.39%

LAB 41.17, -1.46, -15.98

 

CMYK 33 / 18 / 0 / 44

HEX #5F758E

RGB 95 117 142

HSL 211.91, 0.2%, 0.46%

LAB 48.4, -1.71, -16.23

 

CMYK 30 / 16 / 0 / 37

HEX #7087A1

RGB 112 135 161

HSL 211.84, 0.21%, 0.54%

LAB 55.43, -1.91, -16.51

 

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

CMYK 69 / 37 / 0 / 72

HEX #162D47

RGB 22 45 71

HSL 211.84, 0.53%, 0.18%

LAB 17.93, 0.58, -18.93

 

CMYK 90 / 48 / 0 / 80

HEX #051B34

RGB 5 27 52

HSL 211.91, 0.82%, 0.11%

LAB 9.51, 2.24, -18.98

 

CMYK 100 / 73 / 0 / 87

HEX #000921

RGB 0 9 33

HSL 223.64, 1%, 0.06%

LAB 2.76, 3.36, -15.37

 

CMYK 100 / 100 / 0 / 95

HEX #00000E

RGB 0 0 14

HSL 240, 1%, 0.03%

LAB 0.29, 2.01, -5.48

 

CMYK 57 / 30 / 0 / 65

HEX #263E59

RGB 38 62 89

HSL 211.76, 0.4%, 0.25%

LAB 25.5, -0.37, -19.01

 

CMYK 57 / 46 / 0 / 65

HEX #263059

RGB 38 48 89

HSL 228.24, 0.4%, 0.25%

LAB 21.01, 9.32, -26.08

 

CMYK 54 / 57 / 0 / 65

HEX #292659

RGB 41 38 89

HSL 243.53, 0.4%, 0.25%

LAB 18.27, 17.2, -30.45

 

CMYK 38 / 57 / 0 / 65

HEX #372659

RGB 55 38 89

HSL 260, 0.4%, 0.25%

LAB 19.72, 20.99, -28.04

 

CMYK 22 / 57 / 0 / 65

HEX #452659

RGB 69 38 89

HSL 276.47, 0.4%, 0.25%

LAB 21.48, 25.18, -25.14

 

CMYK 57 / 30 / 0 / 65

HEX #263E59

RGB 38 62 89

HSL 211.76, 0.4%, 0.25%

LAB 25.5, -0.37, -19.01

 

CMYK 57 / 46 / 0 / 65

HEX #263059

RGB 38 48 89

HSL 228.24, 0.4%, 0.25%

LAB 21.01, 9.32, -26.08

 

CMYK 57 / 57 / 0 / 65

HEX #262659

RGB 38 38 89

HSL 240, 0.4%, 0.25%

LAB 18.01, 16.46, -30.89

 

CMYK 57 / 30 / 0 / 65

HEX #263E59

RGB 38 62 89

HSL 211.76, 0.4%, 0.25%

LAB 25.5, -0.37, -19.01

 

CMYK 73 / 38 / 0 / 61

HEX #1B3D63

RGB 27 61 99

HSL 211.67, 0.57%, 0.25%

LAB 25.17, 1.7, -26.05

 

CMYK 84 / 44 / 0 / 57

HEX #113D6D

RGB 17 61 109

HSL 211.3, 0.73%, 0.25%

LAB 25.44, 4.36, -32.07

 

CMYK 94 / 50 / 0 / 53

HEX #073C78

RGB 7 60 120

HSL 211.86, 0.89%, 0.25%

LAB 25.66, 8.93, -38.73

 

CMYK 57 / 30 / 0 / 65

HEX #263E59

RGB 38 62 89

HSL 211.76, 0.4%, 0.25%

LAB 25.5, -0.37, -19.01

 

CMYK 38 / 21 / 0 / 69

HEX #303E4E

RGB 48 62 78

HSL 212, 0.24%, 0.25%

LAB 25.63, -1.07, -11.54

 

CMYK 15 / 7 / 0 / 73

HEX #3A3F44

RGB 58 63 68

HSL 210, 0.08%, 0.25%

LAB 26.37, -0.86, -3.77

 

CMYK 0 / 7 / 16 / 73

HEX #45403A

RGB 69 64 58

HSL 32.73, 0.09%, 0.25%

LAB 27.4, 0.91, 4.43

 

