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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 219 197 it is the complementary color RGB 198 36 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 219 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 219 197 shade: RGB 62 219 192, RGB 79 237 211, RGB 96 255 230, RGB 113 255 249 and RGB 130 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 219 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 219 197 shade: RGB 57 219 197, RGB 40 201 178, RGB 23 183 159, RGB 6 165 140 and RGB 0 147 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 219 197 shade: RGB 56 218 196, RGB 56 218 152, RGB 56 218 109, RGB 56 218 65 and RGB 91 218 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 219 197 shade: RGB 56 218 196, RGB 56 196 218, RGB 56 153 218, RGB 56 109 218 and RGB 56 66 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 219 197 shade matches the following richer shades: RGB 56 218 196 and RGB 37 237 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 219 197 shade: RGB 56 218 196, RGB 75 199 182, RGB 94 180 169, RGB 113 161 155 and RGB 132 142 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 219 197 shade: RGB 56 218 108, RGB 56 218 151, RGB 56 218 194, RGB 56 199 218 and RGB 56 156 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 219 197 shade: RGB 29 162 144, RGB 36 197 175, RGB 56 218 196, RGB 91 225 206 and RGB 126 231 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 219 197 shade: RGB 57 219 197, RGB 64 56 218 and RGB 218 129 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 219 197 shade: RGB 57 219 197, RGB 194 56 218 and RGB 218 194 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 219 197 shade: RGB 57 219 197, RGB 64 56 218, RGB 218 56 81 and RGB 210 218 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 219 197 shade: RGB 57 219 197, RGB 113 56 218, RGB 218 56 81 and RGB 161 218 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 10 / 14

HEX #39DBC5

RGB 57 219 197

HSL 171.85, 0.69%, 0.54%

LAB 79.37, -45.66, -0.98

 

Complementary color

CMYK 0 / 82 / 71 / 22

HEX #C6243A

RGB 198 36 58

HSL 351.85, 0.69%, 0.46%

LAB 43.61, 62.04, 29.66

 

CMYK 72 / 0 / 12 / 14

HEX #3EDBC0

RGB 62 219 192

HSL 169.68, 0.69%, 0.55%

LAB 79.32, -46.35, 1.63

 

CMYK 67 / 0 / 11 / 7

HEX #4FEDD3

RGB 79 237 211

HSL 170.13, 0.81%, 0.62%

LAB 85.47, -46.91, 0.58

 

CMYK 62 / 0 / 10 / 0

HEX #60FFE6

RGB 96 255 230

HSL 170.57, 1%, 0.69%

LAB 91.56, -47.3, -0.4

 

CMYK 56 / 0 / 2 / 0

HEX #71FFF9

RGB 113 255 249

HSL 177.46, 1%, 0.72%

LAB 92.52, -39.62, -8.77

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 74 / 0 / 10 / 14

HEX #39DBC5

RGB 57 219 197

HSL 171.85, 0.69%, 0.54%

LAB 79.37, -45.66, -0.98

 

CMYK 80 / 0 / 11 / 21

HEX #28C9B2

RGB 40 201 178

HSL 171.43, 0.67%, 0.47%

LAB 73.18, -44.73, 0.16

 

CMYK 87 / 0 / 13 / 28

HEX #17B79F

RGB 23 183 159

HSL 171, 0.78%, 0.4%

LAB 66.94, -43.48, 1.43

 

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

CMYK 100 / 0 / 18 / 42

HEX #009379

RGB 0 147 121

HSL 169.39, 1%, 0.29%

LAB 54.29, -39.64, 4.45

 

CMYK 74 / 0 / 10 / 15

HEX #38DAC4

RGB 56 218 196

HSL 171.85, 0.69%, 0.54%

LAB 79.02, -45.6, -0.95

 

CMYK 74 / 0 / 30 / 15

HEX #38DA98

RGB 56 218 152

HSL 155.56, 0.69%, 0.54%

LAB 78.02, -56.1, 20.95

 

