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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06A58C it is the complementary color #F95A73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06A58C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06A58C shade: #0BA587, #1CB79A, #2DC9AD, #3EDBC0 and #4FEDD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06A58C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06A58C shade: #06A58C, #009379, #008166, #006F53 and #005D40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06A58C shade: #06A78D, #06A762, #06A737, #06A70B and #2CA706

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06A58C shade: #06A78D, #0695A7, #0669A7, #063EA7 and #0612A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06A58C shade matches the following richer shades: #06A78D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06A58C shade: #06A78D, #149984, #228B7A, #307D71 and #3E6F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06A58C shade: #06A736, #06A761, #06A78C, #0697A7 and #066CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06A58C shade: #03574A, #047F6C, #06A78D, #07CFAF and #09F6D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06A58C shade: #06A58C, #0B06A7 and #A74B06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06A58C shade: #06A58C, #8C06A7 and #A78C06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06A58C shade: #06A58C, #0B06A7, #A70620 and #A1A706

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06A58C shade: #06A58C, #3B06A7, #A70620 and #71A706

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

Complementary color

CMYK 0 / 64 / 54 / 2

HEX #F95A73

RGB 249 90 115

HSL 350.57, 0.93%, 0.66%

LAB 60.51, 62.27, 19.48

 

CMYK 93 / 0 / 18 / 35

HEX #0BA587

RGB 11 165 135

HSL 168.31, 0.88%, 0.35%

LAB 60.54, -42.97, 5.52

 

CMYK 85 / 0 / 16 / 28

HEX #1CB79A

RGB 28 183 154

HSL 168.77, 0.73%, 0.41%

LAB 66.86, -44.47, 4.08

 

CMYK 78 / 0 / 14 / 21

HEX #2DC9AD

RGB 45 201 173

HSL 169.23, 0.63%, 0.48%

LAB 73.12, -45.57, 2.79

 

CMYK 72 / 0 / 12 / 14

HEX #3EDBC0

RGB 62 219 192

HSL 169.68, 0.69%, 0.55%

LAB 79.32, -46.35, 1.63

 

CMYK 67 / 0 / 11 / 7

HEX #4FEDD3

RGB 79 237 211

HSL 170.13, 0.81%, 0.62%

LAB 85.47, -46.91, 0.58

 

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

CMYK 100 / 0 / 18 / 42

HEX #009379

RGB 0 147 121

HSL 169.39, 1%, 0.29%

LAB 54.29, -39.64, 4.45

 

CMYK 100 / 0 / 21 / 49

HEX #008166

RGB 0 129 102

HSL 167.44, 1%, 0.25%

LAB 47.83, -37.14, 6.19

 

CMYK 100 / 0 / 25 / 56

HEX #006F53

RGB 0 111 83

HSL 164.86, 1%, 0.22%

LAB 41.21, -34.57, 8.05

 

CMYK 100 / 0 / 31 / 64

HEX #005D40

RGB 0 93 64

HSL 161.29, 1%, 0.18%

LAB 34.39, -31.89, 10.03

 

CMYK 96 / 0 / 16 / 35

HEX #06A78D

RGB 6 167 141

HSL 170.31, 0.93%, 0.34%

LAB 61.31, -42.4, 3.25

 

CMYK 96 / 0 / 41 / 35

HEX #06A762

RGB 6 167 98

HSL 154.29, 0.93%, 0.34%

LAB 60.39, -52.62, 25.69

 

CMYK 96 / 0 / 67 / 35

HEX #06A737

RGB 6 167 55

HSL 138.26, 0.93%, 0.34%

LAB 59.85, -59.24, 46.17

 

CMYK 96 / 0 / 93 / 35

HEX #06A70B

RGB 6 167 11

HSL 121.86, 0.93%, 0.34%

LAB 59.62, -62.17, 59.1

 

CMYK 74 / 0 / 96 / 35

HEX #2CA706

RGB 44 167 6

HSL 105.84, 0.93%, 0.34%

LAB 60.06, -58.29, 60.34

 

CMYK 96 / 0 / 16 / 35

HEX #06A78D

RGB 6 167 141

HSL 170.31, 0.93%, 0.34%

LAB 61.31, -42.4, 3.25

 

CMYK 96 / 11 / 0 / 35

HEX #0695A7

RGB 6 149 167

HSL 186.71, 0.93%, 0.34%

LAB 56.41, -26.06, -18.77

 

CMYK 96 / 37 / 0 / 35

HEX #0669A7

RGB 6 105 167

HSL 203.11, 0.93%, 0.34%

LAB 42.66, -1.31, -40.19

 

CMYK 96 / 63 / 0 / 35

HEX #063EA7

RGB 6 62 167

HSL 219.13, 0.93%, 0.34%

LAB 30.09, 27.28, -60.48

 

CMYK 96 / 89 / 0 / 35

HEX #0612A7

RGB 6 18 167

HSL 235.53, 0.93%, 0.34%

LAB 21.06, 52.46, -75.42

 

CMYK 96 / 0 / 16 / 35

HEX #06A78D

RGB 6 167 141

HSL 170.31, 0.93%, 0.34%

LAB 61.31, -42.4, 3.25

 