CMYK 0 / 19 / 41 / 69

HEX #4F402F

RGB 79 64 47

HSL 31.88, 0.25%, 0.25%

LAB 28.21, 3.68, 12.84

 

CMYK 57 / 0 / 1 / 65

HEX #265958

RGB 38 89 88

HSL 178.82, 0.4%, 0.25%

LAB 34.52, -17.22, -4.62

 

CMYK 57 / 15 / 0 / 65

HEX #264C59

RGB 38 76 89

HSL 195.29, 0.4%, 0.25%

LAB 30.16, -9.32, -11.82

 

CMYK 57 / 30 / 0 / 65

HEX #263E59

RGB 38 62 89

HSL 211.76, 0.4%, 0.25%

LAB 25.5, -0.37, -19.01

 

CMYK 57 / 45 / 0 / 65

HEX #263159

RGB 38 49 89

HSL 227.06, 0.4%, 0.25%

LAB 21.32, 8.61, -25.59

 

CMYK 55 / 57 / 0 / 65

HEX #282659

RGB 40 38 89

HSL 242.35, 0.4%, 0.25%

LAB 18.18, 16.95, -30.6

 

CMYK 58 / 32 / 0 / 88

HEX #0D151F

RGB 13 21 31

HSL 213.33, 0.41%, 0.09%

LAB 6.51, -0.15, -8.04

 

CMYK 58 / 30 / 0 / 76

HEX #192A3C

RGB 25 42 60

HSL 210.86, 0.41%, 0.17%

LAB 16.45, -0.81, -13.66

 

CMYK 57 / 30 / 0 / 65

HEX #263E59

RGB 38 62 89

HSL 211.76, 0.4%, 0.25%

LAB 25.5, -0.37, -19.01

 

CMYK 58 / 31 / 0 / 54

HEX #325276

RGB 50 82 118

HSL 211.76, 0.4%, 0.33%

LAB 34.03, -0.2, -24.09

 

CMYK 57 / 31 / 0 / 42

HEX #3F6693

RGB 63 102 147

HSL 212.14, 0.4%, 0.41%

LAB 42.26, 0.2, -28.85

 

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

CMYK 17 / 57 / 0 / 65

HEX #4A2659

RGB 74 38 89

HSL 282.35, 0.4%, 0.25%

LAB 22.17, 26.73, -23.99

 

CMYK 7 / 0 / 57 / 65

HEX #535926

RGB 83 89 38

HSL 67.06, 0.4%, 0.25%

LAB 36.22, -10.73, 28.32

 

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

CMYK 0 / 57 / 30 / 65

HEX #59263E

RGB 89 38 62

HSL 331.76, 0.4%, 0.25%

LAB 23.2, 26.56, -4.05

 

CMYK 30 / 0 / 57 / 65

HEX #3E5926

RGB 62 89 38

HSL 91.76, 0.4%, 0.25%

LAB 34.62, -20.11, 26.03

 

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

CMYK 17 / 57 / 0 / 65

HEX #4A2659

RGB 74 38 89

HSL 282.35, 0.4%, 0.25%

LAB 22.17, 26.73, -23.99

 

CMYK 0 / 28 / 57 / 65

HEX #594026

RGB 89 64 38

HSL 30.59, 0.4%, 0.25%

LAB 29.24, 7.4, 20.06

 

CMYK 42 / 0 / 57 / 65

HEX #345926

RGB 52 89 38

HSL 103.53, 0.4%, 0.25%

LAB 34.01, -24.09, 25.16

 

CMYK 57 / 30 / 0 / 65

HEX #273F5A

RGB 39 63 90

HSL 211.76, 0.4%, 0.25%

LAB 25.94, -0.41, -18.97

 

CMYK 0 / 57 / 1 / 65

HEX #592658

RGB 89 38 88

HSL 301.18, 0.4%, 0.25%

LAB 24.37, 31.24, -19.72

 

CMYK 0 / 28 / 57 / 65

HEX #594026

RGB 89 64 38

HSL 30.59, 0.4%, 0.25%

LAB 29.24, 7.4, 20.06

 

CMYK 57 / 0 / 56 / 65

HEX #265927

RGB 38 89 39

HSL 121.18, 0.4%, 0.25%

LAB 33.36, -28.73, 23.66

 

Description

Color code: HEX #273F5A | qconv.com Color code: HEX #273F5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 63 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 63 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 30 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 30% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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