CMYK 74 / 0 / 50 / 15

HEX #38DA6D

RGB 56 218 109

HSL 139.63, 0.69%, 0.54%

LAB 77.33, -63.91, 41.86

 

CMYK 74 / 0 / 70 / 15

HEX #38DA41

RGB 56 218 65

HSL 123.33, 0.69%, 0.54%

LAB 76.9, -69.1, 60.55

 

CMYK 58 / 0 / 74 / 15

HEX #5BDA38

RGB 91 218 56

HSL 107.04, 0.69%, 0.54%

LAB 77.67, -62.94, 64.77

 

CMYK 74 / 0 / 10 / 15

HEX #38DAC4

RGB 56 218 196

HSL 171.85, 0.69%, 0.54%

LAB 79.02, -45.6, -0.95

 

CMYK 74 / 10 / 0 / 15

HEX #38C4DA

RGB 56 196 218

HSL 188.15, 0.69%, 0.54%

LAB 73.14, -29.21, -21.59

 

CMYK 74 / 30 / 0 / 15

HEX #3899DA

RGB 56 153 218

HSL 204.07, 0.69%, 0.54%

LAB 60.5, -6.53, -41.13

 

CMYK 74 / 50 / 0 / 15

HEX #386DDA

RGB 56 109 218

HSL 220.37, 0.69%, 0.54%

LAB 48.06, 20.06, -60.96

 

CMYK 74 / 70 / 0 / 15

HEX #3842DA

RGB 56 66 218

HSL 236.3, 0.69%, 0.54%

LAB 37.48, 46.9, -78.21

 

CMYK 74 / 0 / 10 / 15

HEX #38DAC4

RGB 56 218 196

HSL 171.85, 0.69%, 0.54%

LAB 79.02, -45.6, -0.95

 

CMYK 84 / 0 / 11 / 7

HEX #25EDD2

RGB 37 237 210

HSL 171.9, 0.85%, 0.54%

LAB 84.8, -51.6, 0.04

 

CMYK 74 / 0 / 10 / 15

HEX #38DAC4

RGB 56 218 196

HSL 171.85, 0.69%, 0.54%

LAB 79.02, -45.6, -0.95

 

CMYK 62 / 0 / 9 / 22

HEX #4BC7B6

RGB 75 199 182

HSL 171.77, 0.53%, 0.54%

LAB 73.36, -38.19, -1.66

 

CMYK 48 / 0 / 6 / 29

HEX #5EB4A9

RGB 94 180 169

HSL 172.33, 0.36%, 0.54%

LAB 67.94, -28.71, -2.43

 

CMYK 30 / 0 / 4 / 37

HEX #71A19B

RGB 113 161 155

HSL 172.5, 0.2%, 0.54%

LAB 62.82, -17.37, -2.05

 

CMYK 7 / 0 / 1 / 44

HEX #848E8D

RGB 132 142 141

HSL 174, 0.04%, 0.54%

LAB 58.2, -3.82, -0.72

 

CMYK 74 / 0 / 50 / 15

HEX #38DA6C

RGB 56 218 108

HSL 139.26, 0.69%, 0.54%

LAB 77.32, -64.06, 42.33

 

CMYK 74 / 0 / 31 / 15

HEX #38DA97

RGB 56 218 151

HSL 155.19, 0.69%, 0.54%

LAB 78, -56.31, 21.45

 

CMYK 74 / 0 / 11 / 15

HEX #38DAC2

RGB 56 218 194

HSL 171.11, 0.69%, 0.54%

LAB 78.97, -46.13, 0.04

 

CMYK 74 / 9 / 0 / 15

HEX #38C7DA

RGB 56 199 218

HSL 187.04, 0.69%, 0.54%

LAB 74.03, -30.67, -20.24

 

CMYK 74 / 28 / 0 / 15

HEX #389CDA

RGB 56 156 218

HSL 202.96, 0.69%, 0.54%

LAB 61.38, -8.22, -39.76

 