CMYK 96 / 0 / 16 / 35

HEX #06A78D

RGB 6 167 141

HSL 170.31, 0.93%, 0.34%

LAB 61.31, -42.4, 3.25

 

CMYK 87 / 0 / 14 / 40

HEX #149984

RGB 20 153 132

HSL 170.53, 0.77%, 0.34%

LAB 56.68, -38.1, 1.64

 

CMYK 76 / 0 / 12 / 45

HEX #228B7A

RGB 34 139 122

HSL 170.29, 0.61%, 0.34%

LAB 52.07, -33.16, 0.71

 

CMYK 62 / 0 / 10 / 51

HEX #307D71

RGB 48 125 113

HSL 170.65, 0.45%, 0.34%

LAB 47.61, -26.64, -0.5

 

CMYK 44 / 0 / 7 / 56

HEX #3E6F67

RGB 62 111 103

HSL 170.2, 0.28%, 0.34%

LAB 43.32, -18.71, -0.74

 

CMYK 96 / 0 / 68 / 35

HEX #06A736

RGB 6 167 54

HSL 137.89, 0.93%, 0.34%

LAB 59.84, -59.35, 46.58

 

CMYK 96 / 0 / 42 / 35

HEX #06A761

RGB 6 167 97

HSL 153.91, 0.93%, 0.34%

LAB 60.37, -52.82, 26.2

 

CMYK 96 / 0 / 16 / 35

HEX #06A78C

RGB 6 167 140

HSL 169.94, 0.93%, 0.34%

LAB 61.28, -42.68, 3.77

 

CMYK 96 / 10 / 0 / 35

HEX #0697A7

RGB 6 151 167

HSL 185.96, 0.93%, 0.34%

LAB 57.04, -27.07, -17.81

 

CMYK 96 / 35 / 0 / 35

HEX #066CA7

RGB 6 108 167

HSL 201.99, 0.93%, 0.34%

LAB 43.59, -3.16, -38.72

 

CMYK 97 / 0 / 15 / 66

HEX #03574A

RGB 3 87 74

HSL 170.71, 0.93%, 0.18%

LAB 32.55, -25.97, 1.19

 

CMYK 97 / 0 / 15 / 50

HEX #047F6C

RGB 4 127 108

HSL 170.73, 0.94%, 0.26%

LAB 47.35, -34.32, 1.98

 

CMYK 96 / 0 / 16 / 35

HEX #06A78D

RGB 6 167 141

HSL 170.31, 0.93%, 0.34%

LAB 61.31, -42.4, 3.25

 

CMYK 97 / 0 / 15 / 19

HEX #07CFAF

RGB 7 207 175

HSL 170.4, 0.93%, 0.42%

LAB 74.68, -49.89, 3.93

 

CMYK 96 / 0 / 15 / 4

HEX #09F6D0

RGB 9 246 208

HSL 170.38, 0.93%, 0.5%

LAB 87.25, -56.94, 4.64

 

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

CMYK 93 / 96 / 0 / 35

HEX #0B06A7

RGB 11 6 167

HSL 241.86, 0.93%, 0.34%

LAB 20.01, 56.13, -77.18

 

CMYK 0 / 55 / 96 / 35

HEX #A74B06

RGB 167 75 6

HSL 25.71, 0.93%, 0.34%

LAB 43.15, 34.72, 51.44

 

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

CMYK 16 / 96 / 0 / 35

HEX #8C06A7

RGB 140 6 167

HSL 289.94, 0.93%, 0.34%

LAB 34.99, 66.56, -51.97

 

CMYK 0 / 16 / 96 / 35

HEX #A78C06

RGB 167 140 6

HSL 49.94, 0.93%, 0.34%

LAB 58.96, -1.27, 62.51

 

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

CMYK 93 / 96 / 0 / 35

HEX #0B06A7

RGB 11 6 167

HSL 241.86, 0.93%, 0.34%

LAB 20.01, 56.13, -77.18

 

CMYK 0 / 96 / 81 / 35

HEX #A70620

RGB 167 6 32

HSL 350.31, 0.93%, 0.34%

LAB 34.9, 58.17, 33.79

 

CMYK 4 / 0 / 96 / 35

HEX #A1A706

RGB 161 167 6

HSL 62.24, 0.93%, 0.34%

LAB 65.93, -18.27, 67.47

 

CMYK 96 / 0 / 15 / 35

HEX #06A58C

RGB 6 165 140

HSL 170.57, 0.93%, 0.34%

LAB 60.64, -41.83, 2.85

 

CMYK 65 / 96 / 0 / 35

HEX #3B06A7

RGB 59 6 167

HSL 259.75, 0.93%, 0.34%

LAB 23.17, 57.74, -71.83

 

CMYK 0 / 96 / 81 / 35

HEX #A70620

RGB 167 6 32

HSL 350.31, 0.93%, 0.34%

LAB 34.9, 58.17, 33.79

 

CMYK 32 / 0 / 96 / 35

HEX #71A706

RGB 113 167 6

HSL 80.12, 0.93%, 0.34%

LAB 62.64, -38.34, 63.51

 

Description

Color code: HEX #06A58C | qconv.com Color code: HEX #06A58C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 165 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 165 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 15 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 15% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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