CMYK 82 / 0 / 11 / 36

HEX #1DA290

RGB 29 162 144

HSL 171.88, 0.7%, 0.37%

LAB 59.99, -37.99, -0.32

 

CMYK 82 / 0 / 11 / 23

HEX #24C5AF

RGB 36 197 175

HSL 171.8, 0.69%, 0.46%

LAB 71.83, -44.17, -0.19

 

CMYK 74 / 0 / 10 / 15

HEX #38DAC4

RGB 56 218 196

HSL 171.85, 0.69%, 0.54%

LAB 79.02, -45.6, -0.95

 

CMYK 60 / 0 / 8 / 12

HEX #5BE1CE

RGB 91 225 206

HSL 171.49, 0.69%, 0.62%

LAB 82.13, -40.97, -1.64

 

CMYK 45 / 0 / 6 / 9

HEX #7EE7D9

RGB 126 231 217

HSL 172, 0.69%, 0.7%

LAB 85.3, -33.81, -2.66

 

CMYK 74 / 0 / 10 / 14

HEX #39DBC5

RGB 57 219 197

HSL 171.85, 0.69%, 0.54%

LAB 79.37, -45.66, -0.98

 

CMYK 71 / 74 / 0 / 15

HEX #4038DA

RGB 64 56 218

HSL 242.96, 0.69%, 0.54%

LAB 35.95, 53.22, -80.73

 

CMYK 0 / 41 / 74 / 15

HEX #DA8138

RGB 218 129 56

HSL 27.04, 0.69%, 0.54%

LAB 62.42, 28.65, 52.39

 

CMYK 74 / 0 / 10 / 14

HEX #39DBC5

RGB 57 219 197

HSL 171.85, 0.69%, 0.54%

LAB 79.37, -45.66, -0.98

 

CMYK 11 / 74 / 0 / 15

HEX #C238DA

RGB 194 56 218

HSL 291.11, 0.69%, 0.54%

LAB 51.11, 73.58, -55.38

 

CMYK 0 / 11 / 74 / 15

HEX #DAC238

RGB 218 194 56

HSL 51.11, 0.69%, 0.54%

LAB 78.33, -5.9, 67.98

 

CMYK 74 / 0 / 10 / 14

HEX #39DBC5

RGB 57 219 197

HSL 171.85, 0.69%, 0.54%

LAB 79.37, -45.66, -0.98

 

CMYK 71 / 74 / 0 / 15

HEX #4038DA

RGB 64 56 218

HSL 242.96, 0.69%, 0.54%

LAB 35.95, 53.22, -80.73

 

CMYK 0 / 74 / 63 / 15

HEX #DA3851

RGB 218 56 81

HSL 350.74, 0.69%, 0.54%

LAB 49.89, 63.14, 24.45

 

CMYK 4 / 0 / 74 / 15

HEX #D2DA38

RGB 210 218 56

HSL 62.96, 0.69%, 0.54%

LAB 84.03, -21.29, 73.09

 

CMYK 74 / 0 / 10 / 14

HEX #39DBC5

RGB 57 219 197

HSL 171.85, 0.69%, 0.54%

LAB 79.37, -45.66, -0.98

 

CMYK 48 / 74 / 0 / 15

HEX #7138DA

RGB 113 56 218

HSL 261.11, 0.69%, 0.54%

LAB 40.25, 59.24, -73.5

 

CMYK 0 / 74 / 63 / 15

HEX #DA3851

RGB 218 56 81

HSL 350.74, 0.69%, 0.54%

LAB 49.89, 63.14, 24.45

 

CMYK 26 / 0 / 74 / 15

HEX #A1DA38

RGB 161 218 56

HSL 81.11, 0.69%, 0.54%

LAB 80.74, -40.79, 68.81

 

Description

Color code: RGB 57 219 197 | qconv.com Color code: RGB 57 219 197 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 219 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 219 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 10 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 10% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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